SOLFEGGI

PARLATI E CANTATI
2° Corso

RICORDI
E. R. 1153
 Ettore Pozzoli (1873-1957)

SOLFEGGI PARLATI E CANTATI

II CORSO

SOLFEGGI PAR.LATI

Rigo per la voce di Contralto, formato dalla linea delfa. Chiave, due sopralinee e due sottolinea.
II.sopr..linea. sol........... l. ltJ Andantino ~

Linea. della. ohla.v{:::::i~~ee::::::::::::::::::::::::?.?.';~--------------

II.sottolinea. fo<-···········-"""--~lii-! -+--r-+-~---++-ht__.t-------++-1(_____,TS~t.--'-'--i~Ifi---~--+--il-t--r---'<'ì'------t·I
------+-f---1=-tf---'-+-·1---=r:==-+-~lf+-----'-t·~-----'-----'-+-·:I=-~-
........

lB EfU lr i lt3 IL r IL At • It1 Utr It1]J hJ

Andante mosso •

2. IH f@ir tL! 1 r ti?Ifr • 1f Z:O-J-1r-·-us---,r,.-EEJf 1

1a1'71 i 1Jjn n 1P t ltf t:r u 1r t i lt!'. u dr 1m a u1
fg't'·f . r fl~ ì 16c U lr· t0 IL" (fJf IJ! •f lr· c@1

I
Proprietà G. lllCOJlDI 6t C. Editori-Stampatori, MILANO. RISTAMPA 1978
Tutti,i diritti sono riserva.ti. IMPRIMÉ EN ITALIE
•rous les droits de reproduction et arrangement sont re~erves. E.R.. 1153
• Printed in Ita.ly)
 a

~ 111.sopralinea............................. s~

IK'JTD I aJ r r I r r rr 1r'i r r 1r lpr 1(ffqr rEr 1r-rTu

R]
li tfif I ;i J r r Ir r r r Ir r Er I r J J JIo;fi JI r J r r 11" r

llB'34JJJ I fj] J lu~..t~,:1r:Y~.L#JJJ IJ31J I J J1?f IfE7JJ

do

E7157]] Ii:D J Irr U-1 (fjfl 1r Lu Iu rr IL i: I~ I

- . ::-.. :::--- ,.--:; ,.... r-'19' ~ ::-.. ::-.. ~

llB a e:r E! 011 t] r J 1J J r fl~' El u u 1tr e:r C! Ir r r r I
. . -:; ; ~h ;--....
nr&r rffl, aaa1r:hJff éì1~' élcri@, tle:rff~' DVD 1
1M noaa11" aDa1nnaa1r acn11uaaE11
~ ,,--._ .....-. ~ rL;- ~ ,.....-:: ,-. ~'19' ~ D , _ ::-..
llB r él§éJlr t:tau1c JEJE]lr auc;r1c ac C!I

11 r Eìr frlJ DJ @IJ J;JJ nb-=J@'.b91(Efif&1®@ùa

E.R.115:1
 Moderato ~

5. IH fiWrer-rr1c$f i 1fi6F=«Wlr· ID ì IL$3JuCJd

~ ~ ~ ~ r"!!:.,,"!!:.'-rff~,,. ~· ~,.
llB J__ ijjJJ o- tr I11 tJ[jJXI r#r F t IL tcrc 0 ... &TI L b:f C ì I

llE r~f#r. r t. r-~~· .~

L L 1Cbf r
~~ ~-=-
i Ir f#r rHf Ci L4 I r~ r rf r i
I

l B (fiC! e; I rtmJ ì IMagctlCJC1ctE11EUE E{fbFC er1

b~~
llB E ar ì 1r~~ ~
r•rFyL ì IF rtrrr ì
~,.
1rJUtL ì
~
IMi@ ì I

Il ntì&E11CfU@I Cc~ IL.deg8fl t I

6. llB1ri'16& I@) l(fl IE@I@ lfù I@ 1@V@

w t1fu1;a i 1fi.11Fìt '4:1~1® a1~~1r i 1

1s1r ;raa1aaQ11;u1=bf1@1naa1uc-a1®';!;1@é51
Jit1f ,f111ijN 1#.f31-Cjiì l;J~ IHrrf:lr pliP i 1@i::ei
IS1f fittrr@JfCWì? ·#jE#f ISir 5q;;r IbJ rf9rt Ir IE Y@ i

1111r wfi 48r lfEì JJ ltt(F If]J1l If Wr rr f 1·~ r E1 I

11s~ qaa 1rvud 1Yitr1$# 1ftirtnr q (rfif

 l B 11trfrr1 l11fffì'r1 1
144 •10 r 16t7Jfjljì==q

1B-FFFEftlafjlgp2t11t!gtQ11ç''11· get11· tQ11· w11

IE I" @lt Jfi!tj #fp1rlf rn1rlfiç'' I ~ Il

Rigo per la voce di Mezzo-Soprano, formato dalla linea della Chiav~ tre sopraline ed una sottolinea.
'1. Andantino
n.sopra1-~~!:.~.~?.~:':~: ,,.i;{;;··········.::llifl"
~!.-;-;,i:·.::::::::.::::;;:;i!~=ig=i§l~~~~~I
Liue ... della. chia.vel.sopra.l.··············:..................
..
i i = JF ~:J ~ ~:J
.. ~l~s=~~~~§~~~
'9 J ~
I .sottol .································· la··············· -m:-·f}t""""-______:___ ___.__~-=~=::;;;'IÌ~:;;;;;;;;;"""""".""::._____-----'·------'-!--~-----t-f---'

11 (tJ lr U IJ3:t IJ J IJ= QbJ J li ,ftlf r

118 tf i IE!r t8- lrfl' IF F IF gu ltr Cj 14:iJ), 1J J IJ uI
11 uuiw j)'1@2'.§1(:i 1Duift 1efE!dun1lfi5a
li'D' IJ J 14JtW 4!8@)1! IJ J ltiltJI) f!J!:Jh' Il
Allegretto

s. 11t &; t l;@bP l@J t l@d t lfffl IJ .. iÌlJJIJ #µB)1t I

lii @ * l;Q9 t 1Q;; t I@- t lf1@1r .. PQ'IJ J 1@,1 I

11 @1t1@ 1 l@•r lffGl@r t I@* l@~r 1Ettt1

11 Efì' t ltì? t IE11: t l@J t IJ@@IJ .. ]J11l1Jtt@ t H

E.R. trna
6

IV. sopralinea ........................................ -. re

~~
11 &crr r 1rrruca1FQ • 1t:fimr l§tfffit 1JJJJJ:JJJ 1
lnnDJ -a 1@911,eED1$r;rrJlr ciM' I
11 eirrir1arrr tì 1u,J3Jr ul:J JJwPl:JifQdj# ldifSBM 1
IR rHrcrrftrrF1~crrrr et1fTFiat 1Fiifat l§tftiJJJJ1w t 1
Andantino

1°. 11sl JiJ_J_JO_i!f) 1J55Jii0I1rmcnro 10aa1

if JJJJJO® 1JSJJWfo, 1rifruW1D 1r@ 6ictES 1
11~ ffictrir 1@rtitr lfFfrtr-0 lr r le1rrtr e 1
llB~ @J lJj:g IÙ tJ ;Q l~i}iI l =li = Jfl81'JJ3r.Q..l@;u!...)
fa

Il~ @llìQ,p:J lfE~' l lfWA i11rtrrc~ a I

ml o 01ie 10 e a 1J55Jgiì:r- 1l31JJh 1~rfih1iò 1

Il~ t1W Itfr!ft!p ' Irfi Eij?p ' 1@f @r Q' .a IF=D Il
I d

E.R..1153
 Moderato

11. ii lJJ?B Iet! n IJ ,. ro: tftttf n~ t ir-=u E:; I y

11 ITCfrrgcrl r ,. @1Jjff. ' PIQr?E@ftrn: r ~ a I Y

~~ ··>·'>' .-.. ~~ ~
I Oft!tltflr h.riihil@tfOtJ'IPr DPr P1r fb:F[L oHH
Il tfffffffftrct1tif[fflfffrtf 1fttfbl•té[mn@l•r: t - I
11 ftlfw!~, Ct5tc'tF1r ' a'"' bflt r t r 1dQ]ij1Q1
11- O@f®nJ IJ y!JtJ:=arflt trrrft'!tfY1t--r
rall:.......................................
t I

Andante moderato

12 . 11~12 D1trcW:1ar@10r OOtfJ ,&fiJJtJ!l iì

·11~ §1 'AkfquYUffin rtrirr1Grr=aiifì y Pqtq

I~,, tè CUEJ 1d@J i llh4Jj lqLJ fin JJ J-0 IQ i JJ JlJ HI

1v-.~ o, g~H&t1CìJ1r l ,. p1Qr=-01D' i Y'w1

1W ,~.r:j iJ g(UJ__LJ=Ltll].__.....l.FJ pJo IJ .._...

t t I

11~# 'fiiC:iì;r t 1,· PC§tu lr r i li;&n· ~1swrnz;1

~
-~'ff F J l Ia n:rr f IY rEEU lr pfl IY' iQ I( rall.
I! t l Il
E.R.1158
8

Allegro deciso
~ < < < ..:::;____ ~
ta. 1W'1.; • r r r Ir re 62?f=c!ff1 IGf:rfffif u f a I
1~~1. ra l II@ J q{i Ei6iù iff]ll..,cJJ ~m r r I
IJ~~)'P'22tl$_J~:ddll:J,;~JJJll3;J1JJIJtJJ@
~ J J :j
>--- ~--q~ ~ - Ji I
~~,, ~ 3=:i ~ -
Il ''EtjJqJfl tf& lt a3f lt ì - IJ pJ>:--=-"
;al".......___.....IJ
>~
nllfIJ
::.- >

~ ~

J.Jl. 1""~LJ JSJ n1rcurrr:r1~J

>>>

rr 1r HrI1e:rccrrr1
10~1• u r3rrr1r ur ~Iµ! f f f 1A re r 10
-- - r- rgr rr1
:
11\bi, cr Ftijr EF Ir u r a IP rc r Iui.V JJJ 111t~tr er 11
1

Il~ n LJqJ JJIE~r 11f r; In LB J1 In tJJ :n IE! J h[t r .I

wr ~~I rE~ r f Iì
IE ~,b g~ r r r Ir?r ~f EJ ItJ J---JqJJJIt1 J---Jq-J-JJI-
> > > -

11~h J nr ai PI f f f 1nrcr1crvwn 1cr va HicHi.rr erri

~
mli· M,
r ou 1 i: a 1rr rr er er 1r u r u: 1rbrrt~c.r r; 1r r 11
~n

11~1.II E EIr E ni: r ijr Ir F i.mr J J 1.. lija I: I

1~· r r r ·E rGOBt
~~ ~
~'1 t ~<
r r r=r:r~
<<<

rr !•t:JJ J J J J@
1
< <
I
>>>
1
- -

E-R tHrn
 9

Il
Rigo per la voce di Soprano, formato dalla linea della Chiave e da quattro sopralinee.

