SCUOLA PREPARATORIA DEL PIANOFORTE PER GIOVANI ALLIEVI op. 101 evsone a Extre Poa) -ARATOIRE DU PIANO RICORDI BR. 108Ferdinand Beyer SCUOLA PREPARATORIA DEL PIANOFORTE 0.101 ttore Pozzolt) ECOLE PREPARATOIRE PREPARATORY SCHOOL ELEMENTI ELEwewrs ELEMENTS DITEORIA MusICALE | De rmforre wusiee | OF MUSICAL THBORY ‘ojRigo per pianoforte, formato dalla linea della chiave,cinquesapralinee « cinque sottlinee. Porte pour te piano, ormeée de la ligne de la ed, de cing Hence au-doeses of de cing lignes awdessons: ate Ci dr ok mw RSE Sette, seme eteelf = to or is ‘Stave forthe pianoforte formed by the clef-line, by five lines ahove and five below. Settee tn 1 owe pnd iis conn 1. | Bor thar mnie ea he eee Fasmenaicpo at ox | Sada anal Poy Wy Bre Teen acre) Porn en) 454 CODY ssn Lang ‘Ope I. CASA RICORDI - MO RICORD SA Re det nea Tinta eh u2 Parte superiors del rigo ‘per plazoforte Partie sypériewre deta "porte pour ono er stave tor the pianoforte Parte inferiore det yer pianoforte arte inftrtoure det ‘porte pour piano Lower stave tor fhe pianoforte Per imparare faciimento a log. igre Innate lallievo dovra sa er pronolare eorrentemente Jo note della soala, prime nel loro ordine ewecessivo: do-ro- sminfarsol-ia-si-do, yok ad ia- fervall di terse: donmissolsi- re-facla-do, tanto In senso 2 stendente quanto in senso disoen- dente. In seguito st ecarcitora ‘a trovare la nota seritta ed il ‘asto corrispondentt alla nota promuneiata INTERVALLE monde over uate = = we un apprntrs iets ne- | nosso nen to read tes facilomont Vive deora 2a- aie nommer cowramment fee ates dele gamane,d’abord done {our ordre ewcosoat-ré-mi- facsol-la-sieat pts par inter | the notes readily, the pupil shouldbe abe to name the no— tes ofthe scale fluently, first in thelr euocessive order: -4- alles de tence: whemi-sol-sie | €/-#-4-9-0, ascending as well af descendingslater on he sould ecemena| [Sceiareeencey scondant. Dans la suite sear trouna 4 troneer lowes ers | etn geben te tn tmchasorespondon wrsavaccas | _—_ INTERVALS. vatont wusteatt | ees ‘TMM VALUES OF MUSICAL SIGNS CALLED NOTES AND RESTS VALBURS MUSICALESDIVISIONE DEI VALORI MUSICALT DIvisiOn | DBS VALEURS MUSICALES | sa See i Ogni valore& divisibileindue | Cheque velour est divisbte on pert | Sach as etn beaten ous portiee. to tvo parts. MIAIAIA IZ eases uence [come ea ‘ogni valore puntato & divi. | Chague valeur pointio ext di- | Rach value followed by a det con sibile m tre parti. ‘istze on trois partir. ‘be divided into threo parts e Ps r r Pee ee Ler Le , 34 Tpunto aamenta 1a nota di | Ze pont augment note de | ‘The dt eugments the note y neti tel suo valor; il saeon- | ta mtié deer ators te o0- | alle values ston dts 0 punto Vamenta di smtdei| cond point aopmense ae te | mnie ity hal ho ueot te ‘ore de prime soitid dete wotenr ae promier | Tite dete id c feaarama a | aaa ete.MISURE A DUB TEMPI snsunss 4 DEUX TEMPS BINARY TIME sompliat 7 sinplee ~ ‘imple (dee mtn po tenes) se svn pe etme) (dine tats por eng pr) (rte teasers por tape fon) “oe lt fof. ows ca bet) ‘thes hvniere rach bd ts MISURE A TRE TEMPI MESURE 4 TROIS TEMPS ‘TERNARY TIME semplict sinples ~ simple (an snant prog tons) (ive shies rsh) aK BY LS chp chp err MISURE A QUATTRO TEMPI MBSURBS 4 QUATRE TEMPS QUADRUPLE TIME sempliot ccomposte compostes ‘compound (aus nats po ates) celina) ittiscoe gor eta fos) rts obtains sete ge) (eee mbaniane tress) "Gav sacs es os) namie £ f ff erererer efi (00 CEP Cer eer ceree EO SHGNI D’ALTERAZIONB | ACOLDENTS # desis # dive 4 bequadro 4b decarre b bemotte b cemar ACCIDENTALS Noms des notes dideées er mee mh 2p SP sy aon A aS a Cromation Chrometiqne Chromatic Sap saps CGPS Sb Ep a Tae SAT ead F Bnarmonioa, Bnharmonique Enharmonie Derominazione delle noto vemollizzate Noms des notes bémotiséos [anes of the notes withb RWS Bie ; Ww ‘Tasti nevi Touches notree Blask eye ef | matin = meted Poy | TAP G ‘Taott bianchi Tevehes blanche ‘White keys itysoata 1 poxsootonn | cauer pict xazeun | SCALE OF € MAJOR See SSS hie joe CONOATENAZIONE DI-TUPTE LE TONALITA MAGGIORI B MINORT Harmonique Harmonie fem “= ee SNOHARNEMENT SERIES OF ALL pp rourss iss Toxazimis | CORRESPONDING MAJOR MCMBCRES $7 AINBURES | AND MINOR TONALTTIES 5F eaee. Chee: Se Soe eh “at SSE.ng ct a ihe Bs Cee ae i Eh Rh ay Cher oe, Edmee. Fifi came Apo weer tom agpese apt, «pba Sie | RIS Ge Ger mb mee bee aha Kat we SeBSERCWI PRELIMINART Liallovo ana vote sedate st pianoforte dovra assumere 001 forpo un atteggiamento nature Je,avendo ears di tenere i gm {Sieggermente aderent alls pe fona ed alla stosea altezza della fastiera. palm dela manos flolcemenite aelinato verso i pl- Wie, non sara ce Ja continuazi- ne della linea del’ avambraotio. “ue dita staranno pluttosto sl- gate, pur avonde la punta ri- tal al fasta e dovranno artico- Tare in mode da produrre un mo- ienta di peroussione vertsale, bvitande dl dare al palmo della mano qualsinst sootsa. ‘Nei sezuontl ogereia st fcia adtensione perce i dito si alzi tel momente preciso in euiTal- fro fle risuomare an mow tasto fe porehé fl movimento si comp! ton melts eguagianza,con pre tise e da principio mlto le tamente.. i osterv infine che i 0000 nop isu troppo forte, atfin- hi la mano e le dita non subi- Seano contrazioni nervose che arebbero Inogo ad un? eccea~ lone pesante. ESUROWLE PER LE DITA DELLA MANO DESTRA (Ogi mumery dvr essere ripe ‘ate sino ebe Pinsogmante non ‘it eompletamente sodisfatio.. LEXBROICES PRELIMINAIRES Letive une fois instal “piano deera prondre ne att ‘ude natures, enayant in de entree cous Lagorement @ hdrente au corps eta méme tnocou que te olavier. Lapaume (ota natn deora tive Dpére= tremont inglinee sere le pouce efapon d'etre que Le conti= ‘nudtton dela Uigne de Povant- ras. “hee daigts soront pitt at one, tout em ayant fe pointe trecourbie wore La touche ef de Dront tre artioulée de fagon & ‘on fora attention 6 ce que fe dole se doe au mameré précis: ( Pautre frappe wre owe owoke et afin que fe macement (Papctuc vee Beaucoup @ée- utd ot ao précteion,# era début fort tent. convient dadoorver engin rue le fowchor ne dott pas etre frop fort, afin que ta nain of les daigte no subiooont pas dos ‘contractions noroeuses gui don nevaiont How a un jou Yourd. EREROICES POUR LBS DOIOTS DE LA MAIN DRCITB Chague numéro deora dre ré- pote opuiee pee To profes ‘eur oot parfudtement satel. 