JUA

TRIGOS

PARTITA
for solo guitar

SCORE

PromoMusica International Ed.

© Design by Luciano Trigos
JUAN TRIGOS

Partita
for solo guitar

SCORE

PromoMusica International Ed.

 JUAN TRIGOS
(1965)

Partita
For solo guitar
(para guitarra sola / per chitarra sola)

(2007)

PARTITURA

Fingering /Digitación /Diteggiatura:

Dieter Hennings

I .................................................... 1

II .................................................... 5

III .................................................... 11

IV .................................................... 16

V .................................................... 21

(Duration / Durata / Duración: 22’ c. a.)

PromoMusica International Ed.

www.promomusicainternational.com
Notes:

- Tone the 6th string in C

- Cow Bell or Wood Block with pedal (optional). At the place of these instruments, the performer can
use a wooden box striking it with the heel of the shoe or simply striking on the floor as loud as
possible.
- Sharps and Flats affect only the notes that precede, except in the case of repeated notes.
- The metronome’s indications have a certain flexibility. What is most important, is to maintain the
pulsation without altering the “Tempo” and respecting the indicated proportions.
- In this work all movements must be played Attacca, for that reason the break between each one
must be as short as possible.

Work commissioned by the guitarist Dieter Hennings, which has performed the world premiere at the
Mexican Embassy in Rome (Italy), on December 13, 2007.

***

Note:

- Accordare la sesta corda in Do

- Campanaccio o Wood Block con pedale (opzionale). Se non si ha a disposizione uno di questi
strumenti, l’esecutore può sostituirli con una cassetta di legno colpendola con il tacco della scarpa o
semplicemente colpendo con il piede per terra in modo che risulti il più sonoro possibile.
- Diesis e bemolli riguardano solo le note che precedono, salvo nel caso di note ripetute.
- Le indicazioni di metronomo hanno una certa flessibilità. La cosa più importante è mantenere la
pulsazione, senza alterare il “Tempo”, e rispettare le proporzioni indicate.
- Tutti i movimenti di questa opera sono Attacca, quindi la pausa tra un movimento e l’altro deve
essere il più breve possibile.

Opera composta su commissione del chitarrista Dieter Hennings, il quale ne eseguì la prima mondiale
presso l’ Ambasciata del Messico a Roma (Italia), il 13 dicembre 2007.

***
Notas:

- Afinar la sexta cuerda en Do

- Cencerro o Wood Block con pedal (opcional). Si no se cuenta con ninguno de estos instrumentos, el
ejecutante puede sustituirlos con un cajón de madera golpeando con el tacón del zapato o
simplemente golpeando con el pie sobre el suelo de la manera más sonora posible.
- Sostenidos y bemoles afectan sólo las notas que preceden, salvo en el caso de notas repetidas.
- Las indicaciones de metrónomo tienen cierta flexibilidad. Lo más importante es mantener la
pulsación sin alterar el “Tempo” y respetar las proporciones indicadas.
- Todos los movimientos de esta obra son Attacca, por lo tanto la pausa entre uno y otro debe ser lo
más corta posible.

Obra compuesta por encargo del guitarrista Dieter Hennings, el cual realizó el estreno mundial en la
Embajada de México en Roma (Italia), el 13 de diciembre de 2007.

***
 a Dieter Hennings

Partita (2007)
para guitarra sola
Juan Trigos
h = 54-60 (q = 108-120)
Arioso ma mantenendo la pulsazione
I

      
Tast. Pont. *) bend

 
simile
    

            bend
  
pp 
f vib. molto e cantando sempre
= En Do (in C) 
*) Bend = Halar la cuerda con el dedo de la mano
izquierda hacia arriba o hacia abajo para
obtener un cuarto de tono ascendente


bend
non arp. simile sempre

   
                
  
  
bend
    
         port.      


pp
  
f  


Pont. Tast.


 
                   
 l. vib.
                  
         


   p
sf   
 Tast.
    
               
 
l.vib.  l. vib.

           
 
Pont. Tast.


Pont.
               
l. vib.
     
             
   
     sf p
f


      
      
         
 
      


           
            
  
sempre vib. molto 

© Juan Trigos 2007

© PromoMusica International Ed. 2008
2



           

            

                          


   

                       
   
                        

 
          
        
        


          p.   

dolcissimo
  
p. p. p.

