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SOLFEGGI

PARLATI E CANTATI
2° Corso

RICORDI
E. R. 1153
Ettore Pozzoli (1873-1957)

SOLFEGGI PARLATI E CANTATI


II CORSO

SOLFEGGI PAR.LATI

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ll~b~ ij - lr· :ll:frrrrr1trttetlijigii'1-il


n ~f@t1 lbr:S+lifti f'···· ~ ~

11 ~1,
1
na, 1'ftrrrrcrfì01I1rff!am1@I 1n ttr·:t1
1

rJ &ECCfllaiSfibìilti]h I l"~Mfl-Wt!p liJìgfft IL" I


gifd·b
aM, qJ3qHtJ 1Jg3J.3u 1ç::95tQiqf1sf t 1qffè#ff g& I
ll l'tk
1
:zfrè1ffètR1qgi] IJ- II :zffliilI p'3J\ldjliJ1gJ II Aia
--11n+-b~ ,....--~ ;,. e ;,_ e ,(f- ~ ,_ ~ ~.,.• .,. ~. ~ ~-----..
JW~'!, t1 r
. . . .
e [J
ErrIrE çr I Iii ifWbr Ir5ç LP EPa j I[ rr f D IV çjr

111M, 5tf[tffet&tu1ir .1fffFrU1@b 1@-U ir- =I

:llB E ì r ì IE ì r ì 1ffr r E fF7t l l r ì r t IJ ì r ì I r@f@iM


l B pj} ì IE ì r ì IE ì r ì I61 "r IH E ì IE ì "r ì IE l qr B
l B E ì i.r ì I E l r #[ IfbPr
11
E IFfi?~ J 14@ J IJ,___) ì =I
Andantino

so. lii.:•1'B ..~. @- ffit ì Eì rì I @


0 ffì
E.R..1153
21

lb)-~ ffrr 1?1 * ,., rr~ mi\ ~w iJ i h 1.sm1

llB_,,b-.. FfQ l@:Jl.JìlJìJdtlrtrìPI'~


l~L_) 1 tq Jur i Ir ì e*r ì 1«= r eI" tF% t!r t r 1 Ir t r f r t 1r tq et~r *1
~
I s Il
f .i. . t . i--r---i·--·re t
&~)? opr;, .nea.......... j..
mi fa
rì r t Ir ì r ì f ì lil. I~ t rI
----------
0
• I

it_,,b-.. r~ ÉiìÌ t r t r t I~:i 1:==~ ~ 1..-:~@

Andante mosso
-~~----

a1. :rt croua1u=--= r 148' ID1rfW1ltf--J€4dYY 1


ti EJ1i.t.~fl1aOO· n~JOOJJJg.M I

?! nnarmobthW~@i@IJ.W1grtLl6 ®1®-1bibfflrl

tl 6EiiGtùifù1W;:mt1Efic1t 1~0 m
tl -tn1 t1f1Bfjm n flf!~iP; ;01J JOJ nJJ':l fi
1 1

21·-r J anr r arr1r r wo 1c:uu oucta


?~ ~rtJn:rJ GU;R:r cu nu e; 51 n 1 1 1

·i-Cfttf:.mtrtrr±tJ!km~n :JJO Jla 10 tJ tir 1u E1 r ì 1


E.R .1153
22
l\loderato ~

a2. tHI P 1é1l ~ lffr· ttp 1t ttp o IF=D n ~ 1éli1Y PI

:n éfr· ttlt?&'Qfi"r btlff 2 pl@b<U]'EJ!l{J d 1ii3J t:mJI


:n EN 2 JJISJ. JilJJWJJ. Jili0181@"1IQ 2 r~l6iri
:n 1N 1.,-&uarct1r .. il 1@2 "tr, ~2 12 cr2 tttf'Y Qf lefFJ 1
~
9=• r ì lbJtp{ZCfJ~;l§F~ ICfr?QV'QI'f---~
lkl!fTW I
,,._ ctrJt!CQYjtkf/ffff lbtfar&rtlttr6iftff I
fl'I JIE& 1~Q!iz?y IQd lì ì r~lr t tih
9=• J J i 1 I'· ~ r.. ·~ Ir ' :fu[) J J ~ nJ r fj r r D I
:>=• - Et- J j
---
~ID •• ~·:;r ·~!I#EJ;J(#I
r r DIE:t •·~· - • -~~1·t1
#~~g~g~
·q

:H r'tr rr ii 1
r; Er FEJ
1 00 lt2Jh l:S#lflJ~J'ZJ IJl3=P3~1AA
~ ~
t>=• n?#E -
__JZ Q]ilJgtJ4f! Er E ,,. ; V~ j j DIr ì B
r§' r r ~ IF. Il
f.'\

E.R . 1153
23

Rigo per la voce di Basso} formato da cinque sottolinee.


tfo~!-~ -~ndante fil0~0 ~
Li11 r :.dellaChia\'e ..
'! .
I.sottol .i·i :~-~i"i~i::::.::::.::::::::::::::::::::::::::::::::::::.~_~-i;::::::::h: ~ r~== ~I., . z
5' ~ ~~r I
111 •• otto1.i'v." ~~-ii.~i:::::::::::·:.::.'..~::,·,::::::::: :::;;_;L~&i:~~7~~-t:F===-.-5::;::E~~--~::i:-~"I~~~c=~l:;;a=-i::-El==:j.
v.• ottol.-n/············ -

i~~~ ~~~

E.R 1153
~ ~ É~ ~
a5. tht Jfir
Allegro moderato

t ì JEI E ì ì llffeY w-t ~lf1EJ U#J

:>=~ tt~rcr r:_; 11Qtfij3 ~lnJ r~ \RIJ t ì ~E ì ì ~


th -r ì l jffìr· btFQ16JJJJv ., Jll;PJJJ JJ 1µ0 J I

:h .ant.aJ011J r JJJ nJ µIJ So Q&#clt r•r n


m Qice lì gl r!E fEigrlr ettr r fJr: gPttrn 1

t!Ft ij?3 ì lì ftjJ ì lì f-i-t lì f) lì tJEFTr Il JfEP I

Zh t gf c 11 1/ , ,,e II il, )l 1.,nJifffgfìct E7tJq9d


II 1l~lifjtr F1/ n 1•
2 2
th • • • lt J JnJ lì n R#LJ
2=~ ., tfr uu IÌiJJ ì i3'1r t ì 2J1r pifl!fi_i
ì ì

