L'alba separa dalla luce l'ombra

   
Allegro


 
con anima

 
 = 112


    
L'al ba se

          
3 3 3 3 3 3 3 3

           

               


              
3 3 3 3 3 3 3 3

  
   
         


     
3


pa ra dal la lu ce l'om bra `e la mia

  







      
          
 
3 3 3 3 3 3 3 3

   

            
       
3

        
3 3 3


3 3 3 3

     
             


5

   

 
vo lut ta da mio de si re. O dol ci


            
       
         
  
3 3 3 3 3


3 3 3

              
            
3 3 3 3 3 3 3
3

 
   
      
2


        
 
7

      


stel le, `e l'o ra di mo ri re. Un piu di


                   
3 3 3

     
3 3 3

 
3 3

                
             
3 3 3 3 3 3 3

 
3

      


      
     

9


vi no'a mor dal ciel vi sgom bra

      
                  
3 3 3 a tempo

          
3 3
3 3 3

          
     
3


3 3 3

 

      
  
con anima

 
11


Pu pil le'ar den ti,

     
poco rit.

            
3 a tempo


3

      
3 3

   
3 3 3 3

   

         
        
3 3 3 3


   
  
3


         
 3 



13

  


o voi senza ri tor no stel le tri sti,

          
 
  
     
3 3 3 3 3 3

 
3 3

     

               
  
 
     
3

 
3 3 3


3 3 3 3

      
             


15

 


spe gne te vi'in cor rot te! Mo rir

            
                 
3 3 3 3 3 3 3 3

   

              
             
3 3 3 3 3 3 3
3

  
             
cresc.

 
17

    


cresc.
deb bo. Ve der non vo glio'il gio no, per a

          
             
3 3 3

       
3 3 3 3
3

                  
       
   
3 3 3 3 3 3 3

 
3
             

4


      
     
19


mor del mio so gno`e del la not te.
a tempo

           
poco rit.

     
                             
 
3 3 3 3 3 3
3 3 3 3 3

   
3

  
               
3 3 3 3

 
 

     
 



22


Chiu di mi,o Not te,

            
cresc.

                
3 3 3 3 3 3
3 3

    

          











3 3 3 3

      
3 3 3 3

 

    
             


24

 
nel tuo sen ma ter no, men tre la

                 
      
                            

3 3 3 3

          
                                 
3 3 3 3 3 3 3 3
3 3 3 3 3 3 3 3
3 3 3 3

 
   
5


           


    
27

ter ra pal li da s`ir ro ra.

     
                                            
3 3
3 3 3 3 3 3

    
3

                                        
3 3 3
3 3 3 3
3 3 3 3 3 3 3 3

  

         
   
30

 


Ma che dal san gue mi o

          
                
3 3

          

3 3 3 3 3 3

                            
cresc. poco a poco
3 3 3 3

   
3 3 3 3

            
 



      
32

na sca l`au ro ra `e dal so gno mio

               
                                
3 3 3 3 3 3 3
3 3 3 3 3

                                        
sostenuto
3 3 3 3


3 3 3 3

    
3 3 3 3
            
6





    
35

      
              
bre ve il so le`e ter no,

              

                
3 3

 

3 3 3 3 3 3 3 3 3 3

   
3 3

   
3 3
3 3 3


3

   


   
            


   


 
38

   
`e dal so gno mio bre ve il so le`e ter

 
                     
  



  
3 3 3 3 3 3 3 3

                   

3 3 3 3 3 3 3 
3

    
  

       
 



41

  3  3  3              
       
  
no!

                  
  
    

    
 
3 3

  
3 3 3 3 3 3

  

 7


              3 3  3
a tempo

                       
3
44
3 3 3

      

               
3 3 3 3 3 

  
dim.

      
3

  
3 3 3






          
47
3 3 3 3

       

            


        
3

 
3 3 3

  
 
()  