How to Tell a Story and Other Essays: A Collection of Short Stories
By Mark Twain
()
About this ebook
Mark Twain
Samuel Langhorne Clemens was born in Missouri in 1835, the son of a lawyer. Early in his childhood, the family moved to Hannibal, Missouri – a town which would provide the inspiration for St Petersburg in Tom Sawyer and Huckleberry Finn. After a period spent as a travelling printer, Clemens became a river pilot on the Mississippi: a time he would look back upon as his happiest. When he turned to writing in his thirties, he adopted the pseudonym Mark Twain ('Mark Twain' is the cry of a Mississippi boatman taking depth measurements, and means 'two fathoms'), and a number of highly successful publications followed, including The Prince and the Pauper (1882), Huckleberry Finn (1884) and A Connecticut Yankee (1889). His later life, however, was marked by personal tragedy and sadness, as well as financial difficulty. In 1894, several businesses in which he had invested failed, and he was declared bankrupt. Over the next fifteen years – during which he managed to regain some measure of financial independence – he saw the deaths of two of his beloved daughters, and his wife. Increasingly bitter and depressed, Twain died in 1910, aged seventy-five.
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How to Tell a Story and Other Essays - Mark Twain
HOW TO TELL A STORY
The Humorous Story an American Development.—Its Difference
from Comic and Witty Stories.
I do not claim that I can tell a story as it ought to be told. I only claim to know how a story ought to be told, for I have been almost daily in the company of the most expert story-tellers for many years.
There are several kinds of stories, but only one difficult kind—the humorous. I will talk mainly about that one. The humorous story is American, the comic story is English, the witty story is French. The humorous story depends for its effect upon the manner of the telling; the comic story and the witty story upon the matter.
The humorous story may be spun out to great length, and may wander around as much as it pleases, and arrive nowhere in particular; but the comic and witty stories must be brief and end with a point. The humorous story bubbles gently along, the others burst.
The humorous story is strictly a work of art—high and delicate art—and only an artist can tell it; but no art is necessary in telling the comic and the witty story; anybody can do it. The art of telling a humorous story—understand, I mean by word of mouth, not print—was created in America, and has remained at home.
The humorous story is told gravely; the teller does his best to conceal the fact that he even dimly suspects that there is anything funny about it; but the teller of the comic story tells you beforehand that it is one of the funniest things he has ever heard, then tells it with eager delight, and is the first person to laugh when he gets through. And sometimes, if he has had good success, he is so glad and happy that he will repeat the nub
of it and glance around from face to face, collecting applause, and then repeat it again. It is a pathetic thing to see.
Very often, of course, the rambling and disjointed humorous story finishes with a nub, point, snapper, or whatever you like to call it. Then the listener must be alert, for in many cases