Cello Suite No.

1 in G Major (BWV 1007)

Prélude

Johann Sebastian Bach

      
                   
Arranged for Easy Piano by FAW 2016
(Allegro)  = 80

   
2 1 3 2

         
                   
    


 2
      1
5 5
      


                          
    
3

 
3 2

     
2 1


                     
       
ritardando

5
1
  5
1
1 2

     


                           
5
a tempo 3 1
2

 -
1

         
           
cresc. - - - - - - - - - -

1
 3
3 1 2

 

       
   
       
          

7 3
3 3 2


3

              
          
      

3 1   1 3  3 5 1
 





                        
9 5
3 1 a tempo 1


1 2 1 4 1

                        
 
rit. - - - accel. - -

1 1 1
2 2 1 4 2 4
       
                       

4
11 2 2 3 1 2 3
2 2

    
                               
 1
3
5


4 2 3 4 2 4


3 2

                            
   
13 3
4 2 a tempo 3 4 2 3 1
2 2

  
                       


  
rit. - -   rit. - -

3 1

  
               
4 2 5
3

      

    
16
a tempo 2 1

  
   
      
              
3 2





        

2
3

     
5

         
      
               
      

 
18 3
3 a tempo 1 3 1
2 3


          
                
 ritardando

     


     
1


        a tempo     

                              
5 1 2 1 2

     
   


20 2 3
2 3 1 3 1 4
1

                                 
rit. - - - - - 

       
1

           
                  

  

             
22
5

                
3 1

                     
rit. - - - -

    
 1

       

Für Irina und Danilo 2

 Toccata & Fugue BWV 565
(Piano solo)

Toccata - Adagio J. S. Bach (1685-1750)

 Arr. Federico Casal
 
       
   
             
  


   

  

Piano
               
   
      
  
   

 
3 Prestissimo

    
3 3 3 3 3 3
    
                     

  
   
                            
 3 3 3
3 3 3

                      
5

         
    

            
   

                      

7
      
        

   
            
    
 
9 (Adagio)
 
                                   
  


   
                                 


2 11
         
(Allegro)

   
               
 


              
 

               
13

               


                                  
15       
         

                  

16
    
        
                 
     
       

   
17

 
       
         
                 
  
  
 
           

          
19
    
                     
                   
       
           
 

             
  
  3
21
      Prestissimo
              
   
          
3 3 3 3

    
3 3 3 3

 
             
23
          
             

           
            


24

           
                   
 
                                       

(Adagio)
26
      
                

    
                                        

 
  
28 Fuga

  
   
   
      


                                
        
  
  
31

                         

       
                             

 
4
 
34
   
                

                   
      

36
 
                       
                                    
            

39
         
         
 

                       
 

42
                   
                    

        
          



45
     
                                            
 
             
        

 
48
 
                       
    

                
  

  
5


50

        
      

                       
      
    
 
52
                             
                                
          

                          

           
55                 
                                          

  
       
          
  


58

                                 
  
 
           
             


             

61

     
               
     



                 

64

                     
    


6

      

67


                 
  


70
      
             

     
         
72
  
  
       
       

              
      
            
74


  
                                          
      
77


      
                    
  
79



            

          



81



                           
    
 
83 7


          
                  
   


85

                      
     
    
             
            
    
              
87


  

                              
      
89 
 
         
 

                          

       
                       
91

        

  

                        

     
93

          
             
            
             

95
            
                  

   
           
        
   
8

97

              


                               
  
  
99
            
              
 
          
     


101
  
     
                  

           
         



103
               

      

                       
         
  
105
          
    
  
     
                    
      
107
                    
  
            
     
    
                         
 
 
110

       

                 
               
 9

                
112
   
            
 
   
        
      


114
     
        

                          
      
  

116

       

                        


118

        

         
    


120
       
           
 

 
 
                       
 
         
10

  
122
  
                           
    

         


 
        
 
 
124
          
 
      


 

                            

 
 Recitativo
  
                 
126

           
    


 
      
  
   
128

                 
           

 
   
(Adagissimo)

129

              
  
          

    
  
      
 
  
      
 
  (Presto)
                     
131

   
    
 




            
          

 11
134
                 
                    
   
 
 
 


135
             
                   
        
    

    


   
Adagio Vivace
    
136

                
     

 


         
 
     
         
 
 
        

138
         
   
           
                 
      
 
 
               
        
  

 
Molto adagio
 
140

     
 
              
         

      
            
           
    
 Organ Sonata No.4 in E minor, BWV 528


         
J. S. Bach

            
 
Andante Transcribed by Antonio Gervasoni

    
                  
     



      
              
                            
3

                 
     


   
                                       
       
5

    
               


  
              
                 
7

              
   
            
  
     


 
                      
                
9

 
     
               
     

     

             
2 Organ Sonata No.4 in E minor, BWV 528 - Adagio

        
                    
           
11

   
              
        


     
    

  
                               
13

       
      
    
   


    
  
                      
   
                        
14

 
  
               
   


                       
      
16

 
 
        


    
                             
     
17

        


 


  

                           
       
18

 
  
     

  
   

     
Organ Sonata No.4 in E minor, BWV 528 - Adagio 3

   
                                                 
19

    
                     
        


       
   
 
         
                  
  
21

       

     
      
        
  



   
            
              
22

 
 

       
    
  


  
   
         
            
   
         
            
23

    
    
     
    



                
       
  
   

24


             
                
     


  
                  
             
     
26


       
     
              
      

   
4 Organ Sonata No.4 in E minor, BWV 528 - Adagio

               
     
                            
28

     

                 
         
 
 


      
  
  
                  
                   
                 
30

  
 
    
         
         


      
   
 


                                           
        
32

    
             
 
               


                   
           

34


      
    


  



            
                    

35



        
   

              
Organ Sonata No.4 in E minor, BWV 528 - Adagio 5

 
                                           
36

      

                
            
 
 


                       
        
  
                  

       
       
38

   
  
   
            

     
   



 
          
                     
 
40

    

                       
      
 


         
                          
42

  
                     
     
 
       


    
                          
44

   


 
   
     
        
      
 Goldberg Variations

     
Aria

3        
      
Stately with flowing grace Johann Sebastian Bach

 4        

 = 92

    
     
  43               
 

                        
  
   
    
6

   
             
       
      


          

 
            

10

 
            


              


  
                
      

   
    
14

   
  
     
 
           
       

  
 
 
             

17

        
                
 
 

                              
 


         

21


                   
          


               
               
25

  

           

    
     

 
                    
             
28


        
      
   

  
                  
    
31

   
     
 