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EDMEA (Alfredo Catalani) [1:47:52] Edmea, ATTILA (Giuseppe Verdi) [1:46:58] Attila -
amante di Oberto: Maria Sokolinska Noto, Il Boris Christoff Odabella - Margherita Roberti
Conte di Leitmeritz: Graziano del Vito, Oberto, Ezio - Giangiacomo Guelfi Foresto - Gastone
suo figlio: Maurizio Frusoni, Il Barone di Limarilli Bruno Bartoletti. Orchestra e Chorus
Waldeck: Angelo Nosotti, Ulmo, vassallo del al Teatro Communale (Audio)
conte: Marco Chingari, Fritz, giullare: Pierre
THERESE (Jules Massenet) [1:18:48] Gerd
Lefebvre, L'oste: Guido Pasella. Coro e
Albrecht. RAI Orchestra, Rome Agnes Baltsa,
Orchestra lirico sinfonica del Teatro del Giglio
Francisco Araiza, George Fortune, Giancarlo
di Lucca. Massimo de Bernart (Audio)
Luccardi, Gino Sinimberghi (Audio)
DIE ENTFUHRUNG AUS DEM SERAIL (WA
LA BATTAGLIA DI LEGNANO (Giuseppe
Mozart) [2:12:40] Selim - Hans-Peter Minetti
Verdi) [1:51:31] Federico Barbarossa –
Belmonte – Stanford Olsen Konstanze – Luba
Enrico Giuseppe Iori, Primo console di Milano
Orgonasova Blonde – Cyndia Sieden Pedrillo
– Francesco Musinu, Secondo console di
– Uwe Peper Osmin – Cornelius Hauptmann
Milano – Federico Benetti, Il podesta di Como
John Eliot Gardiner. Monteverdi Choir. English
– Gabriele Sagona, Rolando – Leonardo
Baroque Soloists (Audio)
Lopez Linares, Lida – Dimitra Theodossiou,
SOROCHINTSY FAIR (Modest Mussorgsky) Arrigo – Andrew Richards, Marcovaldo –
[1:20:18] Friderik Lupsha, baritone Andrei Giovanni Guagliardo, Imelda – Sharon
Andreev, bass Latko Koroshetz, bass Samo Pierfederici, Un araldo – Alessandro De
Smerkolj, bass Bogdana Stritar, mezzo- Angelis, Uno scudiero di Arrigo – Nicola
soprano Vilma, Bukovetz, soprano Miro Pascoli. Boris Brott. Orchestra e Coro del
Brajnik, tenor Slavko Strukel, tenor Samo Teatro Lirico “Giuseppe Verdi” di Trieste
Hubad. Slovenian National Opera Orchestra (Audio)
(Audio)
RIGOLETTO (Giuseppe Verdi) [1:53:24]
IL TROVATORE (Giuseppe Verdi) [2:07:40] Rigoletto - Robert Merrill Gilda - Anna Moffo
Conductor Riccardo Muti - 2001(LI) Orchestra Duc de Mantoue - Alfredo Kraus Maddalena -
- Teatro alla Scala Chorus - Teatro alla Scala Rosalind Elias Sparafucile - Ezio Flagello
Manrico - Salvatore Licitra Azucena - Violeta Comte Monterone – David Ward Giovanna –
Urmana Leonora - Barbara Frittoli Conte di Anna Di Stasio Marullo – Robert Kerns Borsa
Luna - Andrezej Dobber Ferrando - Giorgio – Piero de Palma Comte Ceprano – Nario
Giuseppini Ines - Tiziana Tramonti Ruiz - Rinaudo Comtesse Ceprano – Corinna Vozza
Ernesto Gavazzi Un vecchio zingaro - Ernesto Un page – Tina Toscano Un herault – Enzo
Panariello Un messo - Mauro Buffoli (Audio) Titta Georg Solti. Choeur et Orchester RCA
d’Opera Italien (Audio)
I DUE FOSCARI (Giuseppe Verdi) [1:37:41]
Francesco Foscari - Gian Giacomo Guelfi, RIGOLETTO (Giuseppe Verdi) [2:02:53] ll
Lucrezia Contandini - Maria Vitale, Jacopo Duca di Mantova - Carlo Bergonzi Rigoletto -
Foscari - Carlo Bergonzi, Jacopo Loredano - Dietrich Fischcr-Dieskau Gilda - Renata
Pasquale Lombardi, Barbarigo - Mario Scotto Sparafucile - Ivo Vinco Maddalena -
Bersieri, Servo - Gianni Barbieri, Pisana - Fiorenza Cossotto Giovanna - Mirella
Liliana Pellegrino, Fante - Aldo Bertocci. Carlo Fiorentini Il Conte di Monterone - Lorenzo
Maria Giulini. Orchestra and Chorus of Milano Testi Marullo - Virgilio Carbonari Borsa Matteo
della Rai (Audio) - Piero di Palma Il Conte di Ceprano - Alfredo
Giacomotti La Contessa - Catarina Alda
Rafael Kubelik. Coro e Orchestra del Teatro
alla Scala, Milano (Audio)
2

FAUSE (Charles Gounod) [2:21:55] FAUST: GIULIETTA SIMIONATO (Opera Arias)


Eugene Conley, MEPHISTOPHELES: Cesare [2:13:20] 0:00:01 Giulietta Simionato - Gluck.
Siepi, MARGUERITE: Eleanor Steber, Orfeo ed Euridice. Restar Vogl'io Dal sol...
VALENTIN: Frank Guarrera, SIEBEL: Chiamo Il Mio Ben Cosi 0:03:14 Giulietta
Margaret Roggero, MARTHE: Thelma Simionato - Gluck. Orfeo ed Euridice.
Votipka, WAGNER: Lawrence Davidson. Euridice, Ombra cara... Cerco Il Mio Ben Cosi
Metropolitan Opera Orchestra & Chorus. 0:06:19 Giulietta Simionato - Gluck. Orfeo ed
Fausto Cleva. 1951 (Audio) Euridice. Euridice! Euridice! Piango Il Mio Ben
Cosi 0:09:10 Giulietta Simionato - Gluck.
DIE ZAUBERFLOTE (WA Mozart) [2:14:41] Orfeo ed Euridice. Deh Placatevi Con Me
Klaus Florian Vogt (Tamino), Christiane Karg 0:11:46 Giulietta Simionato - Gluck. Orfeo ed
(Pamina), Rolando Villazon (Papageno), Euridice. Che Puro Ciel 0:17:21 Giulietta
Regula Muhlemann (Papagena), Franz-Josef Simionato - Gluck. Orfeo ed Euridice. Ecco Un
Selig (Sarastro), Albina Shagimuratova Nuovo tormento... Che Faro Senza Euridice
(Konigin der Nacht), Paul Schweinester 0:23:43 Giulietta Simionato - Rossini.
(Monostatos) Yannick Nezet-Seguin. RIAS L'italiana in Algeri. Amici, In Ogni evento...
Kammerchor, Chamber Orchestra of Europe Pensa Alla Partia! 0:29:33 Giulietta Simionato
(Audio) - Rossini. Tancredi. Di tanti palpiti 0:36:03
GIOVANNA D’ARCO (Giuseppe Verdi) Giulietta Simionato - Rossini. La cenerentola.
[1:48:45] Carlo VII - Francesco Meli Giacomo Nacqui All'affanno 0:41:54 Giulietta Simionato
- Placido Domingo Giovanna - Anna Netrebko - Meyerbeer. Gli Ugonotti. Nell'orror Di Cupa
Delil - Johannes Dunz Talbot - Roberto notte... Ah! Linfido! Quest'anima Amante
Tagliavini Paolo Carignani. Munchner 0:52:20 Giulietta Simionato - Meyerbeer. Gli
Rundfunkorchester (Audio) Ugonotti. Raul... Ove Vai tu... Stringe Il
periglio... Non Ascolti Un Suon Funebre
LA DONNA DEL LAGO (Gioachino Rossini) 1:08:43 Giulietta Simionato - Donizetti. Anna
[2:26:53] Elena - Sonia Ganassi, Malcolm Bolena. Oh! Qual Parlar Fu Il Suo... La Mia
Grueme - Marianna Pizzolato, Fama E A' Pie' Dell'ara... Ah! Qual Sia Cercar
Uberto/Giacomo V - Maxim Mironov, Rodrigo 1:20:28 Giulietta Simionato - Donizetti. Anna
di Dhu - Ferdinand von Bothmer, Douglas - Bolena. Per Questa Fiamma Indomita... Ah!
Wojtek Gierlach, Albina - Olga Peretyatko, Pensate Che Rivolti 1:25:42 Giulietta
Serano - Stefan Citofelli Alberto Zedda, SWR Simionato - Verdi. Il Trovatore. Stride La
Rundfunkorchester Kaiserslautern (South Vampa!... Condotta Ell'era in Ceppi 1:36:19
West German Radio Kaiserslautern Giulietta Simionato - Verdi. Il Trovatore. In
Orchestra) (Audio) Braccio Al Mio Rival!... Giorni Poveri Vivea...
Beh!... Rallentate, O Barbari 1:43:22 Giulietta
FRANCESCA DA RIMINI (Sergei
Simionato, Franco Corelli - Verdi. Il Trovatore.
Rachmaninoff) [56:25] Neeme Jarvi.
Madre, Non Dormi... Ai Nostri Monti 1:52:51
Orchestra Gothenburg Opera Chorus Ilya
Giulietta Simionato - Verdi. Aida. L'abborrita
Levinsky, Maria Guleghina, Sergei Leiferkus,
Rival A Me Sfuggia... Ohime, Morir Me
Sergei Larin, Sergei Aleksashkin (Audio)
Sento... Empia Razza (Audio)
PARSIFAL (Richard Wagner) [3:42:18]
IVAN SUSANIN (A LIFE FOR THE TSAR)
Amfortas - Theo Adam Titurel - Fred Teschler
[2:34:20] (Maxim Mikhailov, Natalia Spiller,
Gurnemanz - Ulrik Cold Parsifal - Rene Kollo
Georgi Nelepp, Elisaveta Antonova. Chorus &
Klingsor - Reid Bunger Kundry - Gisela
Orchestra of the Bolshoi Theatre. Alexander
Schroter Erster Gralsritter - Horst Gebhardt
Melik-Pashayev. 1947) [Audio]
Zweiter Gralsritter - Hermann Christian Polster
Herbert Kegel. Rundfunk Sinfonie Orchester
Leipzig (Audio)
3

IL DUELLO COMICO (Giovanni Paisiello) GIANNI POGGI. ITALIAN SONGS (1:07:40)


[57:07] Stefania Donzelli (Soprano) Giovanni 0:00:00 01 Gianni Poggi - Carabella. Non
Francesco Cappelluti (Baritone) Gabriele t'odio no! 0:03:21 02 Gianni Poggi - Innocenzi.
Spina (Baritone) Domenico Colaianni Addio, sogni di gloria 0:06:42 03 Gianni Poggi
(Baritone) Antonella Rondinone (Soprano) - Falvo. Dicitencello vuie 0:09:50 04 Gianni
Roberta Zaccaria (Soprano) Anna Lucia Poggi - De Curtis. Non ti scordar di me
Alessio (Soprano) Daniele Zanfardino (Tenor) 0:12:56 05 Gianni Poggi - Mazziotti. Mattinata
Giuliano Carella. Orchestra Internazionale Sicilana 0:16:29 06 Gianni Poggi - Innocenzi.
d’Italia (Audio) Domanee turnarra 0:19:23 07 Gianni Poggi -
Lardino. Voce'e notte 0:22:50 08 Gianni Poggi
MARIAN ANDERSON (Rarities. Broadcast - De Curtis. Torna a Surriento 0:25:24 09
Performances. 1943-1952) 0:00:00 01 Gianni Poggi - Carabella. Capelli bianchi
Marian Anderson - Gluck. Alceste. Divinites 0:28:23 10 Gianni Poggi - Tosti. Marechiare
du Styx 0:05:03 02 Marian Anderson - I Was 0:31:31 11 Gianni Poggi - Stellari. Malia di
There When They Crucified My Lord 0:08:47 Napoli 0:34:47 12 Gianni Poggi - Di Capua. O
03 Marian Anderson - The Hills (La Forge) sole mio 0:38:05 13 Gianni Poggi - Di Capua.
0:11:02 04 Marian Anderson - Sometimes I Maria, Mari! 0:41:31 14 Gianni Poggi -
Feel Like a Motherless Child 0:13:32 05 Carabella. Ricordi di quel di di musica 0:44:29
Marian Anderson - Haydn. She Never Told 15 Gianni Poggi - Cioffi. Na sera 'e maggio
Her Love 0:16:27 06 Marian Anderson - 0:47:46 16 Gianni Poggi - De Curtis. Tu, ca
Haydn. My Mother Bids Me Bind My Hair nun chiagne! 0:51:06 17 Gianni Poggi -
0:18:30 07 Marian Anderson - Nobody Knows Tiberino. Riccuodete 'e me 0:54:37 18 Gianni
the Trouble I've Seen 0:21:18 08 Marian Poggi - Tagliafferri. Passione 0:58:06 19
Anderson - Dreamin, Dreamin 0:23:28 09 Gianni Poggi - Tagliafferi. Nun me scetа
Marian Anderson - Bellini. Norma. Casta Diva 1:00:51 20 Gianni Poggi - Innocenzi. Ddoje
0:27:44 10 Marian Anderson - Dvorak. Songs lacreme 1:04:17 21 Gianni Poggi - Tiberino.
My Mother Taught Me 0:29:59 11 Marian Ricuodete 'e me sung in French (Audio)
Anderson - Lord, I Can't Stay Away 0:32:11 12
Marian Anderson - Every Time I Feel the Spirit SIROE, RE DI PERSIA (GF Handel)
0:33:48 13 Marian Anderson - Verdi. La forza [2:35:03] Siroe - Ann Hallenberg (alto) Emira -
del destino. Pace, pace, mio Dio 0:38:23 14 Johanna Stojkovic (soprano) Laodice -
Marian Anderson - Handel. Messiah. He Shall Sunhae Im (soprano) Medarse - Gunther
Feed His Flock 0:41:38 15 Marian Anderson - Schmid (contre-tenor) Cosroe - Sebastian
Gounod. La reine de Saba. Plus grand dans Noack(baryton) Arasse - Timm de Jong
son obscurite 0:46:52 16 Marian Anderson - (basse) Andreas Spering. Cappella
De Gospel Train 0:48:25 17 Marian Anderson Coloniensis (Audio)
- Go Down, Moses 0:50:58 18 Marian
Anderson - Hook. Bright Phoebus (Audio) L’AFRICAINE (Giacomo Meyerbeer)
[3:34:23] Chor der Deutschen Oper Berlin.
DIE LUSTIGE WITWE (Franz Lehar) Orchester der Deutschen Oper Berlin. 2015.
[2:18:53] Elizabeth Harwood (Hanna Glawari) Don Pedro, Rat des Königs von Portugal -
Rene Kollo (Graf Danilo Danilowitsch) Zoltan Seth Carico; Don Diego, Admiral - Andrew
Kelemen (Baron Mirko Zeta) Teresa Stratas Harris; Ines, dessen Tochter - Nino
(Valencienne) Werner Hollweg (Camille de Machaidze; Vasco da Gama, Seeoffizier
Rosillon) Donald Grobe (Vicomte Cascada) -Roberto Alagna; Don Alvar, Ratsherr, Paul
Werner Krenn (Raoul de St. Brioche) Karl Kaufmann; Der Großinquisitor - Dong-Hwan
Renar (Njegus) Chor der Deutschen Oper Lee; Nelusco, Sklave - Markus Brück; Selica,
Berlin Herbert von Karajan. Berliner Sklavin - Sophie Koch; Der Oberpriester der
Philharmoniker (Audio) Brahmanen - Albert Pesendorfer; Anna - Irene
Roberts; 1. Matrose - Matthew Peña; 2.
4