lll.sopralIV.sopra.I. re···:····........
.................... g,.............
. l.sopra.1~-~:~.~;I!~~-~::::::::::::::::::::::::::::::::'.?.';;;i:::::::::::::
Linea. della. ch1a.ve do
14:.
Il"
4
f1D
-·Ij
~
-
Andante sostenuto
1 1 IO
O~
" n
I ~
· •_...-
9
1-
· é
7* I
·

- I°'== J jJi9 - I~
----
J:::::;::::s t? - I

m~'~a1rrrr1 .. 3JJ~ -1:B1rr:EI" rM1

m~' ~w l§r: ~ E I 0 r f??hg 1e@Et r E I° IT ~ai

1 ~w ~ m~ r11.. :r1~ 41!.. g. ijJ j J IJ J ;i q;J 1.. - 1

Andantino mosso

15. 1~2 ., 4!W I., 42E101 1 4tbJJ1J§M 110W11 Hlld I

-m fF71rrlr U1If1Etr18t1 1 ITTrr1Llt1,~1

1

-m rfttr r f] 1ffFiF?1, ffittJJ l.S#J ;ifjpp i 1, far#rf 1

1 1

1g fi 1., cr rr r1r u "9 IJì ldlit.4 l @8ll 1., fffi· r1nff

1 1 1

1~ , 4flV 1, 4MiJ 1d5J#n @7211., r-mr11~maa1I Ffur1911

E.R.. 11!'.3
10

mn a 1qg:th tp 1f1:l m
hAllegretto marcato

rn. 11s~2 a tJJ 41n n JJ a

--.____,; ~ ~ ...,_____::
w
-....._.::; - -

h
11{ urw1scrrr10-cuucu1r Efr Ef IHsrncr1r 0;r tr1
IS~ iti
~çf~~ ~ ·
: b'.CIF bfE fitlr ePEtrlCCr:l®@IW ~' 1Q@J

l Bw ;sana; ,..~ F~ 1 F-;

=rn ~E •LJ>ot -=te 01 lpdr E ci I r 61 Cc SI I
1

1{ wJ.iJ D1J n.osa1tuu~1rno=cr1arrr or:r1crcr tJJJ

b

1{ a JJ.SJ]IJ a.an1m;rr1a~nzrr1uctar11pcni'Lfl
~Bw i.n n n u~ 111'1 Jiqn n 14 ) @e mo oo bJì
~ ~ e--...
i( r tre B".1E ' Qs • lr ' Qad t 1• , ® , IJ * 1

~
Moderato

t7. ; ---Jl -J J J -p I--p r= J J 4' I fJ J

.ri J ~ I~ ~
JL" #~ r ~ I
li

llB~ ll J J qJ p IH qr r pIVr pp~r pIpr p J t IpQr #e E DI

llB~ Pr r gr ~P IP r r r oIpr r r p1oqr ttr r ~ 1Pr r qr ~P 1

I!~ p#p r 1r li IQp r r r Ji I~ QE r E pIp r E r pIp E r E pI
....---....
,~~ Pr .Er P,r µE P1(à e oir· Qur· cri r· .Oiia tllJ - I
E.R..1153
18~ P~E "r I" Wi~J J I" ·ptaijr
1
E r ~(fp~I" F br ~p I P~E 'r
1
I" i@
~ -- b-
IM~--~\J J I" "ptp I" J 1J PH·r I" J 1
ff) I" 'r 1
I" PI Pr E ~r Pl
t.l 1à ~E E r ffl ~E E r p l~E"Jt1~G c:J I 0q.f.]~J-&"! .;:]j
rall:.........................•.......a tempo

IS~ i.J JijJ J•ilJ ~ li,JJJSLJJ_D l;JijJ J J p lp I" J J ohl;JiJ J J ~

1 g~ _iiJ ttJ r iii JJJ J J p 1pr J J ~ll;tiqJ "J r p IP r r ttJ ijllJ

llB ~ !lttJ •r r 1PI P1c r •r 1p I Jl r r ~E PI Pr E r ptp HHr r il
b -- ~ ~ br~
IM~ -p r r e PTP r r e f f-r 1 e r v v r eic "a:n J
1 J qJ q~

E~ r-=~ ~E p I~-~ p I" JI I J· J'il J· fl iE" QU r p I~ - 411

Allegro l • • • • l · ~ ~----.._
18. llB~i ;(in J'i;;i'l 'I ;fil;J)n #i p't'I pIpn p~ n pICF J Ip't'I ppn pI

~B~ f I I ppI I pIii 1 I il f.J {J I J~$' 'I :i Ili y'I ii p I I pIpI Ittp p'I '! Pg

IM# Pn Dpn P1ttIO liJn lp n pIPn~p Pnp IF rrrr·ttp1[rn_n_n I

i~l * .naa1r ar· DI* aaa1r rir DI• e::rfìf #rtc1

.llB
f!-c ~uqGt r~r1p' 'fE4:r I• 1 fffEJ lt i@~~
- --
E.R.11!ill
;w ,~ 0 ,BD 01 i ar.rurr 1,Dp, $\IP i ~1' Wrri= 1f& .J& 1 1

llB tn ' O' ç,- -~ ,- -p:1r --~, --

- -r, r~ r r' r 1 W, t1"1~, , ~ P' , D1r ì ì C! I

~gf r t ~ Olef' ;:lì tfl#r Er P qJ liì•r Cf~ r C!'l1Ef!tf hJ I

i

f.I f:l;fLf;Jìlfl1?EJ;JilJijJJq(fIJ)l(.l'8#èfdllfigP t I

llB
W'; tf.1nf<lIII-rinfui,IIC!n~:;,.l,tt'n#EJ;l;pr
·· O
;pr I

lfB
!ili ;Pf YçL 1~ P u U[bnrp1rJ
-
J w I* DtjDE11E' ~c;;rr· JiJ

m~ * ttttE1iL" ar· Jì Il nr ------

iE #Hlr3t
g ,-..._
t:u r I
l!tt• -r r &1J3Jln·pE1J?011 rpolJlt i J50tpl@ Il

E.R.1153
 13

IRJB ;-sr!JII bf&1ur[stUf1f'fJWQ?1p ;:tifù-lp rf@I

llB~ p i6fil14IiJjf~lb.f ;-tfml§;: IQlif ;:· qf I

-
Rigo per la voce di Canto, formato da cinque sopralinee.
20
v.soprnI.f,,··············-~·4=ttA_nd--an__ti_no---.J1111-~~--+=~~~~
Lineadellachiave - "p
1 50
u.sopra1~~.~:.~'.'.~.:.~.·-~~::~·?~:~~:::::::.::::::::~~:~~~:::::::::f
-ral._······_
······_
·······_······_······_
······_
P
·······_······_······_
M l/ ..a =l/ l/ I#~ l/ LJ l/
--·miiiii......... ,jB ...-=::-.. ~ - ~ - ~ -·~e - - -l/ I·
i)

'# .o D @ 1.m D iO o q@ ;' l1Ù a a

I/ I/ I/ lf: I y@ I/ I/ I/ I

'# §";: O;:I 1EI1 OJ:;: tr;-1"' Q;:tJyO;:I &oa;:Q4'J

BEJ;: ~ I/=r~ ~

'# a yaj:::::Jh 1v YrhD '" Q±Ji1e qJJ Y;j) YI~ *1 J.

'j
~

;[)ytJyt];:l1D;-@Q{)y3;:Jjl;.tl' tfJ&DLJ tJ r I

'D * f-CBetltt-iWHQ I• e~ tJ r I' e fQ I

'D WifFCt rçpao @ea li Cf Dà S@llJ Ol'j l_]J
a
- J n 1, àC , s,.; 1, .~ , 8 a 1, RS , :u , ti 1, 1fG li :o n 1
j rall:.............. a tempo =::a
'--""' -...._::: .....__::

'

E.R.. 11fi3
14

J_ Andante

21. i~B J IEP 1..J iJ. J J J iJ - t_LJ J J t:I

~~_J J J ·l!;Jµ w J J J 4 -
1 J IOµ 1..____J j iJ J a J I

'~ J uca1 1§0Crr-uu1((Qu ~1fiwuwn1

'~ ('J * J 1r·~r·iiL:fr1t ur er t IL" JiF" lfrf rl
~~ r E!" r O' dJJ 2#3 J"Glt E#r r-~qf ~~r ~)il Jil
4~ JJJiJJ 3J JEe[ F11aftf lt ilOJ IJ. J1J~JJ#)J l~J~J- l~. )il
~~ Jr F r iJ F F J llJJO atrJr I- - t rrtQp E'.EfR I

~~ - - t @!]J?@rf: k - tnJ l~Jfj) IJfD IJ t - JJ~JI

rall: ................... .
~ ~
w~ J - 'm;il~J - '®1df!'ìffit rer· 1
Allegro vivacissimo

22. ~wig ,~--to-J~-1-10-r~±\r~ 1dfiJnt1HJJJJP, 1

'w~ ilUc1r3EJttl'IFJ'O lijfjCJ'"(1JjMJr-· I

J_~ ~ • ~
@'1, y;§iir ICI
ru~
l&L
~~ . ~
1-r;r 1ur~frrfrlP-' I
----
E.R.1153
~g,,
~
r---rril 15/ ~ ' 1fi fP ~ IfP 4ì ' Ifi 13351 n ifl,, I 15

,g,, gf4 ftq Ii D' I(Jf~(-~ , I~~~

p IJqJ
':
.
o o j JJ I

,~·~ {jJ]JjliJ JJHtjÉljlJ#J JgHIJOJ,jlr!r[Ffl

~g\-bF~~·;Pt=
lfl -~=it·
tra I•n-=f:
t 1,,·a~ 1,,· ~ 1,,·tt~ · 1

~~. ,,-fAtlct;CJlr 1,,· ~0t1g;·1,1A

~~iv ' i,,· dJ) lf· QJJ lf·lW 1,,·tttJ 1,, WCl
,g.,,-éfiìrJrfRr nu te «rt ii-·

t__,_.rJ J J~i'Jl__DJ I

~g.,. aEFiM"•& q~ fll:tr ly· ]LJJ.J J 15'· ]gl

d~·,, _n cimn me- fil-- fil_I p ' ,. Iv 't

1
y ' I I I r,,. Il
E.R. 1153
l6

23.

J~~ J tJJJhJl)yjJ @Et-1 re rli3@!Jy3 I~-~

~ti#f :::g;;fcrJ r z· ~ l•r 'J" ~fJ r ~I r r ;J"J r fi!"l'. ,. ~r r i I
~~ #h [''[[tL, qr#1lt;ffr~krffrfr[r~rriftffo:Frfr[rfrff1
'J

~ti#f &f~Fr [rfa [r [r"Ef Ictr F fF Wlr f F lz •@ ffi I '!

