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Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns
Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns
Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns
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Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns

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Whether you are looking for a simple scarf, chic evening wrap, or classic shawl, this book by Louisa Harding, one of the world's most influential designers, will inspire you to create beautiful hand-knitted garments. Harding's signature feminine style is showcased in this beautiful collection. Beginners will appreciate the simple and delicate stitch pieces, which result in surprisingly sophisticated fashions. Intermediate and advanced knitters will value the projects that involve more complex techniques incorporating lace, cable, and beading.
Each design features a brief introduction that reveals the creative inspiration behind it and unlocks some of the secrets of the artistic process. Step-by-step instructions for each shawl, wrap, and scarf are accompanied by gorgeous color photographs of the finished work. With its blend of traditional techniques and modern sensibilities, Shawls, Wraps, and Scarves will appeal to knitters who want to learn new skills and to those looking for fresh ideas and creative inspiration.
LanguageEnglish
Release dateJan 15, 2020
ISBN9780486846040
Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns

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    Book preview

    Shawls, Wraps, and Scarves - Louisa Harding

    SHAWLS WRAPS AND SCARVES

    Copyright

    Copyright © 2020 by Louisa Harding

    All rights reserved.

    Design & Editorial

    Louisa Harding

    Photography & Design Layout

    Stephen Jessup

    Bibliographical Note

    Shawls, Wraps, and Scarves: 21 Elegant and Graceful Hand-Knit Patterns is a new work, first published by Dover Publications, Inc. in 2020.

    Library of Congress Cataloging-in-Publication Data

    Names: Harding, Louisa, author.

    Title: Shawls, wraps, & scarves Louisa Harding.

    Other titles: Shawls, wraps, and scarves

    Description: Mineola : Dover Publications, Inc., 2020. | Includes bibliographical references and index. | Summary: Whether you are looking for a classic shawl, chic evening wrap, or simple scarf pattern, this pattern book by Louisa Harding, one of the world’s most influential designers, will inspire you to create beautiful hand-knitted garments. Knitters of all skill levels will value the simple and delicate stitch patterns, which result in surprisingly sophisticated styles. More advanced knitters will appreciate the projects that introduce more complicated techniques involving lace, cable, and beading— Provided by publisher.

    Identifiers: LCCN 2019037898 | ISBN 9780486839998 (trade paperback)

    Subjects: LCSH: Knitting—Patterns. | Shawls. | Scarves.

    Classification: LCC TT825 .H3825 2020 | DDC 746.43/2041—dc23

    LC record available at https://lccn.loc.gov/2019037898

    Manufactured in the United States by LSC Communications 83999001

    www.doverpublications.com

    2 4 6 8 10 9 7 5 3 1

    2019

    CONTENTS

    INTRODUCTION

    SHAWLS

    MIRA

    LARK’S ALVINA

    LIANA

    NUALA

    EVANTHE

    ROSELLA

    WRAPS

    ARIELLA

    ROSHNI

    OSPREY

    TANSIE

    GINERVA

    RAIZEL

    CRISTANA

    SCARVES

    LALITA

    OLENA

    PAVANA

    ASHNA

    ILARA

    FLORIE

    DULCIE

    APOLLINE

    ABBREVIATIONS AND GLOSSARY

    GENERAL INFORMATION

    YARN INFORMATION

    WASHING AND WET BLOCKING

    PROJECT ILLUSTRATIONS

    INDEX

    AUTHOR BIOGRAPHY

    ACKNOWLEDGMENTS

    CONTACT

    INSPIRATION

    INTRODUCTION

    SHAWLS, WRAPS, AND SCARVES…

    In this book, the hand-knit projects are categorized into three sections: shawls, which are triangular in shape, rectangular knitted wraps, and oblong-shaped scarves of varying lengths and construction. Traditionally, these items of clothing are knitted and worn to provide warmth. However, for the hand-knit designer, they provide the ideal design canvas. With the canvas established, which element comes first with a hand-knit design? The shape?The ya n? The c eative idea?

    As a design student, you are taught that every project starts with visual research work. Having been trained in this way I am constantly absorbing images, originally captured in note form in a sketchbook that traveled everywhere with me, and more frequently now as photographs on my phone. Often when sketching out design ideas, I am amazed to see what has inspired me.

    As an introduction to each project, I detail an element of my design process. For Lark’s Alvina, shape was my starting point. I wanted to create a triangular shawl that had a repetitive stitch pattern, easy to memorize, but when tied around the neck I wanted it to lie flat So I constructed a pointed edging, like a clipped curve in dressmaking. This allows the shawl to lie flat

    Ginerva wrap combines two design elements: yarn and creative inspiration. I found a stunning plant-dyed kid silk mohair and wanted to combine it with a lace weight cashmere. The colors are similar, but the kid silk mohair behaves in a different way when knitted: light and flyaw y. Looking back at photographs I had taken while on a spring walk, I came across an image of unfurling bracken, which appeared as opening hearts. I looked for a stitch pattern that represented this image and would work well with both yarns to create an ethereal design.

