EDITED BY EVA YOUKHANA AND LARISSA FORSTER GRAFFICITY Visual Practices MORPHOMATA | EDITED ay GOHTER sLAMBeRGER | AND DIETRICH BOSCHUNG vowme 28 and Contestations in Urban Space en FINKemer dem Frehennaihen OHUKOOS ie Vrsatg dn Tale nselptbidne © Brendon Bogan Ifrmuonen der escheat Di Dec ‘Neste sechoc hes Pian der Destin Nea "pate alae Den sn ere Sher mda he sec Ale Rec ach i des munaprien Nuch dt fotmecsien ‘Waterbed de Osean estate. De het such Si Ye Figg we Oeagng els eabact Zeihmgen oe et ‘hich le Veren we Spthrng sn Obertgsng it Pop, Taupe ‘ee in Rs Pen ud i Mat co) an 4 (220 Wiel ik Paden Jia Fh Oost eg Rt Do ate ektorat Lain Foes, Youn, Ot Mn Bien Mall (Gesshng en Sa: Kin Rost Sema ersang Fein Shining OmbIf Co KG adorn CONTENTS {A YOURHANA/ LAS FORSTER Invoducton nsronieat vensrecrves usr none Ancient Street Signs, Posters and Graf. Wal a Messe ‘of Urban Communication in Papel and Beyond cvmstane cos Pre-Hlspanie Gals an Social Organon in Para sAscin semen (Governing Graf NYC Soe, Zum Or von Gilt in der einionpoiscben Ordnung der Dinge FOCUS on TaE AMERICAS ean ven Grafs Practices in Rio de Jaci ad sin ‘A Comparative Pepeive Teoan.go cs Prien Fall of Presenew).The Art Prot IA, Sudaméica! and Poem Rain ova camito 7 soautnexnienoos ‘Stencil lech Demis Fores, Carrs ‘od the Vol Goer in Oates a 1Barer nr tnt us aeen ‘Urban Calaral Plo of Graft. iy-Masting, rte ad the Acts ia the Production of UrtienImagnaie 4 Vancouver and Osace 18 GENTRIFICATION AND ComMERCUALIZATION A YOURHANA LARISSA FORSTER save anc rai, See An, and Gensieton ma raeOD acre sun exert ‘creative forms of protest in urban space have experienced a wordwide GraitySuet Ar und Clute Jamming evischen urbane seonsance in ecent years The cys publ spaces are increasing bing Prove und Kosimernieung 2 taped by aapatole aprpeaion tagh epating poems at fanaa ‘and cect convey plical mesages aban sommieton, Crt Reig tn ie Se ee ‘ak wend aon 2 Seems Sree Se ears eee eee eas eee eee Se ees ren : Siaticemcin ccctsasennsracecs “= eee eee a subsequently destroyed Aztec city-state Tenochritlan they marked their oe eee Sosa ete SSimincych nite tray nce fire aro ee area oa Se eee 2 Lier 8 3 Nea Dd Cai rsh phesonenin atc een Taonga de Nurs pte pase tb! derddceotra tap nce aa segs to gin pbc neem tro song ve presence ‘by taking risks? Therefor the symbole re-appopeiion of North American cies documents how galt aowadaye express the cote valing power of stern groaps who sake thle to bang 0 2 place fom which hy ae esol excluded bypasses sn plies Since th 960 the debate about gals ad en fos of est fo uta et has site rom meri aetei viws to spaces tat nurs these (ebeuurlepesios ab a imprint nsrume of communciton fr those whe ar widely excaded fom soci, polt- ‘ah abd curl prtipaton' While raf callngs games tions ty very act aran apes more tention tothe tension end ‘rnsaon of polite content "HE ConFERENCEoRaFFCATY ‘Te international conten "Gai, joey organized by Morho- ‘naa apd the Research Netwok on Latin Ameri a Ape 20 in Co Jogos the sult of shared sensei nat abd bun space ‘inact ty the Garman Feral Minty of Reentch and Edson (GMB bats propets have wrked on the nero betwee veal td tral paces in pac space snd on poner retons “Morpomats explores how te persistence and dura of materi forms help rele, wasn nd dseminte ee and concepts oer tine nd eon pace Notion of poeta ies bout plead ‘ul and reistanc ate been a peiay lcs in Marpac rogram forthe as thee ers a hs canter graf and urban a ar Interesting gears because of trent and someties snes: reve legal mature, bu als dette duae, yea the same tie ‘ela and ephemerl career, "The Rech Network on Latin Americ explores posses fi Inclusion ad exctusion by arlington and practise of hay, tlizenship nd belonging wl iedepedence a potted, tmbeddedness in fee ena and utanartings? Besides vocal ‘oosructiist apenaces, the Research Network employes sara semiotic approach to the sly of oil elton none edes the “power of syle forms” and to investigate the agency exerted By stewie” "Atte conference sala of he amantes andthe wil cece rasnes and in particular aris and cvs eto nae gr find urbana in a steal a wl a geopeaphealycomparsive especie We ime revit the hlry debate on both thes ‘nd meaning of informal an subversive visu pracicsin pu wtan ‘paceson the on hand and on copia dymis and power re- "hops win ces on the other The main qveone adieu by the ‘anerence mete: What oe have graft and wan rt played in ies ‘otha setng? Why od ow do uaa at ad pai inne Sci a poner maton and the continuation, anfoemtion ene the dsoltion oso bounds bd negli? Ta which andi fo these pacts in publi utban space under process of caption ‘sod conmerilzato and becomes component ofthc dy? Although in general a compute aposch Was kn te pray ‘ocas mason case tue io the Ameria ceil Ltn Ameri, Inthe Latin American cone diferent forms of wan af seve at emeonsations fen ees do colecive boning Urban at ‘ctvam pins up social neglites snd excinco from th maoity Seely ata csns tocieneip ight and pat partipation ‘nen Latin American ra and ban et praccs rls rested 0 soci protstmavemest and so bth them and rele! pene of “srimination and posession nthe cy, above al of the ndigens ‘poplin of Latin Ameri. The case tiles evel bow power rlaoae se chalenged and desta by graf ‘URBAN ART AND GRAFF THE NEOLIERAL iT ‘Toughout the past tre decades the reception of wh land scapes by governors planus te prate setr based rane form jobal ces into economy comptine Ietons within the ‘aeration sent Ths bx pode mechani of ctl oa 1H Latte 206 iy May 209 ot, Cee‘xhsion* The elena! ps begun bythe Chicago Sho! of Boao [erinthe Sor her mernuie ached net Noth nd South Aes ‘srl os Boopean cies” Nese ban goveraace tegen he vindsteialintin of cies, the setement i them of on podive [nds and he eka of wan cis ransom he tit ‘snare fr consent unser, ad turism iy marketing Sd branding tat ito atc international companies devine ‘Sector convert es ina compeive hb fr busines aco” ‘Within this femework urban ae and galt re experiencing = ensssnce which it both the importance fell paces for soci poet an atthe commercial pte Toy the cy could ‘ot