J
w

~Mt pAi5pJ%) 1Jjlj0@0 IJlQJ@ @@

~Yt J.jJJJJHg•r;rvrt1Gr·· l1r /fFphrtf n1

Il
E.R ,1153
 17
Rigo per la voce di Tenore, formato dalla linea della Chiave, una sopralinea e tre sotto linee.

24.Andantin~o- - - - - - -
Linea dell& chiave::::~;::::::::;::::::::::::::::::::::::: ;;~~~:::::::·~11~a=tf~cs-~q:q~Q1~;==~e-=--+-:+~P::.·~
· #~::::::::4:i=.--?D:=i~)====ic-i::::J:=-ci1
n ~atta1.ifr."~;;ii:~·c;;~:1.~:::::::. ~~=±::E===E==t;;;;;;;;tt::~:=±±.C:====t:r::=:::tj.1-==::jj-~t=l=t=t~=tf:+===::i;l;;;;;t:_:::::::l.

llB;> ff)r r r 1r q r 1r· •r r JR rr CfJ r· #r r r 1r· t: r]fq

1 r· •r r r r r 1

II. sopra.linea..._...... sol

1Fe:u 1E" t@rr @1r at?$· B@·I

25.
Moderato

llB''t fT=-=-t-rr-;-1c-r -rp tHrFF Wn ffJ 1 flrp ur: a:n

IB 1·-r §@ @ f r 1A ì 1Ft r C! le r rf3 Dì
IE1•
7

A ff} IJJ JJJ @ it9 fflf nEf& 6fTt f qr l§r=e i I

111. rte r:r r: r er r éfTit fu t EfrF

1 1 ~r: fitiì

E.R..1153
18

26.

1i.Jì, ÌJ~, ìéirrfrnafrr~f'.I]

111. -trçr 51rr 1 r i !@ JJJJW 1 13 J r è7?tr i fiJTJJì

E.R.. 1153
 19

Andantino mosso

27. Bu! ' iQiffl~ (f r f?t r1 r lt - ~ ~ B

1.::r~uw 1,. ~b=#OJ_J_)l' 1,· lii 'è i a1rffQ 1

lin f'ij crlr1 7lf&ti(} l@f O l@r et lr J\z t I

m. ®mm 1nSaC# I@ EJjlJ lvJ~r 1~· !fù±l

•• f PO Ir ~iifJr t t I2 P 2 P , DI1 ·~ r rI
2 D, D, ~pA

tlB•l'· fEflr ffi?f- tf&S§± 10· D1u!Jja1@r· ~I

I, ti@J E lijr E lfffr-r E lbtf Efr EH if° li@i[ffimt1

E.R..1153
20
Tempo di Minuetto . . . . l'J · · · · ~

2s.. IM§ Utttt1@ccrr1rcrrre1ffr[R 'I 1WtQH 1[lliij~ I

b g~. f)j,L'. ~
BfiìJ1.rrrrv P1GFdhQilJJ n n 1@,q wn 1JJ nn1@m V . . . . . ..

ll~b~ ij - lr· :ll:frrrrr1trttetlijigii'1-il

n ~f@t1 lbr:S+lifti f'···· ~ ~

11 ~1,
1
na, 1'ftrrrrcrfì01I1rff!am1@I 1n ttr·:t1
1

rJ &ECCfllaiSfibìilti]h I l"~Mfl-Wt!p liJìgfft IL" I

gifd·b
aM, qJ3qHtJ 1Jg3J.3u 1ç::95tQiqf1sf t 1qffè#ff g& I
ll l'tk
1
:zfrè1ffètR1qgi] IJ- II :zffliilI p'3J\ldjliJ1gJ II Aia
--11n+-b~ ,....--~ ;,. e ;,_ e ,(f- ~ ,_ ~ ~.,.• .,. ~. ~ ~-----..
JW~'!, t1 r
. . . .
e [J
ErrIrE çr I Iii ifWbr Ir5ç LP EPa j I[ rr f D IV çjr

111M, 5tf[tffet&tu1ir .1fffFrU1@b 1@-U ir- =I

:llB E ì r ì IE ì r ì 1ffr r E fF7t l l r ì r t IJ ì r ì I r@f@iM

l B pj} ì IE ì r ì IE ì r ì I61 "r IH E ì IE ì "r ì IE l qr B
l B E ì i.r ì I E l r #[ IfbPr
11
E IFfi?~ J 14@ J IJ,___) ì =I
Andantino

so. lii.:•1'B ..~. @- ffit ì Eì rì I @

0 ffì
E.R..1153
 21

lb)-~ ffrr 1?1 * ,., rr~ mi\ ~w iJ i h 1.sm1

llB_,,b-.. FfQ l@:Jl.JìlJìJdtlrtrìPI'~

l~L_) 1 tq Jur i Ir ì e*r ì 1«= r eI" tF% t!r t r 1 Ir t r f r t 1r tq et~r *1
~
I s Il
f .i. . t . i--r---i·--·re t
&~)? opr;, .nea.......... j..
mi fa
rì r t Ir ì r ì f ì lil. I~ t rI
----------
0
• I

it_,,b-.. r~ ÉiìÌ t r t r t I~:i 1:==~ ~ 1..-:~@

Andante mosso
-~~----

a1. :rt croua1u=--= r 148' ID1rfW1ltf--J€4dYY 1

ti EJ1i.t.~fl1aOO· n~JOOJJJg.M I

?! nnarmobthW~@i@IJ.W1grtLl6 ®1®-1bibfflrl

tl 6EiiGtùifù1W;:mt1Efic1t 1~0 m
tl -tn1 t1f1Bfjm n flf!~iP; ;01J JOJ nJJ':l fi
1 1

21·-r J anr r arr1r r wo 1c:uu oucta

?~ ~rtJn:rJ GU;R:r cu nu e; 51 n 1 1 1

·i-Cfttf:.mtrtrr±tJ!km~n :JJO Jla 10 tJ tir 1u E1 r ì 1

E.R .1153
22
l\loderato ~

a2. tHI P 1é1l ~ lffr· ttp 1t ttp o IF=D n ~ 1éli1Y PI

:n éfr· ttlt?&'Qfi"r btlff 2 pl@b<U]'EJ!l{J d 1ii3J t:mJI

:n EN 2 JJISJ. JilJJWJJ. Jili0181@"1IQ 2 r~l6iri
:n 1N 1.,-&uarct1r .. il 1@2 "tr, ~2 12 cr2 tttf'Y Qf lefFJ 1
~
9=• r ì lbJtp{ZCfJ~;l§F~ ICfr?QV'QI'f---~
lkl!fTW I
,,._ ctrJt!CQYjtkf/ffff lbtfar&rtlttr6iftff I
fl'I JIE& 1~Q!iz?y IQd lì ì r~lr t tih
9=• J J i 1 I'· ~ r.. ·~ Ir ' :fu[) J J ~ nJ r fj r r D I
:>=• - Et- J j
---
~ID •• ~·:;r ·~!I#EJ;J(#I
r r DIE:t •·~· - • -~~1·t1
#~~g~g~
·q

:H r'tr rr ii 1
r; Er FEJ
1 00 lt2Jh l:S#lflJ~J'ZJ IJl3=P3~1AA
~ ~
t>=• n?#E -
__JZ Q]ilJgtJ4f! Er E ,,. ; V~ j j DIr ì B
r§' r r ~ IF. Il
f.'\

E.R . 1153
 23

Rigo per la voce di Basso} formato da cinque sottolinee.

tfo~!-~ -~ndante fil0~0 ~
Li11 r :.dellaChia\'e ..
'! .
I.sottol .i·i :~-~i"i~i::::.::::.::::::::::::::::::::::::::::::::::::.~_~-i;::::::::h: ~ r~== ~I., . z
5' ~ ~~r I
111 •• otto1.i'v." ~~-ii.~i:::::::::::·:.::.'..~::,·,::::::::: :::;;_;L~&i:~~7~~-t:F===-.-5::;::E~~--~::i:-~"I~~~c=~l:;;a=-i::-El==:j.
v.• ottol.-n/············ -

i~~~ ~~~

E.R 1153
 ~ ~ É~ ~
a5. tht Jfir
Allegro moderato

t ì JEI E ì ì llffeY w-t ~lf1EJ U#J

:>=~ tt~rcr r:_; 11Qtfij3 ~lnJ r~ \RIJ t ì ~E ì ì ~

th -r ì l jffìr· btFQ16JJJJv ., Jll;PJJJ JJ 1µ0 J I

:h .ant.aJ011J r JJJ nJ µIJ So Q&#clt r•r n

m Qice lì gl r!E fEigrlr ettr r fJr: gPttrn 1

t!Ft ij?3 ì lì ftjJ ì lì f-i-t lì f) lì tJEFTr Il JfEP I

Zh t gf c 11 1/ , ,,e II il, )l 1.,nJifffgfìct E7tJq9d

II 1l~lifjtr F1/ n 1•
2 2
th • • • lt J JnJ lì n R#LJ
2=~ ., tfr uu IÌiJJ ì i3'1r t ì 2J1r pifl!fi_i
ì ì

2=~ Rì~,, ~ 1ugfU eu luc:f a r 1Elr ~@ 16! 6 81

2'~ (À ar 1f:r f:rt- blu fr && 1a wg lJ J3 l4 ~
;J r]

2'~ -r f ~a ;rrhl - 1- ì ' ii I 0 ! I 1 t - Il

""-.._Y
E.R.. 1153
 25

36.
Andante
tH1!'~t - i enw o o I
a -
G Ci It:L r f S' rr u I
t>=Wv~ Or 1 Cf [Erfl(J ('p t ~~Pr r @tJJOJ 'l @~I
. 1-C,. ~~ ~
Y=lft$ tJQQC/lct n- 6ì ti rqv E pN±'.:§SlifJ~iJJqJqfi I

ZN\h ~J. Q~l~LJ l I@ E E] l@ffr ~F I@ E' ;!O I

~ ~ -~ ~~
@r P r Plt:J tc:IPJ Id r Utr ·r lu r tnr 1
,,-... lb ,,---..
t>=w'h~~ 11

tN1h r i .,. grrr1f .,. Qffrf1b., e.,~ z P10 'l P'/~ #3 lr r i I

7J'W1.~~ r~L1(;1E~Cf r;;lr· 1,.tJJ:l leq., i r QL'~Lìl

tN1h e ~E'.1u1c==r C!Elf lllr ;w ;.s I:iJJ lp w rw~1
9=~~1.\ LU d'UilJJ I., pz;Jh Pz 1511 r:ZCJtP z I' f) n jij z I
w·,.~~ , ®, 'q~ @q@ ~'tt o~L11
,,---..