2=~ Rì~,, ~ 1ugfU eu luc:f a r 1Elr ~@ 16! 6 81


2'~ (À ar 1f:r f:rt- blu fr && 1a wg lJ J3 l4 ~
;J r]

2'~ -r f ~a ;rrhl - 1- ì ' ii I 0 ! I 1 t - Il


""-.._Y
E.R.. 1153
25

36.
Andante
tH1!'~t - i enw o o I
a -
G Ci It:L r f S' rr u I
t>=Wv~ Or 1 Cf [Erfl(J ('p t ~~Pr r @tJJOJ 'l @~I
. 1-C,. ~~ ~
Y=lft$ tJQQC/lct n- 6ì ti rqv E pN±'.:§SlifJ~iJJqJqfi I

ZN\h ~J. Q~l~LJ l I@ E E] l@ffr ~F I@ E' ;!O I


~ ~ -~ ~~
@r P r Plt:J tc:IPJ Id r Utr ·r lu r tnr 1
,,-... lb ,,---..
t>=w'h~~ 11

tN1h r i .,. grrr1f .,. Qffrf1b., e.,~ z P10 'l P'/~ #3 lr r i I

7J'W1.~~ r~L1(;1E~Cf r;;lr· 1,.tJJ:l leq., i r QL'~Lìl


tN1h e ~E'.1u1c==r C!Elf lllr ;w ;.s I:iJJ lp w rw~1
9=~~1.\ LU d'UilJJ I., pz;Jh Pz 1511 r:ZCJtP z I' f) n jij z I
w·,.~~ , ®, 'q~ @q@ ~'tt o~L11
,,---..

Sl=~ 1 1,~~ ~, ft;[cm~ z f" Hrrflp., n rerrrntr E f~stccr1

t>'~\$ r:; Ftcuf1)j lcI;J qf] 1J J l jqd r oI


..----::~~~ ~
2!ili.~~ c,rft t;;Ce 16 r-- ~cr 1r - 1Q JJ&> ·. 1r I 1
E.R..1153
26 SOLFEGGI A RIGO ALTERNATO

Rigo per la voce di Contl'alto e Mezzo-Soprano


Andantino semplice

37. I~#! $p_ g'IFfù~' l{f g1[Ei)qglffùl@J

iN ~ lij 7 1~1Jf! 1f&n' 1pfil 1rfm 1l g 1

i l {Gt 1fRì IO'bJJ~JH lfl 'llMF gr lr6@ iJ


I~# ff tr 1DH qglQ 1filr 1r· o 1rlf r bi i
ili' cnr~Ì11~~·71f~~ 1Afj1 &-1
j§• nlr[ Lf) , 1Jf2 Cf 1r fit~ lii~ 10 I
fii 1 i

Il~# 6AJ 1(1 l BBD E Dffl E ~ IÌia g ldJJJ J 'Il


1

Rigo per la voce di Contralto, Mezzo-Soprano e Soprano


Allegretto

38. l!J'V'! fi' l jJ-i' l 16]iE tlìf" lit) Z l 10 Il


JM ~]r mlf)zt 1fJn 1a@uilm1Qd
1~ fl n 1Jfd ffit i l B IJ) 1qJ IQ z#J 121Effr- Ir J lll
JM 0 ,1r If12r 111 EfiilMG If] n~~ lqO 't 14 n 'fl 1

m'1· 1 i lllllf) ~ l#Y i ì 14 i z~ITTA 1aB Eì 1@


Ì ! aI
E.R.: 1153
27

Bs"• q~ 1i 1 gr l~@p d 1r4 H 1@tfiJ 1 Il

m Uiir111r:ff r ft1E1r1ffir1Yr1r:· 11r 1·1J i

39.

=IBQ~L!tJlfil rg;1E}"r §'IQ~ y,6@1ta1;;0S~D@J ~~


=i:- -. ~ ~
~~kSJP=8i.§J lli) IJ\ ~ I~ @ Ifffi r 5i 1"c_; ~E E1 I

-m" Th@ r~:t rlt r 6t: 1 1qdE CIUf!OIcY1fl

E.R..1153
28

Rigo per la voce di Contralto, Mezzo-Soprano, Soprano, Canto e Tenore.