Matrose - Gideon Poppe; 3. Matrose - C Major, K200-189k - II. Andante 0:34:06


Thomas Lehman; 4. Matrose / Gerichtsdiener Symphony No. 28 in C Major, K200-189k - III.
- Michael Adams. (Audio) Menuetto (Allegretto) 0:38:00 Symphony No.
28 in C Major, K200-189k - IV. Presto 0:41:38
ATALANTA (GF Handel) [2:19:55] Atalanta: Symphony No. 29 in A Major, K201-186a - I.
Katalin Farkas, soprano Meleagro: Eva Allegro moderato 0:49:01 Symphony No. 29 in
Bartfai-Barta, soprano Irene: Eva Lax, A Major, K201-186a - II. Andante 0:54:52
contralto Aminta: Janos Bandi, tenor Symphony No. 29 in A Major, K201-186a - III.
Nicandro: Jozsef Gregor, bass Mercurio: Menuetto 0:57:57 Symphony No. 29 in A
Laszlo Polgar, bass Nicholas McGegan. Major, K201-186a - IV. Allegro con spirit. Sir
Capella Savaria. Savaria Vocal Ensemble. Neville Marriner. Academy of St. Martin in the
1985 (Audio) Fields (Audio)
PRINCE IGOR (Alexander Borodin) LUCIA DI LAMMERMOOR (Gaetano
[3:29:18] (Kirov Opera & Orchestra. Mariinsky Donizetti) [2:26:53] Lord Enrico (Henry)
Theatre, St. Petersburg. Valery Gergiev) Ashton – Piero Cappuccilli Lucia - Beverly
[Audio] Sills Sir Edgardo (Edgar) di Ravenswood –
MADAMA BUTTERFLY (Giacomo Puccini) Carlo Bergonzi Lord Arturo (Arthur) Bucklaw –
[2:03:12] (Anna Moffo, Cesare Valetti, Adolf Dallapozza Raimondo Bidebent –
Rosalind Elias, Fernando Corena, Renato Justino Diaz Alisa – Patricia Kern Normanno –
Cesari. Rome Opera House Chorus & Keith Erwe Thomas Schippers. London
Orchestra. Erich Leinsdorf. 1957) [Audio] Symphony Orchestra, Ambrosian Opera
Chorus. 1970 (Audio)
Ludwig van Beethoven. COMPLETE
SYMPHONIES. CD 3 (1:06:15) 0:00:00 WOLFGANG AMADEUS MOZART. THE
Symphony № 4 B-Dur Op. 60 – I. Adagio. COMPLETE MOZART EDITION
Allegro vivace 0:09:31 Symphony № 4 B-Dur (Symphonies. Vol. 1, CD 7) [1:10:05]
Op. 60 – II. Adagio 0:19:56 Symphony № 4 B- 0:00:00 Symphony No. 21 in A Major, K134 -
Dur Op. 60 – III. Menuetto. Allegro vivace I. Allegro 0:05:49 Symphony No. 21 in A
0:26:06 Symphony № 4 B-Dur Op. 60 – IV. Major, K134 - II. Andante 0:12:07 Symphony
Allegro ma non troppo 0:33:16 Symphony № No. 21 in A Major, K134 - III. Menuett 0:15:54
5 c-moll Op. 67 – I. Allegro con brio 0:41:16 Symphony No. 21 in A Major, K134 - IV.
Symphony № 5 c-moll Op. 67 – II. Andante Allegro 0:20:09 Symphony No. 22 in C Major,
con moto 0:51:12 Symphony № 5 c-moll Op. K162 - I. Allegro assai 0:23:29 Symphony No.
67 – III. Allegro attaco 0:56:52 Symphony № 5 22 in C Major, K162 - II. Andantino grazioso
c-moll Op. 67 – IV. Allegro Paul Kletzki. Czech 0:27:28 Symphony No. 22 in C Major, K162 -
Philharmonic Orchestra (Audio) III. Presto assai 0:29:05 Symphony No. 23 in
D Major, K181-162b - I. Allegro spiritoso- II.
Wolfgang Amadeus Mozart. THE Andantino grazioso- III. Presto assai 0:39:12
COMPLETE MOZART EDITION (Vol. 1, CD Symphony No. 24 in B Flat Major, K182-
8. Symphonies 26-29.) [1:03:02] 0:00:00 173dA - I. Allegro spiritoso 0:43:18 Symphony
Symphony No. 26 (Overture) in E Flat Major, No. 24 in B Flat Major, K182-173dA - II.
K184-161a - I. Molto presto- II. Andante- III. Andantino grazioso 0:47:05 Symphony No. 24
Allegro 0:08:16 Symphony No. 27 in G Major, in B Flat Major, K182-173dA - III. Allegro
K199-161b - I. Allegro 0:12:53 Symphony No. 0:50:05 Symphony No. 25 in G Minor, K183-
27 in G Major, K199-161b - II. Andantino 173dB - I. Allegro con brio 0:57:46 Symphony
grazioso 0:19:02 Symphony No. 27 in G No. 25 in G Minor, K183-173dB - II. Andante
Major, K199-161b - III. Presto 0:23:43 1:01:49 Symphony No. 25 in G Minor, K183-
Symphony No. 28 in C Major, K200-189k - I. 173dB - III. Menuetto 1:05:26 Symphony No.
Allegro spiritoso 0:28:53 Symphony No. 28 in 25 in G Minor, K183-173dB - IV. Allegro
5

Neville Marriner. Academy of St. Martin in the TOSCA (Giacomo Puccini) [CD 1] (1:05:42)
Fields (Audio) Tosca: Montserrat Caballé Mario
Cavaradossi: José Carreras Scarpia: Ingvar
FAUST (Charles Gounod) [2:35:00] (Faust: Wixell Cesare Angelotti: Samuel Ramey Il
Richard Crooks, Marguerite: Helen Jepson, Sagrestano: Domenico Trimarchi Spoletta:
Mephistopheles: Ezio Pinza, Valentin: Piero Di Palma Sciarrone/Un carceriere:
Leonard Warren. Chorus & orchestra of the William Elvin Un Pastore: Ann Murray Chorus
Metropolitan, New York. Wilfred Pelletier. and Orchestra of the Royal Opera House,
Broadcast on April 6, 1940 from the Boston Covent Garden Sir Colin Davis 1976 (Audio)
Opera House.) [Audio]
LOHENGRIN (Richard Wagner) [CD 1]
TOSCA (Giacomo Puccini) [1:58:25] (1:17:43) Lohengrin: James King Elsa:
Montserrat Caballé--Tosca José Carreras-- Gundula Janowitz König Heinrich: Karl
Cavaradossi Ingvar Wixell--Scarpia Samuel Ridderbusch Friedrich von Telramund:
Ramey--Angelotti Ann Murray--Shepherd Sir Thomas Stewart Ortrud: Gwyneth Jones Der
Colin Davis--Conductor Orchestra of the Heerrufer: Gerd Nienstedt Chor und
Royal Opera House, Covent Garden 1976 Symphonieorchester des Bayerischen
(Audio) Rundfunks Rafael Kubelik; 1971 (Audio)
TOSCA (Giacomo Puccini) [1:54:15] LOHENGRIN (Richard Wagner) [CD 2]
[Montserrat Caballé, José Carreras, Juan (1:15:31) [Same cast as above]
Pons. Jesus Etcheverry. 1980] (Video)
LOHENGRIN (Richard Wagner) [CD 3]
TOSCA (Giacomo Puccini) [1:48:14] Floria (1:09:18) [Same cast as above]
Tosca : Maria Callas Mario Cavaradossi :
Giuseppe Di Stefano Scarpia : Tito Gobbi AIDA (Giuseppe Verdi) [Act 1] (39:46) Aida:
Cesare Angelotti : Franco Calabrese Montserrat Caballé Radames: Plácido
Spoletta : Angelo Mercuriali Sagrestano : Domingo Amneris: Fiorenza Cossotto
Melchiorre Luise Sciarrone/Carceriere : Dario Amonasro: Piero Cappuccilli Ramfis: Nicolai
Caselli Pastore : Alvaro Codova Maestro del Ghiaurov Il Re d´Egitto: Luigi Roni Chorus of
coro : Vittore Veneziani Orchestra Del Teatro the Royal Opera House, Covent Garden New
Alla Scala, Milano Direttore : Victor De Sabata Philharmonia Orchestra Riccardo Muti 1974
Recorded in 1953 (Audio) (Audio)

GRÄFIN MARIZA (Emmerich Kálmán) AIDA (Giuseppe Verdi) [Act 2] (41:10)


[2:25:09] Gundula Janowitz, Noemi [Same cast as above.]
Nadelmann, Nelly Boschkowa, Erna Schickel,
AIDA (Giuseppe Verdi) [Acts 3 & 4]
Adolf Dallapozza, Sándor Németh, Karl
(1:05:13) [Same cast as above.]
Dönch, Rudolf Buczolich, Alfred Böhm Ballett,
Chor und Orchester der Seefestspiele ELEKTRA (Richard Strauss) [CD 1] (53:35)
Mörbisch Zigeunerkapelle: Gergely-Werner Elektra: Birgit Nilsson Klytämnestra: Regina
Szücs Dirigent: Uwe Theimer Inszenierung: Resnik Chrysothemis: Marie Collier Orest:
Robert Herzl Seefestspiele Mörbisch 1987 Tom Krause Aegisth: Gerhard Stolze Wiener
(Video) Philharmoniker Sir Georg Solti 1967 (Audio)

ELEKTRA (Richard Strauss) [CD 2] (54:16)


