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4.2.

1 Come si legge la diteggiatura di una scala ____________________________________ 55


4.2.2 L’impostazione delle dita _________________________________________________ 56
4.2.3 La scala maggiore _______________________________________________________ 59
4.2.4 La scala pentatonica maggiore _____________________________________________ 64
4.2.5 La scala minore armonica _________________________________________________ 67
4.2.6 La scala minore melodica _________________________________________________ 70
4.2.7 La scala diminuita _______________________________________________________ 73
4.2.8 La scala diminuita arpeggiata ______________________________________________ 75
4.2.9 La scala di toni interi_____________________________________________________ 77
4.2.10 La scala maggiore armonica _______________________________________________ 79
4.2.11 La scala orientale________________________________________________________ 82
4.2.12 La scala ungherese maggiore ______________________________________________ 85
4.2.13 La scala enigmatica ______________________________________________________ 88
4.2.14 La scala napoletana ______________________________________________________ 90
4.2.15 La scala napoletana minore________________________________________________ 92
4.2.16 La scala cromatica_______________________________________________________ 95

4.3 Gli schemi e le diteggiature degli accordi _____________________________________ 97


4.3.1 Come si legge la diteggiatura di un accordo ___________________________________ 97
4.3.2 Diteggiature aperte: triadi ________________________________________________ 100
4.3.3 Diteggiature aperte: accordi estesi _________________________________________ 101
4.3.3.1 Accordi di Do _______________________________________________________ 101
4.3.3.2 Accordi di Re _______________________________________________________ 101
4.3.3.3 Accordi di Mi _______________________________________________________ 102
4.3.3.4 Accordi di Fa________________________________________________________ 103
4.3.3.5 Accordi di Sol _______________________________________________________ 103
4.3.3.6 Accordi di La________________________________________________________ 104
4.3.3.7 Accordi di Si ________________________________________________________ 104
4.3.4 Diteggiature trasportabili: triadi ___________________________________________ 106
4.3.4.1 Maggiori ___________________________________________________________ 106
4.3.4.2 Minori _____________________________________________________________ 106
4.3.4.3 Diminuite___________________________________________________________ 106
4.3.4.4 Aumentate __________________________________________________________ 106
4.3.5 Diteggiature trasportabili: accordi estesi_____________________________________ 107
4.3.5.1 Maggiori settima _____________________________________________________ 107
4.3.5.2 Settima di dominante__________________________________________________ 107
4.3.5.3 Minori settima _______________________________________________________ 108
4.3.5.4 Minori settima maggiore _______________________________________________ 108
4.3.5.5 Nona ______________________________________________________________ 108
4.3.5.6 Nona aumentata______________________________________________________ 109
4.3.5.7 Minori nona_________________________________________________________ 109
4.3.5.8 Undicesima _________________________________________________________ 109
4.3.5.9 Undicesima aumentata ________________________________________________ 110
4.3.5.10 Tredicesima _________________________________________________________ 110
4.3.5.11 Sesta ______________________________________________________________ 110
4.3.5.12 Minori sesta_________________________________________________________ 110
4.3.5.13 Quarta sospesa_______________________________________________________ 111
4.3.5.14 Settima quarta sospesa ________________________________________________ 111