       
       









   
 

                  t.d     
 *) t.d t.d

                        




     
*) Rasgueo con todos los dedos
mf subito Rasgueado using all fingers

 XII 

           
5
  

       
   
 

                
    
5

Tast. Pont.
5  5 

                        
                       
    
5 sf 5
f

               

         
 3


           
dolcissimo
p.
   
 
p. p. p.

            







     
 mp

CV
 
 Ord.

t.d    t.d               

t.d t.d

              

         




 
  


            
sf 
più forte (mantenendo sempre la pulsazione)

come sopra
 
         
             
  
         
             
  
     

come sopra

 
                
   
                        
                     

      simile

 
5 5 deciso

                     

            
        
   
          5
 5 5 5 5
5 5 5 5

5 ben distinte le note della quintina

 
             
 6
 
    
       
  
                     
 


 
  
5 5 5 5 5 5
6

simile
                          
                   






        
       

ben distinto il basso senza perdere le voci superiori

4

                 
      
           
       


cresc

      simile
         
                     
p                     
                 


         
ben marcati gli accenti sempre

          
         
                   
                        
  
          
         
          
                     
                        
  
         

Feroce
simile simile

*)i. / p. t.d.

p.
                 p. i. / p. t.d.     
                             










  
     sff   sff   sff   sff   sff
         
ff sff sff sff
*) i. / p. = El rasgueo se puede ejecutar con el dedo índice o en su lugar con el pulgar.
It is possible to play the "Rasgueado" either with the index finger or thumb.

come prima
              
 
              
               
sff sff non rall e non dim sino alla fine sff sff sff

                



     
p. 
                 


        
      
 
 

 sff  sff  sff sff
Attacca
 II 5
q = 108-120 (e = e sempre)
Con fuoco e ben ritmato sempre
Pont.
 
Ord.  Tast.

 
                      
    
         
    
 
mp
sf
ff f


   Tast.   

Pont.

 
Tast.

    
            

 
      
       
   
     
    
     
ff mp il basso un po' marcato

Ord.  
 
Ord.
 
Pont.

                    

         
       
             
 

ff f sf

     
Pont. Tast.
 
Tast.
m. s.
  
 CIII
m. s.

       
                      
p.


             


      m. s.  m. s.  
ff mp

Pont.
 Tast.

  
simile
  
                        
                       
ff
    
mp


Pont.
 Tast.

       
             
                  
 
mp

ff
6
Tast.
  
Pont.
  
     
         
                
p.

p.

             
  molto    
ff
Tast.
  
  p.    
 
             
Tast.
CIII  
      
             p.         




   


 


mp
 
Tast. Poco pont.

Pont.
    I 
Tast. Come campane

    
                           

        molto  
ff 

*)
*) El crescendo vale por dos compases.
ff mp non rall The "Crescendo" is valido for two bars.

  
Tast. Poco pont.
       
Come campane

         
           
   

        
 
    


  
 
 

    
ff non rall
   
 non dim
mp


Tast.
Pont.  Tast.
  
   
                    
    
 
  
   
        
   

     
p
  mp
ff
il basso un po' marcato

     
Tast. Pont.
Ord.

  
                        
                  
               
f sf     
ff
Pont.

VII
 simile
  
Ord.


            
                 
 

    
  IV 
 

     
  V
sff  
ff sempre
 7
Ord.
Pont. 
     Ord.          
  
  
                       
 
    
sff
 

  
Pont.
   Ord.

 

   
 
     

          
       

    

       
     

Pont.     Ord.

        

  
                 
        
             

    

 
Ord. Pont. Ord.

       
               
  

   
      
 

 
Pont.
 
Ord. Pont.
 
                     
   
         
           
   

Ord. Poco pont.

 
   
Come campane
   
       
            
 

ff non rall
8
Ord.
  Pont.

           
    
                              

 V 
V 
sff
 

Ord.

                    
   
            
       


 

 

Pont.

      
 
                      
                          
   
  
           

Ord. Pont.

              
  
       
 

       
  
     
   
     
      

Pont. Ord.

          
       
    
   
             p.
          
 
    
p.
     

