Heroics
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About this ebook
Maxwell Scobel writes about heroes for a living. He studies them, imagines them, imagines being them. But when a routine drive turns into a fight for his life—and the life of his soon-to-be-adopted three-year-old daughter—he must rise to the occasion. Or lose everything he never knew he held dear.
Voted one of the top ten stories of the year by Ellery Queen Mystery Magazine readers.
"Kristine Kathryn Rusch's crime stories are exceptional, both in plot and in style."
—Mystery Scene Magazine
Kristine Kathryn Rusch
New York Times bestselling author Kristine Kathryn Rusch writes in almost every genre. Generally, she uses her real name (Rusch) for most of her writing. She publishes bestselling science fiction and fantasy, award-winning mysteries, acclaimed mainstream fiction, controversial nonfiction, and the occasional romance. Her novels have made bestseller lists around the world and her short fiction has appeared in eighteen best of the year collections. She has won more than twenty-five awards for her fiction, including the Hugo, Le Prix Imaginales, the Asimov's Readers Choice award, and the Ellery Queen Mystery Magazine Readers Choice Award.
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Heroics - Kristine Kathryn Rusch
Heroics
Kristine Kathryn Rusch
WMG Publishing, Inc.Contents
Heroics
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Also by Kristine Kathryn Rusch
About the Author
He had gotten it all wrong.
His body no longer worked the way it wanted to. He had always ignored that, thinking his heroes could survive anything.
He could survive anything.
Sobel lay facedown in a pile of leaves, the smell of decaying vegetation rich in his nostrils. The ground was cold and damp, the chill seeping through his flannel shirt and the knees of his jeans. His feet were twisted awkwardly, but he felt no pain there, nothing except the throbbing in his arm, trapped beneath him like a wounded animal.
He rolled on his good side, felt his arm flop against his stomach, and the agony, so sharp that the world went white for a moment. The shove had sent him over the embankment, down the hill—he remembered soaring, swearing, thinking of Sarah, alone up there with them—and then the ground rushing toward him. He put his arms out to brace himself, to break the fall, underestimating both his own weight and the speed he’d been dropping. He’d heard the snap—snaps—three at least—and then the pain that blotted out the urgency, the fear, the anger.
He thought of pushing himself up, imagined climbing the embankment like Jackson Ross, his fictional alter ego, and saving Sarah. Jackson would have gotten up immediately, would have used the broken limb to pull himself up the hill despite the pain.
Sobel had no idea how long he had been un- or semi-conscious. Long enough for them to climb down the hill, check him for dead and leave, presumably with Sarah in tow. Why would they want her? An innocent three-year-old with eyes as big as the world. Not his, not yet. Not legally anyway. The adoption papers were ready and would be signed before he married JoAnn.
JoAnn, who was in New York, spending a couple thousand dollars of his fortune to buy a wedding dress so secret that he couldn’t even be in the same city with her. She had left Sarah with him.
For safekeeping.
He pushed himself into a sitting position, and felt his closed Swiss Army knife press against his left thigh. For a moment that was the only sensation, and then he realized he was dizzy. The blood staining the leaves; the way his breath came shallowly; the clammy feel of his skin all added to his queasiness. He touched his face, felt stickiness, knew that was where the blood was coming from. Cuts, bruises. He probably had them all over. He was in