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Creditors (NHB Classic Plays)
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Creditors (NHB Classic Plays)
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Creditors (NHB Classic Plays)
Ebook80 pages34 minutes

Creditors (NHB Classic Plays)

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Young artist Adolf is deeply in love with his new wife Tekla – but a chance meeting with a suave stranger shakes his devotion to the core.

Passionate, dangerously funny, and enduringly perceptive, Strindberg considered this wickedly enjoyable black comedy his masterpiece.

August Strindberg's play Creditors was written in the summer of 1888, and first staged at the Dagmar Theatre in Copenhagen in March 1889.

This English version by Howard Brenton was premiered in March 2019 in a co-production between Jermyn Street Theatre, London, and Theatre by the Lake, Keswick, directed by Jermyn Street's Artistic Director Tom Littler.

LanguageEnglish
Release dateApr 26, 2019
ISBN9781788501743
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Creditors (NHB Classic Plays)
Author

August Strindberg

August Stringberg was a novelist, poet, playwright, and painter, and is considered to be the father of modern Swedish literature, publishing the country’s first modern novel, The Red Room, in 1879. Strindberg was prolific, penning more than 90 works—including plays, novels, and non-fiction—over the course of his career. However, he is best-known for his dramatic works, many of which have been met with international acclaim, including The Father, Miss Julie (Miss Julia), Creditors, and A Dream Play. Strindberg died in 1912 following a short illness, but his work continues to inspire later playwrights and authors including Tennessee Williams, Maxim Gorky, and Eugene O’Neill.

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  • Rating: 4 out of 5 stars
    4/5
    After I listened to the audiobook of the play, I went back and reread some sections in my Kindle edition of "Plays by August Strindberg, Second Series" and read the introduction to the play as well. One important fact that the introduction provided was that Strindberg wrote this play "... only a year before he finally decided to free himself from an impossible marriage by an appeal to the law...". Even with the wife Tekla clearly being portrayed as the "bad" one in the marriage, I noticed that there was a strong vein of feminism (similar to Ibsen's Hedda Gabler in many ways). For example, Tekla saying to her second husband: "Isn't that lovely! Women can be stolen as you steal children or chickens? And you regard me as his chattel or personal property. I am very much obliged to you!"The 'creditors' of the title are Tekla's former & current husbands as described in this passage: Adolph: "To love like a man is to give; to love like a woman is to take. -- And I have given, given, given!" Tekla: "Pooh! What have you given?" Adolph: "Everything!" Tekla: "That's a lot! And if it be true, then I must have taken it. Are you beginning to send in bills for your gifts now? ..."And indeed he is, egged on by Gustav who Adolph doesn't realize is Tekla's former husband.While none of the characters are completely 'true to life', they act out a situation & emotions that are. A thought-provoking play that I need to ponder further...