The Argument

by Joseph Fried
Allegro Molto (about 148)
           
 4                
Flute  4 3
 3

 4 3
B Clarinet  4      
              


5
                                         
Fl.   3  
3 3 3
    
B Cl. 

9
                   
Fl. 

 3
B Cl. 
3
     3                    
          
 3


12
                       
Fl.  3
  
3
 

 3 
B Cl.                   
        


16
            
    
Fl. 

 
B Cl.             
             
    
Copyright 2015 as "The Lovers' Quarrel"
 20
            
        
Fl.    
3
 


B Cl.                    
      

25
        
       
Fl.     
 

B Cl.          
     

29
                   
Fl.     
 3

 
B Cl.    
                 

33
                      
Fl.  3

 
B Cl.                    



37      
          
Fl.    
rit. Moderato (  = 128)
  
B Cl.        
                

2 Copyright 2015 as "the Lovers' Quarrel"

 42 
                  
Fl.    

 
  
   
B Cl.    
   
         

46  
          
  
   
Fl.    
3

Accel  = 138  = 144
   
B Cl.      
            
     

50                
        
    
Fl.  
 3

Allegro Molto  = 148 
    
B Cl.      
                
  
   
     

55 
                 
Fl.            3 
 3 3 3

    
B Cl.     
            


60                     
      

Fl.  3 3 3   3  3  3



B Cl. 
                

Copyright 2015 as "The Lovers' Quarrel" 3

 63     
         
Fl. 


B Cl. 
  3  3  3  3  3 
3 3
  3  3 
                        


66 
       
   
Fl. 
Moderato  = 130 
 
3 3 
B Cl.   
         
                    

        
72                         
   
Fl. 
3
Accel  = 138
             
B Cl.    
 
        
  
            
78  
    
Fl.   
Accel molto  = 144
  
B Cl.           
        
         

       
83  
               
Fl.  
3 3
3
Allegro Molto  = 148
 3 3 3

B Cl.            


   
 
   
 

4 Copyright 2015 as "the Lovers' Quarrel"

       
87
              
Fl.        

     
B Cl.

                           
    



91 
    
                      
       3 
Fl.  3 3 3


      
B Cl.            
  

94
                
    
Fl. 

  3
B Cl.  
3
     3        
              
 3

97  
                 
Fl. 

         
B Cl.             
     


100
        
 
           
Fl.  3
3
 
  3
B Cl.   
               
   
       

Copyright 2015 as "The Lovers' Quarrel" 5

 104             
        

Fl. 


B Cl.                           
    


108                     
    
Fl.  
Ritard  = 120 
   
B Cl.                    


113

                 
Fl.    3
   = 138
Accel  = 130
      
B Cl.          
 
 

                   
117
    
Fl. 
 = 142
           
B Cl.       
    

     
121
            
Fl.           

Allegro  = 148
 
B Cl.              

           


6 Copyright 2015 as "the Lovers' Quarrel"

          
125   
         
 3 

 3 
Fl.  3 3 3 3 3 3


  3   3 
B Cl.       
     


127                      
       
Fl.  3 3 3 3  
 3 3 3 3
B Cl. 
                     

130    
 
Fl. 
Ritard
     
B Cl.       
  

Copyright 2015 as "The Lovers' Quarrel" 7