beimained witout th gra lect, stn, gs, puns and Aewings apied to ubun infrared ci. They ‘pat ofthe tral production i city by means of which desely ‘motivated store progce textual and picograpie rection of the ‘cei reality The diferent fom expression rode se epodose 1 ghtalised snd increasingly interconnected wold in which eee ‘manifttons an he unde Senos ar sel erent ‘Beda and commit cane 1 the ean center of Latin Americ well ¢ woriide—as seen in many ofthe eet protest movement and neo one ulus atte edt ansorm rien space ino # mean of fommuncton ad into a Itaatory fo resistance. Wel known cases tre the mural paigs tht were poduced daring the prot of he ‘Asaniea Poplar els Puchoe de Orne Poplar Asem of the ‘People of Onac beznning in 2006" Ta hei cooperative stra or ‘bee ling condtions abd education ia one of te mat sported tates of Mexico the development ofan art ws» power into ‘nent to represent the lca ppesiion” Another ample lis ‘esisunce and polite potest is Lai Americ the Pera eit 124 gy 2, Seis an Vso 200, Maco 200.65, Holman Ka ow Sour Sn Spe nd Seine 2ov pp. Yona vol Stata Pek a ee sep. 38, Kl 207 2 Rota. a 9.9 bn 2 11 Kae on alr hi vole {8 Daou ad Ena Suede sn. collie Mujeres Crean" which use raf and pb ceive ats ‘omniseararenes of fenaeexploition nd express i dsbedence. In Buenos Ales Areting ast us suet ueitretreviia the at othe margiaed ngeous population Even hough hee eames ‘how ta graft nd urban ar are instrument fr alii parton, the piel naure—both expt and biden of graf message sad ban artis fen ignored y soil cet” “The aesupsion that urban ar inherent ranafonmatve and cxoresies ci sbedence has ben cetezed, ice the advertising ley has ppropeited the gurantee cee is gue tht wha was rgnly mere a subversion as Deen aed ‘Mlimavon and acceptance of ling regimes According to the ric, Comiisioned wan at sees ty trading ni forthe itr of ‘cey thet depends on consumption a pase cient ther a pull parsicption and pres The pctographie ad etal messages ‘a ily bit sigan cia fei, bt the eat re ‘beedin context of noliberal erctrng tn are sce a isa ‘makers of gssention and commerizaton processes” Sabet 1 thie i tae appearence of atest atin eiiberoods wher tis ‘ont and commisoned and thus rnd ine «coapaeet othe ew ub cet or example the commana inter pico nteraiona pots x ural events sacha the leap measures in Bein te, = tepated the une scene nto thee rogram node met Vs? ‘pecans of cll nd eretive soc” Sch nares address ‘he touristic nasumer as much ste poll acts. Ts not the ‘oatet atthe clr and frms that serve ss cently markers no dis- incon made is terms of einai soso mesg, othe Sere of intonation and onl Ar acansegience eich woes fal dace themes fom the loge a raevork povided by lnveatr sod oem panos” 25 Jao od Sue 20 9.4 Deland Mkt 20559{THE coMPostTION OF rhs VOLUME Machin the foal poiats of the confereace the took is vided ato thre parts. Theis sora pr ofthe volume sets ott explore recur of graft For example ancient Grek ad Roman wll Ings and siblings have often been compared to contemporary grl= {i However, th asia cholgist ara Lang aps tha hit comparison soe and dowrpiascifeents betwen neat and onsepcuyprcices Hi demled way of tet signe, mural ed Dante ad scratched inscrpdon in Pope rere tht ain all ‘rin mos abs neither spontaneous ibe sce oe Seal On th conty, the facie aang wal nemeepee souvenir eevings fees eae lees and wee reat desetion infrmatin and comuniston,Insripons in eminent ac pce ‘or nse eienl bangs test thi From this Langer ae a denon tht roings and satchings fr example “peta gra ‘were pao adr sof ppalar cou paces Reman ie. ‘Aden aed Mayans have sd the erm andthe concept of ain heir wrk a6 wel as socal anthropolgite Christan Clade ‘coun, Ritual and adnate tilings of pe spec ces Ive been ound to bea ferent indo aiema insrptins Cados presents an arcecopal case sy from the pre-Hipan Aades sm the ite of Mayang sca Facho (AD 80) whee biden drains hve Ben covered adacent tan oii! wall paitng. She wei ths since othe Inte in terms of eh lags and anton nd concudes tha the drawings ate ether raft nr etches ‘but “protrpes that wee created by sie in ener to develop the ‘eoaopagic progam ofthe lic mal dexg, Her std pias he iat of aping the em aati al Kinde infoalewings ‘or ncions without arte sraiiing the context of ir prot ‘Now York graft mars the trea ern of an ban st pretest ‘movement that aimed © deo atention to iaciniation on grounds soci class ad ace i he United Sse, Pking up the price of «time peveaton by diferent goeroes ofthe cy, Sache Scie ks the “oli of cesning up the ity walle” and the theta the 2 ‘led teaken windows theory By anlaing pb dscaure sand he ‘sqrt colon of New Yr, he abl to show how diferent om ‘ling osruens were et up extent ean pb oer He argues that gals prevention focal pont ofthe pil contest or ental ve stan testis in erie nd posemline te ‘eaitie Finally he show how the New Yack douse ete opted in Boropets and German iter “The second pat ofthe okie dels with lit od urban eto ‘sean of protest Latin American counsie.fering reset oan ‘ie moverents in Once, Mec (Olt Katee, Jona Buscador ‘nd Sofa Carl) aswel os Beal Tren Vesta) and Cie Teal [igo Pree the ots show te awa fat ad posi isto ‘al perspective The papers indie the ae and actin of weet tad ‘ben atin cotentna police, ‘Based on empire esearch ad interview wit ctor in th rt scenes of Rio de ani ad et, Tvr Vere compas wo cuceat Tuset ce of rata an at She wats tat th ub rt and afi sene in bh newopolei are mainly ened by the wie Search fr scl recognition and public enemy aking a he inter ‘cations of gfe and hiphop aswell a shat cuties ake lates ‘ow the cura indus and corporations ach a Red Bul Nik, ahd Aaa well politcal pais coop sy forms and language tat ‘ose in the comer ofthe stor writer Bel In Bei in co ‘ea the buna cule has ben ae tenable etc ‘htc ete itt exlson and expres plea demanes ‘oe more plc parisipstina, ‘Comparing two expe of rhe an etn 2010) and Sastingo 4 Ch 98) al Las Pil recs # purl xo imervntion. Poem rior por bombing at hey at sone "mes called 6 Cheat atin that aim fo tie set ‘Nout hisorcl inden With its poem ne perme ia Beri and ‘many eter European