KETRON AUDYA ARRANGEMENTS COLLECTION

by
Jack Cannon
(abaco62)

EL BIMBO

Sheet-Music
Style
and
Instrument Settings

www.jackcannon.altervista.org
KETRON AUDYA ARRANGEMENTS COLLECTION

by
Jack Cannon
(abaco62)

EL BIMBO

Sheet-Music
Style
and
Instrument Settings

www.jackcannon.altervista.org
 NOTE IMPORTANTI

Tutti i brani di questa collana sono concepiti per tastiere a 76 tasti con accompagnamento incorporato.
Non è possibile eseguirli su tastiere con estensione minore.

Le sigle C1, G5, C4, ecc. situate in prossimità di alcune note, indicano il tasto da premere. Fare
riferimento alla figura della pagina seguente.

Ad ogni brano è allegata una song-style con estensione PAT caricabile esclusivamente su Audya. Se non è
possibile convertirla per altre tastiere usare lo style suggerito ogni volta come alternativa, ignorando intro
ed end scritti sullo spartito e adeguandosi a quello che viene proposto dal proprio strumento.

Ogni brano necessita di uno o più programs (combinazione di suoni). I nomi dei programs sono
contraddistinti da un asterisco ed hanno un riferimento a piè di pagina che rimanda alla sezione
INSTRUMENT SETTINGS, dove è illustrato come crearli. Quando l’asterisco non è presente usare il
normale timbro indicato.

È assolutamente necessario suonare con la mano sinistra soltanto le note scritte espressamente sul rigo.
Premere altre note può compromettere il funzionamento corretto dello style.

I cambi di Arranger, i cambi di Timbro, i Fills e i Break vanno effettuati qualche istante prima (o dopo) di
dove sono scritti.

Nelle versioni di Audya più recenti alcuni suoni sono leggermente diversi e il risultato finale può
migliorarsi come peggiorare, secondo i gusti e le circostanze.

Salvo diverse indicazioni, tutti gli sliders dei volumi vanno tenuti sempre al massimo.

Gli interventi sulle ruote PITCH-BEND e MODULATION sono indicati con il segno .

Attivare 2ND VOICE, BASS TO LOWEST e PORTAMENTO solamente quando indicato.

Per ogni brano è opportuno crearsi una VOICE LIST per facilitare i cambi di timbro.

Salvare sempre le Registration con KEY START e HOLD attivati.

In fase di studio è consigliabile mantenere disattivato KEY START per poter suonare liberamente senza
essere disturbati dal ritmo. Se lo style in questa fase non emette suoni, significa che è privo dei timbri
LOWER. Utilizzare un altro tipo di style che li abbia.
 IMPORTANT NOTES

All the pieces of this collection are designed for 76-key keyboards with incorporated accompaniment. Can
not play them on smaller-size keyboards.

The abbreviations C1, G5, C4, etc., located close to some notes, indicate the key to be pressed. Refer to
the figure on the previous page.

Each song is accompanied by a song-style with PAT extension, that can only be uploaded on Audya. If it
is not possible to convert it for other keyboards, use the style each time suggested as alternative,
ignoring intro and end writing on the score and adapting to what is proposed by your instrument.

Each song needs one or more programs (combination of sounds). Program names are marked with an
asterisk and have a footer reference who referring to the INSTRUMENT SETTINGS section, where it is
illustrated how to create them. When the asterisk is not present use the normal voice indicated.

It is absolutely necessary to play with the left hand only the notes written expressly on the score.
Pressing other notes can jeopardize the correct functioning of the style.

Arranger changes, Voices changes, Fills and Breaks must be done a few moments before (or after) where
they are written.

In recent Audya versions some sounds are slightly different, and the final result can improve or worse,
according to tastes and circumstances.

Unless otherwise indicated, all volume sliders should always be kept at full power.

The interventions on the wheels PITCH-BEND e MODULATION are indicated by the sign .

