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ROCT{BERG
C,tpRICE,
WIATIONS
for
Edited by
LpwTs KAPLAN
CatalogNo.
Galaxy Music
corporation a diaisiont
mfl
1.2501
fo, Daniel
Kobiallca
CAPRICtr VARIATIONS
For Solo V iol in
-
:::
bg Leu is Kaplan
GEORGE ROCHBE
F
OO
' =88-92)
-+++++++e+C+
scmnre
-lfI=-J-J
i-J
\t(simile)
(m)
4 4l
CletttteClt
LJ | | |
r'
---
C:price Variations have been recorded on Musical Heritage Society, MHS 3719.
r)
P.
, P resto
()=rzotzo)
.7"u
time
p)fl;-
"Ja
=J-t
senza rit.
!\=
A llegro
| = c.112)
= )
.f
-=
.ff
,
4
J-_+
I
a)
.\
,-
irt !
) d +qhC t o .- j
I
.)
t-t-
poco lot'gamente
con sord.1
tr
fle
t)
------
1--
<>
cOn s0rd.
9r-
senza sord.
Presto
().=ca.a+
After Beethoven
Op.7
4 Scherzo
t"ggi"rmente
.fft
cresc.
.f.
.fz
.f,
.f
.f'
cresc.
.fr,
='
rl-
Lansuid oQ.=+o)
8 uft", Schubert
Waltz
Op. 9, No. 22
B- ;;--
dolce
nz-^-:
Z' p
+
Cn
dolce
.f\rrpr-
2z^
z/h, i-n
/' p
!p
.--?
I
'-J
3':..--"
Brahms
s.f
s.f
^n
\.->I
|.-1
tf
L
A
\.4-'-r'l-l-l-l
\/n
t,L
----l
-A _
.1
a,
\:
1
=LJ
ii
a-
\/
-l
n
^
ffii
--F
-
r-
Jf-
lllr
t-J
n-[
l-
|f'
/>
10
--\O
after Brahms
Op. 35, Bk. I, No. 3
a-
tr Itr
-t4
I
eLTt
"
\-...-.. -
, -
-.
.l:
l;
ndante t.|)=oo>
after Brahms
11
t-__......-,
r,,....--r
dolciss imo
1-....
e mollo legalo
--\
2\-'---/'
--->.
l---=--L--/
1--e
1-.
I
------...-. --.'
,1----.-----/
4-
sempre simile
sempre pizz
L4^:'=:rli]"'ra;
\-=
poco
.f
l-.--
ma
espr.
.f
ma espr.
F.
,ry' t
tl .
-a
3'-e
j,= so -gol
.f
ancoro
cresc.
.f
dtt'-v:
piu tranquillo
3
-.
y.^
n2
molto
M.
[---t
rit. -
v...--_
-r
n
16
ii=ii:,":
"*oroso
l- dolce
vltf
'Jtli
N^.\
#-----:
-.---\O
poco
.f
tempo prtmo
rnf
Wco dolciss
rit. -
,-
dolciss.
lr.
r*-
I -==-PI
P:=-PP
17
Poco adagio
o
=c.4'2)
q,uasi
.f *o dolce e rnolto
espr.
t --^>
J---\
,_^_
va?.!
.fz
piu
lunga
'a
l.r----\
8_
,)>,
,-^
3?
't\r' ()=132-144)
d
-.f1,
come
,fr,
,fT,
,f<,ffz
molto {onore
,ff *olto
sonore
<.ffz
a tempo sul
ppp
flautando
free
ord. \9
8tempo
a
ord,.
free I
,f
come sopra
bdSio,
pon:
III
q
ILLt
Nai
\-ivace
)=2o8r
throughout
rhr-thm
Eract
2-7
,frYv
VV
nr
t-
7JV
Iv
.ff
f.
h?=
.fr, .fr,
.fr,
<-:
.fr,
come sopro
20
hYV
,.^t,
Ieggiero e rubalo
dolce
)-.\
leggiero e rubalo
simile
\/
Y..
poco cresc.
?,
L.. =\
f ,* grctdo espr.
piu
.f
|--
=:a
e
-e--.
piu .l'
rtgiluto
/\/
--:-a
-,-_--'
tn)lto egital0
A.--
(\
----------
un poco
sosten.
cresc. ed accel.
a'
tempo prrmo
molto rit.
