Metro

GIVING TIME Richard Todd’s Dying to Live and Organ Donation

At any time, around 1600 Australians are on waiting lists for organ transplants.1 On average, one dies every week.2 Yet, as of 31 August 2018, just 2.3 million Australians aged sixteen and over have been legally accepted as donors – comprising 14.7 and 8.9 per cent of the national female and male populations, respectively – and a total of 6.6 million have registered their interest in donating.3 As of 2015, however, 69 per cent of Australian adult respondents have expressed their willingness to donate, according to a survey commissioned by the Australian Organ and Tissue Donation and Transplantation Authority.4

These statistics came as a shock to filmmaker Richard Todd, who previously made coal-seam-gas documentary Frackman (2015). ‘I started asking, how can this be?’ he tells me.

If there’s such a willingness to donate, why aren’t more people on the list? It feels like one of those problems that’s preventable. There are other things we have no control of, but, if someone’s going to be burying or cremating their organs, when they could be literally changing or saving someone’s life, it feels like such a senseless waste.

In 2015, Todd tracked down six Australians in need of organ or tissue transplants. He spent the following two-and-a-half years recording their experiences.

You’re reading a preview, subscribe to read more.

More from Metro

Metro1 min read
Metro
Managing Editor Peter Tapp editor@atom.org.au Editor David Heslin metro@atom.org.au Contributing Editors Liz Giuffre, Rochelle Siemienowicz, April Tyack Art Director Pascale van Breugel Sales & Online Services Manager Zak Hamer online@atom.org.au
Metro11 min read
‘The Stars Are All Strange ’ Here
Inspired by the long-overlooked history of the cameleers who journeyed from Afghanistan and beyond to haul supplies across the late-nineteenth-century Australian outback, Roderick MacKay’s debut feature paints a complicated portrait of the country’s
Metro10 min read
Hip-hop Of A Different Hue
New Zealand hip-hop label Dawn Raid Entertainment has been a trailblazer since its launch in 1999, bringing a distinctly Polynesian sensibility to a traditionally African-American artform – a journey chronicled in Oscar Kightley’s new documentary. At

Related Books & Audiobooks