SOUND LEVELS AND THE DECIBEL 9]
Table 2-3. Reference quantities in common use.
Level in decibels Reference quantity
Acoustic
Sound pressure level in 20 micropascal
air (SPL, 48)
Power level (Lp.d8) 1 picowatt(10-12 watt)
Electric
Power level re 1 mW 10-3 watt (1 milliwatt)
Voltage level re 1 volt
Volume level, YU 10-3 watt
Acoustic Power
Table 2-4, The Greeks had a word for it.
It doosn’t take many watts of acoustic power to Prefix Symbol Multiple
produce some very loud sounds, as anyone who
tera T
lives downstairs from a dedicated audiophile 7
will leslily, We are conditioned by iegawalt “4
electrical generating plants, 350-horsepower ™€9? "
(261 kilowatt) automobile engines, and 1,500- Kile k
‘watt flatirons that eclipse the puny watt or so the milli m
hi-fi loudspeakers might radiale as acoustic micro »
power. Even though a hundred-watt amplifier pang a
may be driving the loudspeakers, loudspeaker —p4¢g >
officiency (output for a given input) is very low,
perhaps on the order of 10 percent, and head-
room must be reserved for the occasional peaks
of music. Increasing power to achieve greater results is often frustrating.
Doubling power from 1 to 2 watts is a 3-dB increase in power level (10
log 2 = 3.01), a very small increase in loudness; however, the same 3-dB
increase in level is represented by an increase in power from 100 to 200
watts or 1,000 to 2,000 watts.
‘Table 2-5 lists sound pressure and sound-pressure levels of some
common sounds. In the sound-pressure column, it is a long stretch
1012
109
106
102
10-3
10-6
10-9
10-12O2 CHAPTER TWO
Table 2-5. Some common sound-pressure levels and sound pressures.
Sound
Sound level*
pressure (decibels,
Sound Source (Pa) A-weighted)
Satumn rocket 100,000. 196
(one atmosphere)
Ram jet 2,000. 160
Propeller aircraft 200. 140
Threshold of pain 135
Riveter 20. 120
Heavy truck 2 100
Noisy office, } o2 80
Heavy traffic
Conversational speech 0.02 60
Private offive 50
Quiet residence 0.0002 40
Recording studio 20
Leaves rustling 0.0002 20
Hearing threshold, good ears at
frequency of maximum sensitivity 10
Hearing threshold, excellent
ears at frequency maximum
response 0.00002 0
* Reforonce prossure (take your pick, theso are identical):
20 micropascal (Pa)
0.00002 pascal
2x10" nowton/meter?
0.0002 dyno/em® or microbar
from 100,000 Pa (100 kPa), which is atmospheric pressure to, 0.00002
Pa (20 Pa), but this range is reduced to quite a convenient form in the
level column. The same information is present in graphical form in
Fig. 2-2.
‘Another way to generate a 194-dB sound-pressure level, besides
50 pounds of TNT 10 feet
away. Common sound waves are but tiny ripples on the steady-state
atmospheric pressure, A 194-dB sound-pressure level approaches the
alimospheric and, hence, is a ripple of the same order of magnitude as
launching a Seturn rocket, is to detonateSOUND LEVELS AND THE DECIBEL 9)
Sound-pressure Sound pressure
leveldB Pascal
Riveter 10 =
10
<—I1Pa
%
80 —
<< o1Pa
7
Noise near 60 —
freeway <— o01Pa
50
40
<— 0001Pa
20 —
Background noise 20 —
in studio <— 0.0001 Pa
10 ;— Slandard reference
proveure: 20%. 10-4 Pa
o«< 2 yPa
(Approximate
threshold of hearing)
‘An appreciation of the relative magnitude of a sound pressure of 1 Pascal can be gained
by comparison to known sounds. The standard reference pressure for sound in air is
20:Pa, which corresponds closely to the minimum audible pressure.
atmospheric pressure. The 194-dB sound pressure is an rms (root
mean square) value. A peak sound pressure 1.4 times as great would
modulate the atmospheric pressure completely.
A level is a logarithm of a ratio of two powerlike quantities. When lev
els are computed from other than power ratios, certain conventions are