Sl=~ 1 1,~~ ~, ft;[cm~ z f" Hrrflp., n rerrrntr E f~stccr1

t>'~\$ r:; Ftcuf1)j lcI;J qf] 1J J l jqd r oI

..----::~~~ ~
2!ili.~~ c,rft t;;Ce 16 r-- ~cr 1r - 1Q JJ&> ·. 1r I 1
E.R..1153
26 SOLFEGGI A RIGO ALTERNATO

Rigo per la voce di Contl'alto e Mezzo-Soprano

Andantino semplice

37. I~#! $p_ g'IFfù~' l{f g1[Ei)qglffùl@J

iN ~ lij 7 1~1Jf! 1f&n' 1pfil 1rfm 1l g 1

i l {Gt 1fRì IO'bJJ~JH lfl 'llMF gr lr6@ iJ

I~# ff tr 1DH qglQ 1filr 1r· o 1rlf r bi i
ili' cnr~Ì11~~·71f~~ 1Afj1 &-1
j§• nlr[ Lf) , 1Jf2 Cf 1r fit~ lii~ 10 I
fii 1 i

Il~# 6AJ 1(1 l BBD E Dffl E ~ IÌia g ldJJJ J 'Il

1

Rigo per la voce di Contralto, Mezzo-Soprano e Soprano

Allegretto

38. l!J'V'! fi' l jJ-i' l 16]iE tlìf" lit) Z l 10 Il

JM ~]r mlf)zt 1fJn 1a@uilm1Qd
1~ fl n 1Jfd ffit i l B IJ) 1qJ IQ z#J 121Effr- Ir J lll
JM 0 ,1r If12r 111 EfiilMG If] n~~ lqO 't 14 n 'fl 1

m'1· 1 i lllllf) ~ l#Y i ì 14 i z~ITTA 1aB Eì 1@

Ì ! aI
E.R.: 1153
 27

Bs"• q~ 1i 1 gr l~@p d 1r4 H 1@tfiJ 1 Il

m Uiir111r:ff r ft1E1r1ffir1Yr1r:· 11r 1·1J i

39.

=IBQ~L!tJlfil rg;1E}"r §'IQ~ y,6@1ta1;;0S~D@J ~~

=i:- -. ~ ~
~~kSJP=8i.§J lli) IJ\ ~ I~ @ Ifffi r 5i 1"c_; ~E E1 I

-m" Th@ r~:t rlt r 6t: 1 1qdE CIUf!OIcY1fl

E.R..1153
28

Rigo per la voce di Contralto, Mezzo-Soprano, Soprano, Canto e Tenore.

Ea ffi IL ' dif Cr f]" 1t t r

Moderato

11i. 1 1·~~~ J l [ l
~ ~
1R h r ~r l!P J 1f1QFa1r 72Eff@iOt r gr #r
1
i rI

E.R. 1158
 2H

Il"~~ f1b F=pF~lr ;@r(EflU r rTr1r qr- ll1r~µ t-;-·H'""91

11 1 ·~~ e i r r ffl * ffi atID ' , J 1r1D r:~ F-r-~ 1r i tu 1
1
'~ ·1. iJ 1U?l'LW1P J lrijr3pQlr @fE&lr7)F}ffàl 7

~ ~~
1~w, r !B;&[fffl@fflffl1e ~2~JqWU!f1Ppr i i JlifWill r I

IE1h @H q;p ' r Ir"1fr dfh r I(Dr i ' ur Ifiit i lldi;J iJ I

111h r§rcrrrcrr#tt:qE( 1 FIPc ~rw ~rmfr3r r J w 111 J 1 .. 1

JR~ ®: I l\R! J IFf§if I lfjì J IJ. ~JlJ. JiJ. ,J)j L J *. mI e. ~ I:. Il

Rigo per la voce di Baritono e Tenore

r ltff 1 p'#'11 o Iar, ti2f

l Allegretto l ~ ~

42. !J= 'I , p, J1, ~ l#t], Wl#EJ' j' F[r Ir i I

mi. 1ia!,fF11rJ 1'lp2§p;p1Q 11p;Bµ2pif]?- l;p'/Jl2p 1
~ ~~ ;
v=''tEJ-;c:tFllfirEf!IC llRlz~z!piPl#gr PllltJr PIL r?=I
/"""" ,--.,

9:" z p zip i p ltf r· pl#abr- p 1r9r l!z p y§p zp iC)a

111, i p!#~ zp1rq ?•I'/ pzip zo1rffl I' cat1IA11dizJlzll1

~

I" #fil z J JJ IBEf i w 1N ?= 1z r Dr p1r r 11 z E~r P1

li. rC Id 'l~P 'I Pv•I z~ ' t§ IzfU zq~ Ir· l E IJ · !'."I 7· I

E.R. 1153
30

Rigo per la voce di Baritono, Tenore, Contralto Mezzo-Soprano e Soprano

Moderato energico
>~

~. t):ii#I E#LJ' r E! Ir 6f]flt7F?Fìf lttSfi1 r l I~ IF*E? F E! I

IE~# 18t3r @#JJ 19 l;l=lr?&-r IDr J r3r dfITTì l

tHii# rr i1~1@E}#r ùJt r ti(r1[ff#rr.r1tO i ~=I
!H11tt
------a--
@ J gJ) ttJ ~JUJ Eff} g I@} i miJ 1DnJ xn I