cies (Guernica, Dbrovi) tht fave histo ‘ily been ated y war and derction, tbe art alive Csigrande Teapeopited the plea part of is om count ithe te ofthe iat of Pinoche.Ding that prion 198 the at calectne ‘CADA. had perfoamed fst oom rai in eam ofthe Chilean ‘etime Casagene'scteton of GADA.demonstts bow the vic esata the poll oppaniton was tascened by seting ini spaces nd making histor coesiveeaperience ‘Apa the background of Ossa's protest movement ahd of l= enes fil disruptions in 206, Sy Carla age arin pst the work of he att Damn Hare, Based on pr-Hispenic ‘mages he develope ‘odes with whieh he ade now Ycsblay ofes Popular at in ore wo siterret Mes noalnaratves end to ‘sali the county's load det. alwing he deconstruct ‘tinal historiography of Flores an the mokf the elated at cllecive ‘in Cardy ethos show how tin ncdodng local ben ten ler, eal tts and prnmaery, wre avcled in voces and ow graphs wete ued as a sate forthe prodction of oi ‘ossages The anlscncade with csson ofthe ein of "lors at wor athe Museum of Moers A in xcs City where ‘ua inset cent ving archive af extinct nd ‘ommurity-making ia Osaca Further emparatve examples ft and uta at inthe Amer- casa introduce by Olf Kelme witha aaisis ofthe ait po traning the Vacouer Winter Orme in 010 aa th poise ‘onli betwen the Federal Sate of Once athe pote movement ‘Asambls Popule dels Pueblos de Oza in 2006 Te sprees ‘the polit tealns in the Bel of ar prodaton rc plied ‘alr perpecve and show ow abn nae ae wed by diet Pita inte roast gua dominance over sian and wf orm call hegemong. Both eaver oie o the importance of clr nd post Frit ten clr pti within wiih deen pro om igloo ancl powertrain ‘0 spontaneous ubanariss—imapine the city anew and ths sake = stam othe ight othe iy. ‘While Kall ees tthe economic faction of tba ac the ae parc ofthe book advances sme ofthe spunea ele tte the primary focaon the mach debsted seo the getication of an spaces andthe closely connected ommelatn of aft Jer Abarat ppt on af asec art exellent diene functions hse at performances ve indie ating He argue tat ‘sce at is pat ofthe urban ult indus and aime rset he ‘ban centers and to ata the mile and oper ees. In get ‘Sy ceer ars items appeal to conmuercizes and tet ‘dma for regeneration ad recreton He ly dtngises set at from ras by lacing the ter within the famework of reste ‘conomywih cleat hierarchies and competion By epbating he “iret soi background of gait wove wigs re loeted ‘asain impoverhedneighborbods, charac rafts oth 1 prio and prohibited vi ‘Gratis lio Gre erploe the smiles sd sia ‘ies heave pict art andadveriing, The numerous gabe xampls hom Geemany and teyond that Gre resets nd analyse ‘hed gto the completo the proton of uth rand test {7 with maniflé les and el tei sei ad protage- nist Imersertions, borings and mal appropriation of afi Steet sr and adversng sem chartrnic of the cutest itty in which vandals as wel ma and ome, nv a well at companies compet aver the viewer/cnsume tention in he pbc ‘Spoce Grea auc tat boundarir te becoming increasing Wey ‘some graft ad restarts enasing connie thers ‘esting expoation and stl others eens ey few subverting nd ‘eiely commenting on development by mean of ear jig ‘ona Abas coneles the vue wih dscston of the cle of nd street arn gl policed cant namely ee Fain ‘elation of 20 with te wapecedene, rampant vil cle She provides an ethnography of how the walls of the eendary Mabsmmed Maho Sect nee Tali Square became x space ighly contested by youn evans ara arts he cy adminis, a ae In ths Aba emphszs the ower of the ste andthe sgeieance of graf as counter-sure hats o una patch pow {nd remake urban space ia te face af the ncresingmileaizton of the laser. Asa consequence fs incesing popula, Caen rts ar undergone a proces of connotation in prc on te e- ‘tional news sd arts market" Abn interiew with Sora More, ‘ea ezine journalist Mog ad inmate conolner of ‘the Gare get Scene, resets an eidrs xa ews on these smnbileae. freuocearay Aa, se a iy ae i tn a a edd 197 Koa Kl der er Aan et Zien. ein ego) 382 Ura coms, el 24 Foran pdt on he mon ect elope tes of ome temo Cane rat ep wily cape 03ns ‘SOFIA CARRILLO 1oAQUIN eaiEnDas STENCIL IXTLILKOCHITL Demian Flores, La Curtiduria, and the Visual Guerrilla in Oaxaca’ ‘Among tbe vasious ces and urban sqses that experienced a radical ‘sual disruption oftheir pu phere ring thea dead he of Orsaca Mexico) san emblesutc case. Ass wal know, the suet af ‘hii wimeso oc oval satemcats and pola demonstrations ‘gas Uses Rui, State Governor te fom 200 eee ‘or ofa number futon buses and tema vileeeaguat ce ‘oc. Ascompanting «asi ste cmtened by the 2and Sesion of ‘heloa Testes Unio, the malls ofthe city in 2006 Desa a ub scale cloflsuace om which ast demonstra sporadic Sopprtes stumped ew ste-ste clever storia. “This artes vied ino hee pars The fst exes he wrk Demis Fre not onan sive att vole inthe allen ‘e-Columbian westhets bt oa the into of a Carri 3 ‘Srl ester and atic ridency tha emerged fm therm ous Located nthe Jats qares ofthe cy of Orta his poet Conia operating oy a community-based independent ion, Aevoted the enval fhe rapt art and othe en am aie ‘0 pail fre Taking the clive race of La Cat 2 ‘se sy, the second prof the are othe as hand essen ‘eplay beeen the sts politcal oa andthe Oszacan api arts ‘edton and on the ter sed describes eres of atts developed ‘cat ec ty hs commani-bated eluant Thee ces ‘tha review ofthe exon La Cutis 20052005 bed cently 1 Tad om Spi by Nove Roden Rie,the Museum of Modeen Artin Meico iy. Curated by Seta Caria {nclaborton wth Demin Bees and venies of La Cardi this xin wan oaceptaied a ling pitng machin, hy 2 ‘nosing device th document seven yu of stiesexhibons, tos rides pd clletive pedagogic 1 coe oewian-sLoREstiNE ae thaan arch expedition ito pe-Clanbindbcuensry sours the wor af the Ossett Denia Horeca beveen at nd vis apology tat pms the depts of SEP texto The wor this Jucidnboe ais—be i gaps, istalaons, sculpture, or ntings—beeibes ie nt alot superinositon of popular mth Sa se grammar often of remedied ear and ofthe of in speed eno fcr Geese wasn) posers His woes re flofepings of ode tle rm manual and