2. PRELIMINARY EXERCISES ‘The pupil should sit 9 nat ral potion at the planovcontit ing to hold his eTbows rather close to the bods and onthe. tne level asthe keyboard. The palin of the hand shoal be igh- Fy beat towards the thumb, sh esto form ono Tine with the fove-arm The fingers should be rather extendod, with their tips, however, curved tawards ‘te lay; they should be artien- ated suas foproducea vertical hammering movement giving the least possible shake tothe palm. In the following exeroices to- ike enre to Ltt one finger pre ‘sel when thewext one str ~ kes another Key. Inorder to foquire great exeaness ant pre- tiolon they shouldbe performed ‘ery slowly at th beginning. ‘Finally note thet the strike bo not tao strong 50 that the hand and fingers may not undergo eny nervous contrac. ‘ons whieh would prodoceh- ‘ues in the manner of playing. EXEROISES IN TOUCH ‘FOR THE RIGHT HAND ‘Bach mumber must be repeat- ed until the teacherbe com - pletely satisfied.esmpowi PER LE prta | axzaotves sou Les voters | _RXEROISES IN TOUCH DELLA MANO SINISTRA | DBA ny caves =| POR THE LEFT HANDLemalle Lybapracro @ Rel uno. usta a Ce weenlal BSBROWZI PERLE DUR | AXERCIORS Poon LES DEUX | ‘MANT UNITE ‘MAINS BYSBNELB L alllevo dovra innansi tutto | _'éldve deora avané toutes. | First ofall the pupil has to eseguire questi esereisi a me- | outer ces exeroicespar cons | execute these exeneses by heat roris seguento esatiamente le | on suivant exactement dor in- | following the teacher's injune - Indication del’ insegnante. | ateations au prafessewr. tions exactly. When he has Quando avri aoquistato una cor | Quand it aura aoqute une cer | acquired a cetiain mastery 0 - ta padronanza nell articolare | faine mattréve dane Varticu- | ver the articalation ofthe fin- le dita potréintraprendere lo | Zatfon des doipts i paurra en- | gers, he may begia the study studio degli esereizi seguenti, | troprondro C'efude der exerci- | of the next exercises which ‘he riguardano il tooco. Tn pa | oe8 suirants gut oné rapport ou | refer to tough, Moanvhile, howe ritempo perd sard Dene che si | concer. Bu msine ems? sora | evetsitis adviseble he should Aedichi anche agli esereit tec. | don gust sravaite uses Jes ex- | aloo practice the technical exc. i not che troverd nell “Appendi- | rele tevhndpues gu't? cai questo Metodo vera dans ¥ ‘ippenaice’é fe Méthode. 8 o be found in tho “Appen of this Methodrn maausrio |Z phorsssnvn | -—TIR TEACHER ammmwast | dnmorsaams | FOR THRE HANDS Moderato , AeEO E ALLIEVO A TRE MANI ESBRCIZI PER LA MANO 'DESTRA SOLA ‘Potton ote rsh bond ‘Ls mano dove, prepararsite- endo Is punta dlle dita rivolte Ai tasti: 'do-re-ms- ft, 00- me & Indicaio nel cucsposta sempio eset estan sate ee ‘Sodo che non risulli neeeune ‘inglunzione fra di loro. 8 fue cia attenrione qund che 1 dito fons sls dal fasta prima che Paltre dito abbia fatto risuo= sare un alto taste, 18 Hh ov servi come regola generale Be sl deve ribattere fo stesso tanto eon lo eae dla buses Sshrioalaare la mano, A TROIS MAINS EXBROICES POUR A MAIN ‘DROIT SRULE rae