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Gypsy

Words and Music by Stevie Nicks

E Emaj7(no3rd) E6(no3rd) E5 Amaj7sus2 Bsus4 C#m B A 4fr 21 134 142 14 21
E Emaj7(no3rd) E6(no3rd)
E5
Amaj7sus2
Bsus4
C#m
B A
4fr
21 134
142 14
21
134 1342
1333
123
*Capo 1
Strum Pattern: 1, 6
Pick Pattern: 3, 4
Intro
Moderately fast
E
Emaj7(no3rd)
E6(no3rd)
  
   
mf
**
P.M.
1
2
222
22
1
1
1
12
2
4
4
4
4
44

*Optional: To match recording, place capo at 1st fret. **Palm Mute: The note is partially muted by the pick hand lightly touching the string(s) just before the bridge.

E5

Amaj7sus2

Bsus4

Amaj7sus2

Bsus4

           P.M.   
           P.M.   

   
           P.M.    



P.M.

 

P.M.    

2

2

24

1

2

1

0

2

0

0 2 0 0 2 2 0 1 1 1 4 4
0
2
0
0
2
2
0
1
1
1
4
4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4
0 2 0 0 2 2 0 1 1 1 4 4

Verse

E

Emaj7(no3rd)

E6(no3rd)

E5

0 2 2 0 1 1 1 4 4 Verse E Emaj7(no3rd) E6(no3rd) E5  



 

 

 

0 0 0 2 1 1 2 2 1 1 44 4
0 0 0 2 1 1 2 2 1 1 44 4

0 0

0

2

1

1

2

2

1

1

44

4

0 0 0 2 1 1 2 2 1 1 44 4
0 0 0 2 1 1 2 2 1 1 44 4

1. So,

I’m

back

to

the

vel

- vet

un -

der

-

ground.

der - ground.       Amaj7sus2 Bsus4 Amaj7sus2 Bsus4   

Amaj7sus2

Bsus4

Amaj7sus2

Bsus4



      



0 4 4 0 1 2 2 1
0 4 4 0 1 2 2 1

0

4

4

0

1

2

2

1

0 1 2 2 1
0 1 2 2 1
0 4 4 0 1 2 2 1

2

2

22

1

0

0

Back

to

the

floor

that

I

love,

Copyright © 1982 Welsh Witch Music

All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203

International Copyright Secured

All Rights Reserved

1

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E

Emaj7(no3rd)

E6(no3rd)




0 0 0 2 1 1 1 1 2 444 4
0 0
0
2
1
1
1
1
2
444
4

to

a

room

with

some

lace

and

pa

-

per

flow -

   



E5

Amaj7sus2

Bsus4

Amaj7sus2


     
     
     
     
     
     
     

 


4 2 0 222   0 0 1 1 1 1 2 2

4

2

0

222

 

0

0

11

1

1

2

2

4 2 0 222   0 0 1 1 1 1 2 2
4 2 0 222   0 0 1 1 1 1 2 2

-

ers.

Back

to

the

gyp

-

sy

that

I

was,

          

Bsus4

Amaj7sus2

Bsus4

          
          
          
          
          
          
          
          

to

the

- sy that I
-
sy
that
I

gyp

1 4 1 44   0 0 4 2 4 4 4

1

4

1

44

 

0

0

4

2

4

4

4

  0 0 4 2 4 4 4
1 4 1 44   0 0 4 2 4 4 4

Interlude

E

Emaj7(no3rd)

E6(no3rd)

E5

              
 
  
 
4 2
1
1
1
12
1
1
4
4
44
2
2
22
4
2

was.

P.M.

Amaj7sus2

Bsus4

Amaj7sus2

Bsus4

   

1

0

2

0

2

0

1

4

1 0 2 0 2 0 1 4
1 0 2 0 2 0 1 4

1

0

2

0

2

0

1

4

1 0 2 0 2 0 1 4

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Verse

E

Emaj7(no3rd)

E6(no3rd)

               
               
               

             2 2 0

2 2

0 0

02

1

1

000

1

2

4

2 2 0 0 02 1 1 000 1 2 4
2 2 0 0 02 1 1 000 1 2 4
2 2 0 0 02 1 1 000 1 2 4

2. And

it

all

comes

down

to

you.

Well, you

know

E5

Amaj7sus2

Bsus4






0 0 0 200 2 200 02 0
0
0
0
200
2
200
02
0

that

it

does.

Well,

light

-

ning

strikes

may -

be

once,

           

           



Amaj7sus2

Bsus4

E

 Amaj7sus2 Bsus4 E            
 Amaj7sus2 Bsus4 E            
              
              

 

               

0 4 000 2 2220
0
4
000
2
2220

may -

be

twice.

Ah,

and

it

lights

up

Emaj7(no3rd) E6(no3rd) E5 Amaj7sus2           
Emaj7(no3rd)
E6(no3rd)
E5
Amaj7sus2

    
the
night,
and
you
see
your
gyp
-
sy.
2
4420
00
0
0
0
0
Bsus4 Amaj7sus2 Bsus4 Amaj7sus2 Bsus4          
Bsus4
Amaj7sus2
Bsus4
Amaj7sus2
Bsus4




    
You
see
your
gyp
-
sy.
0
0
0
4
420
0
0
0
0
0
0
0
4
1
4
4
4
4
4

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Interlude

E

Emaj7(no3rd)

E6(no3rd)

          
          
          
 

 

          
               

               


               P.M.
               P.M.