textbook oils eves of bastard ombols scl bueno and deities on crue. ‘They ex to sages the possibly of ling he country’s and ‘wncl urvsin adr toca ow tears xi’ lind ent: Rater than ering the pe pani and roesonial word, rater image confate what me wold kt dese bec the “Demis Coder palmpsos that spaces te patos pat and atonal of Mexico layering of impimas occond arn, ‘rulson mars and enced iages eed inthe calete memo. ‘Oar im in echoing both the ‘General Histey ofthe Things of New Spit ty the Francine Berardine de Sehagin~—s monument, ‘elves etinorapic mak known oe Flaine Cader and 2 SEP te nme for Seca de Bcc Pia Sect of eb atm ddinpy Osmo ‘steams e Msi: "Pre ep Ce my ce he ‘ou sta peak) The SEP mse rhe el pepo oan {het osteo eoconal pay pean sn ef eaing ‘snes dation exbost uhh neat pt ‘rane ia pe Ot oe sh ay Sov cui aqui ssmewos: tne TUKGERTL A ‘he Codex tiki se of dames compe by Ferman de ‘Alva Tela tbe great randehi ofthe ft Teens dau? ‘ply tha ibe a ina t analy eal che mut ion tnd boroving between coutmpurr se steel pl nterenon te Neo-Pre- Columbian seathts ot isl prewar cooices Inveent in pee-Hiapane codices hax aways been part ofthe elle tently, fom the cary vente emary tthe pes. Moreover, ‘hese codes have awa accompanied eael wen oni vyaees, ‘lng ext representations ef inc ction and unesin "European nd America il alent a instil set dacnet, ‘nd esas the pre-Columbian est One of the taraing ot a this ‘oy revolves rund the old peripheral moderns hat emered fn Latin Ameria in the ftir ofthe twentieth ea, fo wh ‘id eofices were both a diving ce anda ast ayes Xal Sala, Diego River, agus Tores-Gari and many other aie ied ‘hem exhuslyin an stem to emlish a two-nydaloge between ‘ne and imran culture, betwee less and the sete ‘easlomation ofthe penn, between logcenric Buropean vu veabulais andthe erie gamma of the contnng between Ae (Gene Hispnie Americanism) Prometheus (the detent witars of ‘he Old Word) and Catan who soppedreperetng he mera fe United Sater and became an alegryof pve anal, {nd genset eveainary iden) tore tocommasiee hele aa 4 Caban-an angi sled by Sikes om he Word Cai, arbenapopite aa cimeted erl ie Reba Det red ‘helena reseed Hee Ren wre Ege Reames {uv ies of aon into a sce snopes hen fer eae [int Canc and Fs Fone ronal of Ooano Mac {ec Mor ren] Bert bpd othe eae ed {Lacan~ancw agi Clare we cate oe‘Ghore 1 our own ting the deconstruct bisigraphicthiking tat ‘rent hndinkand with he blr of porter ao red ge ‘oman the en of pre-Hispenie elas id sete terete imo the codie ofthe ery modernity of New Spain a the el pace for bl exevenence nd cos cultra hyd. If desonttng the panna of a histery realy cose sling te clonal ‘ex oltre bea more perfec te than the pe Hip cles in ‘whch do so? As igh be expected coneoray cite icky tone 10 the occasion and appropiate the probe Let two examples ea fice. Over he pst ve decades, the Mexce-baed Hrksh art Bran ‘Nissen—who defines hms postmodern dallas produced a comple cllestion of eotize (The Madero Codex, Cadex apap, ‘Codex Azan Coder Piping ete) which update and seinen the odes frat For example, TV Coder madein 98 compos eis ‘of elpura cies bound sie mnie tein stn ied he Tals canbe moved forvard ang se of le. Meni 99 ‘noe co conepea nngnges and Mail Ar, Meicannelogit Felipe hrenbery created his ‘Codes Aerosp Etveabereni syntess over thir yas of ime graphic os experince td ‘ties. Hiscoder can te een a Kind of Tnnhid Seni wich toh inaie of lial event dete nove tt eae around ‘Beat wel ana ed-out ofa fo the Da fhe Ded. OW A QUEST FOR THE PRE HISPANIC ORIGINAL icons 0 these wo examples which recover the ding screen se arma pr Hispanic coe and combine with crtemgoray ec ‘al pictriand publishing edi te Dein-Faestne Cae ies ‘nursed in apdting he pcograpic ad slphabetc ain of thse codices petersing oat them ot ad detach them fom the nee of contemporary ofc history. Rather than yng onthe tation of ‘he das snd expand on Flares perso ek don teeta teresuray that instal them i the oil anny of the weet ent: Nonetees as inthe may of ads dating he ely ‘modem period the Deidre Codex ul elo sla ‘ions aprons a vei wae tthe eatonship bees Nat vr end fo a or Sei nt ett The ermal i Sri co onan sanaenos: TENE UTLGen A thnographic testimony, poral repesetation, and lpia ie nisl polemic te Dein-Frestine Codex dow ats ut ‘thoi tac of re-post ter the nhs behind ty theta of ope of ope ost guage nthe lon oing ato ‘ing of Mexican pit cre "What Demis lores ems tobe ing lls trough his ee ‘ons tha th picngaple ulti the past ce ay bea es sive and impefct egoaon, an that iesines et atthe ti simply another may of smadgng and sacking th may lesa collective memory. Lie ail odes, thea, te Demis Florine Cae ‘ides inthe ins and conditions of clonal uli. Ady do ingsoit warns sof he dangers of conning ot Gust fe theese leary the mserm bj en i ty tet mean FLORESTNE DewogeaPaes ‘So ha ae he sigs tht inhabit the Demia-Hloretne Coder? Aside ‘om the sbsact oe ad fees taken rom varios pre-Hispan or ies ts universe i peopled by als essed ke acount managers ‘eal oc int ang and ght, Suave Para wih crowns thorns ‘nd defn expesionsdacaerwho seem to recite words dtd by 'venrogist of il eres, cllapsible hihiipsue and wanformer ‘halite bes who vente Ou Lady of Gusale an ove ‘hit thei opponent low the tel, burensrtcomped with NAFTA lume, by Beas of Benito Jase ey top the ka lief the beHspanic pst hosptaled Fated Warr apd Jaguar Men with, ote ems Superman punihel ty Zapotec dete and Ee Fes ‘atching for Bugs Bunny among the ruin of Moate Albi nally ‘seve fom the pool printed pages ofthe history books that have ‘een dsited on «mas ele and fe of charg for seve decades ‘it thea of teining Mexican viol ei, the characters tht Delis Foes puts bck int cicltion says end op atoning wounded signs exhased and indir, hey a flint ‘Sfors to perpetuate th ner secant ofthe t's ny. Raber ‘han invoking emote pas hi eis re ua sme oe ding ‘uo bullets or aveiting the atic of Arn soir who wet lai "y Rama Les Vd the poet adie Jn acon ae Fatwa an tl eo jcc tet esos ‘tigenbags decorate wih geomet Mixtec designs on thei Beads, Tad round literate, and eropped te heres an mato Deg at Inhabit