

La Ricordanza
Vincenzo Bellini
(Sonetto di C. Pepoli)

 
(1801-1835)
Peitro Spada

 
                   
Andante

     
 
           
     
con espressione


 
   
    
3



    

                             
E ra la


      
            

rall.

     

       
   
        
    
6

 


 
not te, e pres so di Co le i che so laal

 
               
  
  
      
       
 

   
                
a piacere


8

    


   
cor mi giun see vi sta so la, con quel

 
             
             

 rall.   
          
  
a piacere

   
 
        
2

       


 
10
animando il tempo


    
pian ger che rom pe la pa ro la, io pre

                   

  
      
  
animando il tempo

        
 
12


     
ga va mer ce dea mar tir

                 
      
    



   rall.   
          


14


                
mie i mer ce dea mar tir mie i.

    

        
      


     
rall.

 
 in tempo

  

     
   
rimettendosi

  
17




    
     
Quan d'El la, chi nan do glioc chi

    


  
         
      
 

  
3

    
        
20

    


  
      
be i, dis se, (eil mem brar lo

       
      

     
   

     
             
22


   
                        
sol me, da me in vo la:)

           
 
    
      
        
 
 

 
           
25

 


              
Pon mial cor la tua des tra, e ti con

         
                   
  
   
                    
    
  
 
 
       

28

  


                       
so la; ch'io a mo e te sol'

                       
    
           

   
       

4

  
    

30


               
         
a mo in ten der de i.

       
          
      
  
                      
    

6

 

     
  
    
33


                   
Poi fat ta, per a

                     
     

    
        
6

 


       
          

35

 


 
                 
mor, tre man te tre man te e

         
          
   
          
    
  

   
     
37


 
                   
bian ca,

             
              
         
 

    
5

             
39

  


    
         
                    
in at to so ä vis si mo mi

   
            
   
        


        
 
41


     
            
po se la bel la fac cia su la spal la

    
 
       
        


    


  
  
43

 
       
            
man ca

    

    
cresc.

  
rall.


3 3

 
   


   
    
46


 
Se do poil dol ce as

  
              
      

 
    
           

 
     

6

          
48


   
sa i piú duol l'a ma ro;

      

             

3

 
 
     
        
   
  
           
50


Ravviando il tempo a poco poco


      
     
se per me nul loi

               
 
          
        
    
  
    


        
53



                      
stan te nul loi stan te

     
    
    
             
    
 
   
       
   
56


 
      
a quel ris po se,

                            

       
       
3


3
3

 
    
7


    
59


Piú animato

                           
ah! quan t'e rain quel l'o ra
con espressione

         
       
          


     
         
62 rall.


                                    
il mo rir il mo rir

   
        
 colla parte

 

       


 
65
in tempo


   

           
ca ro! ah! quan t'e rain quel

        

       
 
        
          
 

   
in tempo

 
   
      
68


                             
l'o ra il mo rir il

       
           
         
  

   
8

 
  
71


mo rir ca ro!

 
 
 
                     
rall.


3 3


3 3 3 3

   
      

3

 
 3

  


   
    
   
in tempo

       
74

  
3

     
3 3 

 
3

   
 