     



  
sff sff

   simile
           
 
                          
   
       
sempre ff

Ord. Poco pont.

 
CV Come campane

             
 

               
  

      

  
fff non rall
 9

Ord. Pont. Ord.  Pont. Ord.


  p.       p.             

   
                  




f f
sff sff
sf sf
sempre f

 
Tast. Poco pont.
 Come campane
  
                 
               
p.

        


    
molto
mp sff
fff

   

Ord. simile

       
    
                       
  
f sf
  
f sempre

   simile
     
                    
            
     
 


Ord.
    
Pont.
     
Ord.
 
p. 
       
          
     




    
 
sff
marcare il basso

Pont. simile Ord. Pont. Ord.

i. 

     
 i.     


       
                
  
i.

   
p. i. p.

      





     mp  










             
 sff sff sff sff
sff f
sf
10

Pont.  Poco pont.

 i. 
        
Come campane
 i.  

p.

     
         
i. i.

        
p.



 







   



           
  

 

sff
sff molto
mp fff

Ord. Pont. Ord.

              
            
p.

 
     


  
mp sff
ff sff


Tast. Poco pont. Ord.
   
               
C IV
  
p.

      

    
  


    


  


molto
  
mp fff
non dim sempre fff sff

                      
       p.            
cantando

                            


            
senza rall e senza dim sino alla fine sff

  
   
       

 
p.
p.

        
p.

 





      

sff  Attacca
sff sff
 11
III
h = 40 (q = 80)
VII
 simile        
         
Pont. l. vib. sempre
  VII
               
     
         
  
f
XII
  
 
XII  XII

  XII 
 


          
f

          
              
       
   
     
VII IX XII IX XII IX
   
XII IX V XII simile

IX simile
       
       
 V XII
 
p.

         


    

 

   
V
    
simile       

 
           
         
    
     
   


IX

  

    
V p.
p.  
XII
 XII
 





     
 

         VII 
           
            
     
  
  
12
 XII    
IX XII
   IX  

IV
    
       
 
 
    
p.

          



           

    
 
   
p
V VII

        

  
      VII         


    
p.
  


  p  XII IX 
    
   
    
VII
  p. 
          
      






      
  
  VII  VII    V   
  
          
        
 

 

      
       
IX

p.
 XII 
        p.     





    
 VII       
                  
                              
       
   VII     
    XII  
IX
  
IX VII

XII IX


IX
   

 IX
          
p.
      
  



       
 V    
f p
 V

          
        
 p.
  
   p



f    
 13

   
 V 
IX
    
XII
   XII
p. (q) (q)
ben distinto
 



    
 
 p.


f
                      
V
V sempre simile

                  p.          
                  


            
   
   
 (p)
VII

   
IX
 IX    
IX IX  

  XII
   
 
     p.     
  
  
p.
  


      


  



p.

p
                
  p.
             
         


       
   

   ben (h)   
        distinto 


    
       
 p.       
p.

  



p
                    
f p f

                           
                 




             
(p) (p)

   XII
   
 VII

   
XII VII

              
       



    


 






        



            
  

14

   VII
      
IX
  
  
             
         
   



 



     
   
f mf
  
            
 


mf

IX
       
IX VII IX IX
             
VII XII IX VII

  
              
           
 
   




          





  



  
 
       
  p.  simile

              


IX
             VII
   
                   
     
   


        



               
                

      

      
              

          

  
   


f mf


f mf

                         


      
                
(mf) (mf)
 15

  
           
         
    

  

 
 

   

 

     


    
f mf
    
         
    
 

(mf)

(p)

 IX   IX
 IX  IX  IX
             
  
         

      
  


    f


f
  f 
  mf mf  mf
        
  
     
 

 

  
      
   
(p) (p)

 IX  IX  IX

       
  
        

  



    mf        


f
 f

            
              
     
   


(p)
   
(p) (p)
lunghissima

    

sino alla estinzione del suono



           
  

     


lunghissima

 
sempre f sino alla estinzione del suono

       

  
 
             
  
  (p)     Attacca
 (p)
16 IV
q = 112-120 (e = e)

   
Sempre con molto slancio

    
Pont. Ord.
            
   
*)

    i.        