 

P.M.

2 2222

2

1

1

1

1

2 2222 2 1 1 1 1 2 4 4 4 44 4
2 2222 2 1 1 1 1 2 4 4 4 44 4

2

4

4

4

44

4

E5

Chorus

C#m

B

4 4 44 4 E5 Chorus C#m B        

 

           


              00 2 2

00

2

2

0

2 0 1

1

2

2 2

00 2 2 0 2 0 1 1 2 2 2
00 2 2 0 2 0 1 1 2 2 2
00 2 2 0 2 0 1 1 2 2 2
00 2 2 0 2 0 1 1 2 2 2
00 2 2 0 2 0 1 1 2 2 2
00 2 2 0 2 0 1 1 2 2 2

P.M.

To

the

gyp

-

sy

that

re

-

mains

E

A

              
 
   
  
that
fac
-
es
free
-
dom
with
a
lit
-
tle
fear.
2
0
4
0
4
11
1
11
2
12
4
2
2

C#m B             
C#m
B
   
1
I
have
no
fear,
have
on
-
ly
love.
0
0
0
0
4
2
02
2
2
4
2
2
2
1
E              
E
 
 

   
And
if
I
was
a
child,
and
the
child
was
2
443200
00
0
443200
4
0
4
1

4

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A C#m             
A
C#m


    
e
-
nough,
e
-
nough
for
me
to
love,
0
00
2
02
00
4

B



0 00 2 02 00 4 B         

 

e

-

nough

to

love.

0 2 1 32 0 4 2

0

2

1

32

0

4

0 2 1 32 0 4 2
2

2

2



Verse E Emaj7(no3rd) E6(no3rd) E5          
Verse
E
Emaj7(no3rd)
E6(no3rd)
E5
 
     
  
 
3. She
is
danc
- ing
a
-
way
from you
now.
0
0
02
2
1
1
1
2
4442
Amaj7sus2
Bsus4
Amaj7sus2
Bsus4

  
  





She

was

just

a

she was just a wish.
she
was
just
a
wish.

wish,

0 000 0 20 1   0 0 02 2 0 0   4 4

0

000

0

20

1

 

0

0

02

2

0

0

 

4

4

  0 0 02 2 0 0   4 4
0 000 0 20 1   0 0 02 2 0 0   4 4
0 000 0 20 1   0 0 02 2 0 0   4 4

 



 

E Emaj7(no3rd) E6(no3rd)            
E
Emaj7(no3rd)
E6(no3rd)
       
1
And
a
mem
-
o
-
ry
is
all
that
is
left
for
you
now.
0
0
0
222
0
1
1
24
42
4442

5

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E5

Amaj7sus2

Bsus4

Amaj7sus2

  



You

see

your

gyp

-

sy.

000

00

0

0

0

0

   

4

1

   

4

 

Bsus4

Amaj7sus2

Bsus4

Amaj7sus2

Bsus4

      2        

2

   




     
You
see
your
gyp
-
sy.
Oo,
oo.
Ah.
0
33
20
0
0
0
0
0
4
0
0
0
0
4
4
1
4
4
4
4

Bridge

E Emaj7(no3rd) E6(no3rd) E5           
E
Emaj7(no3rd)
E6(no3rd)
E5
  
   
2
0
0
2
0
0
2
2
0
1
1
1
4
4
Amaj7sus2 Bsus4 Amaj7sus2 Bsus4           
Amaj7sus2
Bsus4
Amaj7sus2
Bsus4
   
 
And
it
all
comes down
to
(Light - ning
strikes.
May - be
once,
may - be
twice.)
0
0
0
0 0
2
20
02
2022
2
0
1
4
E Emaj7(no3rd)
E6(no3rd)
E5
Amaj7sus2

              you.
 
 

you.
Oh,
oh.
And
it
all
comes down
to
you.
(Light - ning
strikes.
0
2
00
0
0
444
4
2
2
0

6

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Bsus4

Amaj7sus2

Bsus4

             
             
             
            
 





And

it

all

comes

down

to

 

0

0

0

0

2

2022

2

0

4

  0 0 0 0 2 2022 2 0 4
  0 0 0 0 2 2022 2 0 4
  0 0 0 0 2 2022 2 0 4

May

-

be

once,

may -

be

twice.)

E Emaj7(no3rd) E6no3rd) E5           
E
Emaj7(no3rd)
E6no3rd)
E5
    
you.
I
still
see
your,
0
04
200
2
0
0
2
1
1
2
4
Amaj7sus2 Bsus4 Amaj7sus2 Bsus4           
Amaj7sus2
Bsus4
Amaj7sus2
Bsus4

 
    
your bright
eyes,
bright
eyes.
And
it
all
comes down
to
0
4
20
4
20
0
2
2
2
0
4
Outro
E
Emaj7(no3rd)
E6no3rd)
E5

*

 

      

you.

 

2

2

0

2

2

0

1

4

1

0

0

1

4

*Sung 1st time only.

Amaj7sus2

Bsus4

Amaj7sus2

Bsus4

E

 

       

0

0

0

0

2

2

0

0

2

2

0

0

1

1

4

1

1

4

1

2

7

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