N°12.

"Batti, batti, o bel Masetto."


Don Giovanni
 
W. A MOZART.

L. Da PONTE

      
          
Andante grazioso.

     
 
Zerlina.

Z.

 
       
Bat ti, bat ti, o bel Ma set to, la tua po ve ra Zer

     

                   
          

Piano  sempre legato

    
                    
    
4

Z.

 
                    
li na; sta rò qui co me a gnel li na le tue bot te ad a spet

                 
          
 

     
            
        
8

Z.

   
             
tar. Bat ti, bat ti la tua Zer li na; sta rò

        
            
Fl.
Ob.
Fag.

                                     
      


   
  
              
 
  
(Masetto crosses over.)

 
13

Z.

              
     

qui, sta rò qui le tue bot te ad a spet tar.


             
Vln.

   
                                    

   


             
     
18

Z.

 
                
        
Las cie rò stra ziar mi il cri ne,

          

Wood

                      

          

  
 
                   
 
     
22


Z.

                              
    
Las cie rò ca var mi gli oc chi, e le ca re tue ma

 

                  
               
 
 

                

  
     


26

Z.

ni ne lie ta poi sa prò ba ciar, sa prò ba

              


       
   

  
  

       
             
       
  


   
 
       

    


 
30

Z.

     
             
          
ciar, ba ciar, sa prò, sa prò ba

 

 
                  
      
 

  
 

      
         
34 (Masetto goes away again, but not so crossly; he even steals a fez glances at Zerlina.)
Z.

  
            
ciar. Bat ti, bat ti, o bel Ma

       
          
                       
           

   
             

        
       
38

Z.

  
          
set to, la tua po ve ra Zer li na! sta rò qui co me a gnel


        

                       
             


2
    
                 
  
    
(still trying to get one of Masetto's hand; he always draw back.)

 
42

Z.


                           
li na le tue bot te ad a spet tar. O bel Ma set to!

  
Wood

                       
           
 

   
     
       
            
      
47

Z.

                           
Bat ti, bat ti! sta rò qui, sta rò qui le tue bot te ad a spet

              
                        


    
   
  

52

     
Z.

                   

       
tar. Ah, lo ve do,

 
VIn.

               

  
     

 


       
    
   
55

     
Z.

                           
        
non hai co re ah non hai

           
             


                     
             
58 (here Zerlina seizes one of his hands.) Allegro

Z.

         

     
                      
co re, ah, lo ve do, non hai co re. Pa ce, pa ce, o vi ta

                                         
          
         


   



Cello

 

3
        
                
    
 
63

Z.

                         
mi a! pa ce, pa ce, o vi ta mi a! iu con ten to ed al le

     
     
                   
   

 

              
         

67

Z.

  
                            
gri a not te e dì vo gli am pas sar,

   
         
                                
  

                 
         
  
71

Z.

            
    
          
not te e dì vo gli am pas sar, not te e


       
                      

         

           
                 
  
75

Z.

           
            
dì vo gli am pas sar, not te e dì vo gli am pas


    
  
                   
               
     

        
               
  
79

Z.

  
         
          
sar. Pa ce, pa ce, o vi ta mi a! Pa ce, pa ce, o vi ta

                                                          


4
   
           
   

83

Z.

  
         
    
mi a! in con ten to ed . al le gri a not te e

                                            


         
           
 

(Masetto. quite persuaded, gazes joyfully on his bride.)


86

Z.

        
   


    
dì vo gliam pas sar, sì, sì, sì, sì, sì, sì, not te e



                                          


            
             
      
89

Z.

  
  


   
dì vo gliam pas sar, sì, sì, sì, sì, sì, sì, not te e dì vo gliam pas

             

  
                                                       


 
           
          
  
93

Z.

               
 
sar, vo gliam, vo gli am pas sar, vo gliam, vo gliam pas


                                                          


    
  
97

   
Z.

            

sar.

   

                              


            