work recounts manatee: thefaue of he ei Dedagogy of Meet atonal Fg ). STENCIUNG THE WaTION ‘ne of he ilre-Sgues that undoubtedly stands oot inthis singo- lar attic univers he debian, mori profile of ‘La Pats’ (The Homeland. Matera some erin ted and babi, 1a Pin one of the mone deply cote character ithe national seat snd agar Its rigs dt bck to 196 when the SEP ‘ed psiing by the bombast einai stator Jonge Gora ‘Camueen on th cover foots textoak. Catena Petia ‘heeled potato oung Tlssaluce woman which he SEP used tomboy nd ext Mexican ntonal dest Raising he cous’ ag ine et had ad holding a tok ia Bergh ‘La Perf the mort, complied meses ctmavision of development Meco diag ‘he regime of Adolfo pes Mateos Insts en years he age wat ited in moe than 0 dle SEP patton, wih tl pit rn ‘stmated toamount to more than oo milion cies pablahe a i ‘hued eof charge Reproducing sag image 40 milo ines in order sly the eo miaedace woman nie national ethic Smapiney cot eaurpie in ecnomic and alo emboli ters By means af the SEP econ ideation pest ad he normo nimber of tert sue ings ‘a Pi become ‘ep enuenced i Mexico's nervous stem snd vial imag. St ‘ng tham po shifting hem na clonal ext nen care ‘gy Wel sare ofthis Demin Flores dosnt ot out to dare these images or exablah ne reine of os-aationalconcias (Fg 3)-On ‘he cory is sey rune more log the ines of eyeing and Printing the mage af nano wa u,bred fale sng "homemade en hs'Ls Puri sere pangs and rotogroares tre lea epodutins of Camares’s ne By arp pe lng the fle rprodactie mth of Mexican idea this Ottcs art ot ont reapropries Cabiaen'sLa Pai elo makes alent it and aero of context ‘Wecan sl copie the neonate dcop of he SEP in Dei Fore epeitions but we no loge se any of ts tue or symbaie props Aithogh the ference 0 Our Lady of Ganges il tee “her cow of thorns her sty oa nd ber glen om —the version sri cao onan easicnos: sree wrdcaofLa Pain the Demi Flventine Coens ee mstin and more, Indigenous than she 400 milion La Pata ofthe SEP. As the proces of reproduction and th erosion ofthe lags and the sen fad geo washed out the elegy and ety of the cll ae, Demin Fares new purtar re ander nl cle than thot ht ‘the pager of SEP extook Instead ofthe commie oon of al tings Mexican and Instead of the aia spahesi expressed by the wor te pul spar clei indigenous and modern cries a they bas dean a rosso vial nd rial ceotige, Moe i hes Tasca, inthe Dea Floesie Codex the epbi ofleters ad ‘he eal ofall ends progres hat went had in band ‘ith Camron ‘La Pai replaced by dean sn that nepal Ube sehed flare of alle patralam and developmen, Sor camo vgn ssmeos: enc. iran a E/ CONSTRUCTING THE NATION In 201 Demin les sini carry at an iter othe cl- let the Masco Naina de Are dea Cad de Mex (MUNAL). nied -Deconmroceén de Us Nac is eerveton wa pat of the ‘corsa ect Contemporary Diogu which ves conteporey a ‘o"deseze te maseum experience” Tod 6 Demin Flore deed ‘te modify rooms 2 and > of the MUNAL,bnowa a "Consracon of 1 Nitin’ His intervention conse fe eulpars paced opposite Seis of inceemts-entary ping by academi-natioali palate sch a Jon Mara Jara, Jose Maria Obgin and Lean gue ‘Thee pinigs re hacer ty tes tempt to oy and Wes etre te ndgenoas nobility any hei hope ef varia the the bins ofthe Mexican Olyapes in pe-Hlspni ute ‘sweets scalps were ntintened nti the mse, ‘arate ido tke othe exteme the ie to meg the espn, Westra and modern Mexican clue toss ect. Cini pa Tuseratached dst dels Greco Raman carotene onthe tacks feet dps pee-Colambian ty godess with Ges sudeses going ot ofthat bead re pets that Howe se 0 pls te cosines of he sete program af ince cemy ‘Mexican ant By eageating thio te pola hr, ‘heel efmersing these he iors oa lately eves el ‘stan abeard an nplib spain, Once ai eid nace ‘Sd dechanet ahr then ition an erates, The trenton ‘lb inlded the video "Apokalains which wa projec oto amo ‘mental salute in on ofthe modied ome, a amos thee meer ‘igh igure by Catsln aise Mana Wie which represents Chiitpber CClumtar posting out the America continent st his ‘seta cartographic coviton tht the maioer never ely hel. Ta the catalogue othe exhibition Decontacion Se Unn Nasi the MUNAL castor describe Denn Fove seule a “ae pre Hispanic, senerting the emergence of new way of iavoking pe Hispanic clare fom the present This ide carting bat there nothing new init Ae we hee mentioned he boil abet recinventos of pre-HisaneUapiay. To seme exten the onal ‘mentatys aored the eden oink ofthe pre ip from Al perspective a he tantay = mythical panda foc with ‘he overt ernie the present In is eapacy a he stator of0 Sorts gun saeos: TNE. HTLKGERT he emblematic eriition Twenty Centres of Mexican Ar a MoMA ‘10, ions Cao ste [Le bate tt this xititon a re-Spanish art in New Yok ‘agit to pe new vison othe publi above allt the eso the ‘United States we hope maybe taste to wars of moder “Amrizan at ronted inthe elder a of arora consnet Ofcourse ‘we dono ng the sere copying of the works of at exited ot ‘hat motives be nterlly adopted by modern atts bat thee i something in each ett pceton which remain after he ob ject tut has prodoced it as Ben ogee, someing wih ‘mot inspeston? ‘Ava ofthese omits and eel ean, f these crossoves be ‘een the noth nthe south of he Amie continent, Demi les ‘Sot increta envetng anything rom the presen ot inning ‘bk the ee-Hisani past The ceive o dis uch wets i mere prowl butalso moc efecto street with primar to crash ‘th the ing pres ra ik was ote 1 COLLECTIVE ART OF stENCIUNG THE POLITICAL IMAGINATION By vine of his demography of characters take out of ofl Mesias story ad peo comi ip xcs ave sen the work of Deni lcs atthe oat rp exprenion af the brian Between ‘gata and ea sce a profane archaea potmoder, me ae ‘ure and the rei preservation ofthe verse The ais self fas this interpretation sting My wok consins of sponte mes fom the emblematic pat. ‘combine hse images topther with cement oroved om pope faze to erate ew metaphors of oe bys ait By mean of ‘onic deconstrection/decading and inl inerortions chee fanetons sa support for diese abd mening engages MS sm otha organize gathered elements sigs ering ocala Too 28 practices fond ngs that