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The Economist asks: Creativity explained, part two: Anne McElvoy and Lane Greene continue their look at the role of creativity in today’s society. They visit a London railway station to hear how commuters get their creative juices going by playing pianos in public spaces. Lane looks at how the concept o...

The Economist asks: Creativity explained, part two: Anne McElvoy and Lane Greene continue their look at the role of creativity in today’s society. They visit a London railway station to hear how commuters get their creative juices going by playing pianos in public spaces. Lane looks at how the concept o...

A partire dalEconomist Radio


The Economist asks: Creativity explained, part two: Anne McElvoy and Lane Greene continue their look at the role of creativity in today’s society. They visit a London railway station to hear how commuters get their creative juices going by playing pianos in public spaces. Lane looks at how the concept o...

A partire dalEconomist Radio

valutazioni:
Lunghezza:
18 minuti
Pubblicato:
Dec 15, 2017
Formato:
Episodio podcast

Descrizione

Anne McElvoy and Lane Greene continue their look at the role of creativity in today’s society. They visit a London railway station to hear how commuters get their creative juices going by playing pianos in public spaces. Lane looks at how the concept of creativity is being widened to enhance the skills involved in coding or crisis management, and considers the 10,000 hour rule that sustains the belief of the universal creativity lobby. Neuroscientist Miriam Mosing tells Lane that studies of creative twins have shown that a genetic pre-disposition to creativity can’t be wholly eliminated, and Anne talks to AI researcher David Cope who has provided a frightening vision for the future of creativity. His computer generated composer “Emily Howell” can absorb existing styles, and use them to generate her own For information regarding your data privacy, visit acast.com/privacy
Pubblicato:
Dec 15, 2017
Formato:
Episodio podcast