por FOR THREE HANDS EXERCISES FOR THE, ‘RIGHT HAND ALONE SS . PPR PE La main deora se priparor on tonant ta pointe des toigts re ‘ourble sre ts toushas Ut Imifa=sal, comme dt indigud ons Pesvensple ede. ‘The hand should be prepared Dy holding the tps ofthe fin gers bent toward the keys: end-eaf-gyas indicated inthe preceding example wet or rie = Lessons plac sos ta Bao doioont deve exits de facon Ded wy aif aucune séparation nto eel fot dove pair at tention & ce gue le doigt ne se Soulove pas de fa fourhe aout que Dautre doigt wait frappé lime autre touche, Coton rate Pindrate, A Sen dt refrappe le mime towcke avon le meme doigt i eet bcssaire do lever te wen, 1, Tempo moderate (omen neti) eters od Tema Thame ‘Theme ‘ho spends paged under the seri ed oer S281 hen thom observe the general rue ger sk Teste tie bay before antther one Siies andor ky if he same ly has to be scruephn ye eae Tne Ber the Bade tebe ited up Tee! st Lallievo dove contare a vooo alta can asaitezza ritmica {tempt delle misura Bistéve doit comptor i haute woe et avee précisiom ts fomps de ia mesure. ‘The pupil mist count the beate of the bar aloud and with rhythmical precision Vatiazioni ~Fariations var) $e zR waassro | ie pecressme © | ou mBACHTER —__ ana wx Been edd Sli Sloe Sy git aa, ittB | 1 ALLIEVO | 2 knives | ‘THE PuPH. 1 dito non dovea mai rimane- se sul testo durante { movimen- di poasa. Sera neoessario pereid alzare In mano Le doigt ne deora jamatsres- | Daring the value of a rest the or vur la towohe pendent fos | fngrer shoold never rect on the silences. sera done néees~ | keysoonsequentlythohand mist xine de lover la main be lifted up, mtntge man nat Pause ah Silenoes "Roate Var.9. Var-10.Ti, MAESTRO | 28 suornssron | THE TEACHER Moderato es) are ———_— 2 deat prpel OO a —— ou fit gd Te ages SEpd phy dddd gd yd jd jd jap 12d je ane Be ee toe Si oeeat Tad jd jd ddd jad gaya jdt dd 2 dy metal pes? Be1s | VU ALLIEVO | ) BLive | THE PuPm. ACTRE MANI 4 rrots mans FOR THREE HANDS ESERCIZ PER LA MANO | EXEROIOBS Pour LA mal | EXEROISHS FOR THE SINISTRA SOLA caren sBoLe URPT HAND ALONE ee| 7 ‘V ALLTEVO DELVE | ‘THE PUPIL, RITORNELLO ABPRISE REPEAT je eters Mezzo machin | Jadique qe tare tumor | Indicates tha the partot the veneer nti ofr nsi- | cea comprise aire deus re | pie btween two eoneior oe rises ow entre une raprse et | between tue repens tot the ber fomnello ed it prineipo dl por. 2. sinning of the pioegis to be re- | peated, doit dive ripatoe, Sass Bags t KI Ie + uy1L MAESTRO iz propasssun | ‘THB THACHER | | Moderato19 VU ALLIEVO vizive ‘THE PUPIL, A QUATTRO MANI A QUATRE MALS FOR FOUR HANDS x Bach finger must have its tp always turned in the direction of the key indicated so as to Jeave the hand motionless. Ogi dito dovrd tonore Ta pm- | Ohague doigt deora evoir fe ta-sempre riolta al tasto Indi | pointe toujours tournée ors fo ‘eto, in modo che lnpossionedel- | foucke indipude de acon gue fa Iamano rimanga immutata. | main reste smmodife. Moderato, Yoda [vas1, MAESTRO | LE PROPESSEUR | THE TEACHER itt,! 