Ea ffi IL ' dif Cr f]" 1t t r


Moderato

11i. 1 1·~~~ J l [ l
~ ~
1R h r ~r l!P J 1f1QFa1r 72Eff@iOt r gr #r
1
i rI

E.R. 1158
2H

Il"~~ f1b F=pF~lr ;@r(EflU r rTr1r qr- ll1r~µ t-;-·H'""91


11 1 ·~~ e i r r ffl * ffi atID ' , J 1r1D r:~ F-r-~ 1r i tu 1
1
'~ ·1. iJ 1U?l'LW1P J lrijr3pQlr @fE&lr7)F}ffàl 7

~ ~~
1~w, r !B;&[fffl@fflffl1e ~2~JqWU!f1Ppr i i JlifWill r I

IE1h @H q;p ' r Ir"1fr dfh r I(Dr i ' ur Ifiit i lldi;J iJ I


111h r§rcrrrcrr#tt:qE( 1 FIPc ~rw ~rmfr3r r J w 111 J 1 .. 1

JR~ ®: I l\R! J IFf§if I lfjì J IJ. ~JlJ. JiJ. ,J)j L J *. mI e. ~ I:. Il


Rigo per la voce di Baritono e Tenore

r ltff 1 p'#'11 o Iar, ti2f


l Allegretto l ~ ~

42. !J= 'I , p, J1, ~ l#t], Wl#EJ' j' F[r Ir i I


mi. 1ia!,fF11rJ 1'lp2§p;p1Q 11p;Bµ2pif]?- l;p'/Jl2p 1
~ ~~ ;
v=''tEJ-;c:tFllfirEf!IC llRlz~z!piPl#gr PllltJr PIL r?=I
/"""" ,--.,

9:" z p zip i p ltf r· pl#abr- p 1r9r l!z p y§p zp iC)a

111, i p!#~ zp1rq ?•I'/ pzip zo1rffl I' cat1IA11dizJlzll1


~

I" #fil z J JJ IBEf i w 1N ?= 1z r Dr p1r r 11 z E~r P1

li. rC Id 'l~P 'I Pv•I z~ ' t§ IzfU zq~ Ir· l E IJ · !'."I 7· I


E.R. 1153
30

Rigo per la voce di Baritono, Tenore, Contralto Mezzo-Soprano e Soprano


Moderato energico
>~

~. t):ii#I E#LJ' r E! Ir 6f]flt7F?Fìf lttSfi1 r l I~ IF*E? F E! I

IE~# 18t3r @#JJ 19 l;l=lr?&-r IDr J r3r dfITTì l


tHii# rr i1~1@E}#r ùJt r ti(r1[ff#rr.r1tO i ~=I
!H11tt
------a--
@ J gJ) ttJ ~JUJ Eff} g I@} i miJ 1DnJ xn I