    The creative inspiration for Raizel was to design my own interpretation of the Paisley shawl. I had the idea for the motif shape using the Fair Isle knitting technique. When I originally swatched the design, I realized I wanted the hem to echo the bottom of the paisley outline. So I reswatched the design using a feather and fan stitch edging, which gave me the undulating hem. Thecolors I had originally selected did not provide enough contrast and again I looked to my visual resource images to find the ideal oatmeal and charcoal combination.

    My aim for this collection of patterns was to have a balance of projects: some stitch patterns simple to memorize and other designs more challenging and involved. One of the highlights of knitting a shawl, wrap, or scarf is unlike knitting a garment that needs to be fitted together like a jigsaw, you can combine yarn types and contrast stitches. The photographed projects have been designed to use specific yarns and colors. However, the knitting gauge is less of a constraint and is the perfect opportunity to try out unusual or precious yarns. I do hope you find patterns to inspire you on your creative knitting journey.

    SHAWLS WRAPS AND SCARVES

    SHAWLS

    SHAWLS

    MIRA

    FLUTTERING LACE EDGE SHAWL

    An elegant triangular shawl knit in lace weight yarn is the perfect addition to any wardrobe.

    Inspired by Victorian pocket handkerchiefs with delicate crochet details, this pretty lace edging undulates at the shawl’s hem and flutters as it catches the breeze.

    SHAWL

    Triangular shawl knitted from the bottom up

    Wet blocking dimensions

    Approximate length at center: 20 inches (51 cm)

    Approximate wingspan: 44 inches (112 cm)

    YARN

    Knitted in lace weight yarn

    Approximately 464 yards (425 m)

    Photographed in Yarntelier Cashmere Lace

    1 x 50g ball color 108 Fireside

    NEEDLES & NOTIONS

    US 6 (4 mm) 24 inches (60 cm) circular knitting needle

    12 stitch markers

    GAUGE

    20 stitches x 26 rows to 4 inches (10 cm) square measured over stockinette stitch, once washed and wet blocked

    NOTE

    Because of the large number of stitches cast on, I suggest using a circular needle.

    Place a marker every 20 stitches cast on. This helps to keep count of the stit hes.

    Remove the stitch markers on the first ow.

    MIRA

    SHAWL

    Using US 6 (4 mm) circular needle, work picot cast on as folls:

    *Cast on 7 sts using the cable cast-on method, bind off 2 sts slip st on RH needle back on to LH needle* (5 sts now on LH needle), rep from * to * until there are 290 sts on needle, cast on 3 sts. (293 sts)

    Work 2 rows in garter st.

    Next row (RS)(place SM): K4, place a SM, (K26, place a SM) 11 times, K3.

    Next row: K3, (SSM, K26) 11 times, SSM, K3.

    Work 8 rows lace patt from written instructions as folls:

    Row 1 (RS): K4, SSM, (K6, K3tog, (yo, K1) twice, yo, S2K1P2, (yo, K1) twice, yo, S1K2togP, K7, SSM) 11 times, K3.

    Row 2 and 2 foll WS rows: K3, (SSM, K1, P10, K1, P3, K1, P10) 11 times, SSM, K4.

    Row 3: K4, SSM, (K4, K3tog, (K1, yo) twice, K2, yo, S2K1P2, yo, K2, (yo, K1) twice, S1K2togP, K5, SSM) 11 times, K3.

    Row 5: K4, SSM, (K2, K3tog, K2, yo, K1, yo, K3, yo, S2K1P2, yo, K3, yo, K1, yo, K2, S1K2togP, K3, SSM) 11 times, K3.

    Row 7: K4, SSM, (K3tog, K3, yo, K1, yo, K4, yo, S2K1P2, yo, K4, yo, K1, yo, K3, S1K2togP, K1, SSM) 11 times, K3.

    Row 8: K3, (SSM, K1, P10, K1, P3, K1, P10) 11 times, SSM, K4.

    Now work from written instructions decreasing sts as indicated.

    Row 9 (dec): K4, remove SM, S1K2togP, yo, K8, yo, S2K1P, (yo, K1) twice, yo, S1K2togP, K7, SSM, (K6, K3tog, (yo, K1) twice, yo, S2K1P2, (yo, K1) twice, yo, S1K2togP, K7, SSM) 4 times, K7, yo, K3tog, place a SM, K1, yo, S2K1P, yo, K1, place a SM, S1K2togP, yo, K8, SSM, (K6, K3tog, (yo, K1) twice, yo, S2K1P2, (yo, K1) twice, yo, S1K2togP, K7, SSM) 4 times, K6, K3tog, (yo, K1) twice, yo, S2K1P2, yo, K8, yo, K3tog, remove SM, K4. (289 sts)

    Row 10: K4, P9, K1, P3, K1, P10, SSM, (K1, P10, K1, P3, K1, P10, SSM) 4 times, K1, P9, SSM, K1, P3, K1, SSM, P9, SSM, (K1, P10, K1, P3, K1, P10,

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