Activate 2ND VOICE, BASS TO LOWEST and PORTAMENTO only when indicated.

For each song, a VOICE LIST should be created to facilitate voices changes.

Always save the Registration with KEY START and HOLD activated.

During the study it is advisable to keep KEY START deactivated for play freely without being disturbed by
the rhythm. If the style does not output sounds at this stage, it means that it lacks LOWER voices. Use
another type of style that has them.
 EL BIMBO music by
(Tanha Shudham Tanha) AHMAD ZAHIR (1971)

ketron audya arrangement

JACK CANNON (2011)

EL BIMBO.PAT or Disco '70 q = 115

b bbb 4 ∑ ∑ ∑ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ œ
EL BIMBO 1 *

† b 4 w
SPLIT F4
C#2

t b b b 44 C#1
b b ww ww ww ww ww ww
2nd VOICE
ON

Arr. A BREAK Arr. B

b j j
† b bbb œ . œ ˙ Œ ‰ œj œ œ œ œ œ . Jœ œ . œ œ . œ œ . œj œ . œj ˙
J

t b b b ww ww ww ww ww
bb w w
FILL

b Œ ‰ œj œ œ œ œ œ . œj ˙
† b bbb Œ ‰ œ œ œ œ œ w
j Œ ‰ œj œ œ œ œ

Œ ‰ jœ
t b b b www œ œœœ ˙ ww ww
F2

? Ó t
F#1

b b nw
BREAK C#1 w
w ww

b b b b œ . œ œ . œ œ . œj œ j j Œ ‰ œj œ . œj œ . œj ˙
† b J J . œ œ . œ ˙

t b b b ww ww ww ww w
ww
b b Aw w nw
Arr. C

b
† b b b b Œ ‰ œj œ . œj w Œ ‰œœœœœ œ. œ œ. œ œ. nœ œ œ œ œ
EL BIMBO 2 *

J J J J
3

t bb b wwww w ˙˙˙ ˙
bb ww ww A ww ˙ n ˙˙˙
* See instrument settings
FREE PROMOTION COPY - NOT FOR SALE
©jackcannon.altervista.org
2 El Bimbo

b œ œ œ œ nœ œ #œ œ œ œ nœ œ nœ œ #œ œ w
† b bbb Œ ‰ œj A œ N œ œ œ
EL BIMBO 1 *

3 3 3 3

t b b b ˙˙ ˙˙ n ˙˙˙ w wwww
b n ˙˙˙ n b www
?
bb ˙ FILL BREAK

b Œ ‰ œj œ œ œ œ œ . œj ˙ œ. œ œ. œ
† b bbb w Œ ‰ œj œ œ œ œ J J
Œ ‰ jœ œ œ ww ww w
? bb b œ œ ˙
F2

Ó t
A ww
F#1

bb
C#1 w
w ww
Arr. B

b b b œ . œj œ j Œ ‰ œj œ . œj œ . j
b . œ œ . œj ˙ Œ ‰ œj œ . œj
EL BIMBO 2 *

† b œ˙ w

t b b b ww ww ww w wwww
bb w n www ww
Arr. C

b bbb Œ ‰ œ œ œ œ œ œ. œ œ. œ œ. nœ œ œ œ œ œ œ œ œ nœ œ #œ œ
† b J J J J 3 3 3

t b b b ww ww ˙˙˙ ˙˙ ˙˙
bb Aw ˙ ˙
n˙ b n ˙˙˙

b œ œ nœ œ nœ œ #œ œ w
† b bbb Œ ‰ œj A œ N œ œ œ
w
Œ ‰ œj œ œ œ œ
3 3

t bb ˙ n ˙˙˙ w wwww
b b b ˙˙ n b www ww ww
BREAK Arr. D

* See instrument settings

FREE PROMOTION COPY - NOT FOR SALE
©jackcannon.altervista.org
 El Bimbo 3

b j œ . œ œ . œ œ . œj œ . j . j
† b bbb œ . œ ˙ Œ ‰ œj œ œ œ œ J J œ œ œ˙

t b b b ww ww ww ww ww
bb Aw w

b j
† b b b b Œ ‰ œ œ . œ œ . œj ˙
j Œ ‰ œj œ . œj Œ ‰œœœœœ
w J

t b b b ww w wwww
bb n www ww ww

b œ œ nœ œ nœ œ #œ œ
† b b b b œ . Jœ œ . Jœ œ . n œJ œ œ œ œ œ œ œ œ n œ œ # œ œ
3 3 3 3
3

