Ebook48 pages1 hour
Peralada: Un castell a l'Empordà
Rating: 0 out of 5 stars
()
About this ebook
Structured as four numbers in the end, the Peralada suite expresses the impact made by these visits through four "impressions for piano" (as indicated in the subtitle of the work). Indeed, it is the composer's most "impressionist" work, as it seeks to reflect, through memory, the sensations aroused by the contemplation of the landscape. At the same time, it is a compendium of his mastery and art at its apogee.
The cycle starts with "El parc", a revised, definitive version of the original "Le Bois". The piece is a veritable musical poem, passing like a sigh between murmurs and vaporous sounds produced by a markedly Debussian score. On a harmonic pedal used from the beginning to the end, blocks of chords rub together, free from any tonal relationship, to produce an unreal atmosphere. The wind crosses the landscape from time to time, carrying with it the echo of remote melodies.
In "El castell, el castellar i la castellana" (The Castle, the Lord of the Castle and the Castilian Girl), a theme with an archaic character in the style of a knightly march, he suggests a new mood reminiscent of medieval times. An indisputably Wagnerian melody immediately evokes the vision of the hero, embodied by intentionally conventional piano scoring. A sudden, very cinematic change of plan (the composer was a great fan of cinema) introduces a third more tender and anxious theme (the Castilian Girl). With a return to the initial epic, the piece ends triumphantly in an undeniably "cinematic" finale with the ringing of bells into the bargain. "Oració a la Verge Carmelitana" (Prayer to the Carmelite Virgin) shifts the scenario to the church of Our Lady of Mount Carmel next to the castle.
A first theme, ideal for the harmonium, calls the congregation to prayer. The large number and diverse nature of the melodies that follow seems to suggest a wide range of prayers and supplications. In a veritable pianistic tour of force the suite finishes with "Nimfes en el jardí" (Nymphs in the garden). Written in the style of a scherzo féerique, the piece seems to go beyond the strict form of the rondo on which it is based and fades out leaving a decidedly dreamlike sensation.
The cycle starts with "El parc", a revised, definitive version of the original "Le Bois". The piece is a veritable musical poem, passing like a sigh between murmurs and vaporous sounds produced by a markedly Debussian score. On a harmonic pedal used from the beginning to the end, blocks of chords rub together, free from any tonal relationship, to produce an unreal atmosphere. The wind crosses the landscape from time to time, carrying with it the echo of remote melodies.
In "El castell, el castellar i la castellana" (The Castle, the Lord of the Castle and the Castilian Girl), a theme with an archaic character in the style of a knightly march, he suggests a new mood reminiscent of medieval times. An indisputably Wagnerian melody immediately evokes the vision of the hero, embodied by intentionally conventional piano scoring. A sudden, very cinematic change of plan (the composer was a great fan of cinema) introduces a third more tender and anxious theme (the Castilian Girl). With a return to the initial epic, the piece ends triumphantly in an undeniably "cinematic" finale with the ringing of bells into the bargain. "Oració a la Verge Carmelitana" (Prayer to the Carmelite Virgin) shifts the scenario to the church of Our Lady of Mount Carmel next to the castle.
A first theme, ideal for the harmonium, calls the congregation to prayer. The large number and diverse nature of the melodies that follow seems to suggest a wide range of prayers and supplications. In a veritable pianistic tour of force the suite finishes with "Nimfes en el jardí" (Nymphs in the garden). Written in the style of a scherzo féerique, the piece seems to go beyond the strict form of the rondo on which it is based and fades out leaving a decidedly dreamlike sensation.
