Vieni,

corri, volami in braccio

from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

             
     
 
  [ANTIOPE]       
        


 
Vie ni, cor ri, vo la miin brac cio,

          
   
6  

5  
      
        
  
 
         

      

   
     
                 
      
vie ni, cor ri, vo la miin brac cio, che mer ce de do nar ti vò, do

            
     


9       
               
  
        
          



 

 

               
    
   
   
                   
 
                 
                   

       
nar
  
            
  

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
2
12   
 
      
    
     


         

 
         

             
 
       
 
                
  


15 
      
  
    

 
       
 
       
    
   
  
                  
mer

        
  

18        
   
      
     
 
 
      

  
           
                  
             
  
ce de, mer ce de do nar ti vò, mer ce de, mer ce de do

           
   
 

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
 3
21        
                      
      
        
   

      

 

     


              
  
  
     

  
nar ti vò.

       
   

24        Fine

       
    
       
              
    
      
  
              

        
               
   
     
          
  
  

28      
    
        
 
     



 

        
 
           

           
    
   
Fa rò ben i o, fa rò ben i o che nel di let to

        
   

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
4
32 

      
       

 
       

        
    
                        

     
go da quel pet to, go da, go da quel pet to,

       
     
    
6

36   
                 
 
       
         
 
       
     
 
       
    

 

          
    
 
cheil cie co Di o per me pia
       
   

40      
              
      

gò, cheil cie co Di o per me pia gò, per me pia gò,

    
         6 
4 ♯ 6

44          
D.C. al Fine

         
     
cheil cie co Di o per me pia gò, per me pia gò.

   
     
4 ♯ 4 ♯

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
Violin I Vieni, corri, volami in braccio
from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

             
     


   
   
5

       
     


     
  
11

             


18
        
      


             
     
22

      

24
           
         


       Fine     
  
26

     

 
   
30

       

 

D.C. al Fine
    
37

     


©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
Violin I Vieni, corri, volami in braccio
from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

     
      


9
      
               
  

  
 
12

             
  

   
 
19

               
 

  
         
24 Fine

         
   

      

28

     

        
D.C. al Fine

     
36

        

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
Viola I Vieni, corri, volami in braccio
from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

    
       

     
 

 
              
10

     

   

      
     
17

      
    

       Fine
       
      
 
23

        


      
        
28

    

  
 
38 D.C. al Fine

   

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
Viola I Vieni, corri, volami in braccio
from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

   
         
     
  

    
    
10

              
 

    
   
13

          

  
   
20

          
 

   
            
Fine
   
24

   
   

 
    
28

       
 

  
 
D.C. al Fine
 
37

    


©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.
Bass Vieni, corri, volami in braccio
from Antiope, Atto III, scena ultima
Stefano Benedetto Pallavicino (1672-1742) Carlo Pallavicino (c.1630-1688)

               
         
6   

  
8
  
                  
    

                          
12

  
 

                 
       
15

    
17
   
    
            
     

         
22
   Fine
           

   

 
28
             
    
  

     
34
         
  
    
6

 
41
   
D.C. al Fine

         
  
4 ♯ 6 
6 4 ♯ 4 ♯

©FelipeDias 2021
Sheet Music Plus Order 5170315438. 1 copy purchased by Lucas Eduardo on Dec 7, 2021.