21 LALLIEVO | v bvéve ‘THE PUPIL ngs Castigo / 4394 ys.TL MAESTRO Ls promesseur | ‘THE TEACHERU ALLIEVO 3 | v inive | Tae PUPILESERCT2I ADUE MANI allio non deve mat di- | rmentieare che una gusta po- ! tizione del corpo, dele braccla, ‘belle mani delle dita, che 1a riceree di un buon torco © una fgrando provision nella divi- Sone delle misure sono le ba- se diane buona eseouzione. BXERCICES 4 peox was L?étive no doit jamais on- ter quae Bonne position dis corps, des bras, des mains et doe doigts, ainst qu’ us Dow toucher ef wie grande preéi- sion dane le mesure sont la aso d'une tonne exdcution Moderato as wi EXERCISES FOR BOTH HANDS ‘The pupil should never forget that a good attitude ofthe boty, arms, hands and fingers, toge ther witha goed touch and etriot ‘tme-keopingare the foundation of good styleLEGATURA SU DUE NOTE UNISONE E VIGINE Ss | Questa Iegatura, denominata legatura A valor, ha per effet- tA unre due vari ino 20- Jo. Nell eseeuzionequind la se- conde nota non errs articola teed i dito dovra rimaner fer— ‘no gal tasto per ladurate com- plessiva di tte e due le note, | Lousow sur pevx ores UNISSONANTES 2D VoIsINES Cette tivison, nommée lieson ste waleur, 2 pour effet © wouir ‘dense selours en ow eee Das enéoution done le seconde no ‘ene sora pas artioulie et le ‘doigt doore restor tronguiile 29 SLUR ON TWO SIMILARLY SOUNDING NOTES, NEXT 70 EACH OTHER This slo ealled ster of vate, csnses two valuee to be united intoa single one.Thas in the exe: ution the second note must aot be articilated and the fine ger must rest on the Key for the whole duration of both the30 mwasstao | x Prorassive ‘THE TEACHER Andante Cenk eee FPP pPave ERR _SPER EEE stg- yd 1 y | V ALLIEVO |; Foe eae PUES RTRs es se anegrete sta \ | pa basTL MAESTRO LE PROFESSEUR THE TEACHER ‘Allegretto $$vatupgvo/ | v buive yf amtogretto 5432 100, ebeWeS at, cel eS Moderate ie36 | 11 MAnsTRO in Paoressz0e THE THACHER rata 7], . ds wh PTE Moder T 1 2 fee el ef w= Crater CSS Petes—_— —rr ee x” 4 POOTAVE 8—-, OCTAVE 8—-y Le note sulle quali state mes- | Leo notes surmonties du | Notes with this mark shore to Tl eegne &-~-devano excere e- | signe 6 dotvent ere axe. | thom must be played an octave fegquite ut otra pik in alto dal | cuédee ume gotove pine hand | higher as far ae the Ite i Inioro posisione naturale. Al | jusgu’é a finde ta Hine... | extends. ‘termine della lines punteggiats swe nate riprendono la loro | povizione normale | 2feeE | ete (SESE I. ipeniel [Soa t auuasvo vives ‘THE PUPIL | B-1722] psenomo azynoron ro PRAOTISE | attyatersadurata det mont | sur te dence diurente dee | tho value ofthe note frm the Gall ntoo all artove. fons deta rondo norohe. | ole note tothe Sgith38 ESEROW Mvortavi | AXRROIGES RW CROCHES EXEROISES IN BIGHTHS tite mS wet = atm: 7 oonotg ae + foo aaa A oS a S| |Woderaio40 Comodo ‘Non vostare mai i gomiti dal corpo, anche so Toma dovosse- yo allontanars) dal contro della ‘estore Lotter, 8 ££ = petite “ep en cous mdncntjamatn |_| Th elbow mst nat ojet |? tloignor de corps, ore mane | foom the body, even when the (que Lon maine ¥ooartent. hands hee to play far apart. eal eon so a afees ceeeeeeeeeeaan 7 Allegretto 52. sempre sogato(©) gf (enzo forte)~ (dems forte) ~ (halt loud) Allegretts ceaeae sagassescondo — on eugmontant- increasing loudness S Aiminuendo - en diminvant — decreasing loudzess (0) dB aecesario dare lla) (©) 11 fout bien aceon.) (0) decent tho noto ota un eccente vibrato, | ier ta nels | © trongiy.44 CB ereo, recon) ~ (on augmentant neresing loudness) (G) di. inimens) =n diminuant)~ Gooresing oudness) Attegro moderato (iit aa) ef Stent P55 f £ 3 of Oey : cage 2 | ek | ©) dolee- dour - softly a(©) 11 punto messo sopra la nota | (2) Ke point placd awdesmue de | (6) A dot over a note means Indien che deve essere stacata; | lc note tuipuequ'd fou lode. | that the note must be detached. «id sotiene alzando rapidamen- | tacher visemes cla so jit en | Thi is done by Teting tho key te I dito dal tasto dopo @'averlo | rutinent te doigt de la towehe | go immediately after striking toceato pluttaste vivamente. | aussitt apri Pecoir Prappie. | ite : eee46 IL MAESTRO | LE PROFESSEUR | THE TEACHER Allegretto ee — oO “a aac See[ vauumvo | vécive | Tue PUP ) Allegretto eet fe? gee Pe fon ME ee. (hn Le note cpite da quoste plate pantegetatare deveno ex. He eon tn too 600, devono avere ta 6. (@) om Lee petite traits au deans des notes tudwuent qwon doit Tes jouer tres brooms. (©) wwA dash over a note means that the note isto be played very short.48 ESERCIZI PER IL EXEROIOS POUR EXERCISES FOR THE PASSAGGIO DEL PouLicE | ze Passacs ov roves | PASSAGE OF THE THUMB In questi esecist bnecetsario ) Done oxraxerotoes dest né ) For these exercises itis 1 che il ollie s prepuri sotta il | exsoere que Ze pouce se pripa- | cessary that the thumb be pre. palm € sh articai tenendo Ye. | resous la paume te la main | pared under the palm and a7 Hema falange colla parte del. | of eit artiou’é ov tenant la | Hulated by holding the tip Tunghia leggermentoinclinata | dormiére phalonge legerement | lightly bent towards the key. vareo Hl tasto. i abbia oura di | inctince ere la touche, deoir | Be careful to execate this mo. effetinare questo movimento sea.| sein d'effctuer ce moweenent | tlon Without, moving in any fa intra menomamente Te | song dérenger fe rani | way itr fh a Uh tat ‘anquillite del bracclo e della | du bras etde fe main et ’én— | and to praatge it Gl the tunb mange dt insstere molto finche | sister Bazncoup juspu'a ce que | has obtained a certain dagree ‘il police abbia ottennto un certo | te pouce at oben un certein | of agility {grado dl flessibiita. degrd de suplesse. Bigie toed alee ets rate te SCALA DI D0 MAGGIORE | GAMME EY UT MAJEUR | SCALE OF C MAJORBSEROIZI | ssenorces | axtnoises ° A DOPPIE NOTE EN DOUBLES Noses ON DOUBLES NOTES } | Th " e pte Ts i s Pa tagrattg, Pa 7 (Ha Th tat mast ni on any oat be bid ty,50 aio of pocup i modo icolare ai far seme risa. ir simullanearente le dno. fe component le tars @ dl ose. guise I passage da una tran nan modo rigorsa- Tego Moderato 68. LPative shifercena de faire eniendre en méme temps toe our notes ls trees outera le passage d'une Heron & Vasire nigoureuse- ment “gga, ie). |, The pupil should endeavour to sound both notes of the thirds together, and) play strictly legatoseags — > zlESERCIZIO. | -Evsreres, —)—BXEROISBS suLLe Terzine | pe rerozers | ON TRIPLETS ModeratoSCALA DI RE MAGGIORE | Ex RE MAJEUR | SCALE OF D Mason 53 a re x Rhee 76.