César

Franck

Tre Corali

Orchestrazione Matteo Helfer

Flute 1
 Flute 1

  
1. Corale I

       
  
rit. a tempo
Moderato

  
      
1–5 
Vln. I


A

        
   
rit. a tempo


10


                
 
11–14

     
18

 espress.
          
    
B

 

              
23–27

      
 
 
32

   quasi 
       
cresc.

      
    
38

39–41  dim.

            
   
C Vln. I

  
 
     
45

    
47–54

     

 
58

 
   62–64
4 Flute 1

          
   
D (appena un poco Più mosso)

 
65

 
   69–70
Solo

     
S. Sx.

    
        
E


71

 dim.  73–77

             
       
  
78

 


         
    
F


81–82  85–86 87–88

 
          


 

 
89

 90–91  93–96


               

Vln. I 1


  
G

  
97


  
Flute 1 5

  
       
rit. H Maestoso


103–105    

   
      
I

 
 
Poco animato Largo


  

112–114

   
J

 
Poco animato molto rit. a tempo

 
120

 121–124 126–134

  
             
stent.

         
a tempo


135

   
       poco animato
 
K

     
138–139  


          
rit. a tempo rit.

   
stent. a tempo


142

 dim.

     
a tempo

      
    
146

 147–148 
  
6 Flute 1

         

L
 
 
  
 

Ob. I

151–152

             
M

         
  
157

 
Cl. I

158–159


rit. a tempo

                       

Cl. I

    
   

Vln. I

165–166

     
N

  
          
S. Sx.

      
171

   174–176

             
   
Ob. I

 
        
177

 

stent.
   
               
  
a tempo

     
180


   
Flute 1 7

      
rit.


      
O

183–187  

 
            P 
a tempo

    
 
193

 più 

      
 
          

   



197

  
              
Q


rit.

 
202

 205–207

         
     
a tempo

  
Ob. I


209–212
  

  R animato


216–217 218–223
  
            
8 Flute 1

 
stent. a tempo

     

Ob. I

   
224

 cresc.  sempre cresc.

 
   a tempo   
           
         
stent.

   
  
229

    

       
      
S Maestoso

      

233

 tutta forza

         
         

239

   
      
    
T


245–246 
            
    
a tempo

  
stentatissimo

       
U

   
251

 

 
    
                   
              

         

256
 Flute 1

2. Corale II

   

Maestoso poco rit.

 
1–15

  
  
   
A a tempo

    
 
Ob. I

    
     
17 Ob. I

 21–24

 
      
rit. a tempo

    
         
 
27

  29–31 Vln. I

     
esitando appena

  
   
C

   
Ob. I

    

35

  37–40 41–42

           
      
rit.

 
44

 cresc.

D a tempo agitato

           
               
  

Vln. I

           
          
49

        

     
10 Flute 1

         
rit. a tempo

    

E

    
54–55 

                
    
poco rit.


59

     62–63

 
F Tempo I

 
    
       
  
Vln. II


   
65 Cl. I

67–73 

       
        
G

 
77

dim.  81–82



   
a tempo rit. a tempo


Ob. I

           
   
rit. Cl. I Cl. I

    
 
83

  

      
Vln. I

    
arco

 
rit. a tempo rit. a tempo

 
88

 90–93 

     
 
rit. a tempo

        

96 Cl. I

       
  
Cl. I 100–103
     
Flute 1 11


                
         
H

   
105

 

        
       
109

112–113
a tempo, tranquillo.
I

    
rit.

    
rit.


      
Vln. I gli altri


114

      

116–124
Cl. I

 
largamente, con fantasia

   
ten.
J

                
 
126 Cl. I

 128–133

   

ten. (corta)

 
  

     

 
136



Ob. I


       
137–140

   
rit.

        
144

  
un poco  dim.


Cl. I

   

Tempo I ma un poco meno lento

 
K

   
Vln. I 1

  
148–155  160–169
12 Flute 1

       
Ob. I

   

L
        
170

      

 
  174–177
E. Hn.

        
         
M

   

179

     
     

183
N

184–186 188–190

    
a tempo

 
  

un poco tratt.

     
Vln. I
O
     
    
191

192–194

 
  
P

         
Vln. I 2


 
Vln. I 1


  
199–209 213–219

            
         
 
 
220 Ob. I

   sempre cresc.



    
        
Q Un poco piu mosso

         
226


    
 
Cl. I
          R 
Flute 1 13

  
      


               
231–232

        
     
235

               
      
  
238


   
 
     
        

242

 
    

    
C Tpt. I

    
Ob. I

  
S un poco piu mosso, agitato

 
246

    
 
  
Cl. I 248–251

          
rit. Maestoso

   
T


255


     
  
       

262

  

      
 
U (Tempo I)

molto rit.


269

 270–272 274–287
 Flute 1

Quasi Allegro

  
3. Corale III
       
               

Vln. I

     


     
largamente

      

E. Hn.

 
    
    

4 Ob. I

 
    
A a tempo

          
  
B largamente
 

Vln. II

 

8

9–13   15–16

   
 
più largamente quasi Allegro

          
       
17 C Tpt. I

        
Vln. I I Solo Poco riten.


a tempo

        
D a tempo
    
rit.


22

   25–28

       
   
     
31–33
Cl. I
 dim.

 
F

  
E

   
   
Picc. Cl.

 
39

 41–47 
  
Flute 1 15

    
        
49

50–51 53–54

   
  
H

   
G
   
 

55



E. Hn.

57–62

        
 
 
 
   
66 Ob. I

67–69  cresc. 


I
            
  
poco rit. a tempo

 

Vln. I

 

75

76–78 80–82


       
Ob. I


    
     
J

 
84–85  87–88 

rit.     

    
(lunga)

           

90–92   
 

 
Cl. I

     
K Adagio
          
  

     
 
Ob. I

97–98
16 Flute 1


L
 M
 
    

102

   


103–108 109–111 S. Sx.

  
N

      
rit.

    
Vln. I

           
113


       
Cl. I

    
Vln. I I Solo

    
          
   
118

 
            
    
O


123–126 
P


a tempo
         
     

appena tratt.

 
 
130 Vln. I

        
              
  
134

 sempre cresc.
   
                        

137

    
        

139


 
      
molto rit.

      
Flute 1 17

140 
   
Q

       
 
 
        
Il doppio più veloce (Tempo I)

 
              
Ob. I

      
R

 
145



        
       S  
  
147–150

 

               
153

  
   T 
 
             
    

158 Ob. I


   
   
     
164

 

        a tempo

     
U rit.

   
170

  
        

cresc.


174

         
 
179
          
18 Flute 1

    
rit.
W


V


    
           
184–186
X quasi a tempo

 
192

         
      
rit. allargando



196