[Same cast as above]
6

(Handmaidens, Ministers, Calaf) - 21:16


Guardalo, Pong! (Ministers, Timur) - 22:22
TRISTAN UND ISOLDE (Richard Wagner) Non indugiare! (Phantoms, Calaf, Ministers,
[Act 1] (1:15:19) Tristan: Wolfgang Timur) - 23:20 Signore, ascolta! (Liu) - 25:21
Windgassen Isolde: Birgit Nilsson Brangäne: Non piangere, Liù! (Calaf, Liu, Timur) - 28:10
Christa Ludwig König Marke: Martti Talvela Ah! Per l'ultima volta (Timur, Liu, Ministers, Il
Kurwenal: Eberhard Waechter Melot: Claude Principe, Chorus) - 30:41 Act II Scene 1: Olà,
Heater Seemann: Peter Schreier Hirt: Erwin Pang! Olà, Pong! (Ministers) - 33:35 O Cina, o
Wohlfahrt Steuermann: Gerd Nienstedt Cina (Ministers) - 34:46 Ho una casa
Bayreuther Festspiele Karl Böhm 1966 nell'Honan (Ministers) - 36:37 O mondo, pieno
(Audio) di pazzi innamorati! (Ministers, Chorus) -
TRISTAN UND ISOLDE (Richard Wagner) 39:32 Addio, amore (Ministers) - 41:10 Noi si
[Act 2] (1:12:30) [Same cast as above] sogna (Ministers) - 44:52 Scene 2: Gravi,
enormi ed imponenti (Crowd) - 45:57 Un
TURANDOT (Giacomo Puccini) [CD 1] giuramento atroce mi costringe (Emperor,
(56:20) Turandot: Joan Sutherland Calaf: Calaf) - 49:27 Diecimila anni al nostro
Luciano Pavarotti Liú: Montserrat Caballé Imperatore! (Crowd, Mandarin, Children) -
Timur: Nicolai Ghiaurov L´imperatre Altoum: 52:01 In questa reggia (Turandot, Corwd,
Peter Pears Ping: Tom Krause Pang: Pier Calaf) - 54:34 Straniero, ascolta! … Nella
Francesco Poli Pong: Piero de Palma Un cupa notte (Turandot, Calaf, Sages) -
Mandarino: Sabin Markov Il Principe di Persia: 01:01:45 Guizza al pari di fiamma (Turandot,
Pier Francesco Poli London Philharmonic Emperor, Crowd, Liu, Sages) - 01:04:31 Gelo
Orchestra Zubin Mehta 1973 (Audio) che ti dà foco (Turandot, Calaf, Sages,
Crowd) - 01:07:04 Gloria, o vincitore! (Crowd)
TURANDOT (Giacomo Puccini) [CD 2]
- 01:09:46 Figlio del cielo! (Turandot,
(1:01:15) [Same cast as above]
Emperor, Crowd, Calaf) - 01:10:50 Tre enigmi
TURANDOT (Giacomo Puccini) [1:58:56] m'hai proposto (Calaf, Emperor) - 01:14:00 Ai
Princess Turandot - Montserrat Caballé The tuoi piedi ci prostriam (Crowd) - 01:15:50 Act
Unknown Prince (Calàf) - José Carreras Liù - III Scene 1: Così comanda Turandot (Heralds,
Mirella Freni Timur - Paul Plishka The Distant voices) - 01:18:00 Nessun dorma!
Emperor Altoum - Michel Sénéchal Ping - (Calaf, Women's Voices) - 01:21:30 Tu che
Vicente Sardinero Pang - Remy Corazza guardi le stelle (Ministers, Calaf, Women,
Pong - Riccardo Cassinelli A Mandarin - Crowd, Guards) - 01:24:32 Principessa divina!
Eduard Tumagian The Prince of Persia - (Ping, Turandot, Calaf, Liu, Crowd) - 01:28:28
Alberto Cupido Choeurs de l'Opera National Quel nome! (Ping, Liu, Timur, Calaf, Crowd,
du Rhin Orchestre Philharmonique de Turandot) - 01:31:14 L'amore? … Tanto
Strasbourg conductor - Alain Lombard amore, segreto e inconfessato (Turandot, Liu,
Ping, Calaf, Crowd) - 01:32:36 Tu, che di gel
Act I Popolo di Pekino! (Mandarin, Crowd, sei cinta (Liu, Crowd, Calaf, Timur, Ping) -
Guards, Liu) - 00:00 Padre! Mio padre! (Calaf, 01:35:57 Liù...bontà! (Timur, Ministers,
Guards, Liu, Crowd, Timur) - 02:29 Perduta la Crowd) - 01:41:02 Principessa di morte!
battaglia (Timur, Calaf, Liu, Crowd) - 04:03 (Calaf, Turandot) - 01:43:36 Che è mai di me?
Gira la cote! Gira! (Crowd, Executioner's Men) (Turandot, Calaf, Voices Within) - 01:46:58
- 05:19 Perché tarda la luna? (Crowd) - 07:34 Del primo pianto … Ah … (Turandot, Il
Là, sui monti dell'est (Children) - 11:21 O Principe) - 01:49:56 La mi gloria è il tuo
giovinetto! Grazia! Grazia! (Crowd, Calaf, amplesso! (Turandot, Calaf) - 01:54:04 Scene
White Priests) - 12:17 Figlio, che fai? (Timur, 2: Diecimila anni al nostro Imperatore!
Calaf, Liu, Prince of Persia, Crowd) - 17:45 (Crowd, Turandot) - 01:55:18 (Audio)
Fermo! Che fai? T'arresta! (Ministers, Ping
Pang and Pong, Calaf) - 19:28 Silenzio, olà!
7

contralto. Jiri Pinkas. Statni Filharmonie Brno


(Audio)
ARABELLA (Richard Strauss) [2:34:03]
Arabella Orchestra and Chorus, RAI Rome MARIA DI ROHAN (Gaetano Donizetti)
December 1, 1973 Broadcast by RAI: January [1:55:22] Maria - Edita Gruberova; Riccardo -
24, 1974 Arabella - Montserrat Caballé Octavio Arevalo; Enrico - Ettore Kim;
Zdenka - Olivera Miljakovic Mandryka - Armando di Gondi - Ulrika Precht; Il visconte
Siegmund Nimsgern Waldner - Kurt Moll di Suze - Ivan Urbas; De Fiesque - Andrea
Adelaide - Oralia Domínguez Fiakermilli - Papi; Aubry - Mieczyslaw Antoniak; Un
Jeanette Scovotti Matteo - René Kollo Elemer famigliare di Chevreuse - Ivan Urbas. Wiener
- Carlo Gaifa Dominik - Renato Borgato Konzertchor Wiener Symphonieorchester
Lamoral - Leonardo Monreale Fortune Teller - Wien, Elio Boncompagni (Audio)
Lucia Falcone Man-in-Waiting - Osvaldo
Alemanno Welko - Manfred Freiberger Djura - Franz Josef Haydn. COMPLETE PIANO
Peter Boom Jankel - Tom Felleghy Three CONCERTOS & DIVERTIMENTI (4:24:24)
Card Players - Leonardo Monreale, Carlo Franz Joseph Haydn (1732-1809) - Compte
Schreiber, Alberto Carusi Conductor - Piano Concertos by Massimo Palumbo. Click
Wolfgang Rennert. 1973 (Audio) to activate the English subtitles for the
presentation (00:00-03:15) The Piano
ATTILA (Giuseppe Verdi) [1:45:54] Ruggero Concertos In C Major Hob. XVIII:1 C-Dur, Do
Raimondi (Attila) Cristina Deutekom majeur, Do maggiore I.Moderato (00:00)
(Odabella) Sherrill Milnes (Ezio) Carlo II.Largo (07:12) III.Allegro molto (16:29) In D
Bergonzi (Foresto) Riccardo Cassinelli Major Hob. XVIII:2 I.Allegro moderato (20:31)
(Uldino) Jules Bastin (Leone) Ambrosian II.Adagio molto (29:06) III.Allegro (41:08) In F
Singers Finchley Children's Music Group Major Hob. XVIII:3 I.Allegro (46:04) II.Largo
Royal Philharmonic Orchestra Lamberto cantabile (55:07) III.Presto (1:02:51) In G
Gardelli (Conductor) [Audio] Major Hob. XVIII:4 I.Allegro (1:06:20)
II.Adagio (1:15:38) III.Finale / Rondo-Presto
NORMA (Vincenzo Bellini) [2:42:11] Richard (1:25:37) In D Major Hob. XVIII:11 I.Vivace
Bonynge. London Symphony Orchestra (1:29:17) II.Un poco adagio (1:36:28)
Norma: Joan Sutherland Adalgisa: Marilyn III.Rondò all'ungherese / Allegro assai
Horne Pollione: John Alexander Oroveso: (1:45:11) In F Major (with Violin : Suela Mullaj)
Richard Cross Clotilde: Yvonne Minton Flavio: Hob. XVIII:6 I.Allegro moderato (1:49:13)
Joseph Ward (Audio) II.Largo (1:57:26) III.Finale / Presto (2:05:57)
DIE FLEDERMAUS (Johann Strauss II) In C Major (concertino) Hob. XIV:11
[1:15:48] Rosalinda - Gundula Janowitz Adele I.Moderato (2:09:10) II.Adagio (2:12:13)
- Renate Holm Alfred - Waldemar Kmentt III.Allegro (2:15:41) In G Major (concertino)
Frank - Erich Kunz Gabriel - Eberhard Hob. XIV:13 I.Allegro (2:17:22) II.Adagio
Wachter Karl Bohm. Wiener Philharmoniker. (2:21:06) III.Finale / Presto (2:25:45) In F
Wiener Staatsopernchor (Audio) Major (concertino) Hob. XVIII:F2 I.Moderato
(2:27:23) II.Adagio (2:33:23) III.Allegro assai
JAKOBIN (Antonin Dvorak) [2:35:05] Karel (2:37:25) In G Major Hob. XVIII:9 I.Allegro
Prusa – Count Vilem of Harasov, bass; Vaclav (2:39:21) II.Adagio (2:44:43) III.Tempo di
Zitek – Bohus of Harasov, baritone; Rene Minuetto (2:55:50) In C Major (concertino)
Tucek – Adolf of Harasov, baritone; Marcela Hob.XIV:12 I.Allegro (3:01:22) II.Adagio
Machotkova – Julie, soprano; Karel Berman – (3:04:21) III.Finale / Allegro (3:09:40) In C
Filip, bass; Vilem Pribyl – Jiri, tenor; Beno Major Hob. XVIII:8 I.Moderato (3:11:50)
Blachut – Benda, tenor; Daniela Sounova – II.Adagio (3:16:57) III.Finale / Allegro (3:21:20)
Terinka, soprano; Ivana Mixova – Lotinka, In C Major (concertino) Hob. XVIII:10
I.Moderato (3:23:07) II.Adagio (3:27:48)
8

III.Allegro (3:31:40) Piano & Cadences : 00:00:00 Harp Concerto in B-Flat Major, HWV
Massimo Palumbo; Austrian Chamber 294: I. Andante – allegro (Handel) 00:04:18
Orchestra Conductor : Ernst Theis. Recorded Harp Concerto in B-Flat Major, HWV 294: II.
in 2000-01, at Eisenstadt, Austria The Larghetto (Handel) 00:09:49 Harp Concerto in
Divertimento for Piano, Violins and Cello Click B-Flat Major, HWV 294: III. Allegro moderato
to activate the English subtitles for the (Handel) 00:12:30 Concerto for Flute and
presentation (3:33:25-3:36:15) In C Major Harp in C Major, K. 299: I. Allegro (Mozart)
Hob. XIV:4 I.Allegro (3:33:25) II.Menuet 00:22:06 Concerto for Flute and Harp in C
(3:36:53) III.Finale (3:39:44) In C Major Hob. Major, K. 299: II. Andantino (Mozart) 00:30:16
XIV:3 I.Allegro moderato (3:43:05) II.Menuet Concerto for Flute and Harp in C Major, K.
(3:46:10) III.Finale / Allegro molto (3:48:17) In 299: III. Rondo. Allegro (Mozart) 00:39:55
C Major Hob. XIV:7 I.Allegro moderato Harp Concerto in C in Major: I. Allegro
(3:49:00) II.Menuet (3:52:32) III.Finale / Presto brillante (Boieldieu) 00:50:54 Harp Concerto in
(3:54:50) In F Major Hob. XIV:9 I.Allegro C in Major: II. Andante lento (Boieldieu)
(3:56:16) II.Menuet (3:57:37) III.Finale: Allegro 00:55:02 Harp Concerto in C in Major: III.
molto (3:59:29) In C Major Hob. XIV:8 Rondo. Allegro agitato (Boieldieu) 01:02:04
I.Allegro moderato (4:01:27) II.Menuet Harp Concerto in A Major: I. Allegro molto
(4:06:53) III.Finale / Scherzo (4:09:34) In C (Dittersdorf) 01:08:42 Harp Concerto in A
Major Hob. XIV:10 I.Moderato (4:11:07) Major: II. Larghetto (Dittersdorf) 01:17:52 Harp
II.Menuet (4:12:28) III.Finale / Allegro Concerto in A Major: III. Rondo. Allegretto
(4:13:33) In C Major Hob. XIV:C1 I.Andante (Dittersdorf) 01:21:25 Harp Concerto in C
(4:14:23) II.Presto (4:17:03) III.Menuet Major: I. Allegro moderato (Albrechtsberger)
(4:17:48) IV.Finale / Allegro (4:20:28) In C 01:27:54 Harp Concerto in C Major: II. Adagio
Major Hob. XIV:C2 I.Allegro moderato (Albrechtsberger) 01:37:39 Harp Concerto in
(4:21:38) II.Menuet (4:23:05) Piano, C Major: III. Allegro (Albrechtsberger)
Cadences & Conductor : Massimo Palumbo 01:40:54 Partita in F Major: I. Presto
Violin : Suela Mullaj / Cello : Andrea Cavuoto (Albrechtsberger) 01:44:44 Partita in F Major:
United Europe Chamber Orchestra Live II. Adagio un poco (Albrechtsberger) 01:51:46
recording in 2003, at Milano, Italy (Audio) Partita in F Major: III. Menuetto
(Albrechtsberger) 01:54:29 Partita in F Major:
ROMANTIC HARP CONCERTOS (2:12:13) IV. Finale. Allegro (Albrechtsberger) 01:58:35
Artists: Charlotte Balzereit harp, Giselle Harp Concerto in G Major: I. Allegro
Herbert harp, Jutta Zoff harp, Jana Bouskova (Wagenseil) 02:02:25Harp Concerto in G
harp, Staatskapelle Dresden, Les Violins du Major: II. Andante (Wagenseil) 02:07:03 Harp
Roy, Stuttgart Chamber Orchestra, Nicol Matt Concerto in G Major: III. Vivace (Wagenseil)
conductor, Südwestdeutsches [Audio]
Kammerorchester Pforzheim, Vladislav
Czarnecki conductor, About this Album: The TRISTAN UND ISOLDE (Richard Wagner)
harp is the ultimate romantic icon: the [3:49:23) Tristan – Ramon Vinay; Isolde –
instrument of angels, and of Cupid, the god of Martha Mödl; Brangäne – Ira Malaniuk; Marke
love. One of the world’s oldest musical – Ludwig Weber; Kurwenal – Hans Hotte;r
instruments, yet one of the most versatile and Melot – Hermann Uhde; Ein Hirt – Gerhard
cherished, its modern counterpart also has the Stolze; Ein Steuermann – Werner Faulhaber;
largest range of any orchestral instrument. Junger Seemann – Gerhard Unger.
This dreamy collection pulls together an Bayreuther Festspiele Herbert von Karajan,
equally extensive range of concertos for harp, conductor 23 July 1952 (Audio)
contrasting the towering figures of Handel and
Mozart with gems by lesser-known composers TRISTAN UND ISOLDE (Richard Wagner)
such as François-Adrien Boieldieu and [3:54:00] Tristan: René Kollo, Isolde:
Johann Georg Albrechtsberger. Tracklist: Margaret Price, Brangäne: Brigitte
9

