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    A Sportsman's Notebook: Stories
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    A Sportsman's Notebook: Stories
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    A Sportsman's Notebook: Stories
    Ebook530 pages8 hours

    A Sportsman's Notebook: Stories

    By Ivan Turgenev and Daniyal Mueenuddin

    4/5

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    About this ebook

    Twenty-five beautifully written stories, penned in exile, evocatively depicting life on a manor in feudal Russia and examining the conflicts between serfs and landlords

    A Sportsman’s Notebook, Ivan Turgenev’s first literary masterpiece, is a sweeping portrayal of the magnificent nineteenth–century Russian countryside and the harsh lives of those who inhabited it. In a powerful and gripping series of sketches, a hunter wanders through the vast landscape of steppe and forest in search of game, encountering a varied cast of peasants, landlords, bailiffs, overseers, horse traders, and merchants. He witnesses both feudal tyranny and the submission of the tyrannized, against a backdrop of the sublime and pitiless terrain of rural Russia.

    These exquisitely rendered stories, now with a stirring introduction from Daniyal Mueenuddin, were not only universally popular with the reading public but, through the influence they exerted on important members of the Tsarist bureaucracy, contributed to the major political event of mid–nineteenth–century Russia: the Great Emancipation of the serfs in 1861. Rarely has a book that offers such undiluted literary pleasure also been so strong a force for significant social change, one that continues to speak to readers centuries later.

    LanguageEnglish
    PublisherHarperCollins
    Release dateJan 7, 2020
    ISBN9780062968487
    Author

    Ivan Turgenev

    Ivan Turgenev was a Russian writer whose work is exemplary of Russian Realism. A student of Hegel, Turgenev’s political views and writing were heavily influenced by the Age of Enlightenment. Among his most recognized works are the classic Fathers and Sons, A Sportsman’s Sketches, and A Month in the Country. Turgenev is today recognized for his artistic purity, which influenced writers such as Henry James and Joseph Conrad. Turgenev died in 1883, and is credited with returning Leo Tolstoy to writing as the result of his death-bed plea.

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    Reviews for A Sportsman's Notebook

