

Notturno Op. 38
Blagoje Bersa

                
 
Adagio rubato

                
più forte

  
      
                
     


     
   
           

                     
poco rit.


3

            
5
3

  
cresc.   
               
   
           
     




        
                            
più forte
8 a tempo

   
     
             
       


   
 
  
   
                             
12 3

     
3

  
cresc.   
 
                   
  
              



   
 


         
   

16 più mosso


              
                        

     
2

            
quasi oboe


21

 

               a tempo 
con grazia

                        

poco stringendo

                    



            
        
      
3

  
3 3


26


         
              
quasi fagotto

  
               
              


   
           
            
31

  
       
3
3


                    
       


    
        
               
35 allarg. a tempo

       

      
   


   

  

dim.

    


        
     
             
39

       

    
cresc.

             

      
             
3

                    
    
       
43



         
  
 
         
   
con anima


    
     
                 
              
        
47

          
    
  
          

 


  
   

  
      
53

  
  
 
           
       
  





             
   

                   
57

               
   
rit.

   


      



       
 

                         
a tempo I più forte
62

  
        
          
       
    

   
     
4

        
                        
66 3 poco rit.

            
3

 
  
               
       
cresc.

            
  


        
              
          
più forte
69 a tempo

  
    
             
        
  


    
 
                        
  
3


73

     
3

  
  
                
  
cresc.

          


 

       

   
più mosso


76

 


                      

dim.

    
      


     
 

           
 
81

                    
                
         

     
 
5

          
3

   
  
86


       
                     
             
a tempo

              

 


     
                
  
3

            

91 3

 
        
3

    
              
 
    
  
      
    


   
                          
allarg.

     
a tempo

      
95 3

 
      
  
       
               
dim.

     


         
    
  

 
   

più lento

     
99

 
                 
       
   


            
     
con sentimento

          
  
   
103


                   
        
  

 
              
6

 

                 
107


                
          
   


    
             

         
111

  
          
      



   
 
 
       
115

   

       
      

 
 