Don't Look Back In Anger

Oasis

 = 82
                                 
 

        
    


                  
 
5

     
     
   
Slip in side the eye of your mind, don't you know you might find

 



            
         
  
7

              
            
a bet ter place to play. You said that you'd nev er been,

              
         

10

   
         
       
but all the things that you've seen slow ly fade a way.

 


           
      
13

      

     
So I start a re vo lu tion from my bed. 'Cause you


 
                
2

       
15

         

    
said the brains I had went to my head. Step out side, sum mer time's in

      
           
   
18

           

    
bloom, stand up be side the fi re place, take that look from off your face,




          
              
21

                
you ain't ev er gon na burn my heart out.

  
 

      
                

25


                      
 
So Sal ly can wait, she knows it's too late as we're walk ing on by.




      
       
    
28

                       
Her soul slides a way. But don't look back


 
                 
3

      
   
       
31

          
      
    
in an ger, I heard you say.

   
 


                   
  
35

        
          
Take me to the place where you go, where no bo dy knows

 
 

            
         
 
38

              
            
if it's night or day. Please don't put your life in the hands

                   
   

41

              
           
of a rock n' roll band who'll throw it all a way.

            
       
44

      

     
I'm gon na start a re vo lu tion from my head. 'Cause you


 
               
4

       
46

         

    
said the brains I had went to my head. Step out side sum mer time's in

      
           
   
49

           

    
bloom, stand up be side the fi re place, take that look from off your face,




          
              
52

                
you ain't ev er gon na burn my heart out.

  
 

                     
 
56


                      
 
So Sal ly can wait, she knows it's too late as she's walk ing on by.




      
       
    
59

                     
  
My soul slides a way. But don't look back

 
                    
5

     
 
62

               

    
in an ger, I heard you say.




           

                
 
65

              

 



                                           
69 

                      
 


              

                 
72 

                    
         


                     
 
76


                      
 
So Sal ly can wait, she knows it's too late as we're walk ing on by.

      
       
    
79

                       
Her soul slides a way. But don't look back


 
             
6

 
      
82

         
        
in an ger, I heard you say. So Sal ly can wait,

 


                  
    
85

        
         
 
she knows it's too late as she's walk ing on by. My

 

   
              
  
88

 
       

      
soul slides a way. But don't look back in an ger, don't look back

 


                     
  
           
    
91

          
  
in an ger I heard you say. it's not too late.

  