 
  
 
   
p.  
   


sf

f
ff
*) En todo este movimiento, el número de repeticiones del compás son ad libitum (repetir mínimo 3 veces).
Es importante enfatizar el cambio de posición de la mano derecha (Pont.-Ord., etc.) y el diminuendo.
In this movement the number of repetitions of the bars is "ad libitum" (repeat at least three times).
It is important to emphsize the right hand positions on the keyboard (Pont.-Ord., etc.), and the "diminuendo".


Pont.
 
Pont. Ord.    Pont. Ord.      
 
           
l. vib. l. vib.
   
              
*)
     
VII VII
p. V p. V
         
  

  
  *)    



 
mp
  mp
ff

sf sf
*) Golpe sobre la tapa abajo de la boca, con la yema de los dedos índice y medio de la mano derecha (alternando a gusto).
Stroke on the lid under the pit, with right hand index and middle fingerstips (alternating "a piacere").

   
 Ord.  
Tast.
Pont. Pont. Ord. 
    
          p.  VII   
         
VII
     p.  VII VII
    

  
   V
  
   V

   



      mp  

mp
   f f


 VII
Pont.
Ord.  
 Pont.
  
       
                  p.  V    
*)
  
 
               
  
VII

  


     


  mp

f
ff  sf sf
f


 VII
Pont.

  
Pont. Tast. Pont.
 
non arp.
    
      


         
     
     p. VII    p.                 
  
  
   
V

  
    




  mp
 
f  mp

 
ff ff
 17
Pont.
      Pont.
     Pont.

           
                           
V V

               
  

mp
 mp ff

f f

  Pont.                
 
                     
V V

               
             
 
 mp  mp
f f

 
Tast. Pont. Tast.
  
          
              
     
 
 
   
  
 
    mp
ff

      Tast.
Tast. Pont.
      
  
              
    
 
                        
  
 

     
    
ff

     
V VII
     Tast.     
           
      
                        
          
               
f mp     

   Ord.  Tast.

       
p. i.
 t.d.
       
    




   


     


ff
 mp
18

          Ord.   
                
                       
  
  
f sf

  
Ord. V
 

  
Ord. Pont.
     
V V VII

                   

      
i. t.d.

          






 

 
      

  
sf

ff
 *) fff
*) Ejecutar lo más fff posible.
El resultado real será p
Play as "fff "as possinle.
The effect will be "p"

  
 

 
Ord.

   

                           
        
      
sf    

  **)

*)      
  
           
   
    


        
    

         
  
  



  
  

sff sff sff sff
*) Apagar las cuerdas con la palma de la mano mientras se da el golpe.
Stop strings resonance with the right hand palm while fingers strkes the lid.
**) Tambora con la palma de la mano cerca del puente.
"Tambora" played with the palm near to the bridge.

Ord. 
I
 

   
 Pont.
    
               
Ord.
       
 
   
             

              
    
     
sff sff 

sff sff  f sf
 19

    
  

Tast.

                
  
     
  
 
   
   
  

   
 

mp
   
   
 

             
  
Tast.
          

  
 
   

 
      



   
    sff

sff mp

      
   
   Tast.
         
      
       

         


          

   

  

 
sff sff mp

 Tast.  
Tast.
 Tast.
  Tast.    
 
       
   
       
       
C III
       
            
     

 
 
  sff
sff 
sff
  mp cresc
sff sff mp sff
mp

    
     
Ord.
 
   
              
 
               
 
   
 
          
ff
sff sff
 sff

sff 
      


CIII

                        
   

 

  
          
  
   
   

   
ff sempre sff

  
 
 
    
CIII
 
 
      

    
      




 

 
  
 
  
   
   
sff sff sff sff
20

  
Pont.
       V VII
  
  
     
C III
           
       

          

     
    

    ff sempre

     
  
   
                       
       
             
 

  
   
     sff sff sff sff  
           *)

         p.  
Pont.
        
t.d
 
 
          
     
   
     
  
  

  
  sff
sff sff sff sff sff sff
*) Azote.
Lash.

               
      
t.d p.
   

                 
       
  
  



 
  
    
  ff sempre  
mp sff sff sff
sff
I 
   p.   
         
 t.d

        


 
 
   
      
   
sff sff sff sff

        Pont.       
    