11#• 7 tt~ tor @. g i ---r 1 tJ•I f:i# @ ~r qfìr ·~ ci@


!J='i!ll -, #r tfiID éJJQ;J ll8JZJO: t±VOJ#~;gt§ffE E rI
~~~ ~~~~
.9.J# r i - 1ns r a l&fP dfl1r U' Lli l@efF qgl

:mttu• oa tU 1& W 1rr a 1"'lr 11E!ff t::t~1


~~rli@WF"lrfl!tffJEi* ~ CTf c•rttrr:rr~IA i 1
Rigo per la voce di Basso, Baritono e Tenore

1mn 1y=rwa1t=th?=rtiìa 1 n
Moderato ,,.........._ _
44. !}=t s:iì'*
2= _:ilfDq 11cliiitrb 10 Hti=l@;z r lttEEfp n l

:i= jJJJ;{l2 CTt:'!O 11 Ij~JJJl,IRf


~ ....__, Ijw;J;i,
......._....,..
f l@@tf IF~~ ·~
E.R. 1Ui3
31

E (rrfp 'I t~I@) 1 1lljtlffR] ,2w•!cì i®j ~ # I

2' ~JH l@_JJ@v ln§fflJB9 iff11 PJ=I

Rigo alternato per .tutte le voci.

45. m a
Adagio _ __

rr I<ç::] rnn rr [" fr - mI"-=-E Usi

ma JiJJr u rr:}) ...- FliTf> 11...--=r rr F?r- ffl


mmrr EF - 2=1A re 1·GJ J~[ I" - 41

&in-r. JJ1na-.· 11 11~_Q 1~11~· ~n


mqr. pr F:]r hEiR tJ=1 A r EIf3J J~" 1- {fì
Il fi if · ~_Qji fifEr--niìr &2 et·'~ _,I
' ·dt'.} 2 1.. jJ t@J. JlJ.~Jtr :tE· llR •f]r #ff?'Q L#6f?W

E.R.1153
a2

E.R.11'1:1
~~ .....
- l Fffil[bCj[Hf 1r r td 10' t 'lr t JPID q ~:I
t>.J# ,. ~
..
tJ!i I 1 ~
- IMI;· ifr Ji I'·~.ii'ì·
4: ~ ;,_
il1
;,_
1r e f è
~i_:!!_
IL r
~~
per C[I
E~ • F ~~ lii ~- . . . . . :t . ~ #" .. ff . #~ .
fJB#~ t rç rI v 1] Ir ç 1 r t1f 1rIrr Frpr 1 f Ir r r r1' vr I

l#h o :t t n :t ~I ~,............___ tQ!j... ..,@ I (Cl{QJ..J13fn


J# E.------ Tìf :i :i llR fbt 1j1ij z r I [j r t>= ffi' 1 2

Andante tranquillo

4s. - FffJl 16Sf" 1r· r· 1r· r lr· r· IL;n~]


jjH~ f1Ffif" 1r.ffffil 1éGqt1151r u. JJJ ILN''I
@tt~\ p"!ii n 1u-:--p 1 1up:i 4J· 11 1V 1 az 1uffp, , 1F1tfì
Ì 1 Ì

11.•r. -r· l B 1Elffi:~l€~Ii,,1 E~·~'! i , r· Ii r· I Ì

~Hft' l Ì ftr· tn 1111 ;!\, 't Ei Ir Vr· IJìn w w tl' Iì l' ffi I
,.......--..... ~

E.R.. 11!;3
~'M-4t 1,WrfJ 1r9t" ,,1, iFr3ò 1Q· 1,qacu 1
~~
~tJ-~ ·!fs-~J )) lqJ l r p It ~Jf.l Jl I EfJ E"llRI' tf@fr I= f I

Ehi_ i 4r !p IL" 9:l@fifç- 1éfiiir 11firfr €(.lo:l'I


n ~ ~ ~ ~· ~
.wg. "I El , cl 1't r r LJ 1, c..r
't 't Lt 1t llR 1r u u Co3i 1
m· ffllip, , 1rcrurcra 1LfiiN 't ,
111rcrg@i iFfrWp , , 1

1 ~w,, r ttH"( Wi'r1f1 nlB1HHfl1it-1frrtffr/èf tr Vtifr1


lM~- f 'IQ?J. lfi@J. i@J@n1Ffi 2 d
Allegretto ~

50. t#~ , E::t'ltf±fJ ~ @? r::rcenw-ttJ 1, ~ f1


1Ì 1

t>'' 't 5iE 1 Glfi1 2 7 Gifr1~1, blfi"~Jiffe? l


F.R ll:i!l,
35

~. z ft![Y:J·HJ JJ tcai 1 Wcti 1


11 lU2imti'I

~.(WOtt;pf(-l'lr rft FJrr=p z z 1, 1~ lz qltf@


2
,

~~ 11 heiltnt qr rUl lz qr1Wifru b~

1 # ~ure-n O'd'lr~n 1C&!rbifFUt ltfhtb!O 1, D 1,gg 1


1

1# z J
-
LJ J JllR11 r n r r IV§r
rall:........................ a tempo
11J......__....uJtF 1 1µ I" ~ J=I

§j J tf1?11r orY IF ar-w IF arw lf are l f1


18 f' W--c &ne 0::-r @i~1' o z u1z GW 1r~P z11
# 1

UE oew .,
Allegretto moderato ~ Ji,.

51. m·1,ija ffl , i i ll tJi ., , i i t lkìò ., 1 *q!j

111:,\1, )ii
..__...
l ~i1n r l}i p liin F· IJi:B @ l

IE'·"~·,,1, Jin l'?=bFIP n t ~I~ n i btjr g=f ct=ID n t bJ'IC n i e'l


1, I !

l!'.R. 11fi3
36

'©>~1• r,__MKW=atr 1e ,1g 1c: 1 1 , Il Jst&rttlF g;rqr p1

ml. r Plr-;---r ~,re ~1r u


~ ,.--.....

~1!· i ~e:@eFfl8=arr 'i i

~411· l @nll :@n Il Pl't 'i Il $'nl~plR ~lit;) btlF [f btl


~1? ~- ilMJi I!ii~i ~, Jl Ih 3ffl IJ;JJJ] JJJ 1.~n l EJ=bJ' if z~E 1 Q' I
•--:---1*"

-HilfMCFIÉzgj,!m@jc.Jf 1f f qfb,1Cf icPEiH1 rl


WM, t'i7Stt If(tim Ir~EJ Ir. 11 rft pI F---m:m •J7 l ;Il

•·
~xi~ 6ttr 1
IR;r r ib l@J)n l~ld .SJ eS' r 1J IH r 4%r I
q~ ~r1rr!Hrrr€ 0 ILSJ @r 1fPJft!r 1n1rf~1
..
-IN E &LV ~· ~
E 'i ' 111 ret rr ar 1EbfF r IBJ .o Jflc E r r u 1!1
4\B~56: r @r 1§0 J r:· 1J DJ eSJt Q:q Yi mli ' ftf fl 77

. ~ --- . ---~--- . --- --


ts#Pw r r ;=t IC UOOO l3if "E o--r IL bf F!fflr lf=afr qC bff I ~

~ ~ ~ g~· 1*"~ ~- ... ~ ~~ ·- e.-·


mtt rHFr r!j lt.U [iJ' l RI r TE Cd r IF a.
1
1 li IÈ
--1/D
3lh IF"
w --- _....
m1%# EErrf j E: j f 1r rrf E· rrf 1o 7 2 i ,9=1 r·r r i 7 1 J. oJ* 7 ~
E.R 115~
37
Andantino mosso quasi allegretto

53. 2=•#1 vtfrffW 1ittrf#f1~11Jttr' ' 1JMtft°1~ lvijèéttMf tt[ l


yy

1~D~ fltttt&ttttf411Jrf rV 1vPPJ 'I, pi i


Più lento (in 6 movimenti)
1i i 1PPJ lv)JjJji YJ # ~