Fassbaender, König Marke: Kurt Moll, beginning of the move away from
Kurwenal: Dietrich Fischer-Dieskau, Melot: conventional harmony and tonality and
Werner Götz, Seemann Eberhard Büchner, consider that it lays the groundwork for the
Hirte: Anton Dermota, Steuermann: Wolfgang direction of classical music in the 20th
Hellmich, Dresden Staatskapelle, Leipzig century. It was only after Ludwig II of Bavaria
Radio Chorus. Carlos Kleiber. 1982. became a sponsor of Wagner (he granted the
composer a generous stipend and in other
Friedrich Nietzsche, who in his younger years ways supported Wagner's artistic endeavours)
was one of Wagner's staunchest allies, wrote that enough resources could be found to
that, for him, "Tristan and Isolde is the real mount the premiere of Tristan und Isolde.
opus metaphysicum of all art. . . insatiable and Hans von Bülow was chosen to conduct the
sweet craving for the secrets of night and production at the Munich Opera, despite the
death. . . it is overpowering in its simple fact that Wagner was having an affair with his
grandeur". In a letter to his friend Erwin Rohde wife, Cosima von Bülow. A lot of ink has been
in October 1868, Nietzsche described his spilled about child prodigies like Mozart, but
reaction to Tristan's Prelude: "I simply cannot little attention has been paid to the
bring myself to remain critically aloof from this phenomenon of the late bloomer. Clearly
music; every nerve in me is atwitch, and it has Wagner belongs to the latter group: had he
been a long time since I had such a lasting died at 50, with the premiers of Tristan,
sense of ecstasy as with this overture". Even Meistersinger, the Ring, and Parsifal before
after his break with Wagner, Nietzsche him, he would be considered only a musical
continued to consider Tristan a masterpiece: middleweight. Tristan marks his first fully
"Even now I am still in search of a work which mature work and establishes Wagner as a
exercises such a dangerous fascination, such composer of the first rank. This digital
a spine-tingling and blissful infinity as Tristan recording from the early 1980s features a
— I have sought in vain, in every art." Tristan good, experienced cast. Rene Kollo is nearing
und Isolde is an opera, or music drama, in the end of his effective career, but turns in a
three acts by Richard Wagner to a German workmanlike performance, while Margaret
libretto by the composer, based largely on the Price sounds fresh and young. During his
romance by Gottfried von Straßburg. It was career, Maestro Carlos Kleiber has not
composed between 1857 and 1859 and competed with Herbert von Karajan or Georg
premiered in Munich on 10 June 1865 with Solti in the number of his recordings, but the
Hans von Bülow conducting. Wagner referred quality of his output has always been among
to the work not as an opera but called it "eine the best, and here he offers an exceptionally
Handlung" (literally a drama. a plot or an delicate orchestral reading.
action), which was the equivalent of the term
used by the Spanish playwright Calderón for Dame Margaret Price was persuaded to sing
his dramas. Wagner's composition of Tristan Isolde for a recording under German
und Isolde was inspired by his affair with conductor Carlos Kleiber. The result, made up
Mathilde Wesendonck and the philosophy of from several takes, is one of the most
Arthur Schopenhauer. Widely acknowledged outstanding recorded Isoldes. Efforts to tempt
as one of the peaks of the operatic repertory, Price to do Isolde on the stage, however,
Tristan was notable for Wagner's advanced never came to anything. "I'm not a long-
use of chromaticism, tonality, orchestral colour distance runner," she insisted. "I'll sing it to my
and harmonic suspension. The opera was dogs." The Guardian (Audio)
profoundly influential among Western classical
composers and provided inspiration to TRISTAN UND ISOLDE (Richard Wagner)
composers such as Gustav Mahler, Richard [4:23:16] Peter Hofmann (tenor) – Tristan;
Strauss, Karol Szymanowski, Alban Berg and Hans Sotin (bass) – König Marke; Hildegard
Arnold Schoenberg. Many see Tristan as the Behrens (soprano) – Isolde; Bernd Weikl
10

(baritone) – Kurwenal; Heribert Steinbach I MASNADIERI (Giuseppe Verdi) [2:07:49]


(tenor) – Melot; Yvonne Minton (mezzo) – Amalia - Joan Sutherland; Carlo - Franco
Brangäne; Heinz Zednik (tenor) – En Hirt; Bonisolli; Massimiliano - Samuel Ramey;
Raimund Grumbach (baritone) – Ein Francesco - Matteo Manuguerra; Armino -
Steuermann; Thomas Moser (tenor) – Ein Arthur Davies; Moser - Simone Alaimo; Rolla -
junger Seemann. Chor und Symphonie- John Harris. Richard Bonynge. Welsh
Orchester des Bayerischen Rundfunks National Opera Orchestra. Welsh National
Leonard Bernstein 1981 (Audio) Opera Chorus (Audio)

TRISTAN UND ISOLDE (Richard Wagner) STIFFELIO (Giuseppe Verdi) [1:48:42] (Jose
[4:16:19] Tristan: Ludwig Suthaus; Isolde: Carreras, Sylvia Sass, Matteo Manuguerra,
Kirsten Flagstad; Brangäne : Blanche Wladimiro Ganzarolli, Ezio Di Cesare, Maria
Thebom; König Marke : Josef Greindl; Venuti, Thomas Moser. Lamberto Gardelli)
Kurwenal : Dietrich Fischer-Dieskau; [Audio]
Seemann : Rudolf Schock; Hirt : Rudolf
Schock; Melot : Edgar Evans; Steuermann : OEDIPUS REX (Igor Stravinsky) [50:06]
Rhoderick Davies. Chorus of the Royal Opera E.Haefliger – Oedipus; H.Topper – Jokaste;
House, Coven Garden Chorus Master: K.Engen – Teiresias; P.Kuen - le Berger;
Douglas Robinson Philharmonia orchestra I.Sardi – Kreon; le Messager E.Deutsch –
Wilhelm Furtwängler Recorded in 1952 recitant. Ferenc Fricsay. Orchestre
(Audio) symphonique de la radio de Berlin (Audio)

TRISTAN UND ISOLDE (Richard Wagner) RICCIARDO E ZORAIDE (Gioachino


[4:00:06] [Tristan: Fritz Uhl, Isolde: Birgit Rossini) [3:03:10] Agorante - Bruce Ford;
Nilsson, Brangaene: Regina Resnik, Zoraide - Nelly Miricioiu; Ricciardo - William
Kurwenal: Tom Krause, Marke: Arnod van Matteuzzi; Ircano - Alastair Miles; Zomira -
Mill, Melot: Ernst Kozub, Hirt: Peter Klein, Della Jones; Ernesto - Paul Nilon; Fatima -
Steuermann: Theodor Kirschbichler, Stimme Carol Smith; Elmira - Alice Coote; Zamorre -
eines junges Seemanns: Waldermar Kmentt. Toby Spence. Academy of St Martin in the
Wiener Singverein, Wiener Philharmoniker. Fields. David Parry (Audio)
Sir Georg Solti. 1960] (Audio) BLUEBEARD’S CASTLE (Bela Bartok)
DON GIOVANNI (WA Mozart) [2:47:56] Don [54:08] Dietrich Fischer-Dieskau - Barbe-
Giovanni: George London; Il Commendatore: bleue Hertha Topper - Judith Ferenc Fricsay.
Ludwig Weber; Donna Anna: Hilde Zadek; Orchestre symphonique de la radio de Berlin
Don Ottavio: Léopold Simoneau; Donna (Audio)
Elvira: Sena Jurinac; Leporello: Walter Berry; MANON LESCAUT (Giacomo Puccini)
Masetto: Eberhard Waechter; Zerlina: [1:58:21] Manon Lescaut: Magda Olivero;
Graziella Sciutti. Wiener Kammerchor Des Grieux: Richard Tucker; Lescaut:
(Chorusmaster: Hannes Gillesberger). Wiener Vincente Sardinero; Geronte: Eugene Green;
Symphoniker. Rudolf Moralt. 1955 (Audio) Edmondo: Bernard Fitch. Michelangelo Veltri.
COSI FAN TUTTE (WA Mozart) [2:40:54] 1972 (Audio)
Fiordiligi - Elisabeth Schwarzkopf; Dorabella - ARMINIO (GF Handel) [2:31:41] Max
Nan Merriman; Guglielmo - Rolando Panerai; Emanuel Cencic (Arminio), Layla Claire
Ferrando - Leopold Simoneau; Despina - Lisa (Tusnelda), Ruxandra Donose (Ramise),
Otto; Don Alfonso - Sesto Bruscantini. Herbert Vince Yi (Sigismondo), Juan Sancho (Varo),
Von Karajan. Philarmonia Orchestra and Xavier Sabata (Tullio), Petros Magoulas
Chorus (Audio) (Segeste). Armonia Atenea (Audio)
11

the stage picture the more clearly, and even


the most complex scenes notably the final
scene of the casting—are sharpened by the
FIDELIO (Ludwig van Beethoven) [2:22:41] separation of voices. What is not so welcome
Leonore: Sena Jurinac; Florestan: Jon is that there seems to be rather more treble
Vickers; Rocco: Gottlob Frick; Don Pizarro: emphasis than usual, occasionally to the point
Hans Hotter; Marzelline: Elsie Morrison; of fierceness, but that is something which will
Jacquino: John Dobson; Don Fernando: very much depend on individual hi-fi
Forbes Robinson. The Covent Garden equipment. I should prefer to have had that
Orchestra. Otto Klemperer (Audio) brightness compensated by more body in the
orchestral sound, but that is to be hyper-
BENVENUTO CELLINI (Hector Berlioz) critical. This is a superb set, which as in the
[2:34:30] Robert Lloyd (Bass), Jules Bastin original issue comes with generous essays as
(Bass), Janine Reiss (Spoken Vocals), Jane well as libretto. David Cairns's essay on the
Berbié (Mezzo Soprano), Derek Blackwell romantic cult of the Artist-hero, is particularly
(Tenor), Hugues Cuénod (Tenor), Nicolai valuable, along with its explanation of Davis's
Gedda (Tenor), Christiane Eda-Pierre text, which restores cuts enforced in Liszt's
(Soprano), Roger Soyer (Bass), Raimund Weimar version and presents the piece (as at
Herincx (Bass), Robert Massard (Baritone) Covent Garden) as an extended opera-
Conductor: Sir Colin Davis comique with dialogue.
Orchestra/Ensemble: Royal Opera House
Covent Garden Chorus, BBC Symphony LES TROYENS (Hector Berlioz) [3:59:58]
Orchestra. (Audio) 1969 Phillips recording of Hector Berlioz's
"Les troyens". Didon: Josephine Veasey;
Even Sir Colin Davis has rarely conducted a Enée: Jon Vickers; Cassadre: Berit Lindholm;
more electrifying Berlioz performance on Chorèbe: Peter Glossop; Anna: Heather
record than here, demonstrating—with the Begg; Narbal: Roger Soyer; Premier
help of singers from the presentation he Sentinelle/Le spectre de Priam: Raimund
promoted at Covent Garden—that for all its Herincx; Le spectre d'Hector/Deuxième
awkwardness on stage, this can be a thrilling Sentinelle: Dennis Wicks; Helenus: David
opera on record. He is enormously helped by Lennox; Panthée: Anthony Raffell; Ascagne:
his cast, and most of all by Nicolai Gedda Anne Howells; Iopas: Ian Partridge;
here giving one of the very finest, most Mercure/Soldat Troyen: Pierre Thau (bass);
powerful, most searching performances of his Priam Hecuba/Le spectre de Cassandra:
whole career. The Philips transfer engineers Elizabeth Bainbridge; Hylas: Ryland Davies.
have been just as concerned as in the other Conductor: Sir Collin Davis Orchestra and
big opera project in this series, Les troyens, to Chorus of the Royal Opera House, The
use the format of CD with maximum benefit. Wandsworth School Boys' Choir (Audio)
So the First Act is complete on the first two
discs, with each of the two tableaux (six VIRGINIA (Saverio Mercadante) [2:35:41]
scenes in the first, seven in the second) taking Virginia - Susan Patterson, Virginio - Stefano
up a whole disc each. That leaves the third Antonucci, Appio - Paul Charles Clarke, Icilio -
disc for the whole of the Second Act, over 70 Charles Castronovo, Marco - Andrew Foster
minutes meaning that there is no unnecessary Williams, Tullia - Katherine Manley, Valerio –
break anywhere. The sound too remains very Mark Le Brocq. Maurizio Benini. London
vivid, with the firmness of focus and sense of Philharmonic. Geoffrey Mitchell Choir. 2008
presence characteristic of Philips engineering (Audio)
of the period all the more apparent on CD.
The orchestra is not quite so forward as in
some of the Davis Berlioz series, but that sets
12