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    • 4/5
      I listened to this audiobook, which was superbly narrated by Steven Marvel. This version was translated by Charles and Natasha Hepburn. I've bookmarked a few chapters to re-read as prose because Turgenev's descriptions and the translation are so exquisite. Of the twenty-five chapters / independent short stories, I found only two to be boring. That's an impressive success rate for a mid 19th century writer to achieve with a 21st century reader.
      Highly recommended.
    • 5/5
      Turgenev lays bare the injustices and arbitrariness of the serf system simply through recounting stories in which the humanity of all the characters, good, bad and middling, and with all their flaws, is allowed to speak, and his breathtakingly beautiful evocations of the natural world of the Russian countryside create the background and context. There's humour too, as there must be in all accounts of human interactions, and pathos which at times is almost unbearable. As with the 'A Russian Gentleman' and 'Years of Childhood' volumes of Sergei Aksakov's autobiographical trilogy, Turgenev's 'Sketches from a Hunter's Album' seems to take you to the actual living reality of rural Russia under serfdom. A wonderfully evocative book and a joy to read.
    • 3/5
      Although Turgenev never intentionally set out to overthrow Russian serfdom when he penned this collection of vignettes around 1850, that was precisely what occured. Fiercely empathetic toward the peasants, Turgenev himself was well educated and upper class. Philosophically, he was also a Westernist, spending a great deal of his adult life abroad, including France.This collection of short stories, however, is distinctively Russian in its locale, thought and soul. The main characters are, in essence, not the narrator and his hunting companion, but rather the peasants they encounter, the vast expanse of sky, the open fields and woods of the Russian provinces.Turgenev exquisitely describes the joy of pheasant hunting and the great outdoors.By far, the most poignant story involves a young woman who is nearly fading from this life. Living Relic deals with a peasant woman who sustained a ridiculous but grave injury while stepping off her porch. No longer able to take care of herself, indeed, not able to do much more than lie on her bed and pleasantly speak to any who might pass by, Lukeria embraces the joyous spirit which had always been hers. She tells the narrator, after nearly losing her breath, "I don't need anything. I am quite content, praise God!" Through each story Turgenev writes of the vastness of Russia and the grandness of her indomitable spirit.
    • 4/5
      The Book Report: This edition of "A Sportsman's Sketches" or "Sketches from a Hunter's Album" contains 13 of a possible 25 short fictions published by the tyro writer in Russia's preeminent literary magazine, The Contemporary, from 1847 to 1851. These were his first prose outpourings, designed to sustain his independent life far away from his autocratic and abusive mother. He brought these luminous, beautiful vignettes to life in partial imitation of his beloved's husband's work...Louis Viardot, much older husband of opera singer Pauline Viardot, and author of Souvenirs de chasse, a very similar collection of huntsman's memories of the countryside and people of Viardot's youth...but of his own youthful world at his mother's country estate.The stories all illustrate the young author's liberalism, his disdain for the serf system sustaining a luxurious lifestyle for some and penury and privation for most. They were hailed by his fellow liberals, and entered the canon of Russian literature on the strength of that appeal. But generations of readers will attest that what keeps people reading these vignettes is a certain deftness and facility with characters and descriptions that is so robust that it even survives translation. These are objects of rare beauty. Not much when considered as stories, they blossom into beauty when viewed as moments lived by a very acute observer.My Review: "Singers" is possibly my favorite of the sketches. The bleakness of the village, the unexpectedness of the singing contest in such a place, and the sheer animal drive of humans to find SOME joy in life...memorable."Kasyan from the Beautiful Lands" makes me weep...the dwarf, his simple belief that the world is good but mankind is not, his strength and certainty, all in contrast to our helpless and feckless narrator...how clear is Turgenev's picture of the unfairness of privilege unearned."Forest and Steppe" is, alone, the best reason I can give to you to go and get this book and read it. It shimmers. Its beauty of image and of imagination is simply unsurpassable. It is as close to perfect as any piece of writing I've ever seen.So many of the others are, while good and worthy pieces of fiction, just not superb, that I feel it's best to say...the reason to read this collection is the cumulative effect of many a small, beautiful moment, not a Grand Revelation. More like walking in the woods by yourself, noticing birdsong and small shy flowers, than stumbling all unaware across the Grand Canyon.
    • 5/5
      A truly excellent collection of short stories. I confess that Turgenev's most popular work left me cold, but this more than made up for it. Excellent stories and parables about the nature and beauty and tragedy of life across all layers of society. The only fault I could find was almost certainly due to the clunkiness of the translation, which I won't let detract from my admiration this time. Excellent stuff.
    • 5/5
      Turgenev is great. This book has astoundingly beautiful passages about nature. OK, the narrator shoots some birds, but this isn't detailed or bloody and makes up about 2% of the content.
    • 5/5
      In his Preface to "The Seasons" the Scottish poet James Thomson said, "I know no subject more elevating, more amazing, more ready to poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?"This is a theme that runs through the Sketches From a Hunter's Album. The beauty of the sylvan glade or the summer sun glistening off the meadows flowers is brought to life by the prose of Turgenev in these vignettes. Certainly the characters are also finely drawn and include all social stratas while emphasizing the narrator's interactions with peasants and serfs. It is the latter that impress the reader by the respect and generosity with which they are treated. The combination of fascinating characters and beautiful nature writing made this book a joy to read. I found myself looking forward to the next chapter with expectation that I would be treated to another even more interesting facet of the countryside and its denizens. I was not disappointed until the end of the book and only then because I did not want it to end.Considering this book was first published in 1852 after having appeared serially as separate sketches, it is a further wonder because the serfs would not be freed for another decade. These short stories revealed Turgenev's unique talent for story-telling. And they greatly influenced Russian short story writers into the early 20th century, including Anton Chekhov, Ivan Bunin, Alexander Kuprin and others. The stories remain fresh today, even in translation, and reward the reader with their magnificence. But let me leave you with a quote from Turgenev himself that expresses my feelings as well:“the deep, pure blue stirs on one’s lips a smile, innocent as itself; like the clouds over the sky, and, as it were, with them, happy memories pass in slow procession over the soul”
    • 4/5
      Lovely little book of beautifully descriptive stories & observations of a Russian Nobleman's encounters with both nature and people as he traveled about the Russian countryside in the mid 1800's. His discourse relative to peasants was always very respectful, and his unease with the double-class system lurks gently below his text. That was interesting, but even more stellar to me were the unbelievable descriptions of the beauty of unspoiled nature....woods especially, but fields, gardens, roads, rivers, springs, weather.....all with striking descriptions that could actually make you see, feel and smell all that he described....not an easy task. While from the perspective of a hunter, in closing he even admits that not all can appreciate the love of hunting.....but how can you anything but envy the hunter whose world is the glory of nature. Interesting read......
    • 3/5
      This was my first Turgenev. I was told to read Fathers and Sons first. I have enjoyed vignettes of wealthy Russian landowners going bird hunting as asides in stories by Gogol, Pushkin and others. I was a little suprised that this entire book - or a lot of it - was these stories. The Doctor's Story was not and was amazing. Aside from a couple, most are about meeting peasants and other landowners while hunting. Apparently some political undertones here made it past the Tsar's censors about giving serfs freedom, but it didn't overwhelm the book. I would say a good filler to round out a Turgenev portfolio but be ready for lots of hunting and bird counts.
    • 2/5
      I read no Russian; but I bought this, hoping to replace the old copy I have put out by Signet in the 60s. Whatever the quality of the translation--and perhaps someone who also reads Russian can let me know--the Penguin version is very much inferior in use of the English language and its tone (as of cultured people in the post-Napoleanic, pre-American Civil War period). Instances: the description of a game bag, in the Signet version "embroidered in worsted" in the Penguin version simply "worsted"; or "One beautiful July morning I rode over to his place"(Penguin) versus "One fine July morning I went over to his place on horseback" (Signet). In the second case "rode" could have been on one of several kinds of wheeled vehicle which in other places the hunter used. Or "They're cutting it [the wood]down," (Penguin) instead of "I'm having some timber felled there."I've seldom been so disappointed in a book!