Un'aura

amorosa
from "Così fan tutte"

Lorenzo Da Ponte Wolfgang A. Mozart

  Ferrando:               
     
Adante cantabile

    


   
Un' au ra a mo ro sa del no stro te


               
      

   



        


          
              

5

 
3


so ro un dol ce ri sto ro al cor por ge

           
         
3

   
 
  
     
     


        
     

     


9

   



rà. Un' au ra a mo ro sa del no stro te


               
 
 
   
          
              
2

       
   
13

   


3
so ro un dol ce ri sto ro al cor por ge


                
     
 

  


      


        


            
  
17


rà, un dol ce ri sto

    

           
   
    
 

    
        
cresc. 

    
          
21

 



ro al cor por ge rà... al

      
  




        
  
                    
 

    
             

24


    
      
cor che nu dri to da spe me d'a


        
  
     

  
  
                             
      
         
   
3

        
  
27


3

  


        
mo re, da spe me d'a mo re, d'un e sca mi


         
      
  
 
                               
  


              
        
  
31

 


3 3
3 3 3

    
glio re bi so gno non ha, d'un e sca mi

    



 

    

      
    
cresc.

 

    
    

  3      
      
  
35




  
glio re bi so gno non ha, bi so gno non

       
     
  
     

 
 

        
 

         
 

  


  
                
     
39

  


  
                  
ha, bi so gno non ha. Un' au ra a mo ro sa del

       

    
      
          
 
        
     
4

          
   
3

 
44


3


no stro te so ro un dol ce ri sto ro al cor por ge

    
              
3

       
  
       
          
 

           
              



 
49

   


  
rà. Un' au ra a mo ro sa del no stro te so ro un

           
      
 
  

                  


                          
    

54

  


3
dol ce ri sto ro al cor por ge rà. un dol

                    
    
     
     

  
    
       


  


        
       



59

          
              
ce ri sto ro al cor po ge

               


   

       


     
cresc. 
      
     
5




      
 
63

 

      
3 3

                
rà. al cor por ge rà, al cor por ge

       

                  
         

     

 



     

               
       

67



         
rà. un dol ce ri sto ro al cor

          
      
  
   
  
      





     

    
      


72

 
    
  
   
   
por ge rà.

       
       
       
                        
cresc. 

  


     
     
                
            
76




                      


    
 