Paul Anthony Romero: Heroes Medley III Allegro rubato e ballabile.

102
                        
      
        
 
 
 
   
  
  

107  accelerando           
    
                   
    
        
     
 

 

        
    
      

affretando
115          
        
                             

            
     
    
      


 
più affretando
123
             
 
          
               

            
 
 
   
  
   
   
 
    
       

131          C Vivace.    
             
          
           

     
              martellato
   
      
        
    

Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, http://creativecommons.org/licenses/by-nc-sa/4.0/ 4
 Paul Anthony Romero: Heroes Medley III

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           
            
                
    
           
  

 

 
  

141
        

    
                         
   
    
        
  
 
144
          
     



                       giojoso
  
            
       

   
 
148

          

              




 


    


    
    
              
    
    

153
                 


    
      






   
 
 
 


  
 
           
     
  
 

Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, http://creativecommons.org/licenses/by-nc-sa/4.0/ 5
 Paul Anthony Romero: Heroes Medley III

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   
       


       


         

    
 
     
            
     
     
  

163
           
     
           
martellato
          

  

 
  

 
   
 
167
        
 
             
              
   
   

  
   

  
 
170
        
   
                       
 
    
 
  
    
 
 
  

173
Quasi doppio più lento.
           
     
     
            tranquillo
      
       
     
 
   

Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, http://creativecommons.org/licenses/by-nc-sa/4.0/ 6
 Paul Anthony Romero: Heroes Medley III

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     
            
cresc. 
               
 
   
   

181
              
       

          
       

   
   

185
                
  
 
              
   

    
   
189
         Vivace.
        
 
 
     
      
      
        

  
 
193
           
       

                
                    
martellato
          
  
    
  

 
   
 
Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, http://creativecommons.org/licenses/by-nc-sa/4.0/ 7
 Paul Anthony Romero: Heroes Medley III

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        
            
      
   
   

  
   

  
 
200
        
   
                       
 
  
        
      
  

203
                 
   


       


           giojoso
   
          
      
 
   
 
207

                      


         


     




   
     
          
    
    
     
212
                 


 
         





  



 


  


 
            
    
  
 

Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
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 Paul Anthony Romero: Heroes Medley III

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            


              


        
      

     martellato
             
     
      
  

222
           
   
        
           
  
          
   
     
   
 
226
        

     
                
    
    
   
  


  

229
        

   
                        
            
    

  
 
232

 
         
 
  
    


 
Transcription and layout by M. Kliemann (malte-lol@protonmail.com). This work is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, http://creativecommons.org/licenses/by-nc-sa/4.0/ 9