have ben mdi lsat ar his ‘or and multiple formal language By ding 5 aman oma ‘he impure. An impart derived fom the mitre of adie, ociopaitcal content ad lta stuaons® ia evel ofthe process hat rl images undergo in iL Pari? sere, Demin Foes cone fis ar aso in which ese Cala ison come togethers mere. Ar socne who an atthe ‘Same tine i not fom Meco Gs who fos on hi oa ndgenns ‘rcaround an athe sme tine ws beyond the anes of Zao cole, Den Flores har dexgnated hil a ila be ‘ees hime asthe ret of «cos betwen the uci (e mall ey the ae of Onace with ang nkgenous ros) and Changs (o slang tem for eset of Meio iy aye being. As wo ee is isin to rurn his ipl dal ein ay of edermaning ‘nd netting ht own univer ha been «produce on bees It ta allmed hi toting ogeter the ingredients ad alee desis ‘eau tolaunch pos sch es a Crue (Contemporary Cet forthe Ant) oe TAGA (Contemporary Gapic Art Werkbon) which hve rived and modem the graph a shoo an cocuity alr ct in motion y the acca Pancico Toledo when be ‘rete the IAGO (Gap Are Innate of Onc) in 988 ‘rjc ofthe ind bow nth ter se of Dea Hare atic metal in wich the ari fonctions a nator of oil proces through pape experimentation, Thi is why his woksbop ad cl Tete project har ot remained lo rom the pli pace the have taken lice ia Ontace lace 2005 when the petal repenon sd ‘censorship offs State Governor lines Rui prompted he restion ‘CAPPO (Popular Anembly of the Peoples of Onsas) and ASARO (Assembly of Revolutionary Artists of Osta) and spread tbe eof step a too forthe sugges foe social movements The eves ‘that oo place in Outen 2006 reopened an ingortan debate: What ‘ole do graphic ars ply in the ognlation of ull protests? What x ‘he rl of wret ental fr denouncing socal nies n ‘ight plas society? Abit verve of tacts may hel ws beet, ‘understand the comet ofthe eit lnmbordintions of 2008 ‘Tle Grice Asal CIAGAY {wine de Ae Gann de Ota AGO)Ona: STENCIL-STYLE COLLECTIVE POLITICAL SUBORDINATION "eal bean in May tha er wih seemingly ousie sie hy Section 2a of the acer tae union The teachers made ters of ends ‘hat stacks chord with many of the cy’ Inhabit, who were fed tp wich secing the stant Jetson of tei dap to-day Hes ‘The chen’ demands stared ou a he ua i of employment ad social cans: wage incesesadeqontly equipped url scaly ad an Improvement the oval conditions of the eucaon sytem: Dut ot ‘he ranks of demonstrators continsed to wel te poets bop 0 ‘msappropeton of finds, etoral feu, unjsied inprsoment ‘isappentance, and asssnatons to thei ist The teacher initia liber inns ended up opening the door «bond denuniton othe ‘systematic man rights violins petpewted bythe government of ‘ses Rai Onc oe of he pore sate inthe Meican Repbli tas mot ony lage and diese indgeaous population, bat song wa Sin of soc movements a wel Te culation of strewn obrerated demands fled the 2008 cine ‘Argos fle the star of the cone, APPO wa formed inode 10 supoc the acer bringing together ve 20 ce soci oranize™ tins Determined ting th tence se oan end he goverment ‘slated he se foe. By October 3005 he clash ced fou les inctting minor and an Ine journalist In reponse, te peopl tonkthe cy Bascades wet up allow the capita with on ‘Son ocsed inthe iy enter To nantes the apse medi ese ‘Ship enferced bythe police ew radio surtions were cecupied by soupe ‘fswomen who supported the eches se Teas then tit 2 myriad ‘farsa elas demonstrate without phic ar experienc, ok tothe eres tori tec’ wal in an ato il isbedence snd ‘esthetic and politcal potest The plc vnc, exacted By the ‘Eder govemnments military backing, oon tel up aginst stciety eerie to ake demande bead trout the cys wal ‘sunt OISOBEDIENCE FROM THE wARGINS [A number of graft srtsts and other demonstrators son founded ASANO with the explciobesive of supporing the pie actos af APPO. Ving banners steps and above al incu ited poses the ‘memes of ASARO pnsteed the walle af downtown Osrce wth APPO Slogans Nonethiesnoall the rafarn who tok tte tet 2 ‘oi thle demande in 206 nee members of ASARO, Soe peed scam ona esmienos: Teo HULDA ABS ‘to remain independent lnely du to cnagreements in regard tthe ‘gasiatonal plsophies nd itera polis ofthe insane’ teaches una apis epi as to APO. Mos of he independent, als rts oppor the genera eke as rate or oxen, the govemmene of Uses Rabu they ast the plea maneo- verng of the teacher usin a cunriouRta 1a Corti was born when a group of independent graft and other ts joined fre ving died print in the oi eds, ‘nd oil she sets wth» new poplar obogap,withou eco Ing inved inthe pola! ral of APPO. La Cardura stared Demin Fores hud sated ot ag bei As Dein inset ous, his st ese rst, Gandalf Gata, had been seized by the state pace on hi ara in Ontace The members of La Ctr bl kemonsttion ro demo his eles ander some inguies Gandalt tras feed Thi vet ped o mobi the member af he eject. A fe des inter, Demin Foe, companied by = group of atts (Dr Taken, Ral Herrers Francia Verepa, and Osa delat Fle, mang others) orgie the pining of evel banners o support te Collect rote Soi war ht La Cardia wa born rm aati ‘perience, which sony infenced fs commitmen the Oareas fommant (Nate in s former tanner neighborhood ence its name: La ‘Corr means ‘the tannery—in the Jaco gure of Osc, it ‘uly boca meting point end eft for lindo young people {ava in thesia prot performers video makers, photoraphers, intraker apne pathered at La Cura and rested Kind tf esitance graphic corp. Groups of stences, efits art and frist sacha La Pl Ans Santos, and Arte Japs wel a foreign ast colts invited by Demian Pes sch ste Colo ‘an group Excusado Piste, Sarte our sing the eter wal of 3 Ls Curiduria and TAGA (Contemporary Graphic Art Workshop) tnldings fo tee graft which ended p spreading thoaphon teen ‘recy (Fig 4, Demin Pores temembes hate steel phesomenon ‘seal tae in owatonn Osc before 2005 and how gels rs only practe i the perp area f tec Are Jape, one tthe few exceptions proving the ral that their fs pai date ‘nro 204| ie ger ee ieee Onc 2001 S cat ta Ply, Le Cra q ov eno sxquneameos: rene en a8 The wall of La Curia ae sl ope wo graphic intervention day (fg 5). Mexican nd intertional ars replay spore he walle ‘ofthis space t express socal probleme sch athe sug fo la, Calarl iesy,ad the portance ola don Since 2065 the ‘all of La Carri ave lowed graphic ar and graf t expand {r pblie sphere with connection fo oer at centr galley sad Insituns. The seopl ft Jaa area hte Bens witness, the tybolccontroron of comment ela spare ht cm ato a Curtidut sow oes cultural caer hat defend com- nut fe tough papi at leo ranean doctonl roe caled ‘CEACO (Contemporty Are Specialization Clini) ia claboraon tnt the'5 de Mao’ Acitecre Fal at Beis Jes Autonomous Unversity of Ostce (UABJO). Alo withthe leetues, workshops, ions, ntervaton, and cores epi a pat of CEACO, La (Cordura so ans rsdency progam ora erred in wok Para LTRADA cae La Patras oncom, e-sibuted pico deve ‘nest developments taking plas in Onc.