                     
             
   
sff
mp ff

accel.        
 p.      p.  

    
simile

t.d t.d
   
       
          
 
     
             Attacca
sff sff sff sff sff sff sff sff sff
 V 21
h = 66-69 (q = 132-138)
Furente ma ben articolato
Pont. non arp. sf sf Ord.

                   
  

      

          
 
f         mp      
sempre con molta forza nei bassi

           

1*)

      
 

   
  
     

 
      2*)           

         mp          
sff sff sff sff sf sf sf sf
1*) Tambora sobre las cuerdas, ejecutada con el dedo pulgar cerca del puente con resonancia del acorde.
"Tambora" on the strings, played with the thumb near to the bridge. Let ring the chord.
2*) Golpe sobre el puente con el dedo pulgar.
Stroke on the bridge with the thumb.


Pont.

  
sf Ord.
      

              
       
    

           
f   
            

mp mp

sf sf sf sf


        





     
   
            

       
        

    
sf sf sf sf

      
        
  
          
 
        
           
               
sf sf sf sf
 
22


     
 
 
 
 

              
        

     
                
                  
sf sf sf sf sf
Cencerro o Wood Bolock con pedal

   
Cow Bell or Wood Block with pedal


simile
 *(1)

(2)  (3)
  (4)
  (5)
  
(6)
 (7)
 
  A. Pizz.                  

p. ***) i.

      





                  

  mp
**)                      
f
*) Los números entre paréntesis (1) (2), etc., indican el número de veces que se repiten las figuras rítmicas agrupadas con las plicas.
The numbers between brackets (1), (2), etc., indicate the number of repetitions of the rhythmic figures gather the group of beams.
**) Golpe sobre la tapa en el extremo derecho, cerca del puente.
Stroke on the lid at the extrem right side of the instrument, near to the bridge.
***) También puede ser ejecutado con el pulgar.


Also can be played by the thumb at the place of the index.


****)
                      
f ****) Si no se cuenta con el Cencerro o con el Wood Block con pedal, el ejecutante puede sustituirlos golpeando con el tacón del zapato sobre un cajón de madera
o simplemente golpeando con el pie sobre el suelo de la manera más sonora posible.
At the place of the "Cow Bell" or the "Wood Block" with pedal, the performer can use a wooden box, striking it with the heel of the shoe or simply striking the
floor as loud as possible.

                 

        
               
                     
sf sf sf sf

      
 
Pont.

  
         
        f  
       
             

  (2)  (3)
(1) simile

    
 
sf

               

       
p. i.

 
A. Pizz.


         





            
        

         
sff sff sff sff     
come prima

          
f
 23

 (4)
  (5)
  (6)
  (7)
  (8)
  sf

                      
 
 

                    
  
                      
          

                 

     
Ord.
   
       
   
          

       
                      
        
sff sff sff sff


accel.

       
  

                
           
       
  
         


sff sff sff

h = 80-84 (q = 160-168)

  
Pont. mq. a. m. i.  
p. mq. a. m. i. p.
      
simile
             t.d i./p.
*)

 
   
   
                         




                 
                     
f            
*) Rasgueo violento y muy acentuado realizado con los 4 dedos de la mano derecha (meñique, anular, medio e índice)
lanzandolos hacia abajo (y el pulgar hacia arriba), haciendo presión contra la palma de la misma mano, logrando
así que estos salgan disparados contra las cuerdas. Como en la música flamenca.
A very violent and accented "Rasgueado", performed with the four fingers of the right hand (little, ring, middle and
index), throwing them down (and the thumb up), making pressure against the palm of the same hand, geting in this
way the fingers to be shoot against the strings. As in "Flamenco" music.


mq. a. m. i. p.


mq. a. m. i. p.

                
   
              
    
           
sf cresc poco a poco  
24 Ord

p. p.
(1)
  (2)

mq. a. m. mq. a. m.
            
i. i.

     A.Pizz.  i.  

p. i. p.




                 







    
                 

  
 
        
f come prima
simile
mq. a. m. i. p. mq. a.
    
Pont.
 
(3) (4) (5)

                         
p.

                        
i. A.Pizz. p. i.