11#• 7 tt~ tor @. g i ---r 1 tJ•I f:i# @ ~r qfìr ·~ ci@

!J='i!ll -, #r tfiID éJJQ;J ll8JZJO: t±VOJ#~;gt§ffE E rI
~~~ ~~~~
.9.J# r i - 1ns r a l&fP dfl1r U' Lli l@efF qgl

:mttu• oa tU 1& W 1rr a 1"'lr 11E!ff t::t~1

~~rli@WF"lrfl!tffJEi* ~ CTf c•rttrr:rr~IA i 1
Rigo per la voce di Basso, Baritono e Tenore
~·
1mn 1y=rwa1t=th?=rtiìa 1 n
Moderato ,,.........._ _
44. !}=t s:iì'*
2= _:ilfDq 11cliiitrb 10 Hti=l@;z r lttEEfp n l

:i= jJJJ;{l2 CTt:'!O 11 Ij~JJJl,IRf

~ ....__, Ijw;J;i,
......._....,..
f l@@tf IF~~ ·~
E.R. 1Ui3
 31

E (rrfp 'I t~I@) 1 1lljtlffR] ,2w•!cì i®j ~ # I

2' ~JH l@_JJ@v ln§fflJB9 iff11 PJ=I

Rigo alternato per .tutte le voci.

45. m a
Adagio _ __

rr I<ç::] rnn rr [" fr - mI"-=-E Usi

ma JiJJr u rr:}) ...- FliTf> 11...--=r rr F?r- ffl

mmrr EF - 2=1A re 1·GJ J~[ I" - 41

&in-r. JJ1na-.· 11 11~_Q 1~11~· ~n

mqr. pr F:]r hEiR tJ=1 A r EIf3J J~" 1- {fì
Il fi if · ~_Qji fifEr--niìr &2 et·'~ _,I
' ·dt'.} 2 1.. jJ t@J. JlJ.~Jtr :tE· llR •f]r #ff?'Q L#6f?W

E.R.1153
a2

E.R.11'1:1
 ~~ .....
- l Fffil[bCj[Hf 1r r td 10' t 'lr t JPID q ~:I
t>.J# ,. ~
..
tJ!i I 1 ~
- IMI;· ifr Ji I'·~.ii'ì·
4: ~ ;,_
il1
;,_
1r e f è
~i_:!!_
IL r
~~
per C[I
E~ • F ~~ lii ~- . . . . . :t . ~ #" .. ff . #~ .
fJB#~ t rç rI v 1] Ir ç 1 r t1f 1rIrr Frpr 1 f Ir r r r1' vr I

l#h o :t t n :t ~I ~,............___ tQ!j... ..,@ I (Cl{QJ..J13fn

J# E.------ Tìf :i :i llR fbt 1j1ij z r I [j r t>= ffi' 1 2

Andante tranquillo

4s. - FffJl 16Sf" 1r· r· 1r· r lr· r· IL;n~]

jjH~ f1Ffif" 1r.ffffil 1éGqt1151r u. JJJ ILN''I
@tt~\ p"!ii n 1u-:--p 1 1up:i 4J· 11 1V 1 az 1uffp, , 1F1tfì
Ì 1 Ì

11.•r. -r· l B 1Elffi:~l€~Ii,,1 E~·~'! i , r· Ii r· I Ì

~Hft' l Ì ftr· tn 1111 ;!\, 't Ei Ir Vr· IJìn w w tl' Iì l' ffi I
,.......--..... ~

E.R.. 11!;3
~'M-4t 1,WrfJ 1r9t" ,,1, iFr3ò 1Q· 1,qacu 1
~~
~tJ-~ ·!fs-~J )) lqJ l r p It ~Jf.l Jl I EfJ E"llRI' tf@fr I= f I

Ehi_ i 4r !p IL" 9:l@fifç- 1éfiiir 11firfr €(.lo:l'I

n ~ ~ ~ ~· ~
.wg. "I El , cl 1't r r LJ 1, c..r
't 't Lt 1t llR 1r u u Co3i 1
m· ffllip, , 1rcrurcra 1LfiiN 't ,
111rcrg@i iFfrWp , , 1

1 ~w,, r ttH"( Wi'r1f1 nlB1HHfl1it-1frrtffr/èf tr Vtifr1

lM~- f 'IQ?J. lfi@J. i@J@n1Ffi 2 d
Allegretto ~

50. t#~ , E::t'ltf±fJ ~ @? r::rcenw-ttJ 1, ~ f1

1Ì 1

t>'' 't 5iE 1 Glfi1 2 7 Gifr1~1, blfi"~Jiffe? l

F.R ll:i!l,
 35

~. z ft![Y:J·HJ JJ tcai 1 Wcti 1

11 lU2imti'I

~.(WOtt;pf(-l'lr rft FJrr=p z z 1, 1~ lz qltf@

2
,

~~ 11 heiltnt qr rUl lz qr1Wifru b~

1 # ~ure-n O'd'lr~n 1C&!rbifFUt ltfhtb!O 1, D 1,gg 1

1

1# z J
-
LJ J JllR11 r n r r IV§r
rall:........................ a tempo
11J......__....uJtF 1 1µ I" ~ J=I

§j J tf1?11r orY IF ar-w IF arw lf are l f1

18 f' W--c &ne 0::-r @i~1' o z u1z GW 1r~P z11
# 1

UE oew .,
Allegretto moderato ~ Ji,.

51. m·1,ija ffl , i i ll tJi ., , i i t lkìò ., 1 *q!j

111:,\1, )ii
..__...
l ~i1n r l}i p liin F· IJi:B @ l

IE'·"~·,,1, Jin l'?=bFIP n t ~I~ n i btjr g=f ct=ID n t bJ'IC n i e'l

1, I !

l!'.R. 11fi3
36

'©>~1• r,__MKW=atr 1e ,1g 1c: 1 1 , Il Jst&rttlF g;rqr p1

ml. r Plr-;---r ~,re ~1r u

~ ,.--.....

~1!· i ~e:@eFfl8=arr 'i i

~411· l @nll :@n Il Pl't 'i Il $'nl~plR ~lit;) btlF [f btl

~1? ~- ilMJi I!ii~i ~, Jl Ih 3ffl IJ;JJJ] JJJ 1.~n l EJ=bJ' if z~E 1 Q' I
•--:---1*"

-HilfMCFIÉzgj,!m@jc.Jf 1f f qfb,1Cf icPEiH1 rl

WM, t'i7Stt If(tim Ir~EJ Ir. 11 rft pI F---m:m •J7 l ;Il

•·
~xi~ 6ttr 1
IR;r r ib l@J)n l~ld .SJ eS' r 1J IH r 4%r I
q~ ~r1rr!Hrrr€ 0 ILSJ @r 1fPJft!r 1n1rf~1
..
-IN E &LV ~· ~
E 'i ' 111 ret rr ar 1EbfF r IBJ .o Jflc E r r u 1!1
4\B~56: r @r 1§0 J r:· 1J DJ eSJt Q:q Yi mli ' ftf fl 77

. ~ --- . ---~--- . --- --

ts#Pw r r ;=t IC UOOO l3if "E o--r IL bf F!fflr lf=afr qC bff I ~

~ ~ ~ g~· 1*"~ ~- ... ~ ~~ ·- e.-·

mtt rHFr r!j lt.U [iJ' l RI r TE Cd r IF a.
1
1 li IÈ
--1/D
3lh IF"
w --- _....
m1%# EErrf j E: j f 1r rrf E· rrf 1o 7 2 i ,9=1 r·r r i 7 1 J. oJ* 7 ~
E.R 115~
 37
Andantino mosso quasi allegretto

53. 2=•#1 vtfrffW 1ittrf#f1~11Jttr' ' 1JMtft°1~ lvijèéttMf tt[ l

yy

1~D~ fltttt&ttttf411Jrf rV 1vPPJ 'I, pi i

Più lento (in 6 movimenti)
1i i 1PPJ lv)JjJji YJ # ~
-i-## ~----~ ~--~~--.. y. "
@t 'ljJJJJJ. IJl2'i ;llllH'qif &ffr1vrfrf U-Frf 1t>Erzr1
" -: ~ - , .-:----,, . ,. - -. . . . _ re~---------. ~
IMHff r: n u ! 11d EP [e fc f ltt§E[rf fr fr F 1ir:J= ==14
~

im~a f vi '111ceFrrpcrqrfìrq~rrrf!rf r9fìPrErflc 9frP

11H• 1qtm:P· v=I 9tfr[ Q1ff I;· ~ti@@ 1'·1~&G!gl r· Il 11.•~q~
y·
Allegretto (in 2 movimenti)

11 »A· 1t?l 1tlr va ifir ;El•1un· 1#arr· 1

El=•dr.--r;cP:f 1UO 'ml~~-) ,ti 1•.0.S· 111•n a 11r1· 1
i§ r!t#F rF 1s:rt ~ 1® i I@ i , lirfrfrW' ' I
1 1

~*@ ì1JJJ3,JP' l1jJ

#
J1p1 ' IYjjjJhJOJJOlllv#J#Jl•gr#r'f1ì~I
I. Tempo .-. -. ~~

-m# ~-r~#crf 1rer#Ei~j11#f;/[rf f f r 11 cfrf f Jr I' u f C1 I

'"h## Ei;; WIM1' PJJPP ,, PJJpjJ
q ~. ~ Più tranquillo -=-
liqJlr r ftr 1
,......,,

1#1 1~ r i pr 1:i= 1 w llJ4il~EA· lg9f r- li?t" J rall.....................

--.. Allegretto vivace . . · . i
~. . ~.:?.:.:. . . ~1 90J@rP.~J4
a tempo
litèttf kf (t(r 1= #hl 1

E.R. 1153
38

Moderato
~---~ ~ ---
54· IM ~si. J. 1rt-==r· 1J. J. J. w-----r· 1r= Pr i?q, lr- r· E"

llW>3~ IJ. J. r·lii pn p'/"I Jl H I('i ID ìL p7't Jl 'l'ì Ir--.---r;r I~ I

~~ tfFQ· l@fi#· l@Jw Y ~- 51'1' UE1ff E§(fr· I

2'b ., ~I r l .,~, lbg"r ·1(--'[" tCr lbg"r·llB 11 1 ?r· 11 ., fifl

m~ i IJP?° 11 ,(ifìd1trflli.1.,ayD.,@''lrrrrrn4 Vl;i=l

I ·~ ~~~-
~:' r EErw1~14Q!Qd- 1@ IJ ;eJ ;f3J ~IJ· 'l?~
- ~

~ Allegretto

55. ,~BiJR @r· I@~. IL" rI1i]Fl(=pnllBl!!JPr I

-m#b c::tr f.'5JJ. IJ. JjJJ]J JJJ] IJ J.11 r· Cr ~IP r ~J r· I

lii# rFUf r"r PIERO J JJv:lhlH. W IL g r· ~

~H~~ ., g:!FE sccfr P1f1rrrf" IE 1t Hff f 1r· Errrr[r· I

F..R. 11!\l\
 39

Allegro

56 . :, .·"1~12
, ~· 1 ~· 1... ·
>
lq~· l;J7?I1rGr1tfJ.l"'!

~\i. 'f). H1~1-· r i-· :.. i-· r· i-· •l· IJ. * \' r-i ~ ir- i 2 r * ~i

>
~··>
N'i.\ ro r DE µrQ itqµf r f"mf f" r Ir- f" r ,rr· r· l~J=J. J.ag1
1"~'· :lqJ:J JJJ m wir ur c:Lt r· Ir ~ r vr Dr pIt__)hn * ìtJ=I
,,,...---..~. ~· g~ ~~·· ~· ~
~ ~ Uccit rwr tJ=i~ttaJf
I b
r 1
r 1
f hJt 11

E.R 11:;3
40

Andante

57· 11W·!f r,---.r o LJ olt) bi J"--'i1ln 114.:__) p J_.__) µI

F'1, J~t;IsiD J~Jil'l2:1 r· ere ko: r pr Iµ r f µ Cì p r r· tJ']

f v J\n gr· @ml:. 00 r cirJtrl efffprffk·

1

rall: .................................
11

E.R 1153
 41

:>=#il tp 4 !j Ji , 1 ,I , fil i' fl =~ttr f ln'r ~ 1 1 t ,

~ffi ffi SttM'f rttrffltrfttP JJ1~1f)J w. -m 1=:wn1

~ ~·
-1~#•
51 r g r r r re; !J=I E u ( trr~ r r. t-~
I v' f I

tl'## J nua1J,' 1
-..__./
t ''' cr1G 1' '1 n·li :J\" 1 Il
....____..,.
E.R.1153
42

t Prestissimo

*~
>

*
f

I~ J 'le: I ? ' I Eh 1t:t". I tb Ef 1 er I IP pr r ;i&.1

Il ) ~ F N )\2 n ,, t I ' a ., 22 e I ;;J;l ;g qSJ

1 I I I 8 I

. . . ...... -~ ;,..;,.. -~ ~

;,. . . . .;. . . . . . . . ..- *' ~ ----

 43

1
~
~

- •.: ì ' - · I- - 1=1,- ' -~ (--r±· E · L- J~- I: L'

~·r:::T E~- E
-_::; :::T• =:ci e:~- I-
b • =:;;;;d
:=::;.;±

ILC 'l _:- r n Eì ~ tu i'l ! $ Qr firr m 1e11 cc EEtt er:; 11

llB ' 'l v r· 'l ' #~ r· I'l ' ' fR #p r:5i qv r J\ r itil P 'l 'l 1~1
• • • • r:::;, ~ ~ ~----......_

lB ''l H & t:?!J éd 1t 'lf °b rMp rP tir 'l rr u u; r n 1

l!B E'p 'l àJ ' 8 ' J l11ffi3s QJ@;tbJJ? tfiP 'l J1 'l ~ I

1!t LlJ .i )iD J J .~IJ d J 'l J#J q r· llBln p EtJ UH H I

Il ~E Ei~ r Lt"ft 12 'l~J\JP ~ J J Jr r r lr r r R r r ~!' rt'1

E.R 11!\3
 Allegro marziale '§'

,, .; t JJDFh 1ei;rrc.r rcs:rrr1r1~ ' '-

ecrrcruo:u1

~
3
:i, J F:gr ulc b!rértuDJIJ1,
.!!.
QEJ r.rrw 3 '-'
'-'

·~ eu r u r Wu r I~ ' re d•HJH rm1r r r a Cibf hl= I

. ..'I._. . . ./I_. . //
..._ . //
_. . . !i .::!,

B S _S i// Il 3 Il 3 11""91

E.R . 1153
 41'>

'lF ;s -1~ ~--= hnJjL[9 u Jj IA::; J JJ I

. #i#
llB# • tt

. rtçr:;c;1c
~
tf41 .

E.R.. 1153
46
Larghetto=--

62. iwt
~
Gu-3,
~
1fC$f'f'
~

u=w·

lE r 1

1,
9:1,

~?
~ a.

l!B

I~

' Jf-= ~' Il

E.R 1153
 47

et :z E.R.1153
.z
E.R . 1153
 49
A~~ f
sa. i~g ,.;g?IE'J3J4:__.hlzrB]1rrQf JJQLU1, 1 $ijJSUitl1

• r· ~ L 1r· R· N lh r•MSOr;glg. m'· ;t1 "11r·{ .rJ' I

....--....
s ~k JD'in Ygcrr;;ltlfrrrfl67RM
=- ~~~~~'
1 qELJ1A~bf1t" E. rrrl
g

t ~Pgt tLJ Ir ., ~ 1, 2 r· t I~ Q LJ fìEtfiJJti[J@=ì@

18\\ , r , r , (ìkrtr1r~=UJJ.i-2errcEffi:rrftrtrrom '1

llf ltct F Qdr· r· ? l?H.. r~rrlc· E" - W-H· r1crl

m~ tflcaf111&r ff J ÙJ 111 ! 1.J!JJ SJ ÌJ 1! 1

1eb\J> t 1t ,,·#@111A~ r=fJJ101qP1r:· urrcr1a. ffiJu=1

....--....,.....--..._
Il• f?fb1B· r Crlrbf@@W 1 t zfh· ;tEIL 1 t 1~:11· r;UI

~·· r· ~ 1 tdi1JIR· r· l~IE:=-Efr

- - L---llB-1A@
- 11t 1 * 1 I-
E.R .1153
IM" O'.E l8'.il I@@ ~ It r a r r It r LJ r r I

I~
• iCiir -· lllt JJ~)yJ J 1ffitt _. lt r a~r r 1iir Mili I
~~~lii~ ~ ~
11 E:!Etr
1
• C:rur llBIJ~~ \r r r r r lt r r r r li:r&I
b:g: ~ ~ ~
IE• fJr 'I t J l J I*nJ t E IHr t ijr It Et mf C1 r: r r I

lB" f g~ J J lr µJ U r q~IF gr: tff,ar ~J @ì

,.-r@ CJ'lr J Jtrt r r lr t t a~ ulr t t t t 13 1:.w

fl'Jnti Fr1iifu 1 ~ 1 r t ff[;n r ir ........

