: University of Essex A R ENA
MEXICO
| A week of events to celebrate the magic of Mexican wrestling
EASA
Presented in association with VisitingArts |
origina
ty
Corona,
londonprintstudio Extra
| University gallery
(eo eS UkFlim Sereening: £1 Enmascaraco de Plata conta la Invasion de los Marcianos/
Siver Mask vs. the Martian Invasion’, (1966) 87°
Lecture Theatre 6, University of Essox.
‘Admission Free.
Introductory talk by cite Kiler Fl’ about the Mexican Wrestling Fm
genre followed by screening of Uwe documentary “Luctrtel,
pantalla bajo la meéiscara/The Soreon under the Mask’, (2003) 42",
Film screening 6 om: ‘La Leyenda de una méscara/ The legend,
of a Mask’, (1989) 95°
Lecture Theatre 6, University of Essex.
With comments by special guest igracio Duran, cultural attaché of
Mexico in London and producer ofthe fm
‘Admission Free.
Wrestling match at the Colchester Aris Centre featuring
1 Hijo del Santo vs. Blue Panther.
For bookings: call +44 (0) 1206 500 900 or vist ww.colchesterartscentve.com
Admission; Adults £5 - Concessions £3
Flim Screening ‘Santo contra las fobas/ Sento vs. the
werewolves’ (1972) 85°.
Lecture Theatre 6, University of Essex.
8p til late: Mexican party
Level 2, University of Essex,
featuring 0) Guillermo,
‘Admission: fee to holders of wrestling
match tickets.
Westiing match: The Revenge,
at University of Eoeex Dance Hall
featuring EI Hjo del Santo vs. Blue
Panther.
‘Admission: Adults £5 - Concessions £3
‘68 pm: Opening ofthe exhibition
ARENA MEXICO featuring prints by Demian Fores Cortés
at University Gallery
Admission Free #OVS ete ace
Bis) SSO Sea VP) a
DISENTANGLING OF CULTURAL CODES
Wrestling maiches play an important
role in Latin American popular culture,
with idiosynoratic heroes and villains
parading their physical abilities in the
theatre of the ring. The young and the
elderly alike enjoy such spectacles,
‘which reach communities within such
fresh and unpretentious frameworks
as a Sunday fair, a circus, or a street
performance. But the art of free
wrestling has achieved special status
and sophistication in Mexico, where
the most famous wrestling neroes
have even become movie Stars.
Wrestling is deeply embedded in
mass culture, providing a supply of
working-class heroes and somehow
releasing @ subtext of justice that
has been fost in other arenas of life.
In this way, the cathartic element of
resting mars its social function,
for it carries the heritege of encient
rituals which for centuries served as
channels for people's belief in good
and evil forces. Some wrestlers
have also engaged in tinely political
activity, thuis transcending the
symbolic realm and acting out
Public performances to serve
populer agendas. A particularly famous
\Wrestler takes the name of Superberrio,
((iterally Super Neighbourhood)
Who has been engaged in the
for justice of the local inhabitants
Of Mexico city's historical centre,
evicted In the aftermath of the 1985
earthquake,
‘And of course, the subject has jong
fascinated artists with its employment
of artifice, identity issues end cesthetic
fiamboyance. Icons from popular.
‘culture have infitrated the world of the
Visual arts and fllm throughout the
20th century. A classic example is
the work of Federico Fellini whose
films explored a world of illusion and
fantasy against the harsh backdrop of
ost war Italy by means of misfits
and clowns, depicting their madness
and cruelty with great poetic
imagination, Rather than resorting
to the one-dimensional discourses
of neoreslism, he rescued the
seductive power of the grotesque
from circuses, beauty pageants and
dance hall competitions to blend
innocence and kitsch with social
commentary.
Demian Flores Cortés is one of those
artists whose choite of the sublect
matter is determined by his interest in
populer culture: Inspired by the visual
splendour of the world of free wrestling,
his artworks give it a new dimension
by his masterfully portraying masked,
Identities and enhancing romantic
iconographies in elaborate patterns.
Within the arena of his prints he sets
in motion and pays homage to a world
of fictional existences, producing an
effect of high pitch visual intensity,
| first came aoross a group of works
by Demian Flores Cortés in 2002,
when I Was intending to orgonise a
survey of 20th century Latin American
printmaking, anc was Impressed by
iis highly complex printing technique,
Flores superimposes different
techniques - wood end metal
engraving, soreen printing, offset
lithography - which somehow echo.
the layers of Images produced by
motion during the wrestiing spectacle.
Se Ae
Iwas even more impressed when | met
the artist in Mexico in 2003 and found
‘out more, The roots of the UECLAA.
project ARENA MEXICO in the UK lie in.
these encounters.
Wrestling in the Eastern Region
‘Once the exhibition concept was fixed,
we moved on io a spiral of productive
discussions about the possibilities of
framing the prints within a programe
of related events. Could we
‘complement them with some live
wrestling? For this purpose UECLAA
was fortunate to receive the generois
Support of the Arts Council of England,
without whose understanding of the
relevance of organising real Mexioan
Wrestling matohes in the East of
England we could rot have invited
the legendary Hilo del Santo and Blue
Panther to perform thelr magio in
Essex, It was not easy to find a vente
for Mexican wrestling in Essex but we
struck lucky with Anthony Roberts,
visionary director of the Colchester
Arts Centre, whose imagination and
ity Is enabling us to bring
wrestling to a church building for the
first time in history.
We are indebted to Paul Tyrrell of UWA
(Uitimate Wrestling Association) for fis
enihusiasm and help in supplying the
aperopriate resting dre, Wa ate alse
very grateful to the following peop!
nd institutions: To the Secreta de
Relaciones Exteriores in Mexoo end the
Mexican Embassy in London for their
help in bringing the artist's works to the
UK, To Jessica Kenny for lending the
project her expertise as gallery director,
grag
and Claire Birks for involving herselt
50 passionately in the education
plogramme of the exhibition. To Liz
Pérez Atristain, Edmundo Heméndez,
Serafin MartinezJaramillo and all the
members of the Mexican society at
the University of Essex who have been
behind the project from the start.
To Lee Pugh, events manager of the
Student Union for lending the Dance
Hall to present one of the wrestling
matches, and to London Print Studio
and Visiting Arts for making possibie
Demian Fores’ residency in London.
‘The visual exuberance of ARENA
MEXICO is being enhanced and spread
a wonderful produced in
ico with the help of Carlos Molina,
‘@ PhD researcher in the Department of
Art History and Theory and the total
commitment and generosity of Justo
Sierra, director and editor of Origina, a
remarkable magazine devoted to
promoting contemporary Mexican art
and culture.
‘And finally to all those who believe
that cultural codes are mate to be
disentangled and shared in the
‘celebration of fife: ! wish you all great
enjoyment of ARENA MEXICO,
Gabriela Salgado
rong
UECLAA (University of Essex Collection
of Latin American Art)
ees