                          



                        
        
 sff       
                  
sempre cresc
 
m. i. p. come prima
    
          
   
               
     
              
     
                   
sempre simile
            
                           
       
                          

                 
           
                      
                    
      
            
                  
                
 
                 
              
 25

mq. a. m. i. p.


simile

     
          
t.d. i. t.d. i.

      




        



                
              
     

comeprima
       
            
 
t.d. t.d.

i.

                 





 
               
sff           
         
come sopra

 
i.
           t.d.
 i.   t.d.
                 








                
          
    
sempre come sopra
              
                      

                         
i.


                  
                     
                    sff
sempre cresc

                       
                       
  
















                 
   
                       
                    sff
   
              
                  
                  
            
                      
                        
      
sff
          
26
Ord.
(1)  (2)
i.  t.d.  p.  i.
    
 
p.
  
  
t.d. p.     i.  t.d. p.  i.  t.d. 
i. A. Pizz. p. p. 







               



















   



     
                      
  sff sff
 sff sff
sff

                 
  
ff

 (3)
simile
 (4)  (5) 
i.
    
 A. Pizz.          
                  


                      


   


      
                       
 sff sff
 sff sff
 sff sff

sff sff sff sff

                             

accel.

p.               
Pont.
mq. a. m. i.
simile

                     
t.d. i.


 



t.d.

                         

                    
                   
sempre cresc

           

come sopra
         
                
i. 

                               
           


                      
            sff
 h = 120 (q = 240)
 
27
 mq.
 a.
 
m. i. p.
  mq. a.
  
m. i. p.

simile

                i.  A. Pizz.
 p.  
p. i. A. Pizz.

                   
 








     




    
              sff     
           
 sff  
  
sff
 
fff
  
simile ff 

accel.
   i.  t.d.  i.         p.  i.   p.  i.
t.d.

             
A. Pizz.

                





      








                
     sff        
  
   sff
sff sff sff
  sff 
     

 simile  Ord.     
Pont.

                 i.     
A. Pizz.


p. A. Pizz.



                  








           
          sff    
   
    
sff sff sff sff

            
simile

 
(1) (2)
 
Pont.

Ord.
    p.
 i.
 t.d.  p.
 i.
   
   i.              
simile



p. A. Pizz.

       



                 




             
                       
    
      
sff sff sff sff sff sff sff

                

(3) (4) (5) (6) (7)
                            
 
                              
                            
                             sff
       
sff sff sff sff sff

                    
 28
molto accel.
 simile   
        
   A. Pizz.             
p. i.




   


      
        

   
                   
   
sff
sff sff sff sff sff sff
      
                 

h = 160

   Pont.
simile

                             

 t.d.

                             
              sfff   
 sfff
sff ancora cresc
          
              

  simile        
            
        A. Pizz.      
p. i.

          


            





   

         
                  
sfff
       
      
sfff sfff sfff sfff sfff
             


  simile
   
 p.  i.  A. Pizz.     

                     
   
                           






            
                    sfff
     
         
sfff sfff sfff sfff

                 
 29

             come   
  
prima
      
                 p. i.   
come sopra

                  
A. Pizz.

              
                                




                        
 sfff  sfff  
sfff
   
sfff sfff

sfff

       
                   

Tutta forza

 
mq. a. m. i.

    
             p.
 
 


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  
        

mq. a. m. i.
sempre simile
    p.
 
 
           
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                 
                 

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  
*)¡ugh!

      
 Miami-Toronto
sffff 20/Sep/07
*) Grito a la manera de Pérez Prado
Scream as in Pérez Prado style
JUA TRIGOS - GUITAR MUSIC

Guitar Concerto N°1 "Ricercare VI"

Guitar Concerto N°2 "Hispano"
Concerto for four guitars and orchestra
Concerto for four guitars and four groups of instruments

Guitar quartet

Homenaje a Manuel M.Ponce for solo guitar (*)

Partita for solo guitar

Quartet for clarinet, sax, guitar and bongó

Comentario N° 2 for soprano, flute and Guitar (from Cantata N°1 "Magnificat Guadalupano")
Soliloquio for mezzosoprano, flute, guitar and percussion (from Cantata N°3 "Phos Hilaron")

(*) Ediciones Mexicanas de Música, A.C. 1994. Serie D !o. 82.

PromoMusica International Ed.

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