1
t 11 1

E.R.1153
52

rs r ,ttt©? ®1~ '!}'' ~ettt:h;w1r==cr1Mlt:ttztt u1

.§,

MM E:arrrrnr· etçw1JP U
'--
!, ~, Ie * llB'·r· .rl•

E.R.. 1153
 53
Allegro vivace ~..._

68. ti'M @WJ?l@rtflll[ &f:J btF I[ Lcrtr"L11t1I

'11~· @12 ff?il® @Jl:@qt@ilrttrrE~P'r!~:l

1~ r ~tr-tr
..!;_,
r1 ll1•r ~rP'gr.tf lf:t 1~:r u· n.
- ..........
n. I

E.R. 1153
54

1\ f ; Up· t:J f 11· GE:t ·r e;$ IL" / f f ~- ! lt:· h e L·41

'w HuRcur 1.UJ~btJ<QS 1a. JJOJJJJJ 1na J J. na11

I~ d:H r f" r jF Ibi "r ft U EIr blqi:JU I! T EH f !! I

r fJ

llB

~~ ~
-1~ ))142}ijJJ rrrrl r r IJ
0

]'J h\J h')J ì - 'atlr -y:'ggFI

El''* r: E r r Ir· JJ ..g 1 n rcr C1 ;:i JJ 1r Pr pr· ~ 1J r - 1

E.R . 11'i3
 55
ESERCIZI GIORNALIERI
per la intonazione degli intervalli

Sarà bene che in questi esercizi l'Allievo si applichi costantemente tanto col solfeg_-gio quanto col voca_
lizzo; avendo cura ai eseguirli sempre lentamente e di rendersi conto deg-li intervai.li che formano o~ni
singolo esercizio.

1. '
~
11
'C
..
y
i <c::=Y 11.. ..
----------
.. lì €JJ±2jd
' •~ :=::::::;;~· Il .; =;;;;;: ~ 110-------o== ÌI Il da trasp<>rtare ;,. .futte le tonalità

,\
11w'w--1,---ti
s....,.~:----I-I---IW-J.ll~~rr-~---+-I--------ff-llB--1Jot~gg~"*'-'ttt1-----+-I-----it-llq~
' ~~~
~ ~ -6-!;TI' -e- o~~
-e- o ob-6- "<#•) o~o~ ~--L--
~-e- __o ~

~J'f-'#fl-"i'#F~rr-----------,---------r1~~@.at---~~ ecu.continuare la prolf.r~ssione

~ ~ ~ ~ __ neUe·altretonalita

E.R.. 1153
56

1. ' "'=' "$• Iz:,.. Zh> llf b Zh IG> ~ !&"i! '0• 'Q!• I
'1r . . '--e- ~-e-
Il~· ~ ~
.. I~U" ..'J±9°(~;:) 18iM .e;, 3' I

, 811 ~ 2 Zb i~• ..---~ ~ I\';:::!· 'Zi' Il~ ~ ~j I-e- Il

8·' ~ ~ ~-(&., l @k ~ ·~ ~Il•!~~

f# n"--=--9
e "~ #e (~•l 11-q~,
e # "~ ~~ 2 fio
~
0 ll•!tfi

'##t
· L ~ ~~(~.,Il E~ ~!}t9 ~<§fi' !~ !!:ES, Il ecc.continuare la progressione

o
I
''i o I qo 0
n

E.R . 1153
 57

~ . I I

~~. qo " o q.. 0 lq .. fin o lr• 9

lq.. #n 9 §u _.. l q1it#f ecc.e<mtinuare la progressione

12. ~ ~ I:e::::> Iz:.. "" .. 5 i©k ~ .. ::;•) I

jM :C5~ I R" .... ~ i~~ =c::5~ I t:!)d
' <&·> - - ~ (

ts. ~ ~ .... :;y I~.... y l~q.. .. 3Y 14 .... ~§}A

~ _y.. .. "-g:y b:o.. .. " 5 I~.. &.. "Y I~ ... .. .. .. .. .. I
0

~d\Jt "" .. " .. .. I

<t Ct
q.. .. " .. .. I O I\
.. 1'" .. .. I
· O
&
~'' .. "" .. ..

15
--- o
r2 0 .>-=liD=Jl;a .. I
(·)n-6-
a ije
~00
r
]"
e llq\Q~ ecc. contz'mtare ia progressione
-- - --

E.R.. 1153
58

o ''
ijo
'' o ''
11 a lq~~q~# ,, n"" o '' o " "' I~ ecc. cmdin1lare la progressione
Opp. O:pp.

Il& ~ ;: ll;gy : J;. Il

-J. i Opp.

W@ Eii
O:pp. Opp. ~ :!
Il ~--u--·___,_;:---U.ll~_Ò'--,,--Ì----"'-~'.L--..Ull ecc. continuare la progressione

~E~§~ll~~~f~n~1~·
lb-0:~
~~
··# ~7~4f~·~#o~ll
1, 0
tb•)R~
tt
~
~o
~ 0--
--
ecc.continuare laprogressi011e

19.' -±7 ~.. &o o . Il

., @ " 11
1131 ~... ~.. Ifiij3b1 ° "' I ecc. continuare la progressione

Il Il Il
E.R..1153
 59

SOLFEGGI CANTATI
Andante molto moderato

1.@~·i.ep@ ;a!J ·P~ 'lua 1r.'1913 w.41

@WtJ ;~I~ 'p 1tJHp; 'mtr·:r 10 l p

4~· O~® l@IJ , lqtJf lr· gplQl] I@, I

~I ~
@Vi· JJ lbijJ ' j IJ. d J JI J J , I J.- I J. I~J. d?f I
~W·i. , f CJzr ·lli IJ iì) ' ' ~€!). I J~ Il
~Allegretto ,
2. tf Q} J IJ ffl @·J J J J 113 n Jj]' I@' U' I
~ tfl/DltJPLJ,IQElJ,lffr J IJ ffl I Q J tJ
@.@--±9Y'ltY· ·~~±~_:J:IJ+r J u@ 'iw· ~
74 1JIDq IJ#J J J IJ#J
~
;i I ! IQ)J#J IJ#W '1(J JjlJ
mP

' 'R7?lr ,r (Jk r'1 r IJ l<J 'I dffr r 7ìt '{tj~ jJ

' 'f#a ÌJ - ~B - IO - lt ~ d dl@U14~ - ·-· ' f5J
~ 1J J J 1Jnffj1 1Jl1r 1r@ \1~~~---Q_J ·1w··@,1
rall. a poco a poco.................................... ,.......................... .
~ '~·
f~JIJ~ lt!)·~ IFJJ~J Il
' ' r,,

E.R..1153
@~o J w * ,w1T!TJ '@1® 1@?. SJ··?'~ ì tJ
@»hjl 1 t!J l ~J t *)-~~J.· QJ· QI
P'-r' {@ w.ID. r~·' r 1ril 1 r 10 ì r 1
ljh r3lJ.ìirf 1@10 ifllA ;fJffl··j(:··~J - 11

E.R.11fill
 Al

@W·,. ua·r
~I
l(A
f
'r~i)IJ }?lJ ~ - l:@,~I
dzni. P

4w·,. SJF* · rJl1.u J u]I32 · rl r nJIB1 #W - JPJEJ}I

@~'1, ~1TJJG 'r-CflQ t IJ$1 r ~ IpJ)ìl t l~"f?fiFJ I
raU. f.'.

{W1.
~
{ 1=~
===-
Il l~J
===--
J J I - 4 ~IJ J ~1r:n2v
p ~ ~"--.-/ ~?}
ill Il
PP=====--
E.R.115:!
62
Moderato
# leggero , , , ,

6.dff#I i.~n. J. I@
p-...____./ ••
I@/] J I@ l)J NJ1 I
~

~w iQJQJ ·1 % Jifiìfa * * 1en J ·1 5 ·1gm J ·1

I'## fl4 ~
·1en~ 1enw 11~,Ji\JIJ * 10:00.1
f~ r· IQJJ J@ I 7- li~ffi J 'IJ qlOJOJi~ lnJ.~fjJ
'-....:...--' ~ ~

,~ (!d J.9 ~ IfY1 r It:J o/~ I@fJ J I;t) I

~
ffe'# '
@D J ILJ l@lJ J IJ~ I@l @10' * Il
'

7.
Andante con moto

'l!>d·i ;ff
P.P espress.
oom '1rGE~1riJiH '1tfr1trt?? I

4~ ·i.~~·
1
r1i1tln@Q' 1f@J ID .aa w JP IrW un J filj]
?J!I' ~ ___,,

4~.~v· f rf4#n1J?J~r@ar no ,1U'®1r;irh,_1 ~ ~------

Andantino quasi adto

s.Pt}'fn 1rnro1u 1rng 11~MJ lqJJO

4-# :il5Jn41;nJ'l lfn1 ·1~ El i:im~wiu
E.R. 1153
 # 11JJ
. ~
IJ ~ . ~ .. ~··
fiJ IJ fiJ ILPJ lr n,,.JIP, r;I; I ....
'---./
1

t~# J'---"'J' 11 ?lJ/'QtjJ I, Qj l@O I~, Qd g, JJ!j I

espress. - -
1 '
@»# QJJJ)dQ)JJ$J IH J,J IJ -aBJ~, ~dd 1UJ W
t»# ·r;TttiJ J11 i!hJ JilJ JjJ l:iJJJ J l;Jj'jqtij IJ nJ IJ@ l
'-" >- ::::--'---"' >- . ~ . . . . . . '-.J!:_/

'»tt u m 1,d m 1&E:Q 1#u a~ 1u-ti&!J 1 1~, * 1 '-.__./

E.R.1f5:1
 Adagio

10. 'g·1.~1 -/ ~1i?i· , HD i ffiD ,r~J * ~~

' ,J *i 1
I~
i. ·1;: ;J ..
~
'
tJl) .
t J JqJ I J
~
'
M
~4
l J 1 t =i J4 ._ ;J I;J
"'--"
J J. -- JI

fl.1? J tJ/l qJ J. E__LJ;aJJ J 6frW 'i.(fJJ-:. · , f±l

j~·i.~ 1 Jlii I-p"~ ' t!df)
7
l 'lMi) t i2#1@Jh- 'FI
'g·1Fft * ff ijr H· \f1 a?J IEB» 'I f"~ J aJ a J]
@Wv 4 n EJ I- .. t1ì .. ~G29 q ----=---------
-----====---- Jj I J '/?F'l
~ 1.t* ,R2F:
li1r?i.
~
ì
@ )[J
e22: , J f9 ,tz7~ I .. .. ~~r.- Il
~#Andante moderato , ,

u.f!Jpt~J GJ Q}pQllJ) {!J Q!n~I

,~A 1 ·.i:zi J Q±HUJUf ®UD tJTri n 1J 75J i =Il
~ mf f

1/#ef-OJ q;1uiJW?J ·,tèJ :nua.JfrlD 'qw &o ~ erese.

