Non

più andrai
W.A.Mozart
= 120
= 120
Vivace

  Vivace
             
Bass

Non più andrai, far- fal-lo- ne amo- ro- so, not- te_e

                 
Vivace

   
Vivace

 
               
       
Piano
 



      
          
4

  
 
B.

gior- no d'in-tor- no gi- ran- do, del-le- bel-le_tur-ban-do- il ri po- so, Nar-ci-

 
   
             
  
  
      

 
en ten.

    
Pno

        

 

      
        
8

B.
     
set- to,_a-don-ci- no d'a mour, del-le bel- -le tur-bando il ri po- so, Nar-ci-

 
        
 
 
 
 
       
        ten.
           
ten.  
Pno
            

2

        
12

  
 
B.

       
set- to,_A-don-ci- no d'a mor,
       

      
 
     
                


Pno


    

       
   
15

B. 
Non più_a- vrai que-sti- bei pen-nac- -chi- ni,

                     
           
        
 

    
Pno

  


      
         
18

B. 
quel cap- pel- lo leg-gie- ro_e ga- lan- te, tJ- quel-la chio- ma,_quell'a- ria bril

                     
          

   
   
Pno

             
    

    
      
22

B.     
lan- te, quel ver- mi- glio don-ne- sco co- lor, quel ver-

        

              
cresco

     


     
Pno

                      

  

 3

       
25

B.    
mi- glio don-ne- -sco_co- lor! Non più_a

         
     
      
        


    
Pno




    
   
27

B.     
vrai quei pen- nac- chi- ni, quel- cap-

         
            
       
     
                
Pno

       
        
29


B.

pel- lo, quel-la- chio- ma, quell' a- ria bril- lan- te! Non più

 
             
          


crese. ip
             
        
Pno

  


              
32

B.   
andrai, far- fal-lo- ne amo- ro- so, not- te_e gior- no d'in-tor- no gi

            
           
    
      
                 
Pno


4
 
               
35

B.    
ran- do, del-le bel-le tu r ban-do- il ri po-so,- Nar-ci- set-to a don ci no d'a

 

           
   
    
     


          
ten. ten.
Pno
   
   

 
                
39

B.   
mour, del-le- belle tur-ban do il ri po- so, Nar-ci- to, A don ci no d'a

   
                   
  
        
 
      
ten. ten.
Pno
   
     

       
  
43

B.    
mour,
    Fra guer ri eri pof far bac- co!
  
      
        
            
 
Pno
       


              
 
46

B.    

    
gran mus tac chi stret to sac-co,- schiop po_in spal- la, scia-bla al_fian- co, col-lo-

      
        
                    
           
 
Pno


                      
 5
 
    
 
           
50

B. 

   
drit- to, mu-so- fran-co,- un gran ca- sco, o_un gran tur ban te mol-to_o-

   
      
     
   
  
           

                 

      
Pno

          

t:"I

                 
54

B.    

              
nor, po-co- con- -tant- te, po- co_con- tan- te, po- co_con tan- te. Ed in

   
  
                          

                             
Pno

     



 
58
          
   
B.

ve- ce del fan- dan- go u- na mar- cia per il

 
   
cresco

     

 
                    
Pno

    


     
          
61

B.   


fan- go. Per mon ta gne,per val- lo- ni, con Ie- ne- vi, ei sol-

                               
    
          
       


Pno

   
  
6

                
       
65

B.

      
io- ni, al con cer to di trom- bo- ni, di bom-bar- de,di can- no- ni che le pal le in_tu ti

                  
  
   

       
 
Pno
      

        

  
        
68

B.  
tuo- ni. all' o rec chio fan fi- schiar. Non più_a

    
                
     
                


     
Pno

 


    
   
70

B.     
vrai quei pen- nac- chi- ni, non più_a

         
           
        
     
                
 
Pno

   
   
72

B.    
vrai quel- cap- pel- lo, non più_a

         
           
        
     
               
 
Pno


 7

   
   
74

B.    
vrai quel la chio- ma, non più_a

         
          
       
     
        
 cresc.


Pno
 


    
         
76


9

B.

vrai quell a- ria bril- lan- te! Non più andrai, far- fal-lo- ne amo-


                
       

      

        
 
Pno
  


                
79

B.       
ro- so, not- te_e gior- no d'in-tor- no gi ran- do, del-le bel le tur ban do il ri

                            
  
   
            
ten. ten.
Pno
 
    
8
 
            
83

B.
      
po-so,- Nar-ci- set- to,_a-don-ci- no d'a mour, del-le bel- le tur-ban do il ri

 
                   
  
      
       

   
ten. ten.
Pno
          
    

       
       
87

B.    
po- so, Nar-ci- set- to,_a-don-ci- no d'a mor, Che ru bi no alla vit

 
                  
         
  
 
 
              
 
Pno
       


      
         
91

B.     

        
to- ria, al-la- glo-ria- mi- li- tar, che- ru -bino, al- la vit-

                    
       
                
     
Pno

       
 9
       
   
95

  
B.
 
ro- ria, al- la glo- ria mi- li- tar, al- la

                   
3

 
3

    
3 3

 

               
 
Pno
   

    
3 3
3 3

    00
        
98

    
B.
   
glo- ria mi- li- tar, al- la glo- ria mi- li- tar,

                  
3

       
      
3

 
3 3

      
   
                           
         
Pno
    

  

3 3
3 3

    
102

B.

                                  

     
 
  
Pno
            
     
      


    
106

B.

  
                
3

 
                   
3

  
3 3

  
    
      
Pno
       
           
       
3 3
3 3
10

    
110

B.

                     

3

      
  
        
3

                    
3 3

3
        
        
Pno

        
       
3 3 3
3 3

  
114

B.


   
3

     
 
Pno

 
3

      
 