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 Multiac Series How to Choose?
At Godin Guitars we realize that its not always easy to choose a
guitar when you have a wide array of models to choose from.
So, let us help you out! Let us guide you through some of the
differences that make each model special.

Nylo n S t r i n g M u l t i a c s
Nut Scale Joins Playing Multiac
Model width length body at Body style SA Duet style players

-dual chambered acoustic

-latin pop/rock/world -habib koité
Nylon SA 1 7/8” 25 1/2” 16th fret -feedback resistant
-cuts through in live band setting -buster b. jones
-sounds great unplugged

-dual chambered acoustic

-latin pop/rock/world -juan carlos quintero
Nylon Duet 1 7/8” 25 1/2” 16th fret -feedback resistant
-great for live/studio settings -jason hook
-sounds great unplugged

-steve stevens
-semi-solid chambered body -latin pop/rock (billy idol)
ACS-SA 1 7/8” 25 1/2” 16th fret -feedback resistant -ideal in live & loud settings -rubens de la corte
(angelique kidjo)

-latin pop/rock -gipsy kings

-aaron mclain
-semi-solid chambered body -slim neck: easy transition
ACS-SA Slim 1 11/16” 25 1/2” 16th fret
-feedback resistant to nylon strings
(marc anthony)
-jeff stinco
-ideal in live & loud settings (simple plan)
-jesse cook
-dual chambered acoustic -classical/flamenco
Grand -badi assad
2” 25.59” 12th fret -feedback resistant -ideal for traditional classical
Concert SA -sounds great unplugged player
-lionel loueke
(herbie hancock)

-dual chambered acoustic -classical/flamenco -gipsy kings

Grand -feedback resistant
2” 25.59” 12th fret -ideal for traditional classical -sergio vallin
Concert Duet -sounds great unplugged player (mana)

*SA (synth access) with 1/4" out & 13-pin out. Duet with 1/4" out & phantom power XLR out.
** all nylon models are responsive to both pick & fingerstyle playing techniques.

Stee l S t r i n g M u l t i a c s
Nut Scale Joins Playing Multiac
Model width length body at Body style SA Duet style players

-k i r k h a m m e t t
-dual chambered acoustic -cuts through in live band
(metallica)
Steel SA 1 11/16” 25 1/2” 16th fret -feedback resistant setting
-thom bresh
-sounds great unplugged -acoustic pop/rock
-india arie

-dual chambered acoustic -ac o u s t i c a l c h e m y

-great for studio recording
Steel Duet 1 11/16” 25 1/2” 16th fret -feedback resistant
-acoustic pop/rock
-r i c h a r d e v a n s
-sounds great unplugged (p e t e r g a b r i e l )

-dual chambered body -ideal for modern jazz player

-sylvain luc
-carved maple top produces -versatile 3-voice guitar
Jazz SA 1 11/16” 25 1/2” 16th fret extra bite -endless tonal possibilities
-d a n n y e m b r e y
(k a r r i n a l l y s o n )
-feedback resistant -responds well to fingerstyle
-ideal for traditional & modern
-dual chambered body
jazz player -al dimeola
Jazz Spruce 1 11/16” 25 1/2” 16th fret
-carved spruce top yields
-versatile 3-voice guitar -f a r e e d h a q u e
SA smooth/balanced tones
-from traditional to modern tones (garaj mahal)
-feedback resistant
-responds well to fingerstyle
*SA (synth access) with 1/4" out & 13-pin out. Duet with 1/4" out & phantom power XLR out.
All specifications are subject to change without prior notice.