Metro1 min letti
Endnotes
1 See the Glenrowan Tourist Centre website, , accessed 25 October 2019. 2 See ‘The Story of the Kelly Gang (1906)’, Memory of the World, United Nations Educational, Scientific and Cultural Organization websi
Metro14 min letti
HISTORY IS NEVER FINISHED Trauma, Revolution and Reconciliation in Peter Hegedus’ Lili
Lili (2018), the latest documentary by writer/director Peter Hegedus, begins not with new or archival footage, but with historical re-enactment. In grainy, flickering black-and-white, the film lingers on the face of a small blonde girl, eight years o
Metro9 min letti
Lust in Space TEENAGE QUEERNESS AND CONNECTION IN SAMUEL VAN GRINSVEN’S SEQUIN IN A BLUE ROOM
In September 2018, a forty-year-old Sydney man allegedly drove to the home of a thirteen-year-old boy and sexually assaulted him on the front lawn. The attacker and victim had reportedly connected on a hook-up app, exchanging photos and personal info
Metro9 min letti
SEXUAL HEALING Feminism, Porn and Self-acceptance in Morgana
Morgana (Isabel Peppard & Josie Hess, 2019) recounts the true story of a middle-aged, clinically depressed housewife who reinvents herself into an internationally award-winning auteur known as ‘Morgana Muses’. Boundary-pushing and explicit – and this
Metro2 min letti
Endnotes
1 See Mark Reddie & Jonathan Hair, ‘Sydney IT Manager Accused of Raping Schoolboy He Met on Grindr Is Granted Bail’, ABC News, 4 October 2018, , accessed 28 Oct
Metro9 min lettiIntelligence (AI) & Semantics
GHOST IN THE ALGORITHM Justin Krook’s Machine and Advancing AI
‘I think Black Mirror got it right,’ says director Justin Krook. ‘Technology is a reflection of ourselves.’1 The filmmaker is speaking at a Q&A after the world premiere of his documentary Machine at the 2019 Melbourne International Film Festival, ans
Metro8 min letti
Dawn of the Dad MASCULINITY AND MATURITY IN ABE FORSYTHE’S LITTLE MONSTERS
‘I never set out to make a zombie movie, it kind of just ended up happening,’ Little Monsters (2019) writer/director Abe Forsythe told film website Den of Geek last year, ‘but it happened in a really organic way, because it just fed into this stuff a
Metro8 min letti
EVERYBODY’S STILL KUNG-FU FIGHTING Serge Ou’s Iron Fists and Kung Fu Kicks
There is a scene in Once upon a Time … in Hollywood (Quentin Tarantino, 2019) in which Cliff Booth (Brad Pitt), an underemployed stunt performer, finds himself on the set of 1960s TV series The Green Hornet with Bruce Lee (Mike Moh). The Lee of the f
Metro2 min letti
Endnotes
1 Abe Forsythe, quoted in Matthew Schuchman, ‘Little Monsters: How Zombies Can Teach Us Kindness’, Den of Geek, 10 October 2019, , accessed 21 October 2019. 2
Metro9 min letti
Spectres Of The Past Necropolitics And Colonial Trauma In Dark Place
Dark Place (2019) is an anthology work comprised of five short films that variously represent the horrors of the Australian settler-colonial mythscape. Premiering at the 2019 Sydney Film Festival, the shorts – all made by Indigenous filmmakers – expl
Metro8 min lettiIntelligence (AI) & Semantics
Artificial Inheritance ROBOTICS AND RESPONSIBILITY IN GRANT SPUTORE’S I AM MOTHER
Let’s get this out of the way early: I Am Mother (Grant Sputore, 2019) isn’t an especially original movie. To a degree, that goes part and parcel with its chosen genre, speculative sci-fi, given the long shadow cast by its predecessors over the last
Metro9 min letti
Legacy of a Law breaker Andrew Dominik’s Chopper Turns Twenty
‘So often, in movies, violent characters are portrayed as […] supernaturally evil or there’s [… an] ideological justification for everything they do,’ suggested director Andrew Dominik prior to the release of Chopper (2000), his debut film about the
Metro1 min letti
Endnotes
1 Grant Sputore, quoted in Brad Gullickson, ‘Talking Love and Robots with the Director of I Am Mother’, Film School Rejects, 15 June 2019, , accessed 11 October 2019. 2 ibid. 3 We first see Mother
Metro32 min letti
Sons of Matthew
In March 2019, a special screening of the newly digitally restored version of Charles Chauvel’s Sons of Matthew (1949) took place at Home of the Arts (HOTA) on the Gold Coast. The event marked the seventieth anniversary of the film, much of which was
Metro9 min letti
The Lingering Melodies of Trauma
A TALE OF COMMUNAL HEALING BETWEEN TWO EMOTIONALLY WOUNDED MEN, BEN LAWRENCE’S FICTION DEBUT TAKES AN INTIMATE PREMISE AND INJECTS IT WITH LARGER-SCALE SIGNIFICANCE, TACKLING ETHICAL REPORTAGE, MASCULINITY AND MENTAL ILLNESS, AS WELL AS INTERCULTURAL
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Principal Credits
Year of release 1949 Length 107 mins Director/ Producer Charles Chauvel Associate Producer Elsa Chauvel Writers Charles Chauvel, Elsa Chauvel & Maxwell Dunn Funding and support Universal International Pictures, Greater Union Theatres & Queensland Gov