AIDA (Giuseppe Verdi) [2:25:21] (Leontyne


Price, Placido Domingo, Marilyn Horne,
Cornell MacNeil. Chorus & Orchestra of the
ERNANI (Giuseppe Verdi) [2:19:26] Elvira - Metropolitan Opera. James Levine. 1976)
Daniela Dessi (Soprano); Ernani - Vincenzo [Audio]
La Scola (Tenor); Don Gomez De Silva - MADAMA BUTTERFLY (Giacomo Puccini)
Michele Pertusi (Bass); Jago -Riccardo Ristori [51:43] Excerpts from a 1962 RCA recording
(Bass); Don Carlo - Paolo Coni (Baritone); of Giacomo Puccini's "Madama Butterfly". Cio-
Giovanna - Marina Giorgio (Mezzo Soprano); Cio-san: Leontyne Price; Pinkerton: Richard
Don Riccardo - Diego Cossu (Tenor). Coro di Tucker; Sharpless: Philip Maero; Suzuki:
Camera di Bratislava Giuliano Carella. Rosalind Elias. Conductor: Erich Leinsdorf
Orchestra Internazionale d'Italia. 1991 (Audio) RCA Italian Opera Orchestra and Chorus
LE COMTE ORY (Gioachino Rossini) 00:00 Ancora un passo or via! 04:06 Io seguo
[2:11:52] Sumi Jo, John Aler, Diana il mio destino 05:29 Bimba, non piangere...
Montague, Francis Dudziak, Gilles Viene la sera... Vogliatemi bene 22:09 Un bel
Cachemaille, Maryse Castets, Gino Quilico, dì vedremo 26:33 Ora a noi 29:11 Ah,
Raquel Pierotti. Orchestre et Choeur de m'ascordata!... Che tua madre 34:10 Il
l’Opera de Lyon. John Eliot Gardiner. (Audio) cannone del porto!... Squotti quella fronda
47:03 Con onor muore... Tu, tu! Piccolo iddio
FARAMONDO (GF Handel) [2:55:24] Emily (Audio)
Fons (Faramondo -mezzo-soprano-); Anna
Devin (Clotilde -soprano-); Anna SIMON BOCCANEGRA (Giuseppe Verdi)
Starushkevych (Rosimonda -mezzo- [2:19:23] Tito Gobbi--Simon Boccanegra;
soprano-); Njal Sparbo (Gustavo -bass-); Boris Christoff--Jacopo Fiesco; Victoria de los
Maarten Engeltjes (Adolfo -countertenor-); Ángeles--Maria/Amelia; Giuseppe Campora---
Christopher Lowrey (Gernando Gabriele Adorno. Gabriele Santini--conductor
-countertenor-); Edward Grint (Teobaldo Cor e Orchestra del Teatro dell'Opera di
-baritone-); Iryna Dziashko (Childerico Roma 1957(Audio)
-soprano-). Laurence Cummings. Festspiel GIANNI SCHICCHI (Giacomo Puccini)
Orchester Gottingen. 2014 (Audio) [52:23] (Giani Schicchi: Ralph Herbert,
TOLOMEO, RE D’EGITTO (GF Handel) Lauretta: Virginia Haskins, Rinuccio: Robert
[2:28:01] Tolomeo: Axel Kohler; Seluce: Linda Marshall, Zita: Jean Handzlik, Simone:
Perillo; Araspe: Brian Bannatyne-Scott; Elisa: Kenneth Smith, Betto: Paul Ukena, Marco:
Romelia Lichtenstein, Alessandro: Jennifer Robert Goss, Gherardo: Hubert Norville,
Lane; Bambino: Julius Flishammer. Howard Nella: Evelyn Keller, Ciesca: Ruth Kobart,
Arman. Handelfestspielorchester Halle. 2004 Spinelloccio: Emile Renan, Amantio: Lloyd
(Audio) Harris, Pinellino: Francis Monachino, Guccio:
Robert Holland, Gherardino: David Pfeffer.
UN BALLO IN MASCHERA (Giuseppe Peter Herman Adler. 1952 (Video)
Verdi) [2:14:22] Riccardo - Luciano Pavarotti;
Renato - Leo Nucci; Amelia - Aprile Millo; LA TRAVIATA (Giuseppe Verdi) [1:52:26]
Ulrica - Florence Quivar; Oscar - Harolyn (Anna Moffo. Franco Bonisolli, Gino Bechi,
Blackwell; Silvano - Gordon Hawkins; Giuseppe Patane. 1967) [Film]
Samuele - Terry Cook; Tom - Jeffrey Wells; DIE WALKURE (Richard Wagner) [3:59:28]
Un Giudice - Charles Anthony. James Levine. (Placido Domingo, Waltraud Meier, Marjana
Orchestra & Chorus - Metropolitan Opera Lipovsek, Gabriele Schnaut. Riccardo Muti.
(Audio) 1994) [Film]
13

DON CARLO (Giuseppe Verdi) [2:57:05]


(Don Carlo: Jose Carreras, Elisabetta di
Valois: Fiamma Izzo d’Amico, Eboli: Agnes
Baltsa, Rodrigo, Marquis of Posa: Pierro Gioachino Rossini. STABAT MATER
Cappuccilli, The Grand Inquisitor: Matti (1:00:44) [Jessye Norman, Agnes Baltsa,
Salminen, Philip II: Ferruccio Furlanetto. Francisco Araiza, Simon Estes. Salzburg.
Herbert von Karajan) Riccardo Muti. LIVE 1983] (Audio)
LULU (Act 1) [Alban Berg] (1:01:25) Lulu - Gioachino Rossini. STABAT MATER
Teresa Stratas; Gräfin Geschwitz - Yvonne (1:06:40) [Daniela Dessi, Gloria Scalchi,
Minton; Eine Theater-Garderobiere, ein Giuseppe Sabbatini, Michele Pertusi.
Gymasiast, ein Groom - Hanna Schwarz; Der Orchestra e Coro del Teatro Communale di
Medizinalrat, Schigolch, der Polizeikommissär Bologna. Riccardo Chailly] (Video)
- Toni Blankenheim; Der Maler, ein Neger -
Robert Tear; Dr. Schön, Jack - Franz Mazura; Gioachino Rossini. PETITE MESSE
Alwa - Kenneth Riegel; Ein Tierbändiger, SOLENNELLE (1:19:29) [Katia Ricciarelli,
Rodrigo - Gerd Nienstedt; Der Prinz, der Margarita Zimmermann, José Carreras,
Kammerdiener, der Marquis - Helmut Samuel Ramey. Paul Berkowitz & Craig
Pampuch. Orchestre de l'Opéra de Paris Sheppard, piano. Richard Nunn, harmonium.
Pierre Boulez (Audio) Claudio Scimone. 1983] (Audio)

LULU (Act 2) [Alban Berg] (53:45) [Same Johannes Brahms. EIN DEUTSCHES
cast as above] REQUIEM (1:16:21) (Lucia Popp, Wolfgang
Brendel. Prague Philharmonic Chorus
LULU (Act 3) [Alban Berg] (55:54) [Same (Lubomir Matl, chorus master). Czech
cast as above] Philharmonic Orchestra. Giuseppe Sinopoli.
LA VIDA BREVE (Manuel de Falla) [1:04:12] 1983) [Audio]
(Montserrat Caballe, Jose Carreras. Concierto EDIPO RE (Ruggero Leoncavallo) [59:47]
en la ONU Orquesta y Coro nacionales de (Lormi, Vaina, Vertecchi, Mazzieri, Durante.
España. Jesus Lopez Cobos) [Video] RAI Roma. 1972) [Audio]
LA VIDA BREVE (Manuel de Falla) [1:08:41] LODOLETTA (Pietro Mascagni) [1:41:09]
Mabel Perelstein- Montiel- Aragall- Sardinero- (Giuliana Tavolaccini, Giuseppe Campora,
Echeverrïa- Jurado- Ruiz- Meneses- Dir: Giulio Fioravanti. 1957) [Audio]
García Navarro- Escena: F.Nieva- Teatro
Real Madrid- 25 octubre 1997 (Video) LA MANDRAGOLA (Mario Castelnuovo
Tedesco) [1:28:49] (Edith Martelli, Ferruccio
ATLANTIDA (Manuel de Falla) [1:22:33] Mazzoli, Rosa Laghezza, Aldo Bottion,
Simon Estes, Maria Bayo, Teresa Berganza. Giorgio Lormi, Mario Basiola Jr., Saverio
Coral Universidad de las Islas Baleares Coro Porzano. Orchestra della RAI di Milano.
polifónico Universitario de La Laguna Orfeón Ferdinando Guarnieri. 1974) [Audio]
Navarro Reverter Orfeón Iniversitario Simon
Bolivar Pequeños cantores de Valencia Joven PINOTTA (Pietro Mascagni) [40:14]
Orquesta nacional de España Director: (Pinotta: Maria Luisa Cioni, Baldo: Giuseppe
Edmon Colomer (Audio) Vertechi, Andrea: Lino Puglisi. Orchestra e
Coro di Milano della RAI. Gennaro
Antonin Dvořák. STABAT MATER (1:27:26) d’Angelo.1973) [Audio]
Helmuth Rilling: Oregon Bach Festival Chorus
& Orchestra; Marina Shaguch (Soprano),
Ingeborg Danz (Alto), James Taylor (Tenor),
Thomas Quasthoff (Bass). 1995 (Audio)
14

home alone for the first time on Christmas


afternoon. Eddie comes home drunk and sees
both of them exit the bedroom. Angry, he
UNO SGUARDO DAL PONTE (Renzo shows Rodolfo out of the house; when he
Rossellini) [1:34:15] (Eddie Carbone: Nicola wants to kiss Catherine, there is an argument.
Rossi-Lemeni, Rodolfo: Ruggiero Bondino, Eddie goes to the lawyer again and admits
Beatrice: Gloria Lane, Catherine: Gianna that he wants to part with his wife because he
Galli, Alfieri: Mario Basiola, Marco: Antonio wants Catherine. In order to achieve his goal,
Boyer, Immigration Officer and Louis: Alfredo he wants to inform the immigration authorities.
Colella, Mike and Tony: Athos Cesarini. RAI He thinks he has a clear path then. In fact,
Milano. 1964) [Audio] Marco, Rodolfo and two other men are
arrested on the charges. Catherine is able to
Act 1: Eddie Carbone and his wife Beatrice assert herself and get married with Rodolfo.
have settled in a neighborhood in the slums of So that he can attend the family celebration,
New York that is mainly populated by Italians. Marco gets out of the prison. Rodolfo tries to
Her niece Catherine grew up under her care in relax the situation and wants to create peace
the apartment. Visitors are expected from the in the family. Eddie walks next to Beatrice. He
old homeland. There are relatives of Beatrice is completely turned on and demands a public
who want to settle in the New World and have apology from Marco. Marco sees no reason
asked to make it easier for them to get started and refuses. Eddie attacks him with a knife.
and to help them settle in. Eddie is not Marco turns the attacker's arm around and it
particularly keen on this because he fears happens that Eddie inflicts the deadly stab
complications with the authorities. But he also himself. Eddie succumbs to the injury and
does not want to strictly block himself and breathes out his spirit in his wife's arms.
gives in to his wife's insistence. He will give (Audio)
the cousins precise rules of conduct that they
must adhere to so that they do not appear MANON LESCAUT (Giacomo Puccini)
conspicuous to the immigration authorities. [2:07:07] (Manon Lescaut: Gianna Galli, Des
Catherine should not tell anything at school Grieux: Angelo Mori, Lescaut: Renato Bruson,
because she wants to take a job there through Geronte: Silvio Maionica, Edmondo: Mario
the director. As expected, the two are warmly Guggia, Un musico: Silvana Padoan, Il
welcomed. After all, they haven't seen each lampionaio: Antonio Pietrini, Un sergente:
other for a long time. Marco reports on the Umberto Frisaldi, Un comandante: Gino Calo,
economic hardship that is at home in Italy. L’oste: Giorgio Onesti. Orchestra di Milano
Rodolfo immediately finds Catherine della RAI. Arturo Basile. 1965 Broadcast)
extremely likeable. Eddie is jealous and his [Audio]
wife suspects that he himself has kept an eye L’ANIMA DEL FILOSOFO ossia ORFEO ED
on her young niece. At least the relatives' EURIDICE (Franz Josef Haydn) [1:22:12]
affection will now be throttled. Rodolfo and Orfeo - Francesco Albanese, Euridice - Onelia
Catherine have been to the cinema together Fineschi, Creonte - Boris Christoff Genio -
and are reproached for this by Eddie. Renata Ongaro, Plutone e 4° corifeo - Dimitri
Afterwards he hatefully tries to convince the Lopatto, 1° corifeo - Walter Artioli 2° corifeo -
girl that Rodolfo is only trying to get at her Arrigo Cattelani, 3° corifeo - Eraldo Coda
because he wants to marry her in order to Orchestra e Coro RAI di Milano Direttore -
obtain American citizenship. Eddie wants to Ferruccio Scaglia Maestro del Coro - Roberto
investigate the situation and is looking for a Benaglio. 1957
lawyer. Beatrice advises her niece to remain
at ease and to face the situation calmly. Act 2: [Audio] LA VERA COSTANZA (Franz Josef
It turns out that Catherine and Rodolfo were at Haydn) [2:06:25] (Jessye Norman, Helen
15