-i-## ~----~ ~--~~--.. y. "
@t 'ljJJJJJ. IJl2'i ;llllH'qif &ffr1vrfrf U-Frf 1t>Erzr1
" -: ~ - , .-:----,, . ,. - -. . . . _ re~---------. ~
IMHff r: n u ! 11d EP [e fc f ltt§E[rf fr fr F 1ir:J= ==14
~

im~a f vi '111ceFrrpcrqrfìrq~rrrf!rf r9fìPrErflc 9frP


11H• 1qtm:P· v=I 9tfr[ Q1ff I;· ~ti@@ 1'·1~&G!gl r· Il 11.•~q~

Allegretto (in 2 movimenti)

11 »A· 1t?l 1tlr va ifir ;El•1un· 1#arr· 1


El=•dr.--r;cP:f 1UO 'ml~~-) ,ti 1•.0.S· 111•n a 11r1· 1
i§ r!t#F rF 1s:rt ~ 1® i I@ i , lirfrfrW' ' I
1 1

~*@ ì1JJJ3,JP' l1jJ


#
J1p1 ' IYjjjJhJOJJOlllv#J#Jl•gr#r'f1ì~I
I. Tempo .-. -. ~~

-m# ~-r~#crf 1rer#Ei~j11#f;/[rf f f r 11 cfrf f Jr I' u f C1 I


'"h## Ei;; WIM1' PJJPP ,, PJJpjJ
q ~. ~ Più tranquillo -=-
liqJlr r ftr 1
,......,,

1#1 1~ r i pr 1:i= 1 w llJ4il~EA· lg9f r- li?t" J rall.....................


--.. Allegretto vivace . . · . i
~. . ~.:?.:.:. . . ~1 90J@rP.~J4
a tempo
litèttf kf (t(r 1= #hl 1

E.R. 1153
38

Moderato
~---~ ~ ---
54· IM ~si. J. 1rt-==r· 1J. J. J. w-----r· 1r= Pr i?q, lr- r· E"

llW>3~ IJ. J. r·lii pn p'/"I Jl H I('i ID ìL p7't Jl 'l'ì Ir--.---r;r I~ I

~~ tfFQ· l@fi#· l@Jw Y ~- 51'1' UE1ff E§(fr· I

2'b ., ~I r l .,~, lbg"r ·1(--'[" tCr lbg"r·llB 11 1 ?r· 11 ., fifl

m~ i IJP?° 11 ,(ifìd1trflli.1.,ayD.,@''lrrrrrn4 Vl;i=l


I ·~ ~~~-
~:' r EErw1~14Q!Qd- 1@ IJ ;eJ ;f3J ~IJ· 'l?~
- ~

~ Allegretto

55. ,~BiJR @r· I@~. IL" rI1i]Fl(=pnllBl!!JPr I

-m#b c::tr f.'5JJ. IJ. JjJJ]J JJJ] IJ J.11 r· Cr ~IP r ~J r· I

lii# rFUf r"r PIERO J JJv:lhlH. W IL g r· ~

~H~~ ., g:!FE sccfr P1f1rrrf" IE 1t Hff f 1r· Errrr[r· I

F..R. 11!\l\
39

Allegro

56 . :, .·"1~12
, ~· 1 ~· 1... ·
>
lq~· l;J7?I1rGr1tfJ.l"'!

~\i. 'f). H1~1-· r i-· :.. i-· r· i-· •l· IJ. * \' r-i ~ ir- i 2 r * ~i

>
~··>
N'i.\ ro r DE µrQ itqµf r f"mf f" r Ir- f" r ,rr· r· l~J=J. J.ag1
1"~'· :lqJ:J JJJ m wir ur c:Lt r· Ir ~ r vr Dr pIt__)hn * ìtJ=I
,,,...---..~. ~· g~ ~~·· ~· ~
~ ~ Uccit rwr tJ=i~ttaJf
I b
r 1
r 1
f hJt 11

E.R 11:;3
40

Andante

57· 11W·!f r,---.r o LJ olt) bi J"--'i1ln 114.:__) p J_.__) µI

F'1, J~t;IsiD J~Jil'l2:1 r· ere ko: r pr Iµ r f µ Cì p r r· tJ']

f v J\n gr· @ml:. 00 r cirJtrl efffprffk·


1

rall: .................................
11

E.R 1153
41

:>=#il tp 4 !j Ji , 1 ,I , fil i' fl =~ttr f ln'r ~ 1 1 t ,

~ffi ffi SttM'f rttrffltrfttP JJ1~1f)J w. -m 1=:wn1


~ ~·
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51 r g r r r re; !J=I E u ( trr~ r r. t-~
I v' f I

tl'## J nua1J,' 1
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t ''' cr1G 1' '1 n·li :J\" 1 Il
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E.R.1153
42

t Prestissimo

*~
>

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f

I~ J 'le: I ? ' I Eh 1t:t". I tb Ef 1 er I IP pr r ;i&.1

Il ) ~ F N )\2 n ,, t I ' a ., 22 e I ;;J;l ;g qSJ


1 I I I 8 I

. . . ...... -~ ;,..;,.. -~ ~

;,. . . . .;. . . . . . . . ..- *' ~ ----


43

1
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~

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b • =:;;;;d
:=::;.;±

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llB ' 'l v r· 'l ' #~ r· I'l ' ' fR #p r:5i qv r J\ r itil P 'l 'l 1~1
• • • • r:::;, ~ ~ ~----......_

lB ''l H & t:?!J éd 1t 'lf °b rMp rP tir 'l rr u u; r n 1

l!B E'p 'l àJ ' 8 ' J l11ffi3s QJ@;tbJJ? tfiP 'l J1 'l ~ I

1!t LlJ .i )iD J J .~IJ d J 'l J#J q r· llBln p EtJ UH H I

Il ~E Ei~ r Lt"ft 12 'l~J\JP ~ J J Jr r r lr r r R r r ~!' rt'1

E.R 11!\3
Allegro marziale '§'

,, .; t JJDFh 1ei;rrc.r rcs:rrr1r1~ ' '-


ecrrcruo:u1

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3
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. ..'I._. . . ./I_. . //
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B S _S i// Il 3 Il 3 11""91

E.R . 1153
41'>

'lF ;s -1~ ~--= hnJjL[9 u Jj IA::; J JJ I

. #i#
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E.R.. 1153
46
Larghetto=--

62. iwt
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E.R 1153
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E.R . 1153
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E.R .1153