‘ Pate stad’ ie borome rom tb Welly publication edited by rego Pa (anitser of OcloPu) in 88, whic he tte Joe Gasdane Poe Contributed pushed far eres between September 2008 and Ju By Wy of ameter se one opne with a gut rom Henry vid Thats Resistance to Gil Garetnment (Cl Diebediene "Thea cept the moo—"That goverment best which gers es and shold ke eet acted up to ore rapidly sod noma calle" Tae content spoke ofthe government ae ao he eine ‘fs Mosiaed Homeland, hich wa the ie ofthe ate waiten by besa One Nahin. This et sue of Le Pt brad! eae 0 let to parpate ec inthe eens that were eg played ot ‘heciy. Teer such at ar Hou by eto Lambe ale sbou te iisibntion seis sed bythe mein while contain eidioe ary 207 ve by Sega Hendade) - sor canuu nguessmeoos: enc. iTuxden ast "The Law ofthe Pope (be rane escent erando Lobo hal In the aie ‘Ge Ob Homeland! Tn-berwen rections and espe Joes Caco Ronis rcaimed the ned being abou ange Commemorating te Day ofthe Ded the second isu of a Pata ‘Magzada' was lnuched atte opeing of he exis ‘Calaveras ef A Homage Jon Ganalope Porat which ced a ange of et and videos doumeting the repression ane srg hd been {Shing lace i Ona inthe previous oaths. This sue conaed an rotated st of he Onrcan mints who been depone pola Semana swe a erences to the Cad ules omen ad othe women who had bees sanniatd in Ortaca Talia covered xh ‘och uc acne safety in Onc nd repression Tee the of La Pati tng’ wa detest the stoi for saearan reform that had ben leunched by the COCEI (Coalition at ‘Worker, Patani and Stade of the stan), The St scion de- ane the ate of power tht ha been eerie apn he pier Franco Toledo, photographer Rail Doi, and weiter Vitor dein Catia Jay 983i te cy faci wich hed opened Mesa yer to poli patsanehip andthe many Kidnapping and ations of COCE! member. This hed nue of La Pts Tusa’ mainly fecord on drevingetenion fo the rar robles the province the Indigenous and pssaotsrapls an the roe of ade and workers inthe etalon of scl aru. Pai rad ied Ai ads Legacy Signs of Guinea nn Cos (Chic This ie deal withthe discrimination and ais asthe ‘countrys Ao. Mein communi and esi misegention sear trithomogenises and obscure curl divers. nted ets (nthe construction of negetud’ abd onthe independence of Senet ewe a rie deacons of ome Afcan se Thi ue asthe Test of sere of etnies oraenined by La Cartidaria sound the ‘las ec ie Mexico. As note ati, the dominant oa rl tht raf and ni at took om 2005 was wihou precedent in Onc. The city's walls began to ae the nes of Beit Jase fst Ostacan president of Meao ‘ofinigenau rig, Elian Zept revlon leader who sed thebaer, “The land elngs to hose who work i and Subcomandante Matos ied nether wit inns ihe wearing ge mas, Ainging aloo cock, women nth aden eh dey ad cornfes All the images tacked up anu bated on the defense of ‘heland of atu resources and of thigh npn poole in “Mexico And at the sae the wall mocked pin ata ‘pitts lasing thee faces with those of dogo no ang Mickey Mouse eas. The arts who tok prin thecalace rebelon of 2008 helped to bos the pla imagination ofthe people of Osta by ‘merping elements aging from the Mexisen mist shot Top Ae “The images splayed onthe walls of downtown Oraca we this 1 Rnd of updating and apprpeaion ofthe Mexican graphic ation ‘heehee evoked the insects pine by Feb Td te ‘women wih shavs und the dynamic compositions of ole marching were reminiacet ofthe TGP (Popular Graphic Wothshop, aad the ‘oughly ea covncobs rscbld theres sed by Ro Tamayo. Titer words im 2006 Oaaca lt sed en ar eogzed ‘themseles a the bis toa graphic art radon ta netcably linked to sci stugpes and othe ceton ofan entity of reistance ‘ht is ted ia then by mea of tec exe nd eed forms fhe Nora ad no of Mei. Practical ressons led many of thes rit to tun ogeahic as s mae forthe prducsion of sci message: thir mmedicy and fhemeral naar: Eve 5, apr rm he fancial snd dation ‘Scaidertons ow cost and val eflecvnes) tht define pnt Inga tenis another for favoring te se wa the man gh odiabos that have een operting in the county fo several decades or instance, FrncscoToiedo ad conte tothe distension ‘nd preservaton of graphic ars by sting up the IAGO (Grape Ate Tsu of Ona) in 1988, which as one fhe ngs cles of ints in Mec Tn August 2004 the IAGO orga an exibition of [Bani iesesty Grape SUMMA which ad been donated oi calleton tthe members ofthis colective: Flom tt sow onwards the IAGO promoted th ue of ec among Onacan arts Another eames ‘the Runo Tamayo re gapic production workshop, wiih ad been roving several generatns ofan witha podacton and daruson ‘Space snc itt opened in 178 erando Snowe wokabop,ont lth lnget-operting gh mrkhapin theo io ee eo ‘Nematic example An there was ao Juan Alcor bo bad ben ving ‘small twas and liges sound the region with his rahi workshop | SFE camo Joga sauces: st¥Eu HTaBenT 189 for er caching peopl inmahing tecigus The exisene ofthese sndimany other rekahops ies ome iden othe degree o which te ‘inal insubordination of 006 ae dep roted inthe visual cular td apc ars of Onacan communities "AGAENE: COMMUNITY woRKSHOFS ‘loa these lns of oe comunity ations in 2007 Demidn Fores inne» project elim a seenteethvcetay Dominican church lo ‘hd at Santa Ana Zapache «sal ommnty inthe et of Osa. ‘As with many sl tovaships i these, bythe ate 9906 he mas ‘sigan of meet the United Sts in arch of beer wocting cone ions had turned