TOCCATA

"alla fantasía"

para Bandoneón solo

opus 5

(1974)

Rodolfo Daluisio
(* 1952)
2 TOCCATA
"alla fantasía"
para Bandoneón solo - opus 5 (1974)
Rodolfo Daluisio
Allegro brioso (* 1952)
A
         
 
               

              

p
f
     
   

 
sostenuto

   
                       
4
 
p
                              
sfz

   

        
C
       
  
6
           
        
                            


          A    A 
     C 
8
  
              
                                    
      

        
   
              
10
                
ff
                                


TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio

 A 3
         
C
       

12
         
   

sfz mf

    
                                  

15      
cresc. . .
    C
     
    

   
 
  
    
          

 
17 A   C          
C  )

C A
 
A
 
(
  
 
      
     
f f

 
  


        
   
marcatiss...
  
A
           
21
          
       
f  
 
   
       
           

    ()
C
23 
    C     
A
             
     
      
             
         
 

   
A
           
       
    
25
          


   

                 
              

TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio

 C A    C

27   
4
           
         
         
      
      
   

           
   
29 A
      
                 

f
               

   
    
rit . . .
31
     

C
          
( )
   
    
ff f
       
      
  

a Tpo.
33
A         
   
          
 
mf
         
      
       

            
A
                 
35 C

 
 
  

f risoluto
   
           
       
       

38
  A
C
     
      
          
      
ff f mf
       

    
   
    
TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio
     
5
    
             
41 C

        

  
            
     
        
           
        
A 
 A  
  C
44
    
     
     
ff
   
f risoluto mf
  
       
 

 C
   A   
47
           
         
6 3
     
7

poco rit .. .  

a Tpo.
50 A ( x=x ma meno mosso )

C
                
 
mf sciolto, non stacc.
       
ff
    
        
 

53 C  A C 
           
  
   
   

56 A C  A
       
   
     
         
 

TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio

6
59 C  A C
   
A

         
 
  
f

      

62 C
   A C    
      
  3
     
mf


          

65
A C  A
      

    
   
       
  

C    A
C
)

68 (
        
      
 
   
  
     
    
 

  
marcato e non rit . . . C
71 A
      
  
              

           
  
      
  

C C
       
A
         
73 A
      
           
        
  

TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio

      
C rit . . . 7
75 A  A

          
      
         
        
 
 

  C  
C

distesso A
77 C
 A

              

 p

ff
 
rall . . . molto
        

        
 
 
  
  C
A C Lentissimo
80
     
 
( )A
  
         
p  
       
mf   
pp

   
 


Allegro con brio

84 A   
  

          
f         f
  
         
  


sostenuto
  
                         
86
  
p
                              
sfz mf

   

               
C
   
88
           
  
                                
f

  

TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio

8
A
           A
      C 
90
 
            
                              
        

       C 
  
                 
92
          
ff
                            


stringendo e marcatiss.
  C
      
A
     
C

A

A 
     
94
   
         
 

  
sfz ff
      
  
 

    
 
 

TOCCATA "alla Fantasía" para Bandoneón solo - opus 5 (1974) - R. Daluisio