,-
ranquillo
4
f+
pp
* Stop trill over l6th
ppp
dolciss
should continue
to
sound. Resume
trill on fourth
beat
-:
---ri
arco
bL
^_
* +:
^ ^ Molto espressivo
,q
(J
--
rnolto pesonte
L. H. pizz.
e cantando
c.60)
-G
--..
v.
..---.-l--.,
r;^
Andante grazioso e tranquillo
*r-,
(J=ca.58)
dolciss.
+-}..7/v
tetnpo
mosso
o2
tempo
v2
-J.
dim
p delicale
tr
r
-t--'---/
-----'
llegretto
, l.\
2=.
t:.h-xLt
mf
dolc'e
z---:
arco2.--l
.,---\
25
r3,^..
, {,/
:::::"
v
.fp
.fz
.f.
.f
rAr--
0n- -<-
.f wild, suingt
Con brio
26 (J.= so)
.ff
.fif',
^-i
,,ff,
,7,T,
TT--
27 ::_':
,^,
? dolce,
con grazia
J
?
\i_/.
=i
-\-r'
-.--.-
,
3
28
Mo
lto agitato
O =92- rOO)
s.f
333
s.f
tf
='
p cresc.
t-
cresc. molto
molto
.ip
cresc. molto
.fp
,f'
cresc. mollo
Both times
t/
.fp
p
cresc. molto
.f.
cresc. molto
i\
3-3-n
J-J
33
'fr',
.)t
.ff
appas
s i o n o t, m er,t
o-
delicate; intimate
30 -\
t '72-76)
pp
dolciss.
gairT\
N-
=-J
o12
.-i1
u.-)
'i r tr]-?
2-1
t_
dolci.s.s.
sintile
Vr--^-\
senza sord.
.Yn tt
.)
31
j,,_-\
':::::.11"*'o
JTl
t-I I---/
re s tle
pp-
'
s; rubato; threatening
J.^\
\t-
TT
ll-
.simile
-t-r
r,)
pp
pp
misterioso
<_)
brb
pi dolciss.
(q,uasi
rh
1
""oF
pi dolciss.
<->/4
--+
T?I
Iempo prtmo
_(ry)
poro
2----.
Iry
---
\/-
q,
tJt
.fp
.f,-
it,
:=
x\
,.fz
J --=-
iN
L4'
--J
-=
l=-
z-
-\\
----a
-7
1
,r,.'-=-i--- =
urco
33
-J---.-=--*
rt)
Tf'
s.fz
6 (come sopra)
rry
arco
tl
1|;-j
^'-fi
ip
.f.f,
,-i
7P
vp
mar calts
nrO
!.,--ttrl
-
tmo
--
s.fz
.fr,
-.f,
ptzz.t
-1
Qf
fr,
.f
.f con fuoco
COt
mOrCAt lSS.
===t=
pizz.
t.
|zptrill
{r ossia; senzo
ptt
tfrt,
poco
,f' =-P
flaut'
L hrtri.'
con sord.
sempre sim.
35 ij::i::norto;
fantastico
.fl
eroce
Repeat ad lib.
I almost unbearab . e
intensity and break off
unti
tAJ
a piacere
.ff
-,fz
{X
q{-\
.fr
non troppo
'
heavy bow
.fr,
o purcere
6\
lvavy
bow pressure
* )= sharp cutoff
Repeat ad lib.
O
-- = no attack
until
maximum
intensity and
break off
36
:1:i:;sereno
.t'---'"\--I-I:-
r"
\U
\--.=-
l\-=-----'l
.^
.T
I
I
<>
-
"\-/
\-'-.---l'
..f-
,/
-rv\
--=--//
legatiss tmo e do lc is s.
cr4
etf
Barcarolle
r =c.66)
\_/
.r:
tr) a tempo
bbJ
sub.
gtp
38
t;"^1^
temPo: Presto
,r--)
t\->
A,-:
V
ta't)
A,---'
l--
A-a
T
>^
t
7
t/
* The pizzicato
may be played
col legno
fu,ttuto.
39
a piacere
r
Elegiac; fantastico
r; --t: r 'z
,,
.,,,
pp
a pl&cere
rl
po*,f9P
9p
yib.
t:0r1
Sliss.
(slow uibrato)
pr,tch.
:,':o.f
tone.
1;
p--
tone.
.fr,
.t'
poch.