Metro9 min letti
The Price of Fish SLAVERY AND SOCIAL RESPONSIBILITY IN RODD RATHJEN’S BUOYANCY
No-one could accuse emerging Australian director Rodd Rathjen of a lack of ambition. They could, perhaps, accuse him of a little too much ambition. His soulful second short, Tau Seru (2013), depicts a young sheep-herder and his father eking out a liv
Metro10 min letti
Scope SCREEN INDUSTRY VIEWS
Once upon a time, short films were seen as the key to a successful Australian filmmaking career. Ideally, at the start of your professional trajectory, you’d make a stunningly crafted short film that would win awards locally or receive recognition in
Metro8 min letti
Hell Hath No Fury
The first production to come out of the Accelerator POD program – an initiative of Screen Canberra, Odin’s Eye Entertainment and The Film Distillery1 – The Furies (2019) is a brutal, relentlessly paced slasher-horror film. Inspired by both Richard Co
Metro8 min letti
TWISTED Sisters Invention and Isolation in Foxtel’s Lambs of God
From its opening moments, the four-part 2019 Foxtel miniseries Lambs of God feels different. With its dilapidated convent at the top of a steeply plunging cliff on an island, it presents an immediate juxtaposition – the sheer logistical scope of such
Metro9 min letti
WATCH LIST Melbourne WebFest 2019 and the Continued Rise of Web Series
With the growing prevalence of subscription video-on-demand services such as Netflix, Stan and Amazon as well as the increase in online-only content on broadcast affiliates like ABC iview, what characterises a ‘web series’ remains up for grabs. For t
Metro8 min letti
SMOKE AND MIRRORS Midi Z’s Nina Wu and the Cinema of Self-reflection
‘They don’t just want to take my body. They want to take my soul!’ An actress (played by Wu Ke-Xi) finally lands her breakout role after a series of false starts and insubstantial ‘extra’ parts. But there’s a catch. She must submit to full-frontal nu
Metro10 min letti
FINDING HOME IN A DAYDREAM Shahrbanoo Sadat’s The Orphanage and Afghan Storytelling
Shahrbanoo Sadat was born in Tehran in 1990, but she’s not Iranian. For the first eleven years of her life, she had no official national identity. The child of Afghan immigrants – who’d left Afghanistan after it was invaded by Soviet troops in 1979 –
Metro2 min letti
Metro
Managing Editor Peter Tapp editor@atom.org.au Editor Adolfo Aranjuez metro@atom.org.au Subeditor David Heslin Contributing Editors Liz Giuffre, Dan Golding, Rochelle Siemienowicz Art Director Pascale van Breugel Sales & Online Services Manager Z
Metro9 min lettiWorld
BIRTH CONTROL Nanfu Wang and Jialing Zhang’s One Child Nation
The personal often sits at the centre of the political. In One Child Nation (Nanfu Wang & Jialing Zhang, 2019), the Sundance US Grand Jury Prize–winning documentary that takes a skewering look at China’s state-introduced one-child policy, this sentim
Metro9 min letti
The Pen Is Mightier the than Gun JUSTIN KURZEL’S TRUE HISTORY OF THE KELLY GANG AND PUNK HISTORIOGRAPHY
As anyone who frequents film festivals of any scale can attest, there’s a near-ritualistic approach to scheduling as one maps out the sequence of movies one hopes to see. Running times, venue locations, care factors – all come together in an often mu
Metro8 min letti
A RACE TO THE GOAL Adam Goodes’ Story in The Final Quarter and The Australian Dream
The final act of the sporting career of Adnyamathanha and Narungga Australian Football League (AFL) player Adam Goodes served as a focal point for a … well, the polite term would be ‘discussion’ about racism – not just on the footy oval, but in Austr
Metro9 min letti
NOT KIDDING AROUND Australian–Asian Children’s Television Co-productions
Australia has consistently produced high-quality screen content for children, with some of the country’s best television series – from Skippy the Bush Kangaroo, which aired from 1968 to 1970, to today’s Bluey1 – having been broadcast, and now streame
Metro11 min letti
KILLING THE HOST Class and Complacency in Bong Joon-ho’s Parasite
It is, perhaps, atypical of a Palme d’Or–winning film that among its most resonant images is one of a young woman sitting despondently on a toilet, staring at her phone, as sewage spews out of it like a cursed Willy Wonka contraption. Such is the ear
Metro13 min lettiWorld
Chosen Land
SOME OF WORLD CINEMA’S MOST CELEBRATED FILMMAKERS HAVE TUMULTUOUS TIES WITH THEIR HOMELANDS, AND ISRAEL’S NADAV LAPID – WHO HAS MADE THREE FEATURES TO DATE, INCLUDING 2019 GOLDEN BEAR WINNER SYNONYMS – IS NO DIFFERENT. IN CONVERSATION WITH THE WRITER
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