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E.R.1153
52

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E.R.. 1153
53
Allegro vivace ~..._

68. ti'M @WJ?l@rtflll[ &f:J btF I[ Lcrtr"L11t1I


'11~· @12 ff?il® @Jl:@qt@ilrttrrE~P'r!~:l

1~ r ~tr-tr
..!;_,
r1 ll1•r ~rP'gr.tf lf:t 1~:r u· n.
- ..........
n. I

E.R. 1153
54

1\ f ; Up· t:J f 11· GE:t ·r e;$ IL" / f f ~- ! lt:· h e L·41

'w HuRcur 1.UJ~btJ<QS 1a. JJOJJJJJ 1na J J. na11


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r fJ

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0

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El''* r: E r r Ir· JJ ..g 1 n rcr C1 ;:i JJ 1r Pr pr· ~ 1J r - 1

E.R . 11'i3
55
ESERCIZI GIORNALIERI
per la intonazione degli intervalli

Sarà bene che in questi esercizi l'Allievo si applichi costantemente tanto col solfeg_-gio quanto col voca_
lizzo; avendo cura ai eseguirli sempre lentamente e di rendersi conto deg-li intervai.li che formano o~ni
singolo esercizio.

1. '
~
11
'C
..
y
i <c::=Y 11.. ..
----------
.. lì €JJ±2jd
' •~ :=::::::;;~· Il .; =;;;;;: ~ 110-------o== ÌI Il da trasp<>rtare ;,. .futte le tonalità

,\
11w'w--1,---ti
s....,.~:----I-I---IW-J.ll~~rr-~---+-I--------ff-llB--1Jot~gg~"*'-'ttt1-----+-I-----it-llq~
' ~~~
~ ~ -6-!;TI' -e- o~~
-e- o ob-6- "<#•) o~o~ ~--L--
~-e- __o ~

~J'f-'#fl-"i'#F~rr-----------,---------r1~~@.at---~~ ecu.continuare la prolf.r~ssione


~ ~ ~ ~ __ neUe·altretonalita

E.R.. 1153
56

1. ' "'=' "$• Iz:,.. Zh> llf b Zh IG> ~ !&"i! '0• 'Q!• I
'1r . . '--e- ~-e-
Il~· ~ ~
.. I~U" ..'J±9°(~;:) 18iM .e;, 3' I

, 811 ~ 2 Zb i~• ..---~ ~ I\';:::!· 'Zi' Il~ ~ ~j I-e- Il

8·' ~ ~ ~-(&., l @k ~ ·~ ~Il•!~~


f# n"--=--9
e "~ #e (~•l 11-q~,
e # "~ ~~ 2 fio
~
0 ll•!tfi

'##t
· L ~ ~~(~.,Il E~ ~!}t9 ~<§fi' !~ !!:ES, Il ecc.continuare la progressione

o
I
''i o I qo 0
n

E.R . 1153
57

~ . I I

~~. qo " o q.. 0 lq .. fin o lr• 9


lq.. #n 9 §u _.. l q1it#f ecc.e<mtinuare la progressione

12. ~ ~ I:e::::> Iz:.. "" .. 5 i©k ~ .. ::;•) I


jM :C5~ I R" .... ~ i~~ =c::5~ I t:!)d
' <&·> - - ~ (

ts. ~ ~ .... :;y I~.... y l~q.. .. 3Y 14 .... ~§}A


~ _y.. .. "-g:y b:o.. .. " 5 I~.. &.. "Y I~ ... .. .. .. .. .. I
0

~d\Jt "" .. " .. .. I


<t Ct
q.. .. " .. .. I O I\
.. 1'" .. .. I
· O
&
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15
--- o
r2 0 .>-=liD=Jl;a .. I
(·)n-6-
a ije
~00
r
]"
e llq\Q~ ecc. contz'mtare ia progressione
-- - --

E.R.. 1153
58

o ''
ijo
'' o ''
11 a lq~~q~# ,, n"" o '' o " "' I~ ecc. cmdin1lare la progressione
Opp. O:pp.

Il& ~ ;: ll;gy : J;. Il


-J. i Opp.

W@ Eii
O:pp. Opp. ~ :!
Il ~--u--·___,_;:---U.ll~_Ò'--,,--Ì----"'-~'.L--..Ull ecc. continuare la progressione

~E~§~ll~~~f~n~1~·
lb-0:~
~~
··# ~7~4f~·~#o~ll
1, 0
tb•)R~
tt
~
~o
~ 0--
--
ecc.continuare laprogressi011e

19.' -±7 ~.. &o o . Il

., @ " 11
1131 ~... ~.. Ifiij3b1 ° "' I ecc. continuare la progressione

Il Il Il
E.R..1153
59

SOLFEGGI CANTATI
Andante molto moderato

1.@~·i.ep@ ;a!J ·P~ 'lua 1r.'1913 w.41


@WtJ ;~I~ 'p 1tJHp; 'mtr·:r 10 l p

4~· O~® l@IJ , lqtJf lr· gplQl] I@, I


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E.R..1153
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Al

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E.R.115:!
62
Moderato
# leggero , , , ,

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p-...____./ ••
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~

~w iQJQJ ·1 % Jifiìfa * * 1en J ·1 5 ·1gm J ·1


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f~ r· IQJJ J@ I 7- li~ffi J 'IJ qlOJOJi~ lnJ.~fjJ
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ffe'# '
@D J ILJ l@lJ J IJ~ I@l @10' * Il
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'l!>d·i ;ff
P.P espress.
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4~ ·i.~~·
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?J!I' ~ ___,,

4~.~v· f rf4#n1J?J~r@ar no ,1U'®1r;irh,_1 ~ ~------

Andantino quasi adto

s.Pt}'fn 1rnro1u 1rng 11~MJ lqJJO


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E.R. 1153