POC'O
r sul prtnl.
r1
L+
( c'rtmc .sopru)
=-
-pp
poco adagio
\/
V,,-......-.
ord.
lJ
.f
?1.-
v/-;-\
1..-;
t4
poco accel.
molto
espr.
hold
back
=\r=--7
,,----.
poco accel.
and,
l-
Vslow-
- _to_
_fast_
more impassioned
/1
')
2
A
-1+
t t
>''---------'
'e
,/
,-''
t')
n-
')
.f.f
fuiioso
.frrwhirling
simile
Aa
t'-....--L-
non vib.
\ ------/ ITl\-
11
1 v ---
i-i,,':.frr
J0
r \''
Robust: do
,
=Ca
.66
not rush
^,f ---.'_-.
e^
.l
V
4
t'n::'-'t-'':;
!-._
F.-
4
+
op?os- I
qT
n7.-
?r-;\
L)
sempre simile
d\
l1
rfiI
o3
il
hi+i
-+4;L
J
=
Break
con sord.
UV
'j-2,*
12
Nocturnal; slow
ord.
to
sul pont.
rl
sul pont.
ord.
tW Q,rasi echo)
pppp p
"nf=-
ord.
pp
to
sul ponl.
6\
ord.
to
sul pont.
ord.
p
*
Play
ry
tone below pitch.
gliss.
the horizontal Unes indicate approximate duration; the slanting lines indicate
Via
sord.
senza sord.
Io
+
Andantino
r)=
---e-
ca. sa )
sempre leggiero
non troppo
Tempo I "
V
--C\
sub.5t
It
't"l
Scherzo(a.=ca.6l])
after \lahler
45
P,resto
b= ca.76)
tT *,-i7 -----
rj
t:
.t'
pp
simile
sul pont.
, >,.t
bi-
sul pont.
.fr,
.f
eroce
t.
/t>,
.ffz
scnza sord.
e3211
j-
=-Tl.--
!--Y .
9-----
2-">
2z----'
+-
2.-,
urco,
.low'
47 Arabesque ; fantastico
arco
fttV
battute
,fz<
:fJ
dim.
battute
ppp
scorreaole,
fleetifi
-s
tri.dent
31,-
wco.f
dolciss. 6,
.fl.
PP
---
dolce
I rr.t1t1tr.t
6\
.fr-
eC
Very fast
erco I
a piacere
/1
y.-,,
1)
*%
V
/./ r
.w .f
Very fast
fast
o"nt
pizz. F
sub..f
espr.
Very fast
piu.f (fuu
2-
Braaura
bows)
F>
piu
cresc.
ff
fast
meno mosso
_pizz. arrg
6t-
-t.
rtp<.
r
1-
lunge
.f
.fff.
Verl'
F-
fasr
ff,
Az
49
Feroce
,/
h-fr
dim. molto
.fr,
molto lunga
dim- molto
ffi
.fr,
,ff,
---.tff
pppp
--
:----T
')---E
7-
mobo agitato
punta d'orco
L|
slow
q,uasi lunga
poco
n..\\l
Tr^
ffi
G-L
tr'-
.f. pp
.f27ry>PPP
subito adagio
laut.
V
come Prtma
Iunga
r1
)
A/--\
,tr^r\
simile
ffi/
lTf
,tr-.\
\r
,tr--_..
Ar-.
\
/
v
v
v
r
v
,tr-..
E-^z-
2fr
tl
,tr=-_.r\
.f.fr,
,tz^-.
rr--.\
v
v
\'
50
FantasY
.f.
.f,
scorreaole, f leeting
----_
|.1
=
p
.f
mo
lto
cresc.
rubato
p
lu n
t t---/
?-
r !---
''l
q?
I ----/
'--,.-
pp
sul pont.
slower
pp_p
iloutando;
lowing
stm
p.ocere rl
ca. D
hold bow up;
ttacca subito
Paganini's theme
to
inaudibi
litv
(znd time:?)
51
v-
no
P^aganini's Theme
)'--Y
ID
.fr,
AFTERWORD TO THE PERFORMER
A player choosing not to pelform the entire st.is at librty to select those sections which will add up to a
satisflng whole in musical ternrs and still iepresent the intntions of the work. In a'shortened performan version,
it is strongly wged, though, that the performer include as nany of vadations 5,18,19,33,34,35,39,41,42,45,47,
48, 49 and 50 as possible, so as to preserve a balance in the stylistic spread which is a fundamental premise of this work,
George Rochberg
(1
97 0')