Aperture4 min letti
“I’m not looking for the outer coating,” says the New York photographer Rosalind Fox Solomon. “I want a few moments when we stare into one another, exchanging our histories and feelings in a glance.” Across Solomon’s work, from Poland to South Africa
Aperture2 min letti
Object Lessons
For Frederick Kiesler, modernity was all about space-time theory and rubber curtains. In 1933, when the Austro-Hungarian-born architect installed a model for his Space House at the Modernage Furniture Company in New York, he hoped to create “an organ
Aperture2 min letti
House & Home
In 1835, William Henry Fox Talbot used his new invention to make a photographic image of his own residence, Lacock Abbey, in England, proclaiming it to be “the first instance on record, of a house having painted its own portrait.” Since then, through
Aperture12 min letti
David Adjaye
In the course of the nearly thirty years of his practice, Sir David Adjaye’s projects have been realized on five continents. They include cultural and historical landmarks—such as the National Museum of African American History and Culture, in Washin
Aperture3 min letti
Robert Adams
To find beauty where others see only emptiness, or junk: that might be one of the artist’s greatest gifts. To bring clear eyes to what the rest of us overlook, and never forget that the same light that shines on the postcard sites of our vacations sh
Aperture3 min letti
Ed Panar
At the recent show of Garry Winogrand’s color photography from the 1950s and ’60s, presented at the Brooklyn Museum, a woman in her seventies was surprised to see her teenage self on a sidewalk with friends. There she was, frozen in her youth by Wino
Aperture3 min letti
Alejandro Cartagena
The photographer Alejandro Cartagena knows you want to go home. You yearn for a house that really feels like home—an affordable space of serenity or happy chaos, with easy access to work, clean air, and clean water. Where you can become fully human a
Aperture10 min letti
Frida Escobedo
When she landed the commission to design London’s Serpentine Pavilion in 2018, Frida Escobedo established herself as a young architect with a compelling vision. By that time, she already had a number of accomplished projects under her belt, from the
Aperture8 min letti
Minimal, Messy, or Melancholic?
The English word home does not have a Japanese equivalent but links to various terms and concepts: ie and katei relate to the house spatially; kazoku (composed of the characters for house and tribe) is the immediate family and household; furusato def
Aperture2 min letti
Fumi Ishino
Two years ago, on his annual visit to Japan, the photographer Fumi Ishino started feeling that things were a little bit off. Perhaps it was the billboards gearing up for the 2020 Olympics. Perhaps it was the advertisements trumpeting a Cool Japan. Wh
Aperture3 min letti
Seher Shah & Randhir Singh
This isn’t what I can see from my window. What I can see is a concrete planter full of geraniums and, behind it, a school playground and assorted twenty-first-century towers, one of which, at the Old Street roundabout, turns pink at sunset, a compens
Aperture7 min letti
Interior Life
It began with photographs of Farrah Fawcett. Raymond Donahue, a young showroom decorator for IKEA, had plastered the walls and ceiling of his bedroom in the small New Jersey bungalow he shared with his mother with black-and-white photocopies of Fawce
Aperture3 min letti
Mauro Restiffe
It’s called the “tattooed villa.” On the tip of Saint-Jean-Cap-Ferrat, on a peninsula of the French Riviera, sits the Villa Santo Sospir, once the home of the socialite Francine Weisweiller. One evening in 1950, while staying at the house, Jean Cocte
Aperture1 min letti
The Magazine of Photography and Ideas Editor Michael Famighetti Managing Editor Brendan Embser Editorial Assistant Nicole Acheampong Copy Editors Olivia Casa, Donna Ghelerter Senior Production Manager True Sims Production Manager Bryan Krueger Work S
Aperture12 min letti
Annabelle Selldorf
Annabelle Selldorf is the art world’s favorite architect. But her work is nothing if not subtle—rather than the splashy icons we have come to expect from the starchitects long chosen to design art galleries and museums, Selldorf prefers to craft what
Aperture3 min letti