Donath, Claes Ahnsjo, Wladimiro Ganzarolli, Jeanne livrée aux bêtes (Joan given up to the
Domenico Trimarchi. Orchestre de Chambre beasts) 00:24:38 - V. Jeanne au poteau (Joan
de Laussane. Antal Dorati) at the stake) 00:27:52 - VI. Les rois, ou
l'invention du jeu de cartes (The kings, or the
IL MARITO DISPERATO (Domenico invention of the game of cards) 00:33:01 - VII.
Cimarosa) [1:30:44] (Gismonda: Emilia Catherine et Marguerite (Catherine and
Ravaglia, Corbolone: Rolando Panerai, Margaret) 00:36:11 - VIII. Le Roi qui va-t-à
Dorina: Maria Casula, Eugenia: Graziella Rheims (The king sets out for Rheims)
Sciutti, Valerio: Gennaro De Sica, Il conte 00:47:59 - IX. L'Épée de Jeanne (The Sword
Fanfaluchi: Walter Monachesi, Il marchese of Joan) 01:02:55 - X. Trimazo (Trimazo)
Castagnacci: Leonardo Monreale. Orchestra 01:03:44 - XI. Jeanne d'Arc en flammes (The
A.Scarlatti di Napoli della RAI e Coro di Napoli burning of Joan of Arc) The dramatic oratorio
della RAI. Pierluigi Urbini. 1975) [Audio] Jeanne d'Arc au Bûcher remains the best-
JEANNE D'ARC AU BÛCHER (Joan of known and most-often-played composition of
Arc at the Stake) [Arthur Honegger] Arthur Honegger. Since its premiere in 1938,
(1:15:00) Composer: Arthur Honegger (10 Jeanne d'Arc au bûcher has enjoyed both
March 1892 -- 27 November 1955) - critical and popular esteem. Honegger,
Orchestra: Czech Philharmonic Orchestra - however, claimed that he had merely put his
Choirs: Czech Philharmonic Chorus, Kuhn talents at the disposal of the immensely
Children's Chorus - Conductor: Serge Baudo talented Paul Claudel, the French poet and
(Audio+Score) politician who wrote the work's libretto. In
1934, dancer Ida Rubenstein, taken with the
Spoken roles: Jeanne d'Arc - Nelly Borgeaud concept of the medieval mystery play,
Brother Dominic - Michel Favory The ass, approached Honegger with the idea for an
Reynold of Chartres, John of Luxemburg, a oratorio based on the life of the recently
peasant, the priest - Rene Brun William of canonized Joan of Arc. But their first meeting
Flavy, the usher - Francois Loup A voice (in with Claudel went poorly. The poet felt that the
the prologue), Mother of Barrels - Annie project was too difficult, that it was impossible
Gaillard Bedford, Herold III, Miller Musty, to improve upon the story of the warrior maid.
another peasant - Tony Jacquot Perrot - Yet, riding the train home, he was suddenly
Anne-Marie Rodde struck with inspiration; the libretto was
complete days later. Claudel's libretto ranges
Sung roles: Soprano (in the prologue), the
from dark humor to heartbreaking poignancy.
Virgin - Christianne Chateau Margaret
Puns are interspersed with scriptural
(soprano) - Anne-Marrie Rodde Catherine
allusions; medieval Latin legal terms are
(contralto) - Huguette Brachet Herold I, the
juxtaposed with mystical images. The
clerk (tenor) - Pedro Proenza Tenor solo,
dramatic action flows freely, irrespective of
Porcus - Zdenek Jankovsky Bass solo, Herold
chronology: the stake is located at a
II - Francois Loup Child's voice - Lenka
confluence of past, present, and future. In
Loubalova - Year of recording: 1966
addition to the libretto, Claudel provided
Jeanne d'Arc au Bûcher {Joan of Arc at the Honegger with scenarios detailing what
Stake}, dramatic oratorio for various speakers should happen in the music, which the
& vocal soloists, chorus & orchestra, H. 99, composer was later to cite in reducing his role
written between 1935-1944. to that of collaborator. But Honegger rose to
meet the powerful libretto. At this point in his
00:00:00 - 0. Prologue 00:07:25 - I. Les Voix career, he had begun writing film scores (he
du ciel (The Voices from heaven) 00:09:37 - II. would compose more than 40), and Jeanne
Le Livre (The Book) 00:12:58 - III. Les Voix de d'Arc au bûcher is certainly dramatic. The
la terre (The Voice of the earth) 00:16:28 - IV. chorus alone runs the gamut from whispering
16

to wordless humming, from singing exuberant Stabat Mater is a musical setting of the Stabat
folk melodies to shouting accusations at the Mater sequence, composed in 1736 in the
heroine. Honegger achieved further variety by final weeks of Pergolesi's life. He actually
using several different groups, including wrote the final chorus on his deathbed.
speaking parts (Joan and the friar), solo [Audio+Score]
voices (3 women, 2 men), and a second
chorus (of children). The composer not only 00:00 - 1. Stabat Mater dolorosa - Grave
utilized percussion and winds skillfully, but 04:37 - 2. Cujus animam gementem - Andante
also used new instruments (the expressive amoroso 06:41 - 3. O quam tristis et afflicta -
ondes martenot) and old ones in new ways Larghetto 08:53 - 4. Quae moerebat et
(anticipating later composers such as Cage, dolebat - Allegro 10:33 - 5. Quis est homo -
Honegger used a prepared piano). Composed Largo 13:20 - 6. Vidit suum dulcem natum - A
in 1935, the oratorio did not have its premiere tempo giusto 16:48 - 7. Eja mater fons amoris
until 12 May 1938. However, its overwhelming - Andantino 19:06 - 8. Fac ut ardeat cor meum
reception finally guaranteed Honegger the - Allegro 21:13 - 9. Sancta mater, istud agas -
admiration of the French artistic community, A tempo giusto 26:17 - 10. Fac ut portem
which had previously regarded him with some Christi mortem - Largo 30:02 - 11.
skepticism. In 1944 they would add the Inflammatus et accensus - Allegro 31:52 - 12.
Prologue to Jeanne d'Arc au bûcher, which Quando corpus morietur - Largo assai
compares the formless void of Genesis to the Giovanni Battista Pergolesi. STABAT
darkness enveloping France during the MATER (42:50) for soprano, contralto, strings
Hundred Years' War. The date of its addition and basso continuo by Giovanni Battista
suggests the intention of a further comparison Pergolesi (1710-1736)
to France during World War II. Honegger's
score caricatures various older forms in its Margaret Marshall (soprano) Lucia Valentini
darkly comic moments, including chant, Terrani (contralto) Leslie Pearson (organ)
Medieval song, Baroque ritornello, folk song, London Symohony Orchestra Claudio Abbado
and 1930s jazz. These in turn set off soaring, (conductor) Recorded in 1985
lyrically expressive moments. Jeanne d'Arc au
00:00 "Stabat Mater Dolorosa" 04:39 "Cujus
bûcher is one of those rare works in which
animam gementem" 07:47 "O quam tristis et
both text and music rise to the occasion
afflicta" 10:22 "Quae moerebat et dolebat"
demanded by the lofty subject. Jeanne d'Arc
13:12 "Quis est homo"—"Pro peccatis suae
au Bûcher is dedicated: "à Madame Ida
gentis..." 16:14 "Vidit suum dulcem natum"
Rubinstein". The spoken text is not always
19:48 "Eja mater fons amoris" 22:42 "Fac ut
perfectly timed to the notes, whenever this
ardeat cor meum" 25:23 "Sancta mater, istud
was the case I chose to follow the text instead
agas" 31:22 "Fac ut portem Christi mortem"
of the notes...
35:06 "Inflammatus et accensus" 37:57
Giovanni Battista Pergolesi. STABAT "Quando corpus morietur" —"Amen..." (Audio)
MATER (37:03) - Composer: Giovanni
Johann Sebastian Bach. ERBARME DICH,
Battista Pergolesi (4 January 1710 -- 16
MEIN GOTT from MATTHÄUS PASSION
March 1736)
(8:59) [Maureen Forrester, contralto]
Ensemble: Ricercar Consort - Conductor: (Audio+Score)
Philippe Pierlot - Soloists: Núria Rial
Original text: Erbarme dich, mein Gott, Um
(soprano), Carlos Mena (contratenor) - Year
meiner Zähren Willen ! Shaue hier, Herz und
of recording: 2006
Auge Weint vor dir bitterlich. Erbarme dich,
Stabat mater, for soprano, alto, strings & mein Gott!
organ in F major, written in 1736. Pergolesi's
17

Translations: Have mercy, my God, For the Saarbrucken Chamber Choir. German Radio
sake of my tears! See here, heart an eye Saarbrucken-Kaiserslautern Philharmonic Orchestra.
Weep bitterly before you. Have mercy, my Georg Gruen
God!

Johann Sebastian Bach. ERBARME DICH, Roger Moreno-Rathgeb. REQUIEM FOR


MEIN GOTT from MATTHÄUS PASSION AUSCHWITZ (1:09:12) Requiem for Auschwitz
(7:34) [Julia Hamari, contralto] (Video) (by Roger Moreno-Rathgeb) world premiere in
ANTONÍN DVOŘÁK: REQUIEM, op. 89 Amsterdam on 3-5-2012, played by the Roma
(1:37:13) I. Requiem Aeternam (00:00) II. and Sinti Philharmonics under direction of
Graduale (10:02) III. Dies Irae (14:52) IV. Riccardo M. Sahiti. (Video)
Tuba Mirum (17:05) V. Quid Sum Miser Antonin Dvorak. REQUIEM (1:29:01)
(25:54) VI. Recordare, Jesu Pie (31:41) VII. Recorded in Chartres Cathedral on 6
Confutatis Maledictis (39:01) VIII. Lacrimosa September 2002. Antonello Allemandi
(43:42) IX. Offertorium (Domine, Jesu Christe) conducts the Colonne Orchestra and Choir.
(49:31) X. Hostias (1:01:21) XI. Sanctus With Cécile Perrin (soprano), Sylvie Brunet
(1:12:40) XII. Pie Jesu (1:18:25) XIII. Agnus (mezzo-soprano), Jean-Pierre Furlan (tenor)
Dei (1:24:05) and René Schirrer (bass). (Video)
Sopran: Maria Stader Alto: Sieglinde Wagner Section I 1. Requiem aeternam, B flat minor
Tenor: Ernst Haefliger Bass: Kim Borg Karel (Poco lento) 0:40 2. Graduale, B flat minor
Ancerl Czech Philharmonic Orchestra and (Andante) 10:13 3. Dies irae, B flat minor
Czech Chorus, Prague (Audio) (Allegro impetuoso att.) 14:52 4. Tuba mirum,
Robert Schumann. REQUIEM, op. 148 E minor (Moderato) [conducted as one with
(1852) [37:17] [Audio] Dies Irae] 16:55 5. Quid sum miser, F minor
(Lento) 24:55 6. Recordare, D major
I. Requiem aeternam:4:05 II.Te decet hymnus:4:54 (Andante) 30:41 7. Confutatis maledictis, G
III.Dies irae:3:24 IV.Liber scriptus:5:22. V.Qui minor (Moderato maestoso) 36:40 8.
Mariam:4:56 VI.Domine Jesu:2:33 VII.Hostias:0:59. Lacrymosa, A minor (L'istesso tempo) 40:29
VIII.Sanctus:3:47. IX.Benedictus.Agnus Dei:7:20.
Section II 9. Offertorium, F major (Andante
S. Rubens, I. Danz, C. Pregardien, A. Seidel, F. con moto) 46:15 10. Hostias, F minor
Speer.
(Andante) 57:25 11. Sanctus, B flat major
Saarbrucken Chamber Choir. German Radio (Andante maestoso) 1:07:09 12. Pie Jesu, G
Saarbrucken-Kaiserslautern Philharmonic Orchestra. minor (Poco adagio) 1:12:30 13. Agnus Dei, B
Georg Gruen flat minor (Lento) 1:16:53 Applause 1:27:08

Picture: The Abbey in the Oakwood (1809-10) by Antonin Dvorak. REQUIEM (1:34:35) Pilar
Caspar David Friedrich (1774-1840). Lorengar, Erszebet Komlossy, Robert
Ilosfalvy, Tom Krause. The Ambrosian
Robert Schumann. REQUIEM, op. 148
Singers John McCarthy, chorusmaster
(1852) [37:67] (Audio+Score)
London Symphony Orchestra. Istvan Kertesz,
I.Requiem aeternam:4:05 II.Te decet hymnus:4:54 conductor (Audio)
III.Dies irae:3:24 IV.Liber scriptus:5:22. V.Qui
Dmitri Shostakovich. SONG OF THE
Mariam:4:56 VI.Domine Jesu:2:33 VII.Hostias:0:59.
VIII.Sanctus:3:47. IX.Benedictus.Agnus Dei:7:20. FORESTS, op. 81 (Oratorio) [34:27] (Vitaly
Kilichevsky, tenor; Ivan Petrov, bass. The
S. Rubens, I. Danz, C. Pregardien, A. Seidel, F. USSR State Academic Russian Choir. The
Speer. Boys Choir of the Moscow Choral College
Chorus Master: Alexander Sveshnikov. The
18

USSR State Symphony Orchestra. Yevgeny Allegro (28:02) 4. Finale_ Allegro Con Fuoco
Mravinsky, conductor 1949) [Audio] (33:52)

Symphony #5 In E Minor, Op. 64 1. Andante,


Allegro Con Anima (41:50) 2. Andante
Cantabile, Con Alcuna Licenza (56:23) 3.
ARLECCHINO (Ferruccio Busoni) [1:01:09] Valse_ Allegro Moderato (1:08:18) 4. Finale_
(Colombina: Adriana Martino, Arlecchino: Andante Maestoso, Allegro Vivo (1:13:45)
Tommaso Frascati, Arlecchino (voce Symphony #6 In B Minor, Op. 74, _Pathétique
recitante): Giorgio Gusso, Leandro: Petre 1. Adagio, Allegro Non Troppo (1:24:49) 2.
Munteanu, Ser Matteo del Sarto: Giuseppe Allegro Con Grazia (1:42:28) 3. Allegro Molto
Valdengo, Cospicuo: Rolando Panerai, Il Vivace (1:50:35) 4. Finale_ Adagio
dottor Bombasto: Paolo Montarsolo, Il Lamentoso, Andante (1:58:57)
narrator: Antonio Venturi. Orchestra Sinfonica
di Roma della RAI, Direttore Ferruccio Leningrad Philharmonic Orchestra Evgeny
Scaglia. 1966) [Audio] Mravinsky Recorded in 1960 (Audio)