t b b b ww ˙˙˙ ˙
n ˙˙˙ ˙˙
˙˙ n ˙˙˙
b b Aw ˙ b n ˙˙˙ ˙

bbb œ œ bœ œ œ œœœ œ œœœœ œœœ œ œœœœ œœœ

b
† b
3 3 3 3
3 3

t b b b b ˙˙˙ ˙˙˙ ˙˙ ˙˙˙ ww

bb n˙ ˙ ˙
n˙ ˙ w
nw

b
† b bbb œ œœœœ˙ ˙ œ nœ w w ∑

t b b ˙˙ ˙ U
bbb n ˙˙˙ wwww ww ww ww
END 2

FREE PROMOTION COPY - NOT FOR SALE

©jackcannon.altervista.org
 INSTRUMENT SETTINGS
EL BIMBO needs 2 programs

PROGRAM 1: EL BIMBO 1
PROGRAM EDIT
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
VOLUME 63 63 63
SHIFT -24 -12 +12
TUNE -- -- --
PAN >|< >|< >|<

VOICE EDIT (Harps_Octave)

ATTACK 32 RESONANCE 45
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 45
RELEASE 45 DCF OFFSET 32
LEVEL 63
LFO
VIBRATO RATE 28 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0

VOICE EDIT (Twin_Fm)

ATTACK 32 RESONANCE 32
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 32
RELEASE 37 DCF OFFSET 32
LEVEL 50
LFO
VIBRATO RATE 32 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0

VOICE EDIT (CLASSIC_CHOIR)

ATTACK 32 RESONANCE 50
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 50
RELEASE 40 DCF OFFSET 32
LEVEL 32
LFO
VIBRATO RATE 32 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0
 2nd VOICE
2nd VOICE Concert EFFECT ASSIGN CHORUS
VOLUME 63 EFFECT SEND 10
OCTAVE -- SUSTAIN ON
TUNE -- SPLIT C#3
REVERB 63
CONTROLS
PORTAMENTO Off
AFTER TOUCH Off
PITCH BEND Off
MODULATION Off
EXPRESSION Off
 EFFECT MODE
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
REV. TYPE Hangar
EFF. ASSIGN CHORUS CHORUS CHORUS
EFF. TYPE Cho: Chorus1 Echo: Mono Echo1 Dist: Overdrive1
ROTOR Off SUST. PED. ROTOR Off

EFFECT SEND
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
REVERBER 63 63 63
CHORUS 30 20 63
ECHO -- -- --
DISTORSOR -- -- --

CONTROL 1
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
RANGE C#4 F#5 C#4 F#5 C#2 F#3
VELOCITY 1 127 1 127 1 127
SUSTAIN ON ON ON
EXPR. ON ON ON

CONTROL 2
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
PORT/MONO Off Poly Off Poly Off Poly
MORPHING First First First
MODES 3 Voice Layer HARMONY Voice1
SPLIT -12 Off
AFTER/WHEELS
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
AFTER T. Pitch1 Pitch1 Off
MOD./WHA Pitch Pitch Pitch
BEND Pitch Pitch Pitch
 PROGRAM 2: EL BIMBO 2
PROGRAM EDIT
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
VOLUME 63 63 63
SHIFT -24 -12 -12
TUNE -- -- --
PAN >|< >|< >|<

VOICE EDIT (Harps_Octave)

ATTACK 32 RESONANCE 45
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 45
RELEASE 45 DCF OFFSET 32
LEVEL 63
LFO
VIBRATO RATE 28 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0