# 11JJ
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espress. - -
1 '
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t»# ·r;TttiJ J11 i!hJ JilJ JjJ l:iJJJ J l;Jj'jqtij IJ nJ IJ@ l
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E.R.1f5:1
Adagio

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u.f!Jpt~J GJ Q}pQllJ) {!J Q!n~I


,~A 1 ·.i:zi J Q±HUJUf ®UD tJTri n 1J 75J i =Il
~ mf f

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1
f

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1

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Il
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E.R.1153
65

fh rw 1fiì 't~J i '&'@i iJ


l@'.@81J·
"1· ~J '6J;i fiD '1~ 'W fil
f~1.=r i ~Jll Ji!j)'f J E 4ifiÌfr .,tfild è:!W @'q@!J * * I
'Q1, t jfiiJD 11 ~JD 1t Qd}JJ 1 r l§Lf I* t ~@ I

fW1, 11 l[D?J lt ~JJJl~€V·~@r


motto cresc.
* 1~F
f
I r· I .EJr· I

{ih.
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-----T
> >

4v1.Cl 9µ23 u U.l4Jj :}1? •r1t'ct9~ @nJ3 i * 11


Andante reli~·g1~·os~o- : - - - - -

13. ,W.i>\t :i q
PPsempre
1:i. 'J 1J J 1:i D, 1r Ut r QJ'1[IJi
~I ~ * J ' J-E.lJj_J ' ~J_,I
@Vii"& 'ijiH I J J ILJ ' J IJ r J. illJ
'W1.~~ ~~i ~~jdA a@ ~Jl' t IjW,=1
, ,W·i.~~ lfaffif?Jfar@ w lt)]· p1fTI) Il J~· ~I
'W'1h ~68J li fy J'liJ. ~@ Q (f} '1;--LJ.D_I
'w·1·\2__!Ji_/Fff r @'r J 1;i. J r~ '1 C2tft '1

&~\~i I
~ ~ a~o ~ I o~•t1J~d
I I I ' I- o . I- T
~ Il--
E.R. 115!i
66
Andantino con moto , , .......--- ,

n. 'W·1.§pty· '1e__:_QLJ. l~r· lf ~ T!b 6.1


' '
}WJ.JOhDIJi'l
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;mu
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dlJ. J.dlJ J:JJJlr· I - - - -

{W1.
~
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]jlJi'I 'lff:JI
'IJ~ cresc.
f§P· JJJjìi,' I
b'1. w5. j 1crr 'gJfij ,. , 1W n gJ.
~ Pespress.
lg@ ® w. 1

-~W·1. @ D ttJib J j I J , I Fl@~ '1q4QJJ11,g;w


i'all. a tempo,

1~@ia J jl J. l1J2:24J_J IQ~· I

rall. r;-..

,~. QJ l<JJ) I~ , l~l l~r· Il


Allegretto

ta. ~W·2 f ~I J ;J
Pca~
J I CD ffi-r · I JE±kJJ * * I ,~
t~'· ì J J Ij J J 1l_] ì t Ii J J]J J J I (CtrfìdJnn1

'~"JJ J JJ]J l (1] l {§~)' ,W9 4E}J * ~ l

4~'J 'i!tJ ®# * ifi11) #i] AP


'l l l {!j ;·~I
E.R.1153
67

·4 iD IJ l 'ffPin 1 ifJin·~· ;nJlìr ì J ]

@~1·1 * W * qJJ2E * qL)} i Llr * @ * ;.t9~1


f~·0 Jd§ Jwuqe: J!9 * t!Ji,
I , ,
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1

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1

p "'-___.-
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~ '-....___/

f~ ':}n
1
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----======= f

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Andantino mosso

rn.@3 l2~-~}. '1 (J__~jJ. 'I C!JL}. '1 ~, I 1

' ajjg) · @!). @[) ·


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_, J.ff· llLJ iilfJJ j. l[?jin


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E.R. 1153
68

In LJ. 1t di@!!Jn 1u J?!J· 11 ,pp]1; N Jn


f fi r ~I 3-Ù 'J.Zb. J. I;. ~r· I 'lJ))n Qj I
1

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ii# tr ~ I tsJ J1 I Jt22LACJJJ)<22JA. i J, I tiJ' fd1 I
P semplice

E.R.11!;:l
69
Allegretto ~

18.:f~ ,~ pflll tl!i@J o'èJ· lì ~7J1 1 wj}Jirv n l


~ti 51(· lì J'!J Jjl~6fl=<J.
ere~
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f 111Jrpnf- I?' g~,!JJ. ~'ldI ~I


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cres~ f

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rn.4w·2 J. J. r· Ir· J. J. I J. Q!;ilJ]l I J.]. r· I r r-7&1


J ·G./JU
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Ji1 O. lii w. IJ 11 ·, tP. J.11 ]J. 'u® hJlà
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E.R. 115:!
70

Allegretto moderato

21~ ppEEF w fil 14{58 @JjJ.


'*~, ~ ~µFEili[) 1 @ rn 1.~;i1411
4* :gps HQJ.' r?J15JJ;aJ Jilhn I €J).':in. nI t_J
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E.R. 11!i:l
71

4ti ;i,, Qifn .;;~ Jg/a w. =:i


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'» ® F.ffip n (9$ 'i, rG r<; IYfìl i , I 121


I
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E.R..11!HI
