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    Realistic Image's In Writing. Ideas of Photographic Realism .
    Realistic Image's In Writing. Ideas of Photographic Realism .
    Realistic Image's In Writing. Ideas of Photographic Realism .
    Ebook67 pages42 minutes

    Realistic Image's In Writing. Ideas of Photographic Realism .

    By Richard Morris

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    About this ebook

    This book realistic image's in photography, ideas of photographic realism. Is about the interpretation of reality through photography by photographer's. As an artistic realism by photography. It cover's some of the connotative and annotative ideas in the photographer's work and photography. The ideas of reality in photography and how it can change from differing point's of view, by photographer's. In search of a realism with the philosophical realism which guides photography as well with art aestheticism.
    LanguageEnglish
    PublisherLulu.com
    Release dateNov 5, 2011
    ISBN9781470945510
    Realistic Image's In Writing. Ideas of Photographic Realism .
    Author

    Richard Morris

    Richard Morris, Ph.D., is the author of more than a dozen books explaining the wonders and intricacies of the scientific world, among them The Big Questions, Achilles in the Quantum Universe, Time's Arrows, and The Edge of Science. He lived in San Francisco, California.

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      Book preview

      Realistic Image's In Writing. Ideas of Photographic Realism . - Richard Morris

      Realistic Image's In Writing. Ideas of Photographic Realism .

      Realistic Image’s in Writing.

      Ideas of Photographic Realism.

      By Richard Morris.

      All right’s reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, mechanical, including photocopying, recording or by any information storage retrieval system without permission from the author Richard Morris.

      Standard Copyright License.

      Copyright © Richard Morris.

      First edition. Published 2011.

      ISBN: 978-1-4709-4551-0

      Introduction.  Ideas of photographic realism.

      When I first began to write about this subject I was thinking about an idea, that could bring together my thoughts’ on photographs’ as a universal language. I thought about how people use photographs to see realism.

      To make judgements’ and decisions‘. I started to look through photographs of photographer’s whom I liked or was interested in. At the time I was interested in realism as an ideal and philosophy for viewing the world.

      So I looked at a few photographers not only for their realism in the pictures they took but for the way they took picture’s in general.

      For instance some photographers make up there image’s from ideas that are not realistic in order to question what is real.

      Like Ansell Adam’s overly real image’s, that are over sharpened focused photograph’s with the len’s as a sharpening instrument .

      Focused way too sharp by stopping down the lens and aperture in an effort to make the light intense thus creating the illusion of sharpness.

      If the shutter is left open for very long in combination with this. Sharpness is an illusory visual effect in which we think we see so much.

      That it must be real  if we see a crack in the wall it must be real but instead it could be a sharpened line drawn over the wall.

      This is the effect of his imagery to fool you into thinking that a landscape is real in the sense it is sharp all over.

      In the foreground and background, our eyes can only in real life differentiate one or the other at differing times not both at the same time.

      Or some photographers use theatrical symbols’ to show there sitter’s as character’s in history, and play a game of metaphor with the imagery.

      In order to mean many thing’s and re-enact themes’ from history, or use historical figure’s to play character’s that are in a movie or in the publics psyche.

      Which make them more popular with the wider public. Like the photographs’ of Yousuf karsh.

      Another way might be what photographers’ such as Dorothea Lange would of refused to take photographs’ that would have too real an influence on the subject later on.

      Because the photographs’ would have been used for a promotion of a politician, getting into power by there votes and or circumstance at the time.

      Whilst working for a group called the farm security administration following the plight of laid of worker’s, as they slump into poverty after loosing there job’s and livelihood‘s.

      But I don’t just write about photographer's I write about philosophers and artist’s too. Charles sander’s pierce system of categorising ideas of language.

      That refers’ to realism which he called semiology, by using universal objects such as trees or house’s as signs and symbols.

      And Seurat ideas of painting with dot have to give the eye and illusion and sensation of colour, that formulate in the eye or iris as in the mind’s eye. 

      These are all alternative routes to reality and realism almost experimental, so my idea of reality in picture’s came into being.

      As an idea that can reality be seen in photographs as

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