VOICE EDIT (Twin_Fm)

ATTACK 32 RESONANCE 32
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 32
RELEASE 37 DCF OFFSET 32
LEVEL 50
LFO
VIBRATO RATE 32 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0

VOICE EDIT (CLASSIC_CHOIR)

ATTACK 32 RESONANCE 50
DECAY 32 CUTOFF 32
SUSTAIN 32 DCA OFFSET 45
RELEASE 40 DCF OFFSET 32
LEVEL 63
LFO
VIBRATO RATE 32 LFO RATE 0
VIBRATO DEPTH 32 LFO TVF 0
VIBRATO DELAY 32 LFO TVA 0
 2nd VOICE
2nd VOICE Concert EFFECT ASSIGN CHORUS
VOLUME 50 EFFECT SEND 10
OCTAVE -2 SUSTAIN ON
TUNE -- SPLIT Off
REVERB 63
CONTROLS
PORTAMENTO Off
AFTER TOUCH Off
PITCH BEND Off
MODULATION Off
EXPRESSION Off
 EFFECT MODE
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
REV. TYPE Hangar
EFF. ASSIGN CHORUS CHORUS CHORUS
EFF. TYPE Cho: Chorus1 Echo: Mono Echo1 Dist: Overdrive1
ROTOR Off SUST. PED. ROTOR Off

EFFECT SEND
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
REVERBER 63 63 63
CHORUS 30 20 63
ECHO -- -- --
DISTORSOR -- -- --

CONTROL 1
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
RANGE OFF OFF OFF OFF OFF OFF
VELOCITY 1 127 1 127 1 127
SUSTAIN ON ON ON
EXPR. ON ON ON

CONTROL 2
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
PORT/MONO Off Poly Off Poly Off Poly
MORPHING First First First
MODES 3 Voice Layer HARMONY Voice1
SPLIT -12 Off
AFTER/WHEELS
VOICES Harps_Octave Twin_Fm CLASSIC_CHOIR
AFTER T. Pitch1 Pitch1 Off
MOD./WHA Pitch Pitch Pitch
BEND Pitch Pitch Pitch
KETRON AUDYA ARRANGEMENTS COLLECTION

IT – Una raccolta di brani celebri pensata per i possessori di Ketron Audya-76,

ma indirizzata anche a chi utilizza Arranger Workstation a 76 tasti di altre marche
(Yamaha Tyros5, Korg Pa3X, Roland BK-9, ecc.). Per ogni brano sono indicati i timbri
da usare, il tipo di ritmo da impiegare (style) e la sua velocità, lo split, l’altezza
corretta dei suoni, le note per gli accordi della mano sinistra, i cambi di arranger, i fill,
i break ed altre indicazioni estremamente utili. Nella sezione INSTRUMENT SETTINGS
è spiegato molto dettagliatamente come impostare lo strumento per ottenere risultati
eccellenti. Inoltre, ad ogni volume è allegata una song-style con estensione PAT
(convertibile) già predisposta e completa di intro ed end, pronta da caricare sullo
strumento, per una esecuzione da veri esperti ed un rendimento da seri professionisti.

EN – A collection of famous pieces arranged for Ketron Audya-76 owners, but

also ideal for 76-keys Arranger Workstation players of other makes (Yamaha Tyros5,
Korg Pa3X, Roland BK-9, etc.). Each song shows the voices to use, the type of rhythm
(style) and its speed, the split, the correct tone pitch, the notes for the left-hand
chords, the arranger’s changes, the fill, the break, and other extremely useful
information. In the INSTRUMENT SETTINGS section, explains in great detail how to
set the instrument to obtain excellent results. Furthermore, the score includes one
song-style (changeable) already arranged and complete with intro and end, ready to
load on the instrument, for a performance by true experts and execution by serious
professionals.

Jack Cannon

www.jackcannon.altervista.org
Euro 00,00