COLLEZIONE E. R.
CLASSICA E DIDATTICA

OPERE TEORETICHE

E.R. 2500 BAs. Trottato di jonna nuuico/e lcomplrto). E.R. 1802 Il Bauo e lo melodia. Raccolta di sluch lroric·u·pralici
E.R. 2503 Bnuo7.. Grande trattato di strumentazione e di orr.ht:slro· sulla loro armoni1.zv.iontt, ad u~o df'i Consrnatori
:ione tPaniual. Parte I e drp;li Istituti mu•icali parelll!••ti
E.R. 2504 Parie li E.R. 1513 150 Canti per lo studio dell'ormoniz:az1onr della me·
/odia
E.R. 2505 Parie lii
E.R. 1509 Couo d'armonia per 1/i alunni di 51rumenl• e di conio
E.R. 2442 Boi. A. Il nuouo Bona. Metodo rapido per la divisione
eIllustrazione ai e 150 lla.si • drllo slr&SO Autore>
IZanonl lin chiavr di violino}
E.R. 1512 Nuova raccolta di studi per lo 1111dio delfarnionia
E.R. 2443 (in chi..e di basSol
E.R. 1515 100 Nuovi ba.si .srnia num~ri
E.R. 2097 D•cct. Trattato teorico·pratico di lt:ttura e diuisione mu·
E.R. 2091 Nuouiuima rarrolta di Boui senza numeri
.<ira/e I Lauari l. Parie I
E.R. 2226 Pozzou. Bazsi e canti dati per lo studio dell'ormonia !Dal
E.R. 2098 Parte li e Mrtodo d'armonia >I
E.R. 2099 Parie 111 E.R. 2071 Couo fari/e di •olfe11JÌ0. Parte I
E.R. 2100 Parte IV E.R. 2072 Parte Il
E.R. liSl DEUcHl. Lr:ion• di solfeuio. I CorllO. Voi. I E.R. 921 Il libro dei rompili per la scuoio di teoria e solfe11JÌ0.
E.R. 1752 Voi. Il Fase. I
E.R. 1753 Il CorllO. Voi. I E.R. 922 Fase. Il
E.R. 1754 Voi. Il E.R. 923 Fase. Ili
E.R. 1755 Ili Corso. Voi. I E.R. 1099 Guida teorico·prauca pt:r finse1namento del dettalo
E.R. 1756 Voi. li mtuicalt:. Parti I e li: Nozioni generali e drttalo
E.R. 1950 Solft:Hi 1·antati · lJettati · Trazporto ritmico
E.R. 2013 33 Lezioni d'armonio thas•i r cantil E.R. 1100 Parti lii • VI: '"ll•lo melodico • drllato armonico
E.R. 1577 DE NARDIN. Corsa teoriro·pratico di armonia. Parte I E.R. 2225 Metodo d'armonia
E.R. 1578 Parte Il E.R. 1909 Solfe11JÌ cantati
E.R. 1579 Parte III E.R. 2428 Solfe11JÌ cantali a 2 uod, facili e pro1reuiui pt:r l'uso
E.ft. 1580 Parte IV: Mrlodie " haS&i trmatici per il cono prin· dei Consetuulori e delfli lstìluti Ma,i•lra/i
ci pale E.R. 1089 Solfe11i cantali ron ac·rompapamenlo di pianoforte
E.R. 1586 Parlimen,; Idei Marelri: Cotumacci. Ourante, Fena· I Corso
roli, U-0, Manei, Platania, Sala. Scarlatti, Trillo, E.R._1090 App<>ndicf' al I Cor.n
Zingarelli I E.R .. 1091 li Cono
E.K. 1601 DE SA'<CTIS. La polifonia nel/'arle moderna. Voi. I: Trai· E.R . 1151 Solfe11i parlati e rantoli. I CorBO
tato di armonia E.R. 1152 Appt>ndicr al I CorBO
E.R. 1602 Voi. Il : Appendice al lrallalo di armonia E.R. ll53 li Cof50
E.R. 1603 Voi. lii: Trattalo di contrappunto e fuga E.R. 1154 lii Cor.a
E.R. 2265 Fum-MDllONI. '4110/isi di concerti per pianoforte e orche11ra E.R. 1306 App<>ndicP al Ili CorSo
E.R. 2149 Ct:NnLucc1. Trattato di IHria con riferimenti slorici e or· E.R. 2235 Sol/e1p parlati e rantoli per lo e Scuola di ranlo •
manici dei Seminari
E.R. 2441 GENTILUCCl·LAZZAlll·MICHELI. 3Q Solfeui parlali in chiaue E.R. 1093 Sunlo di teoria mu•icale. I Curoo
di •ol E.R. 1095 Il Cono
E.R. 2411 Gua1Tos1. Eserdzi preliminari, pt:r la pratica delle chiaL'i E.R. 1097 lii CorllO
di uiolino e bauo rol si•temo della chiave unico in do E.R. 2227 Su11to di teoria musirale in /orma dìalo1ata. I CorBO
E.R. 2256 L.uu111, Solfe11JÌ ran101i E.R. 2228 Il Cor110
E.R. 1646 LoNi;o AcH. 32 Lezioni praliche sulfarmoniz:uuione del E.R. 2229 lii CorBO
canto dato E.R. 1497 RosA. 20 Solfe111fi parlati dil/irill
E.R. 1961 NA..OLI. Baui • Melodie · Temi, per lo studio della· com· E.R. 1604 SETACCIOLI. Nou ~d appunti al e Trallato d'armonia• d1
posizùine. Libro I Dr Sancii•
E.R. 1962 Libro 11
E.R. 2448 TtssoNt. Metodo elemt:ntare di armonia tArmonia com·
E.R. 1510 PEDRON . Armonie d'ecreiione plemenlare I. Ad ubO dri Const"rvalori !>lu1icali go·
E.R. 1511 ISO Baui pt:r lo .<ludio de/farmonia complementare vernativi rd l•lituti pareggiali per l'f'8&1nr di licenza
1·on 01/JÌunli SO Nuoui bani di e Cultura muoicalr generale >
........
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