————O)™—~~eaeaEMm@&m™ SCALA DI LA MAGGIORE | GAMuE EN LA MAJEUR | SCALE ORD Mason *SAllegrotto Lage! WOR ae jae Allegretto Lp eetdears ——— ie EEA Corona. 1 Point oreue La nota poste sotto la ero. | La salewr de la note placie na deve essere prolangateava_ | sous e point forge tor pro lontd deleseewiere. longs au pré de Pesoutent Allegretto > Panse ‘The note placed unde so may be sustalned former at wil.a TL NABSTRO | 28 PROFESSBUR | THE TEACHER Moderatoe auuiRv0 cere serine ella aiversa da, | _Zveoie sr lo diene rata del auonl dllentre al | aurce ae tony, de twats cht Sage te enble eeco. Modgrato THE Pup Ol Bxereise for practising the aration of sounds from a whole toacixtoonth. | Powe devetopper Papi ‘To develop flueney.a | oe =o a 6] Tala fe = a Pererer tg SEE St PEpeeeae!64 SCALA DI ZA MINORE | GAM RY LA AIVEUR | SCALE OF 4 MINOR —, =66 SCALA DI FA MAGGIORE | @4snUE BN FA MAJEUR | SCALE OF F MAJOR Aguas Sante cas(© Notes with this mark 4 must be strongly accentuated, (© La nota alle quale sk ea. | © La note sur lguate ae ‘weil segno a deve esere ven. | trouve fe sigse A dott cine {la in modo spicestamente VL | fordement accentude rate. | ene a Da ete we See©) Tl eambiamento di dito sal. | (6) Le changement de doigt To stesso tasto,senza che ven | deora se Juire trie rapide. ga ribattto, deve effettuarsi {m modo rapidissime | touche ‘sens refropper Ie “The change of finger must be done very quiokly withoat striking the Key again.103. Allegro moderato1” Allegretto 1 ‘seceueeeettt st ST a esate : Cet ear es con nnRRnRRannRIRE Enero oceee aAPPENDICE a ppenpix | APPENDICE ‘ESEROIZ TEONICE XBROICES TecaNIGCES | ‘THESE DAILY GIORNALIERT JOURNALIERS ‘TECHNICAL EXEROISES ‘Are ta be practised with spe 4 trovattie exe wn soi tout ‘ cial care Just after th prelimi Da. siudiarel con particolare 7 cris proiminans, | aptelad apr doe exeretoes ri outadpo i (Ogu miners dors egeere ric | Himinatres, ary exereises. Cheque numéro dovra dive ré. | “Bach Pigure must be repeated several times and alo executed ‘petuto pit volte e petra essere fsqguito anche nellestensione | B# plusicurs fis ef pourra Give exiouté aussi ur Tétendue | inthe coupass of two octaves. i dae ottare, de deuce octaves, ESERCIZI PER EXBRCICES POUR EXEROISES FOR (0 DESTRA SOLA | 4 44 MAN Dears ssvLe | ‘THE RIGHT HAND ALONE logan (2 agent wi— ESUROWII PER | sxeRcIS room) _-EXBRCISES FOR xa wan stvista Sona | za_east cen sare | Hs LBFT RAND ALONE o HTH AESEROIZI PER BXBRCIOKS Pour LE DUE MANT UNITE | RS DBUX Maus ENSEMBLE EXEROISES FoR! BOTH HANDS TOGETHERmquhote (shee AN86 24 SCALE 24 Gauss MAGGIORI E MINORT SASEURES BP MINEURES Aisposte secondo la rassomi. | dioposées selon le ressomblan= slianza della diteggistura © per ieonfronto fra mode mag. lore © minore. eons. Adem 24 MAJOR AND MINOR, SCALES arranged according to the si. cr du dojgté & pour a compa. | milarity of thelr fingering vison dos tons majours of m- ani for the comparison between major and minor mode.1 6 mee men maior,