“I’m calling myself a visual activist,” Zanele Muholi told Aperture in 2015. “That’s my stance as a person, before anything else.” In Muholi’s first major exhibition in the United Kingdom, this visual activism is given due primacy. Featuring approxim
Aperture8 min letti
Domestic Comfort
In 1991, the Department of Photography at the Museum of Modern Art in New York staged Pleasures and Terrors of Domestic Comfort, among its most ambitious group exhibitions since The Family of Man in 1955. While The Family of Man sought to universaliz
Aperture2 min letti
At least since Pop—but, really, going back as far as Pablo Picasso’s 1912 newspaper-clipping collages and Gerald Murphy’s 1920s paintings of product packaging—high art and advertising have been circling each other slowly, sometimes falling into a ras
Aperture4 min letti
Ezra Stoller
Ezra Stoller photographed postwar U.S. architecture with the rigor of a true believer. His images—published widely in numerous trade magazines as well as in House Beautiful and House & Garden—presented modernism not as an avant-garde or utopian visio
Aperture3 min letti
The British writer Rachel Cusk’s celebrated Outline trilogy, published between 2014 and 2018, concerns a series of journeys a writer named Faye takes in Europe. In one, Faye encounters a woman who is obsessed with the works of a painter. “What she wa
Aperture13 min letti
Denise Scott Brown
In her 1907 Art Nouveau home on the outskirts of Philadelphia, the architect Denise Scott Brown lives among an eclectic collection of art, furniture, and knickknacks. As in her iconic designs and writings, elements of vernacular culture mix freely wi
Aperture3 min letti
Protest. For A Better Life This Side Of Heaven.
Like all documentation work, protest photography has its habits. One default setting is confrontation. Bare hands linked in a human chain parallel to riot shields. Projectiles. The pregnancy of violence. Another, related, is heroism, frequently indiv
Aperture4 min letti
Solidarity Is Spirituality
7/15 In Feelings Are Facts, the dancer-choreographer Yvonne Rainer’s memoir, she describes an incident that’s always stuck with me. In 1971, during a blue-black period, she tried to kill herself by overdosing on sleeping pills alongside a slice of ba
Aperture3 min letti
Mare Nero
Mare Nero is a publishing platform created by two Italian artists based in Berlin, Federico Gargaglione, a photographer, and Nicola Fucili, an illustrator and tattoo artist. When the two met in Poland, in 2017, they had an immediate connection. The n
Aperture12 min lettiBody, Mind, & Spirit
The Darkness And The Light
In October 2004, a few months after a handful of his black-and-white street photographs were presented in an exhibition of South African photography in Tokyo, Santu Mofokeng agreed to meet me at his Johannesburg home. The plan was to pick up on our c
Aperture3 min letti
Agenda Exhibitions to See
Gauri Gill’s series Acts of Appearance (2015–ongoing) shows subjects bedecked in papiermâché masks with depictions as varied as the head of an elephant, the face of the moon, or the screen of a television. While traveling through Rajasthan and Mahara
Aperture2 min letti
Harit Srikhao
In the contemporary Thai art world, self-censorship is the norm. With strict lèse-majesté laws and watchful military rule since 2014, artists and curators have become adept at skirting around politically sensitive issues in order to slip under the ra
Aperture2 min letti
Backstory Tosh Matsumoto
“Here is definitely a young photographer to watch,” pronounced a glowing profile of Tosh Matsumoto in the April 1947 issue of Popular Photography. For the next decade, Matsumoto’s work would appear in magazines and newspapers, and be presented in six
Aperture2 min letti
Object Lessons
On August 12, 1962, the song leader Henry Thomas led a protest meeting at St. Joseph’s African Methodist Episcopal Church in Durham, North Carolina, but his performance with a sextet, called the Freedom-tones, didn’t seem to be getting much traction.
Aperture3 min letti
Viewfinder Images & Politics
For the artist and educator John Pilson, the film director Stanley Kubrick was “the greatest twentieth-century Jewish comedian (and I’m not just talking Dr. Strangelove) and artist as Cold War psychosexual completist.” It is no surprise that Pilson,
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