, () @ iQD oc~ •ffii<J q((#'S o 11@ id lriQJ id I

1
f

1•# {Ehl l#@qJ * - t~Dtfùl I @5C:9

@f pw.'~lPwJ/fAUUìsJ ..OtlfJJJJ:mW~GJJ &1
1

@#fJ Qj Q!d?tlafr:Jfj J J I ..~J ì - I 121

Il
.:J:_ !, Alleg~ , ~ l ,

12.@lil·ir I r:· I ;J. ii· l&n@.Q_J l@,qtJ ì I

E.R.1153
 65

fh rw 1fiì 't~J i '&'@i iJ

l@'.@81J·
"1· ~J '6J;i fiD '1~ 'W fil
f~1.=r i ~Jll Ji!j)'f J E 4ifiÌfr .,tfild è:!W @'q@!J * * I
'Q1, t jfiiJD 11 ~JD 1t Qd}JJ 1 r l§Lf I* t ~@ I

fW1, 11 l[D?J lt ~JJJl~€V·~@r

motto cresc.
* 1~F
f
I r· I .EJr· I

{ih.
~ i 1f111F11J111w*1rn nhtKU W-BD 1 'Jll~
-----T
> >

4v1.Cl 9µ23 u U.l4Jj :}1? •r1t'ct9~ @nJ3 i * 11

Andante reli~·g1~·os~o- : - - - - -

13. ,W.i>\t :i q
PPsempre
1:i. 'J 1J J 1:i D, 1r Ut r QJ'1[IJi
~I ~ * J ' J-E.lJj_J ' ~J_,I
@Vii"& 'ijiH I J J ILJ ' J IJ r J. illJ
'W1.~~ ~~i ~~jdA a@ ~Jl' t IjW,=1
, ,W·i.~~ lfaffif?Jfar@ w lt)]· p1fTI) Il J~· ~I
'W'1h ~68J li fy J'liJ. ~@ Q (f} '1;--LJ.D_I
'w·1·\2__!Ji_/Fff r @'r J 1;i. J r~ '1 C2tft '1

&~\~i I
~ ~ a~o ~ I o~•t1J~d
I I I ' I- o . I- T
~ Il--
E.R. 115!i
66
Andantino con moto , , .......--- ,

n. 'W·1.§pty· '1e__:_QLJ. l~r· lf ~ T!b 6.1

' '
}WJ.JOhDIJi'l
~ _,r ~~
;mu
~
IRJ
~
dlJ. J.dlJ J:JJJlr· I - - - -

{W1.
~
@nl~J
~____J__!:;
]jlJi'I 'lff:JI
'IJ~ cresc.
f§P· JJJjìi,' I
b'1. w5. j 1crr 'gJfij ,. , 1W n gJ.
~ Pespress.
lg@ ® w. 1

-~W·1. @ D ttJib J j I J , I Fl@~ '1q4QJJ11,g;w

i'all. a tempo,

1~@ia J jl J. l1J2:24J_J IQ~· I

rall. r;-..

,~. QJ l<JJ) I~ , l~l l~r· Il

Allegretto

ta. ~W·2 f ~I J ;J
Pca~
J I CD ffi-r · I JE±kJJ * * I ,~
t~'· ì J J Ij J J 1l_] ì t Ii J J]J J J I (CtrfìdJnn1

'~"JJ J JJ]J l (1] l {§~)' ,W9 4E}J * ~ l

4~'J 'i!tJ ®# * ifi11) #i] AP

'l l l {!j ;·~I
E.R.1153
 67

·4 iD IJ l 'ffPin 1 ifJin·~· ;nJlìr ì J ]

@~1·1 * W * qJJ2E * qL)} i Llr * @ * ;.t9~1

f~·0 Jd§ Jwuqe: J!9 * t!Ji,
I , ,
l JJ) qn qjJ I Ji"' Jl1 Jll
1

@~ • J.
1

p "'-___.-
IJÒJ J3 J I UiQHJ±IF=91 J JJ I JJ~I
~ '-....___/

f~ ':}n
1
t I 'I J J Jili'i:l J JltJ:JIJ t t 11 ~I

'~\gJ1®LJ * 1 1 t ., J @)J :J } I f IY-O~Ùf r cJò

----======= f

~h§J J JJ 7RL9 )2±J. I(_). JI t__3 t t 1

Andantino mosso

rn.@3 l2~-~}. '1 (J__~jJ. 'I C!JL}. '1 ~, I 1

' ajjg) · @!). @[) ·

-~
'li!!'
' 'I t!fll ' 011' W\1'.iJ' IJJn I
' tf!J· '[)l&JiP .n1 l '1 :i:;J. I J~ Jr DI r· J.@)n I

_, J.ff· llLJ iilfJJ j. l[?jin

........._.,,
IJ§ì. IU .Plf31J. 1Tun I '-----"

E.R. 1153
68

In LJ. 1t di@!!Jn 1u J?!J· 11 ,pp]1; N Jn

f fi r ~I 3-Ù 'J.Zb. J. I;. ~r· I 'lJ))n Qj I
1

, #g
D jlJ @) 'JJ3il=OJJ
- I1 ED 'JjqJ J J I 4~J
~ creso. ----

~
if!;;! I.
0 ,PJ. I J. J. Il r· I 4QJ9 ' J. I J. J. I J. J. I

@#ii €2J),, l4J I 2J· It j UJI f=-1. lt j Q] I

~ ~ ~
ii# tr ~ I tsJ J1 I Jt22LACJJJ)<22JA. i J, I tiJ' fd1 I
P semplice

E.R.11!;:l
 69
Allegretto ~

18.:f~ ,~ pflll tl!i@J o'èJ· lì ~7J1 1 wj}Jirv n l

~ti 51(· lì J'!J Jjl~6fl=<J.
ere~
11 § ~IJ~j@ì

f 111Jrpnf- I?' g~,!JJ. ~'ldI ~I

j» JJ 'JiiqLJ !fE 8 f1 , D hil , D 'té , Qi i I1 1 1 ~ 1# I
.:::::::::==:====~-..:=. pp

&ti
~
,9,ù11bfJ
~
.,nl111JJ, n1gQJ1J.#Ji1
19 #.__,, 1~ #d~
1 IJ~ 11 I
~ ?'

f JQ @l@)n 1Qu$f r p lffJ Jlitl,, n I

Jti D n DI D '1 l , ''nfJ EJJ 'nLJÙJI LJJJ lnt_§l#'H hl

cres~ f

__, (_jJ 'tQ: J J l#D. It ~v I tQ:;rl@w j Iijr. I

_ztt
~
j fl,
P~
n
9
1~ #iL,-
n 't D9 1..r-~. ,, -ITT,
1
n ILf:l\Jl ILLI
~ ~ #~ '--/

f.:J§. IQ.
'----"'
IJ. J ~I
·~ .
'---"
J i1n#f;JJIAf:J
~
JSI @) 1
1* ,J
_:::::---

Andantino ,

rn.4w·2 J. J. r· Ir· J. J. I J. Q!;ilJ]l I J.]. r· I r r-7&1

J ·G./JU
61
Ji1 O. lii w. IJ 11 ·, tP. J.11 ]J. 'u® hJlà
=======-- m,P

E.R. 115:!
70

Allegretto moderato

21~ ppEEF w fil 14{58 @JjJ.

'*~, ~ ~µFEili[) 1 @ rn 1.~;i1411
4* :gps HQJ.' r?J15JJ;aJ Jilhn I €J).':in. nI t_J
~ - ........___,,, 11!1'

~- ~ ' ' '

E.R. 11!i:l
 71

4ti ;i,, Qifn .;;~ Jg/a w. =:i

1 1 Ji,, gt
cresc.
n m1
~- .@WildIRP~, ~id· ICJiOI CJ I POlµ_J. I
i#
i J. J', I MQ UJ I €JP, 1-J.jJnJ.jJ
'----' PP #~ ~
I9 1
, IJ.t2J
JJn:J.jJ I
'---=/

I J.• @·fiJ. ILJlnl@@@1c:$lnlU]l1@l~Jnl

~ti 4§1® W Iln 3· 1l FCTf1 n IJ.JJ JJJ l#J ~n IQ U) I

.....___...., ....__...... ~

'ti #t__)j , I00 W luL} 1 j IJJ) ' @ I ffi I@ D3J F·, :tJ

'» ~iljJ~1d Ji1Q] Ip, '?Da ' ' f g~ ' , t 'i I

'» ® F.ffip n (9$ 'i, rG r<; IYfìl i , I 121

I
-i.# Andantino mosso , , , ,......_

~.r@#~ Pespress.
4:JJ. qJ. JJ. fG5l1'-.._.....-J Ju )l@J.
F
t ;fil
~
J JlJ. J )I

4»tt #pù'oP~· )W·1J.1J.JJ. '@1 0 jj)1

4ttii ;n. i ,JO· qJ.IJ. ·~c?J#tJ JlJ i1,D. i}ffif ~r §'I
~ttB '($nt JifiJqJ)l@iu )lg;J J\l jllotJBt JiJjjjì
P creso.poco a poco

'!tt 'Fa,,, ti-1r-..-=--F-~Qj-f-i@J}· 'jJf r ~r· 1J. '@il

P~olce
~~ , , rall.
72
&I, Andante moderato

,a. ~~"!ef------
J. JiJJ.}· IJ. J;Jl. nJ. IJ J. J;J ••r:r:i lr N_:__,ll'l
~ ~=-~~------
1 I