GINEVRA DEGLI ALMIERI (Mario WA Mozart. PIANO CONCERTOS. Vol. 2


Peragallo) [2:46:52] (Ginevra degli Almieri: (3:02:45) [Audio]
Marcella Pobbe, Costanza: Giuliana
Tavolaccini, Antonio: Gino Sinimberghi, Piano Concerto #11 in F major, K.413_
Francesco Agolanti: Paolo Pedani, Puccio: I.Allegro (00:00) Piano Concerto #11 in F
Leonardo Monreale, Ringraziata: Maria major, K.413_ II.Larghetto (09:24) Piano
Teresa Mandalari, Giannole: Piero De Palma, Concerto #11 in F major, K.413_ III.Tempo di
Gismondo: Renato Ercolani, Nicola: Osvaldo menuetto (17:14)
Scrigna, Cerbone: Marco Stecchi, Samuele: Piano Concerto #12 in A major, K.414_
Mario Marchetti, Il musico: Salvatore Gioia, I.Allegro (23:04) Piano Concerto #12 in A
Un servo: Adelio Zagonara, Un cantastorie: major, K.414_ II.Andante (32:41) Piano
Adelio Zagonara. Orchestra Sinfonica di Concerto #12 in A major, K.414_ III.Rondo.
Milano della RAI. Direttore Ferruccio Scaglia. Allegretto (41:06)
1961) [Audio]
Piano Concerto #13 in C major, K.415_
Johann Sebastian Bach. MASS in b minor, I.Allegro (47:39) Piano Concerto #13 in C
BW 232 (2:15:46) [Agnes Giebel, Dame Janet major, K.415_ II.Andante (58:15) Piano
Baker, Nicolai Gedda, Hermann Prey, Franz Concerto #13 in C major, K.415_
Crass. BBC Chorus, Philharmonia Orchestra. III.Rondeau_Allegro-Adagio-Allegro (1:05:43)
Otto Klemperer. 1967] (Audio)
Piano Concerto #14 in E flat major, K.449_
Johann Sebastian Bach. MASS in b minor, I.Allegro vivace (1:14:04) Piano Concerto #14
BW 232 (1:58:46) [Elly Ameling, Yvonne in E flat major, K.449_ II.Andantino (1:23:08)
Minton, Helen Watts, Werner Krenn, Tom Piano Concerto #14 in E flat major, K.449_
Krause. Wiener Singakademiechor, III.Allegro ma non troppo (1:29:10)
Stuttgarter Kammerorchester. Karl
Münchinger. 1970] (Audio) Piano Concerto #17 in G major, K.453_
I.Allegro (1:35:41) Piano Concerto #17 in G
Peter Tchaikovsky. SYMPHONIES Nos. 4-6 major, K.453_ II.Andante (1:47:16) Piano
(2:08:47) Symphony #4 In F Minor, Op. 36 1. Concerto #17 in G major, K.453_ III.Allegretto
Andante Sostenuto, Moderato Con Anima - Finale_ Presto (1:56:19)
(00:00) 2. Andantino In Modo Di Canzona
(18:44) 3. Scherzo_ Pizzicato Ostinato, Piano Concerto #18 in B flat major, K.456_
I.Allegro vivace (2:04:33) Piano Concerto #18
19

in B flat major, K.456_ II.Andante un poco Major K.537 2.Larghetto (3:09:18) Piano
sostenuto (2:16:26) Piano Concerto #18 in B Concerto No.26 D Major K.537 3.Allegretto
flat major, K.456_ III.Allegro vivace (2:26:43) (3:15:06)

Piano Concerto #19 in F major, K.459_ Piano Concerto No.27 B-Flat Major K.595
I.Allegro (2:34:12) Piano Concerto #19 in F 1.Allegro (3:27:00) Piano Concerto No.27 B-
major, K.459_ II.Allegretto (2:46:43) Piano Flat Major K.595 2.Larghetto (3:40:29) Piano
Concerto #19 in F major, K.459_ III.Allegro Concerto No.27 B-Flat Major K.595 3.Allegro
assai (2:55:02) (3:48:17)

Piano: Lili Kraus. Vienna Festival Orchestra Piano: Lili Kraus. Vienna Festival Orchestra
Direction: Stephen Simon. Recorded in 1965- Conductor: Stephen Simon. Recorded in
66. 1965-66

WA Mozart. PIANO CONCERTOS. Vol. 3 WA Mozart. PIANO CONCERTOS. Vol. 4


(3:57:54) [Audio] (3:19:24) [Audio]

Piano Concerto No.20 in D minor, K.466 Ⅰ. Piano Concerto #9 in E-flat major


Allegro (00:00) Piano Concerto No.20 in D ‘’Jeunehomme'', K.271_ I.Allegro (00:00)
minor, K.466 II. Romance (13:34) Piano Piano Concerto #9 in E-flat major
Concerto No.20 in D minor, K.466 III. ‘’Jeunehomme'', K.271_ II.Andantino (09:51)
Rondo_Allegro Assa (22:31) Piano Concerto #9 in E-flat major
‘’Jeunehomme'', K.271_ III.Rondeau. Presto
Piano Concerto No.21 in C major, K.467 Ⅰ. (19:12)
Allegro maestoso (30:28) Piano Concerto
No.21 in C major, K.467 II. Andante (44:27) Piano Concerto #15 in B-flat major, K.450_
Piano Concerto No.21 in C major, K.467 III. I.Allegro (29:30) Piano Concerto #15 in B-flat
Allegro vivace ass (50:39) major, K.450_ II.Andante (40:11) Piano
Concerto #15 in B-flat major, K.450_
Piano Concerto No.22 K.482, a, Allegro III.Allegro (45:25)
(57:47) Piano Concerto piano No.22 K.482, b,
Andante (1:10:53) Piano Concerto piano Piano Concerto #16 in D major, K.451_
No.22 K.482, c, Allegro (1:19:30) Piano I.Allegro assai (53:23) Piano Concerto #16 in
Concerto piano No.23 K.488, a, Allegro D major, K.451_ II.Andante (1:03:53) Piano
(1:31:20) Concerto #16 in D major, K.451_ III.Allegro di
molto (1:10:12)
Piano Concerto No.23 K.488, b, Adagio
(1:41:57) Piano Concerto piano No.23 K.488, Piano Concerto #1 in F major, K.37_ I.Allegro
c, Allegro Assai (1:47:30) Piano Concerto (1:16:59) Piano Concerto #1 in F major, K.37_
No.24 C Minor K.491 1.Allegro (1:55:27) II.Andante (1:22:30) Piano Concerto #1 in F
major, K.37_ I.Allegro (1:27:39)
Piano Concerto No.24 C Minor K.491
2.Larghetto (2:08:24) Piano Concerto No.24 C Piano Concerto #2 in B-flat major, K.39_
Minor K.491 3.Allegretto (2:15:23) I.Allegro spiritoso (1:35:07) Piano Concerto #2
in B-flat major, K.39_ II.Andante (1:40:52)
Piano Concerto No.25 C Major K.503 Piano Concerto #2 in B-flat major, K.39_
1.Allegro (2:24:47) Piano Concerto No.25 C III.Molto allegro (1:45:28)
Major K.503 2.Andante (2:39:38) Piano
Concerto No.25 C Major K.503 3.Allegretto Piano Concerto #3 in D major, K.40_ I.Allegro
(2:45:48) (1:49:13) Piano Concerto #3 in D major, K.40_
II.Andante (1:54:32) Piano Concerto #3 in D
Piano Concerto No.26 D Major K.537 major, K.40_ III.Presto (not available)
1.Allegro (2:55:10) Piano Concerto No.26 D
20

Piano Concerto #4 in G major, K.41_ I.Allegro (1:14:43) 2.Andantino grazioso (1:19:37)


(2:02:38) Piano Concerto #4 in G major, 3.Presto (1:24:12) ` Symphony No.28 in C/C-
K.41_ II.Andante (2:08:14) Piano Concerto #4 dur/do Majeur, K.200 1.Allegro spiritoso
in G major, K.41_ III.Molto allegro (2:12:14) (1:29:15) 2.Andante (1:34:50)
3.Menuetto/Allegretto (1:40:02) 4.Presto
Piano Concerto #5 in D major, K.175_ (1:44:08) Symphony No.29 in A/A-dur/la
I.Allegro (2:16:18) Piano Concerto #5 in D Majeur, K.201 1.Allegro moderato (1:48:29)
major, K.175_ II.Andante ma un poco adagio 2.Andante (1:56:41) 3.Menuetto (2:02:57)
(2:24:09) Piano Concerto #5 in D major, 4.Allegro con spirito (2:06:26) Symphony
K.175_ III.Allegro (2:32:40) No.30 in D/D-dur/ré Majeur, K.202 1.Molto
Piano Concerto #6 in B-flat major, K.238_ allegro (2:11:50) 2.Andantino con moto
I.Allegro aperto (2:37:37) Piano Concerto #6 (2:18:28) 3.Menuetto (2:22:17) 4.Presto
in B-flat major, K.238_ II.Andante un poco (2:26:21) Symphony No.31 in D/D-dur/Ré
adagio (2:44:59) Piano Concerto #6 in B-flat Majeur, KV 297 ‘’Paris’' 1.Allegro assai
major, K.238_ III.Rondeau. Allegro (2:51:00) (2:29:57) 2.Andante (2:37:25) 3.Allegro
(2:42:41) 4.Andante for KV 297 / first version
Piano Concerto #8 in C major, K.246_ (2:46:35) Symphony No.32 in G/G-dur/Sol
I.Allegro aperto (2:58:39) Piano Concerto #8 Majeur, K.318 1.Allegro spiritoso (2:51:24)
in C major, K.246_ II.Andante (3:05:24) Piano 2.Andante (2:54:41) 3.Tempo I (2:57:18)
Concerto #8 in C major, K.246_ III.Rondeau. Symphony No.33 in B flat/B-dur/si bémol
Tempo di Menuetto (3:12:17) Majeur, K.319 1.Allegro assai (2:59:25)
2.Andante moderato (3:07:06) 3.Menuetto
Piano: Lili Kraus. Vienna Festival Orchestra
(3:11:41) 4.Finale/Allegro assai (3:14:29)
Direction: Stephen Simon Recorded in 1965-
Symphony No.34 in C/C-dur/ut majeur, K.338
66
1.Allegro vivace (3:21:15) 2.Andante di molto
WA Mozart. SYMPHONIES Nos. 21-41 (3:28:37) 3.Finale - Allegro vivace (3:35:43)
(6:27:17) [Royal Concertgebouw Orchestra. Symphony No.35 in D/D-dur/Ré Majeur, KV
Josef Krips. Stéréo recordings in 1972-73 at 385 ‘’Haffner’’ 1.Allegro con spirito (3:42:06)
Concertgebouw, Amsterdam. Label: Philips] 2.Andante (3:47:48) 3.Menuetto (3:52:44)
(Audio) 4.Finale/Presto (3:56:00) Symphony No.36 in
C/C-dur/Do Majeur, KV.425 ‘’Linz’’
Symphony No.25 in G minor/g-moll/sol 1.Adagio/Allegro spiritoso (4:00:16) 2.Andante
mineur, K.183 1.Allegro con brio (00:00) (4:11:34) 3.Menuetto (4:19:53) 4.Presto
2.Andante (07:56) 3.Menuetto (11:33) (4:23:35) Symphony No.38 in D/D-dur/Ré
4.Allegro (15:17) Symphony No.21 in A/A- Majeur, K.504 ‘’Prague’' 1.Adagio/Allegro
dur/la Majeur, K.134 1.Allegro (21:21) (4:32:02) 2.Andante (4:45:04) 3.Finale/Presto
2.Andante (27:09) 3.Menuetto (31:53) (4:52:48) Symphony No.39 in E flat/Es-dur/mi
4.Allegro (35:28) Symphony No.22 in C/C- bémol Majeur, K.543 1.Adagio/Allegro
dur/ré Majeur, K.162 1.Allegro assai (39:18) (4:59:00) 2.Andante con moto (5:08:01)
2.Andantino grazioso (42:58) 3.Presto assai 3.Menuetto/Allegretto (5:16:15)
(45:32) Symphony No.23 IN D/D-dur/ré 4.Finale/Allegro (5:20:34) Symphony No.40 in
Majeur, K.181 1.Allegro Spiritoso - Andantino G minor/g-moll/sol mineur, K.550 1.Molto
grazioso - Presto assai (47:43) Symphony allegro (5:24:59) 2.Andante (5:34:33)
No.24 in B flat/B-dur/si bémol Majeur, K.182 3.Menuetto/Allegretto (5:42:08) 4.Allegro
1.Allegro Spiritoso (57:44) 2.Andantino assai (5:46:55) Symphony No.41 in C/C-
grazioso (1:02:08) 3.Allegro (1:04:37) dur/Ut Majeur, K.551 ‘’Jupiter’' 1.Allegro
Symphony No.26 in E flat/Es-dur/mi bémol vivace (5:54:10) 2.Andante cantabile (6:06:48)
Majeur, K.184 1.Molto presto (1:06:24) 3.Menuetto/Allegretto (6:15:04) 4.Molto
2.Andante / Allegro (1:09:26) Symphony allegro (6:20:30)
No.27 in G/G-dur/sol Majeur, K.199 1.Allegro
21

