The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles
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About this ebook
The Culture of the Copy is an unprecedented attempt to make sense of the Western fascination with replicas, duplicates, and twins. In a work that is breathtaking in its synthetic and critical achievements, Hillel Schwartz charts the repercussions of our entanglement with copies of all kinds, whose presence alternately sustains and overwhelms us.
Through intriguing, and at times humorous, historical analysis and case studies in contemporary culture, Schwartz investigates a stunning array of simulacra—counterfeits, decoys, mannequins, and portraits; ditto marks, genetic cloning, war games, and camouflage; instant replays, digital imaging, parrots, and photocopies; wax museums, apes, and art forgeries, not to mention the very notion of the Real McCoy.
Working through a range of theories on biological, mechanical, and electronic reproduction, Schwartz questions the modern esteem for authenticity and uniqueness. The Culture of the Copy shows how the ethical dilemmas central to so many fields of endeavor have become inseparable from our pursuit of copies—of the natural world, of our own creations, indeed of our very selves.
This updated edition takes notice of recent shifts in thought with regard to such issues as biological cloning, conjoined twins, copyright, digital reproduction, and multiple personality disorder. At once abbreviated and refined, it will be of interest to anyone concerned with proglems of authenticity, identity, and originality.
Hillel Schwartz
Long Days Last Days comes out of my years as co-founder of Sage Case Management, which works to help people in complex medical situations by advising, advocating, coordinating and scheduling on their behalf. We act as intermediaries between patients, families, and the health community (hospitals, skilled nursing facilities, board-and-care establishments, general and specialist MDs, visiting nurses, caregiving and home health agencies). LDLD comes also out of my years of teaching, researching, and writing about the history of science and medicine. My most recent book in this vein is a large-scale cultural history of noise entitled Making Noise: From Babel to the Big Bang and Beyond (Zone, 2011). I am also a public arts consultant and a widely published poet and translator.
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