The Book of Monelle
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A secret influence on generations of writers, from Guillaume Apollinaire and Jorge Luis Borges to Roberto Bolaño, Marcel Schwob (1867–1905) was as versed in the street slang of medieval thieves as he was in the poetry of Walt Whitman (whom he translated into French). Paul Valéry and Alfred Jarry both dedicated their first books to him, and he was the uncle of Surrealist photographer Claude Cahun.
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The Book of Monelle - Marcel Schwob
I
THE WORDS OF MONELLE
Monelle found me in the plain where I was wandering and took me by the hand.
Do not be surprised,
she said. "It is I, and it is not I;
"You shall find me again, and you shall lose me;
"Once more shall I come among you; for few men have seen me, and none has understood me;
And you shall forget me, and you shall recognize me, and you shall forget me.
And Monelle said again: I shall speak to you of young prostitutes, and you shall know the beginning.
Bonaparte the killer, at eighteen years of age, met a young prostitute by the iron gates of the Palais-Royal. She was pale, and she shivered in the cold. But I had to live,
she told him. Neither you nor I know the name of this little girl Bonaparte led through one November night to his room in the Hôtel de Cherbourg. She came from Nantes, in Brittany. She was weak and weary, and her lover had just left her. She was simple and good hearted, and her voice was very gentle. Bonaparte remembered all of this. And I believe that, later, the memory of her voice moved him to tears, and that for a long time he sought her out, never to see her again, in the nights of winter.
For you see, these young prostitutes leave the crowds of the night but once for an act of kindness. Poor Ann ran to Thomas De Quincey, the opium eater, as he swooned beneath the great gaslights of Oxford Street. With moist eyes, she held a glass of sweet wine to his lips, kissed him, and took him in her arms. Then she returned to the night. Perhaps she died shortly thereafter. She was coughing, said De Quincey, the evening I saw her last. Perhaps she was still wandering the streets; but despite the passion of his search, and though he braved the laughter of those he addressed, Ann was lost forever. When later he had a warm home, he would often think to himself tearfully that poor Ann could have lived well there beside him; instead, he imagined her sick, or dying, or deserted, in the central darkness of a London brothel, and she had carried away with her all the pitiful love his heart had to offer.
You see, they heave a cry of compassion to all of you and stroke your hands with their bony hands. They only understand you if you are extremely unfortunate; they cry with you and console you. Little Nellie approached the convict, Dostoyevsky, outside his infamous house, and dying of a fever, watched him for a long time with her big, trembling black eyes. Little Sonya (she existed like all the others) kissed Rodion, the murderer, after the confession of his crime. You lost your way!
she said desperately. And getting up suddenly, she threw herself onto his neck and kissed him … No, there is no man on earth now more unfortunate than you!
she cried in a surge of pity, and all of a sudden she burst into tears.
Like Ann and she who has no name and who approached the young and sad Bonaparte, little Nellie sank into the fog. Dostoyevsky did not say what became of little Sonya, pale and emaciated. Neither you nor I know if she was able to help Raskolnikov through his atonement. I, for one, doubt it. She died softly in his arms, having suffered and loved too much.
None of them, you see, can stay with you. They would be too sad, and they are ashamed to stay. When you cry no more, they dare not look at you. They teach you the lesson they have to teach you, and then they go. They come through the cold and the rain to kiss your foreheads and dry your eyes, and the awful shadows take them back. For they must perhaps go elsewhere.
You only know them while they are compassionate. You must not think of anything else. You must not think of what they have been able to do in the shadows. Nellie in the wretched house, Sonya drunk on a bench on the boulevard, Ann carrying back the empty bottle to the wine merchant’s from a dark alley were all perhaps cruel and obscene. These are creatures of the flesh. They came out of a solemn impasse to offer a kiss of pity beneath the gaslights of the main street. In that moment, they were divine.
You must forget everything else.
Monelle grew quiet and looked at me:
I came from the night, she said, and I shall return to the night. For I too am a young prostitute.
And Monelle said again:
I pity you, I pity you, my love.
Even so, I shall return to the night; for it is necessary that you lose me before you find me again. And if you find me again, I shall elude you once more.
For I am she who is alone.
And Monelle said again:
Because I am alone, you shall give me the name Monelle. But you shall imagine that I have every other name.
And I am this one and that one and she who has no name.
And I shall lead you among my sisters who are myself and similar to witless prostitutes.
And you shall see them tormented by selfishness and desire and cruelty and pride and patience and pity, not yet having found themselves at all.
And you shall see them set out in search of themselves in the distance;
And you yourself shall find me, and I shall find myself; and you shall lose me, and I shall lose myself.
For I am she who is lost as soon as she is found.
And Monelle said again:
On this day a young woman shall touch you with her hand and flee;
Because all things are fleeting, but Monelle is the most fleeting.
And before you have found me again, I shall teach you in this plain, and you shall write the book of Monelle.
And Monelle handed me a hollow stalk of fennel, inside of which burned a pink filament.
Take this torch,
she said, "and burn. Burn everything on the earth and in the sky. And break the fennel and put out its flame when you have finished burning, for nothing should be passed on;
So that you be the second Narthekophoros, and that you destroy with fire, and that the fire fallen from the sky rise again to its heights.
And Monelle said again: I shall speak to you of destruction.
Behold the word: Destroy, destroy, destroy. Destroy within yourself; destroy what surrounds you. Make space for your soul and for all other souls.
Destroy all good and all evil. Their ruins are the same.
Destroy the old dwellings of man and the old dwellings of the soul; what is dead is a distorting mirror.
Destroy, for all creation comes from destruction.
And for higher benevolence you must annihilate lower benevolence. And thus new good appears saturated with evil.
And to imagine a new art you must break its forebears. And thus new art seems a sort of iconoclasm.
For all construction is made of debris, and nothing is new in this world but forms.
But you must destroy the forms.
And Monelle said again: I shall speak to you of formation.
The very desire for the new is merely the hunger of the soul seeking form.
And souls shed past forms as snakes slough their skins.
And the patient collectors of old snakeskins sadden the young snakes, for they hold a magical power over them.
For he who possesses old snakeskins keeps the young snakes from their transformation.
And that is why snakes slough their skins in the verdant trench of a deep thicket; and once a year the young gather in a circle to burn the old skins.
In this way, embody the destructive and formative seasons.
Build your house alone and, alone, burn it to the ground.
Throw no debris behind you; may each put his ruins to use.
Construct nothing in nights past. Set