Johann Sebastian Bach. THE KEYBOARD ausgezogen sind 11. Chor: Hier ist er, der
CONCERTOS (1:38:19) [Glenn Gould, piano] Verbannte (Allegro molto) 12. Rezitativ: Nicht
(Audio) ungestraft soll der verwegnen Schar 13.
Terzett: In meinen Adern (Allegro ma non
Keyboard Concerto No.2 in E MAjor, BWV troppo) 14. Chor: Auf, auf! Ergreifet den
1053 I.Allegro (00:00) II.Siciliano (08:04) Verräther 15. Chor: Welten singen Dank und
III.Allegro (12:41) Ehre (Maestoso – Allegro)
Keyboard Concerto No.3 in D Major, BWV Seraph: Luba Orgonasova, soprano; Jesus:
1054 I.Allegro (19:01) II.Adagio e piano Placido Domingo, tenor; Petrus: Andreas
sempre (26:51) III.Allegro (32:43) Schmidt, bass. Rundfunkchor Berlin Simon
Keyboard Concerto No.4 in A Major, BWV Halsey, chor dirigent Deutsches Symphonie-
1055 I.Allegro (35:33) II.Larghetto (39:41) Orchester Berlin Kent Nagano, dirigent.
III.Allegro ma non tanto (45:23) Ludwig van Beethoven. CHRISTUS AM
Keyboard Concerto No.5 in F minor, BWV ÖLBERGE (CHRIST ON THE MOUNT OF
1056 I.Allegro (49:33) II.Largo (53:10) OLIVES, op. 85) [52:11] (Audio) Jesus:
III.Presto (56:07 Jozsef Réty; Seraph: Sylvia Geszty; Petrus:
Hermann Christian Polster.
Keyboard Concerto No.7 in G minor, BWV Solistenvereinigung und Grosser Chor des
1058 I.Allegro (59:57) II.Andante (1:03:47) Berliner Rundfunks Rundfunk Sinfonie-
III.Allegro assai (1:09:46) Columbia Orchester Berlin Helmut Koch, conductor
Symphony Orchestra Direction : Vladimir 1974
Golschmann Recorded in 1958,67,69, at
NewYork Ludwig van Beethoven. CANTATA FOR
THE DEATH OF JOSEPH II (37:17) [Audio]
Keyboard Concerto No.1 in D minor, BWV (Nadine Denize, James Doing, Robert
1052 I.Allegro (1:13:41) II.Adagio (1:22:28) Gierlach. Choeurs et Philharmonie Nationale
III.Allegro (1:29:50) Academic Symphony de Cracovie. Jean-Paul Penin)
Orchestra of Leningrad Direction : Vladislav
Slovak Live recording in 1957, at Leningrad. Ludwig van Beethoven. CANTATA IN
HONOUR OF JOSEPH II (24:46) [Audio]
Ludwig van Beethoven. CHRISTUS AM (Nadine Denize, James Doing, Robert
ÖLBERGE (CHRIST ON THE MOUNT OF Gierlach. Choeurs et Philharmonie Nationale
OLIVES, op. 85) [47:34] de Cracovie. Jean-Paul Penin)
Oratorio for three solo voices, chorus and Ludwig van Beethoven. THE CREATURES
orchestra Op.85 Oratorium für drei OF PROMETHEUS (Ballet Music) [52:42]
Solostimmen, Chor und Orchester Op.85 (Audio) Beethoven's only ballet premiered at
Libretto: Franz Xaver Huber The first the Burgtheater in 1801. It was based on the
performance at the Theater an der Wien in classical legend of Prometheus, who brought
Vienna in April 5, 1803. 01. Introduzione: two statues to life with fire stolen from heaven,
(Grave - Adagio) 02. Rezitativ: Jehovah, du and taught them the arts. Of special note is
mein Vater! 03. Arie: Meine Seele ist No. 16, the Finale, which shares its theme
erschüttert (Allegro) 04. Rezitativ: Erzittre with the seventh of the Twelve Contredanses,
Erde! 05. Arie: Preist des Erlösers Güte WoO 14. It rises to greater prominence with
(Larghetto) 06. Rezitativ: Verkündet, Seraph Beethoven's 15 Variations and Fugue for
07. Duett: So ruhe denn mein ganzer Schwere piano, Op. 35, and in the finale of his epochal
(Adagio molto) 08. Rezitativ: Willkommen, Symphony No. 3 in E flat major, "Eroica," Op.
Tod! 09. Chor: Wir haben ihn gesehen (Alla 55.
marcia) 10. Rezitativ: Die mich zu fangen
22

Omitted on this album are No. 4 (Maestoso -- gerühret" 11:03 Entracte: Andante 14:13
Andante), No. 5 (Adagio -- Andante quasi Entracte: Larghetto 19:13 Lied: "Freudvoll und
Allegretto), No. 13 (Terzettino - Grotteschi. Leidvoll" 20:51 Entracte: Allegro – Marcia
Allegro). Yehudi Menuhin conducts The 24:44 Entracte: Poco sostenuto e risoluto
Menuhin Festival Orchestra. Straight from the 28:21 Mort de Klärchen 31:05 Melodram:
1970 vinyl. I own nothing here. Overture -- "Süßer Schlaf" 36:20 Siegessymphonie
Adagio -- Allegro molto e con brio 0:01-04:46 (symphony of victory): Allegro con brio
Introduction (La Tempesta). Allegro non
troppo (C major) 04:46-06:46 1. Poco Adagio Ludwig van Beethoven. EGMONT, op. 84
-- Allegro con brio -- Poco Adagio -- Allegro (37:03) (Audio)
con brio (C major) 06:48- 09:39 2. Adagio -- Overture: Sostenuto, ma non troppo - Allegro
Allegro con brio (F major) 09:43-11:31 3. 1.Lied (Clärchen), "Die Trommel gerühret",
Allegro vivace (F major) 11:32-13:04 6. Un vivace: [8:27] 2.Zwischenakt I (entr'acte I),
poco Adagio -- Allegro (G major) 13:08-14:37 Andante - Allegro con brio: [11:20]
7. Grave (G major) 14:38-18:47 8. Marcia. 3.Zwischenakt II (entr'acte II), Larghetto:
Allegro con brio -- Presto (D major) 18:48- [14:10] 4.Lied (Clärchen), "Freudvoll und
25:39 9. Adagio -- Adagio -- Allegro molto (E♭ leidvoll", Andante con moto - Allegro assai
major) 25:43-29:46 10. Pastorale. Allegro (C veloce: [19:25] 5.Zwischenakt III (entr'acte III),
major) 29:48-32:56 11. Coro di Gioja. Andante Allegro - Marcia. Vivace: [21:06]
(C major) 33:00-33:20 12. Solo di Gioja. 6.Zwischenakt IV (entr'acte IV), Poco
Maestoso -- Adagio -- Allegro (C major) 33:21- sostenuto e risoluto - Larghetto - Andante
36:16 14. Solo della Signora Cassentini. agitato: [24:56] 7.Musik, Clärchens Tod
Andante -- Adagio -- Allegro -- Allegretto (F bezeichnend (music, marking the death of
major) 36:19-41:15 15. Solo di Viganò. Clärchen), Larghetto: [28:18] 8.Melodram
Andantino -- Adagio -- Allegro (B♭ major) (Egmont), "Süßer Schlaf", Poco sostenuto:
41:20-46:01 16. Finale. Allegretto -- Allegro [31:31] 9.Siegessymphonie (Victory
molto -- Presto (E♭ major) 46:04-52:40 Symphony), Allegro con brio: [35:34]

Ludwig van Beethoven. EGMONT, op. 84 Gundula Janowitz, Sopran (Clärchen) Erich
(37:42) [Audio] Claudio Abbado Berliner Schellow, Speaker (Egmont) Berliner
Philharmoniker Egmont, Op. 84, by Ludwig Philharmoniker Herbert von Karajan. Berlin,
van Beethoven, is a set of incidental music Jesus-Christus-Kirche, 1/1969
pieces for the 1787 play of the same name by Ludwig van Beethoven. EGMONT, op. 84
Johann Wolfgang von Goethe. It consists of (31:14) (Video) Music to Johann Wolfgang
an overture followed by a sequence of nine von Goethe's tragedy
pieces for soprano, male narrator and full
symphony orchestra. (The male narrator is Klärchen ~ Cheryl Studer; Sprecher ~ Bruno
optional; he is not used in the play and does Ganz. Berliner Philharmoniker Claudio
not appear in all recordings of the complete Abbado. Berlin, Schauspielhaus
incidental music.) Beethoven wrote it between
1. Overtüre: Sostenuto, ma non troppo -
October 1809 and June 1810, and it was
Allegro 2. Lied: “Die Trommel gerühret” 3.
premiered on 15 June 1810.The overture,
Zwischenaktmusik I: Andante 4. Lied:
powerful and expressive, is one of the last
“Freudvoll und leidvoll” 5. Zwischenaktmusik
works of his middle period; it has become as
III: Allegro 6. Zwischenaktmusik IV: Poco
famous a composition as the Coriolan
sostenuto e risoluto 7. Klärchens Tod
Overture, and is in a similar style to the Fifth
bezeichnend: Larghetto 8. Melodram: “Süßer
Symphony, which he had completed two
Schlaf”: Poco sostenuto 9. Siegessymphonie:
years earlier. 0:00 Overture: Sostenuto, ma
Allegro con brio
non troppo – Allegro 8:05 Lied: "Die Trommel
23

Ludwig van Beethoven. EGMONT, op. 84 Antonin Dvorak. ORCHESTRAL WORKS


(41:55) [Audio] 1. Overture. Sostenuto, ma (2:36:38) [Istvan Kertesz. Various
non troppo - Allegro - 2. Lied: "Die Trommel Orchestras] (Audio) 1. Overture "Camival"
gerühret" - 3. Entr'acte I: Andante - 4. (00:00) ----London-SO 2. Overture "Domov
Entr'acte II: Larghetto - 5. Lied: "Freudvoll und Muj" (8:58) ----London-SO 3. Overture
leidvoll" - 6. Entr'acte III: Allegro - 7. Entr'acte "Hussite" (18:30) ----London-SO 4. Overture
IV: Poco sostenuto e risoluto - 8. Clärchen's "In Nature's Realm" (32:42) ----London-SO 5.
Death: Larghetto - 9. Melodrama: Poco Overture "Othello" (46:14) ----London-SO 6.
sostenuto - 10. Victory Symphony: Allegro con Scherzo Capriccioso (1:01:07) ----London-SO
brio 7. Serenade for Winds (1:12:54) ----London-
SO 8. Slavonic-Dance#01 (1:37:01) ----Israel-
Magda László, soprano; Fred Liewehr, PO 9. Slavonic-Dance#03 (1:40:49) ----Israel-
speaker. Vienna State Opera Orchestra PO 10. Slavonic-Dance#08 (1:45:39)
conductor: Hermann Scherchen recorded in ----Israel-PO 11. Slavonic-Dance#09 (1:49:47)
1953 (?) ----Israel-PO 12. Slavonic-Dance#10 (1:54:01)
Franz Josef Haydn. STABAT MATER ----Israel-PO 13. Symphonic-Variations
(1:07:08) Arleen Augér, soprano; Alfreda (1:59:38) ----London-SO 14. The Noon Witch
Hodgson, contralto; Anthony Rolfe Johnson, (2:22:55) ----London-SO
tenor; Gwynne Howell, bass; John Birch, Hector Berlioz. ORCHESTRAL WORKS
continuo/ The London Chamber Choir The (1:19:11) [London Philharmonic. Sir Adrian
Argo Chamber Orchestra Conducted by Boult. 1956] (Audio) 1. "Le Roi Lear" (0:00)
László Heltay 1979 (Audio) 2. "Benedict"~Overture (8:33) 3. "Benvenuto
Stabat Mater 0:00 1. Stabat Mater dolorosa Cellini" (16:04) 4. "Le Carnaval Romain"
(tenor solo/chorus) 7:44 2. Quam tristis et (26:43) 5. "Le Corsaire" (35:14) 6. "Les
afflicta (contralto solo) 14:10 3. Quis est Francs" (43:46) 7. "Rob Roy" (56:56) 8.
homo, qui non fleret (chorus) 16:44 4. Quis "Waverley" (1:08:57)
non posset contristari (soprano solo) 23:04 5. Claude-Achille Debussy. ORCHESTRAL
Pro peccatis suae gentis (bass solo) 25:35 6. WORKS (1:40:24) [L’Orchestre de la Suisse
Vidit suum dulcem natum (tenor solo) 31:15 7. Romande. Ernest Ansermet. Recorded: 1957-
Eja mater, fons amoris (chorus) 35:05 8. 1964] (Audio) 1. "Il Mare" (0:00) 2. "Images
Sancta mater istud agas (soprano/tenor) pour Orchestre" (21:45) 3. "Notturni" (55:29)
42:50 9. Fac me vere tecum flere (contralto 4. "Petit Suite" (1:18:11) 5. "Preludio al
solo) 49:08 10. Virgo virginium praeclara Pomeriggio di un Fauno" (1:31:20)
(quartet/chorus) 56:38 11. Flammis orci ne
succendar (bass solo) 58:42 12. Fac me cruce Jean Sibelius. ORCHESTRAL WORKS
custodiri (tenor solo) 1:01:45 13. Quando (1:58:11] (Sir Malcolm Sargent. Various
corpus morietur...paradisi gloria (soprano & Orchestras) [Audio] 1. Symphony#1 (0:00)
contralto soli/chorus) ---BBC-SO 2. Symphony#5 (37:29) ---BBC-
SO 3. "En Saga" (1:07:01) ---Vienna-PO 4.
Antonin Dvorak. COMPLETE SYMPHONIES "Finlandia" (1:25:33) ---Vienna-PO 5. "Karelia
(6:23:23) 1. Symphony#1 "The Bells of Suite" (1:34:20) ---Vienna-PO 6. "The Swan of
Zlonice" (00:00) 2. Symphony#2 (47:59) 3. Tuonela" (1:49:03) ---Vienna-PO
Symphony#3 (1:41:37) 4. Symphony#4
(2:19:50) 5. Symphony#5 (3:00:27) 6. CAVALLERIA RUSTICANA (Pietro
Symphony#6 (3:41:54) 7. Symphony#7 Mascagni) [1:17:13] Liliana Cavani, José
(4:27:18) 8. Symphony#8 (5:05:14) 9. Cura, Waltraud Meier, Paolo Gavanelli, Anna
Symphony#9 "From The New World" Maria Di Micco, Tiziana Tramonti. Riccardo
(5:40:57). Berliner Philharmoniker. Rafael Muti, (Video)
Kubelik. (Audio)
24

CAVALLERIA RUSTICANA (Pietro


Mascagni) [1:13:01] Turiddu, Jussi Björling
Santuzza, Renata Tebaldi Lucia, Rina Corsi
Alfio, Ettore Bastianini Lola, Lucia Dani
Orchestra e Coro del Maggio Musicale
Fiorentino Andrea Morosini, Chorus Master
Alberto Erede, Conductor (Audio)

Johann Sebastian Bach. ST. MATTHEW


PASSION (3:23:58) [Gundula Janowitz,
Christa Ludwig, Peter Schreier, Horst
Laubenthal, Dietrich Fischer-Dieskau, Walter
Berry, Anton Diakov. Berliner Philharmoniker.
Wiener Singverein. Herbert Von Karajan]
(Audio)

FAUST (Charles Gounod) [2:36:28] (Faust:


Jussi Björling, Mephistophélès: Cesare Siepi,
Marguerite: Dorothy Kirsten, Valentin: Frank
Guarrera, Siebel: Ann Bollinger Dame,
Marthe: Thelma Votipka. Metropolitan Opera
Chorus & Orchestra. Fausto Cleva. 1950)
[Audio]

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