Zagache into aos tows Waning orev his proces the poor Rodlo Moraes lunched the "aga comamity ‘rors projet which aimed to strengthen the soil ic and e+ ‘rule prodarion newer throoh the rsloration othe bah ‘dhe rvluton of taal arian crate, Dersiin Fle poet contd of enganising «working group of ‘ien young people tom Zagache who partcpated i the process of esoig seve of buroqe ames found stored in theese Meas ‘thle lores ao reproduced these aes sd nied ene rs ‘0 uansfom tem Tes reprodced und waned ames were er ‘eld in order worse ans forthe restoration of te baroque aries [the chech The att lo mn ees of ec paige recap ing the eens tht the rere ed revive he orginal drwings ‘ese onthe walls ofthe burch during the descent cetuy bythe ‘Dominicans. Leahy he projet incaded the predation of «sien of ‘weapons and een objet (Booms ade rs singer ac, aggre and on) which wee cred in wood ab alowig the ‘arogarteaon, water ged IU CURTOURIA AT THE MUSEUM OF MODERN ART: 2006-2013, Tn October so the Muscum of Modern Ant in Mexico Cy invited La (Crue wo eibi pat fs hs nthe fem of ving achie ‘The exition and the program of rned acti tered ta ope ended approach tthe history of thin independent clr! center 3 story which ssl being writen each day and which wees togeter ‘nid cacoures. ar from ating sige alg, La Curia is spose of divert that ha gradual eve oer its een-yea historySS as “The exibion ma strectred around this cre ides: Resistance, Cle lett, a Commnity Making ‘Using posters vdeo, photographs seni and bar the ist section Restnce, explored he inks betwee the hea en and the ‘oma apropraon batt during th confit in Oats Fig) It included photograph by Antonio Taro (Young Woy eters fom sts exgresing tee oppor forthe monet ies Felipe Eenberg ‘nd Guilermo Gimee Pe or example) and te ren tht Dein “lors kept dig the event of 200, Thi estonia cont ‘ntons fm students nad a he CEACO, pode cltoration vith Florence Dake del Castilla Lat, hie a sein lke a the esi poets calc dynamic fr artis ces lth gue ‘0 form ks wih» knowiedpeae, titel, participatory coments The aext par ofthe exhibien, ‘Calley oewed on ral stencil and graphic at the ky mene tht iginally teed the He of seg up he ater cene, The opine of La Curtra ere ‘hs explained in thie eto thru the work of TAGA, fn which the Ithograhie and etching pete the pier and the collective work ofthe ast ar the eat ofthe prog of reins, econ 1 a Gatco Mo of Ma i Mein si camo ong eins: tee TULA mL ‘The hind section, ‘Community Making explored he rlaonip be ‘yee La Curia and the ly- que of aac Asche exon lear tate the meme ofthis comma met pee ‘ied he space tring tno te cornerstone of tee at ene ais ‘ection showed the oaaetons betwen th aces ofthe ener ad ‘he eter concer of he pope who live inthe area. La Caria ‘meetings of ean re aks Hr wrestling athe ok nner ions glare debate tal workabop stare nd 0, ‘hid section othe exhibion ab inlded «wok by Marcel Babare, (grin) ened "Males Interaction i reference tothe sce ‘on aden concedes works popes nd ens student and ‘eines competed tin homage to Balzar who sly passed say ‘the the exibion was being et ap. The work which ma intended 0 tea tommuniy-budiog’ ol ended up teagan example ofan alee CCundurs to organize «program of plc activites during the thee ‘onthexibon generating new dockets nice tht rl rad ‘Moadel (wth her ‘Mobile Palnng Press, Rolando Mare /Bayel [iets (gti interventions on seal tints ter the mnt Felix Lana / Javier Santon ales, Se (oth fiona ction in ‘he museum's archive) This abl progam wastage tir © (Chappe the area where the museum ose) and tte muses ‘been the mein entrance tothe moseum when it frst opened in 1964 and ad subsequently been cloned lctng the pees Bow between te nuance, «conection was feesbled betwen the lastaton and THESTREET, HOW FAR ODES GO? Las th exibionsevieddscusins ound a wide rang of sus, ‘aon theft tht independent spaces ae ale to adap and connect, ‘puch more qucly dan museums, and museums often uasocesefutemps to discover the needs ofthe communes that they represent To this nthe exibin organic decided ook ack = ‘anc exibition that he ben ed in 08, alo athe Meum of ‘Modern Art Under its decor atthe ing Helen Eonbedo, the muses has onan a contvesial olga exiiton contigo 0 ‘son propose bythe art Hervé Fhe, clle "Te Set, How ft lows igo? it Fischer tested he ale spustion becwen museum sd aiences pit ab pub, pushing these the open anew {o the imi Consecing the paraone that aie fom the sem (0 ome to grips wth the symbole soca of museums, the exhiition "Ta Carus 2006-01 cose this example of soilogial arta = ‘enchask fom whic to dsc thereof afin wet eee coc hey hae need he meu and ben asc lato twat ‘hat are to some extent tc and blew be eed by the eetiaton oro ceeors| 4:26 ODenia Free cuiocearay as ts 14 PSs A ents Cntr of Mean Ar ‘ei Sigs de rte Mereano exe thet et 2008 Yo sempe vo Yo mes sero: tex commen step esa Outac Made an) 121s Cate tan ine age? tee dy Hee cfr faite and tak pect che ea ee now sia ae {the sae eal ut movement ol ode member tpi pret CAS (Cle hr Sage inched y Posh ‘ayy ncaa wth rd Fre sd fen Pet Tare ua Kanter URBAN CULTURAL POLITICS OF GRAFFITI City-Marketing, Protests, and the Arts in the Production of Urban Imaginaries in Vancouver and Oaxaca 1 960 he French aban soil Hen Lefts promoted the ies ofthe ight tothe cy vs-bvis the owing barenratizton ofthe Fanconi. Recelly the slogan hasten re-asedby no-Marsst = boa processes and thei effet of scl excusion asp Segrzton, David Harvey sus p the gene ide of the concept “The gh tothe citys far moe than the india beret aces van resourcing change ores by hanging he [Rig moreover a common ether hasan nda ight ac ie ‘uanformatoninevialy depends upon the exercise of elective wert eshape the poses of anaton ‘The feed to make drake ou tes tnd oars Wet rg neo he Ios precious yet most nexeted for aman rights ‘Whe neo Maris authors have mia focse onthe materiel aspects thera tothe city inthe cone of neater blation prose, would tates in hia convo be stage ner utan ime iy the ight othe ig of he (raisin ara pce can be considered il expression of and moor fr urban iaginaie, At tbe ane ine, ef ia eteely