~ Allegro molto moderato ,

2a.iA~f 1~
JU. JJJ1J)lf]J.
~
UIJ'.__::lUJ~=i1J'-'JIJgnfjl
'

fA ·50·ntn1c1. &1@wuJYICJ 1 ~0ì

~ Qr?Ph a1E· · w1iLR~- qfJ p

~ V W Au •M ahr n1IF· i 'J?i~;.1,u. J.Fìf· 'f®pi1

p p

~ µi\J liJ.f9JF:· ,
p
{t\J. J. J. fT'r·, {f}\IJ. J ilJ. T$1
p

E.R. Ul'i:I
:_Jp_ -
ifJN f J iJilì JJ iJit:tf Ir lr if
e deciso
i-
Ii 1rnif'(·i?· Ir·J. Ù'' I* 41f@9 · I

'~ 1.·~· @31/1· lì~ t13· l

1
ì ; 11 ,,Ji@ffil
'~'1 fFJ. onffiJJJ I; ~ nfflnalJ, J. J. J IJ ;J:JJJ iWJA
~·~·~·p~~

-'5'!?Jo f]J)r· I* JiJ;fl &JlJ. IJ qMJ JJJ JJ I~- ~~J J@11

~~ ~~ - ~

t•T.~· tJJg}Ji;r 0 lJljffe 11 fTIJr,---r- (9 J. qJ. D. Il

E.R.115:!
74
Tempo di .i\Iinuetto , ,

25. -A1~1
~
Il: Y/OJ. ].
i§~
P.P g'ra zioso
j • IW ii
. . "--.
H=+- -=--·
.._____....
~
...
uru ' bI J il""l
. ~- ..._ ~-
=± } I
'.._./

~ J... 7Jil qi@l4}ù9q@qlr ti:fT1] :;~ QjlJ.1.;J3 131J:,H I

___,

E.R.11!;:1
fé.a. ;i~·~ 1u'* wJJ1.;ia N r ~ 1w a J 1* 1 r=1
p 1 F f iB li ì 4 PBH rt1 @Jia i i ;10Jn_J]J I
fh J t * J Ir=t&JJlj), l., Ji, J I~, Jì Ji, J I
p· 3 . . . . .
1
. .

,~#1 i~~' Jl., Qfl JJJO JJJlriJJ J Ihn I

,~1 ~Jil 1r q;iffiJ 'J7r Ir r 4J iil ·fili

lfJ F.J l#J TJ ~J. )teCn1µ9J w w IJ J nn1
'#i&
@ '---'
r· 'r l#J qJ JqJ IJqJ ; J I J J
.....___ X ---
U. J IRJ J ,J J IJqJ ~~ 11 J l
~ # >~ 3

@VJ ì l )1J l#i 1 IJ. JlJ l#J 1 J IJ i J Id tp /JJ I

'#{# )1. 1 ,,., /i'I J Id JJowJjlp'J\J'l. 1 i IJ. JJ_J. ]In~

,-:__/
JJJ 1 Jd ~ /" ~ ..._..,
. . p~ ~

l?v ew- !J :41 1, Jl., Jl11J.,,I, ~1,, i 14tiip2 ui

J. JlJ
'#{# ~ 1 lì f 1111 lì 1JJ1 lt JJJJJJJJJ I_
> > >
1
~======= ff
E.R. Ufia
F..R. lt!i:l
 77

J>> .. >> .> ~

creso .poco a poco

4w·. r:&~-rirrlF- qbUf-

3 3 ff 3
WIE - I' 1 qJibo 1al~'I
3 ~
*- l
11!f
> >

' I, a • r... Allegro vivacissimo

t~·i. 1 'I 't r@· qr Db n;p I!J @ lp n {lt.uqr·lP B ffl I

'~1. r @_J lp n~i''I 'C!!!J~nt:2_!)

4w1, Jtfltfl 1JJ&iry 1r-:=-frl'IFrti1'1 u~~ w J 12 JJ.ti5l

~~. J aaJ aa1* a~ ;·~çsr.çg2iifH!l1·~Di!fJ?JP'·~r1

. '21 l]I I]' ~

,~,;e @n l@d}JI/Q@ I~; ; J1 I;@ t r jqtj @ I

PPsoherzoso

4IJ
~~.
J JJ I;'l, , i1
.
I J. 11~ t t lg/)-~~~
JO I±JJ J J J IJ)j i i1
·--===
I
~

Ji,J U ICJ tl ljJ jJ IW. P. IJ@ t r IO! .tfJ I ffl ~J I

E.R.11!\:\
78

~I ~ gj r~
&'1,
Più mossoryi
~ n J1
.
l~J ;) I J5
.
....., r2'
fJ lit .n lf) @I .i-"J l!_JA
rT1 :::Z-, '::21 _

'b\ ,a ~ a 1'§a r· 1li' lli Jlli e±Y,Jmq•\1 li, R?;1

f '"---"
1
'-/
1
'---" '---"
-J_ '21 12'
2j/b?p 'l ~ t #lit )l ~lt ~ l #lt ~l ·VìltJ tt I rn ttJ I

~~1, ~ n g. Il 'li- Il , g. I{ l I { I Q· I EJ). l l Il

ff
E.R..11!HI
 COLLEZIONE E. R.
CLASSICA E DIDATTICA

OPERE TEORETICHE

E.R. 2500 BAs. Trottato di jonna nuuico/e lcomplrto). E.R. 1802 Il Bauo e lo melodia. Raccolta di sluch lroric·u·pralici
E.R. 2503 Bnuo7.. Grande trattato di strumentazione e di orr.ht:slro· sulla loro armoni1.zv.iontt, ad u~o df'i Consrnatori
:ione tPaniual. Parte I e drp;li Istituti mu•icali parelll!••ti
E.R. 2504 Parie li E.R. 1513 150 Canti per lo studio dell'ormoniz:az1onr della me·
/odia
E.R. 2505 Parie lii
E.R. 1509 Couo d'armonia per 1/i alunni di 51rumenl• e di conio
E.R. 2442 Boi. A. Il nuouo Bona. Metodo rapido per la divisione
eIllustrazione ai e 150 lla.si • drllo slr&SO Autore>
IZanonl lin chiavr di violino}
E.R. 1512 Nuova raccolta di studi per lo 1111dio delfarnionia
E.R. 2443 (in chi..e di basSol
E.R. 1515 100 Nuovi ba.si .srnia num~ri
E.R. 2097 D•cct. Trattato teorico·pratico di lt:ttura e diuisione mu·
E.R. 2091 Nuouiuima rarrolta di Boui senza numeri
.<ira/e I Lauari l. Parie I
E.R. 2226 Pozzou. Bazsi e canti dati per lo studio dell'ormonia !Dal
E.R. 2098 Parte li e Mrtodo d'armonia >I
E.R. 2099 Parie 111 E.R. 2071 Couo fari/e di •olfe11JÌ0. Parte I
E.R. 2100 Parte IV E.R. 2072 Parte Il
E.R. liSl DEUcHl. Lr:ion• di solfeuio. I CorllO. Voi. I E.R. 921 Il libro dei rompili per la scuoio di teoria e solfe11JÌ0.
E.R. 1752 Voi. Il Fase. I
E.R. 1753 Il CorllO. Voi. I E.R. 922 Fase. Il
E.R. 1754 Voi. Il E.R. 923 Fase. Ili
E.R. 1755 Ili Corso. Voi. I E.R. 1099 Guida teorico·prauca pt:r finse1namento del dettalo
E.R. 1756 Voi. li mtuicalt:. Parti I e li: Nozioni generali e drttalo
E.R. 1950 Solft:Hi 1·antati · lJettati · Trazporto ritmico
E.R. 2013 33 Lezioni d'armonio thas•i r cantil E.R. 1100 Parti lii • VI: '"ll•lo melodico • drllato armonico
E.R. 1577 DE NARDIN. Corsa teoriro·pratico di armonia. Parte I E.R. 2225 Metodo d'armonia
E.R. 1578 Parte Il E.R. 1909 Solfe11JÌ cantati
E.R. 1579 Parte III E.R. 2428 Solfe11JÌ cantali a 2 uod, facili e pro1reuiui pt:r l'uso
E.ft. 1580 Parte IV: Mrlodie " haS&i trmatici per il cono prin· dei Consetuulori e delfli lstìluti Ma,i•lra/i
ci pale E.R. 1089 Solfe11i cantali ron ac·rompapamenlo di pianoforte
E.R. 1586 Parlimen,; Idei Marelri: Cotumacci. Ourante, Fena· I Corso
roli, U-0, Manei, Platania, Sala. Scarlatti, Trillo, E.R._1090 App<>ndicf' al I Cor.n
Zingarelli I E.R .. 1091 li Cono
E.K. 1601 DE SA'<CTIS. La polifonia nel/'arle moderna. Voi. I: Trai· E.R . 1151 Solfe11i parlati e rantoli. I CorBO
tato di armonia E.R. 1152 Appt>ndicr al I CorBO
E.R. 1602 Voi. Il : Appendice al lrallalo di armonia E.R. ll53 li Cof50
E.R. 1603 Voi. lii: Trattalo di contrappunto e fuga E.R. 1154 lii Cor.a
E.R. 2265 Fum-MDllONI. '4110/isi di concerti per pianoforte e orche11ra E.R. 1306 App<>ndicP al Ili CorSo
E.R. 2149 Ct:NnLucc1. Trattato di IHria con riferimenti slorici e or· E.R. 2235 Sol/e1p parlati e rantoli per lo e Scuola di ranlo •
manici dei Seminari
E.R. 2441 GENTILUCCl·LAZZAlll·MICHELI. 3Q Solfeui parlali in chiaue E.R. 1093 Sunlo di teoria mu•icale. I Curoo
di •ol E.R. 1095 Il Cono
E.R. 2411 Gua1Tos1. Eserdzi preliminari, pt:r la pratica delle chiaL'i E.R. 1097 lii CorllO
di uiolino e bauo rol si•temo della chiave unico in do E.R. 2227 Su11to di teoria musirale in /orma dìalo1ata. I CorBO
E.R. 2256 L.uu111, Solfe11JÌ ran101i E.R. 2228 Il Cor110
E.R. 1646 LoNi;o AcH. 32 Lezioni praliche sulfarmoniz:uuione del E.R. 2229 lii CorBO
canto dato E.R. 1497 RosA. 20 Solfe111fi parlati dil/irill
E.R. 1961 NA..OLI. Baui • Melodie · Temi, per lo studio della· com· E.R. 1604 SETACCIOLI. Nou ~d appunti al e Trallato d'armonia• d1
posizùine. Libro I Dr Sancii•
E.R. 1962 Libro 11
E.R. 2448 TtssoNt. Metodo elemt:ntare di armonia tArmonia com·
E.R. 1510 PEDRON . Armonie d'ecreiione plemenlare I. Ad ubO dri Const"rvalori !>lu1icali go·
E.R. 1511 ISO Baui pt:r lo .<ludio de/farmonia complementare vernativi rd l•lituti pareggiali per l'f'8&1nr di licenza
1·on 01/JÌunli SO Nuoui bani di e Cultura muoicalr generale >
 ........
...t:
~