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PEOPLE Glen Campbell: A Life In Song, 1936-2017
PEOPLE Glen Campbell: A Life In Song, 1936-2017
PEOPLE Glen Campbell: A Life In Song, 1936-2017
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PEOPLE Glen Campbell: A Life In Song, 1936-2017

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Memories of a music legend

You know the voice, you know the songs: from "Rhinestone Cowboy," "Gentle on My Mind," "Wichita Lineman," "By the Time I Get to Phoenix" and more, the music of Glen Campbell touched so many American lives. The extraordinary musician and showman sold more than 45 million records over a six-decade career that included a stint as a Beach Boy. He inspired us with his courageous battle with Alzheimer's, selling out arena after arena even as he fought off the disease. Now you can remember the star and hitmaker with a new special edition from PEOPLE, Glen Campbell: A Life in Song. This beautiful tribute is packed with photographs and rich storytelling from throughout Campbell's life and little-known personal history, as well as great stories and highlights from his Grammy-studded career and wild relationship with country star Tanya Tucker. Beloved as a guitarist, singer, TV star and actor, Campbell overcame drug and alcohol addiction to triumph musically and personally again and again.
LanguageEnglish
PublisherPeople
Release dateSep 8, 2017
ISBN9781547840571
PEOPLE Glen Campbell: A Life In Song, 1936-2017

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    PEOPLE Glen Campbell - The Editors of PEOPLE

    years."

    Pictures of a Lifetime

    Over his long career and in the sweep of his strumming, strutting life, Glen Campbell left behind so many enduring images—and an indelible impression

    DOWN-HOME VIRTUOSO Campbell couldn’t read music but dazzled on the guitar and also mastered banjo, bass and mandolin. I didn’t limit my talent by pursuing one particular kind of music, he said. I didn’t limit it by pursuing jazz or pursuing country or pursuing pop. Music was my world before they started putting a label on it.

    STRINGS ATTACHED Campbell’s first guitar was a $5 model his dad ordered from Sears, Roebuck—but by 1968, on the verge of superstardom, he could afford a more plentiful personal collection.

    I wanted to become the best jazz guitarist in the world

    —Glen Campbell

    DRESSING FOR HIS SUCCESS Campbell preps for an appearance on the Hollywood Palace variety show in 1968. It was the era of long-haired hippies and Haight-Ashbury—but also a breakout time for the clean-cut Campbell, on the strength of chart-toppers like Gentle on My Mind, By the Time I Get to Phoenix and Wichita Lineman.

    STUDIO STALWART Before his monster solo success, Campbell (in ’67) was a highly coveted session man, backing up an array of music legends including Elvis Presley, Frank Sinatra, Nat King Cole and the Beach Boys. I would have been content to just do studio work, he recalled. Making it on my own never really entered my mind.

    DADDY DUTY Campbell tends to Kelli, his daughter with second wife Billie, in 1968. That same year he wrote a song in her honor—Kelli Hoedown, an instrumental released as the B-side of his single Dreams of the Everyday Housewife.

    HARMONIC CONVERGENCE Despite this domestic pose, Campbell (in ’68 with three of his eight children—from left, Travis, Debby and Kelli) was largely an absentee father. When daughter Debby, also a singer, later toured with him—and served as an unofficial assistant—it was a revelation. I remember the day we just sat there and he said, ‘Wow, so this is what it’s like to have a relationship with one of your kids,’ she recalled. He didn’t know because he was always gone.

    ALL DUDED UP Campbell got decked out for Capitol Records’ Rhinestone Cowboy album shoot in 1975. Some people have said that I can ‘hear’ a hit song, meaning that I can tell the first time a song is played for me if it has potential, he said. I have been able to hear some of the hits that way, but I can also ‘feel’ one.

    It’s upbeat and fun to play. It reminds me, ‘Don’t get too big for your britches’

    —Glen Campbell on ‘Rhinestone Cowboy’

    SETTING OFF SPARKS Drugs clouded Campbell’s tumultuous two-year (1980-81) relationship with Tanya Tucker (playing a gig at New York City’s Rodeo club). In our sick slavery to things of the flesh, we were either having sex or fighting,’’ he said. Tucker recalled him as insecure. I would say to him, ‘Glen Campbell, you’re the best singer, guitarist, musician. . . . You’re so good-looking and you have everything—I mean everything,’ " she told People in 1981. " ‘What do you have to be insecure about?’

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