Related to Peralada
Titles in the series (4)
Peralada: Un castell a l'Empordà Rating: 0 out of 5 stars0 ratingsMi jotica: Per a piano sol Rating: 5 out of 5 stars5/5Missa per a vuit veus amb ministrers Rating: 0 out of 5 stars0 ratingsDixit Rex: Motet per a l'entronització de Lluís I (1724) Rating: 0 out of 5 stars0 ratings
Related ebooks
Complete Piano Works Rating: 0 out of 5 stars0 ratingsSerge Diaghilev Rating: 0 out of 5 stars0 ratingsJenny Lind - A Record and Analysis of the 'Method' of the Late Madame Jenny Lind-Goldschmidt Rating: 0 out of 5 stars0 ratingsThe Flute of the Gods Rating: 0 out of 5 stars0 ratingsNote-Perfect: Thirty Years in Classical Music Recordings Rating: 0 out of 5 stars0 ratingsHelena Paderewska: Memoirs, 1910–1920 Rating: 0 out of 5 stars0 ratingsThe Power of Notes: All About Music and Those Who Make It Rating: 0 out of 5 stars0 ratingsCherubino's Leap: In Search of the Enlightenment Moment Rating: 0 out of 5 stars0 ratingsThe Life of Rossini Rating: 0 out of 5 stars0 ratingsHandel Rating: 0 out of 5 stars0 ratingsMy Life — Volume 1 Rating: 0 out of 5 stars0 ratingsTema, variacions i final: Per a piano sol Rating: 5 out of 5 stars5/5Mi jotica: Per a piano sol Rating: 5 out of 5 stars5/5Havanaise: Op. 83 Rating: 0 out of 5 stars0 ratingsDanse macabre: Symphonic Poem, Op. 40 Rating: 0 out of 5 stars0 ratingsEdward MacDowell: A Great American Tone Poet, His Life and Music Rating: 0 out of 5 stars0 ratingsIntroduction et Rondo capriccioso: Op. 28 Rating: 0 out of 5 stars0 ratingsNarciso Yepes: The Finest Pieces from his Repertoire Rating: 4 out of 5 stars4/5España / Deux Danses espagnoles: Op. 164 and 165: for Piano Rating: 5 out of 5 stars5/5Eighteenth Century Italian Composers, Vol. XVI Rating: 0 out of 5 stars0 ratingsLater Eighteenth Century French Composers, Vol. XV Rating: 0 out of 5 stars0 ratingsEighteenth Century Spanish Composers, Vol. VIII Rating: 0 out of 5 stars0 ratingsSuite Espagnole: Op. 47: for Piano Rating: 5 out of 5 stars5/5Piano Works: Volume 2 Rating: 4 out of 5 stars4/5The Standard Operas Rating: 0 out of 5 stars0 ratingsThe Standard Operas (12th edition) Their Plots, Their Music, and Their Composers Rating: 0 out of 5 stars0 ratings12 Brilliant and Melodious Studies: Op. 105: Piano Rating: 5 out of 5 stars5/5Twenty-Three Opera Arias for Sopranos Rating: 3 out of 5 stars3/5La donna è mobile: 50 famous opera melodies in easy piano arrangements Rating: 5 out of 5 stars5/5The Music of Spain Rating: 0 out of 5 stars0 ratings
Music For You
Me: Elton John Official Autobiography Rating: 4 out of 5 stars4/5A Strange Loop Rating: 4 out of 5 stars4/5Songwriting: Essential Guide to Lyric Form and Structure: Tools and Techniques for Writing Better Lyrics Rating: 4 out of 5 stars4/5Weird Scenes Inside The Canyon: Laurel Canyon, Covert Ops & The Dark Heart Of The Hippie Dream Rating: 5 out of 5 stars5/5The Circle of Fifths: Visual Tools for Musicians, #1 Rating: 5 out of 5 stars5/5Music Theory For Dummies Rating: 4 out of 5 stars4/5The Easyway to Play Piano: A Beginner's Best Piano Primer Rating: 5 out of 5 stars5/5Learn Guitar A Beginner's Course Rating: 4 out of 5 stars4/5The Dirt: Confessions of the World's Most Notorious Rock Band Rating: 5 out of 5 stars5/5Learn Jazz Piano: book 1 Rating: 4 out of 5 stars4/5Singing For Dummies Rating: 4 out of 5 stars4/5Bowie: An Illustrated Life Rating: 4 out of 5 stars4/5How to Play Ukulele: A Complete Guide for Beginners Rating: 5 out of 5 stars5/5Making Rumours: The Inside Story of the Classic Fleetwood Mac Album Rating: 3 out of 5 stars3/5The Everything Songwriting Book: All You Need to Create and Market Hit Songs Rating: 5 out of 5 stars5/5Becoming a Great Sight-Reader–or Not! Learn From My Quest for Piano Sight-Reading Nirvana Rating: 4 out of 5 stars4/5Hal Leonard Pocket Music Theory (Music Instruction): A Comprehensive and Convenient Source for All Musicians Rating: 4 out of 5 stars4/5Can I Say: Living Large, Cheating Death, and Drums, Drums, Drums Rating: 4 out of 5 stars4/5Singing Coach Secrets Rating: 4 out of 5 stars4/5Piano For Dummies Rating: 4 out of 5 stars4/5Music Theory For Beginners Rating: 5 out of 5 stars5/5Complete Piano Rags Rating: 5 out of 5 stars5/5Popular Lyric Writing: 10 Steps to Effective Storytelling Rating: 5 out of 5 stars5/5
Reviews for Peralada
Rating: 0 out of 5 stars
0 ratings
0 ratings0 reviews
Book preview
Peralada - Francesc Civil i Castellví
Enjoying the preview?
Page 1 of 1