Feminism And The Creation Of A Female Aristocracy
By Peter Wright
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Modeled on the principles of feudal society, the feminist enterprise of designing male and female social classes has been several centuries in the making.
Well before Marx and Marxism the feminist tradition was orchestrating its own version of the long march through the institutions of society, agitating for social and legal changes that would ultimately free women of most responsibilities while leaving men's responsibilities unchanged or increased.
Peter Wright explores the nature of political feminism and the rhetorical devices that have proven so decisive for the success of the movement. Among those tactics are appeals to women's biological vulnerabilities and the necessity of male chivalry to secure women's protections and rise in status.
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Feminism And The Creation Of A Female Aristocracy - Peter Wright
FEMINISM
And The Creation of a Female Aristocracy
By Peter Wright
Academic Century Press
2017
Table of Contents
Introduction
1 - What is feminism?
2 - Governance feminism: a review
3 - Chivalry feminism
4 - The roots of feminism
5 - The other beauty myth
6 - Harvesting the male gaze
7 - Hera, ancient Greek goddess of feminism
8 - Feminism, sex-differences, and chivalry
9 - Feminism's love-affair with gender differences
10 - Can women be chivalrous? Damn right they can
11 - The end of feminism: a prophetic fiction
Introduction
When Marxist activist Rudi Dutschke looked at ways to stage a neo-Marxist revolution he hit on the plan of a long march through the institutions of power to create radical change from within government and society by becoming an integral part of the machinery.
His strategy was to work against the established institutions while working surreptitiously within them. Evidence of the attempt to implement his plan can be seen today through many levels of society – especially in universities.
Marxists however are not the only ones to use this strategy. In fact when we look at the numerous political forces attempting to infiltrate and influence our cultural institutions we see that another, much more influential candidate, has twisted its tendrils through every layer of society – and it existed long before Marx and Marxism was born. That force is political feminism,¹ whose culture project has been in play now for several hundred years.
Protofeminists like Lucrezia Marinella, Mary Wollstoncraft, Margaret Cavendish, Modesta Pozzo, or Christine de Pizan were advocating a ‘long march’ through institutions for centuries before Marxism emerged and began its tragic experiment. Pizan’s main book for example titled ‘A City of Ladies’ sketched an imaginary city whose institutions were controlled completely by women, and each of the protofeminists advanced some theory of female rule or ‘integration’ of women into governing institutions.
A survey of these writings reveals that early protofeminists advocated the superior abilities of women as functionaries: women’s greater virtue, nonviolence, intelligence, patience, superior morality and so on, combined with concomitant descriptions of male inferiority just as we see continued in the rhetoric of modern feminists. They sought not only a big slice of the pie, but as contemporary feminists have shown they would stop at nothing but the whole pie; nothing but complete dominance of the gendered landscape would satisfy their lust for control.
That long tradition underlines the danger of viewing ‘the march through the institutions’ as a Cultural Marxism project, because it deflects us from the historically longer, more powerful, more dangerous and ultimately more successful project that is political feminism.
Moreover, the protagonists of Marxist and feminist worldviews are not one and the same; the former aims to dismantle social-class oppression, and the latter gender oppression. While there are some individuals working to amalgamate these two contrary theories into a hybrid of Frankenstein proportions, their basic theoretical aims remain distinct.
Like Marxism, feminism too can be imagined as a socio-political ideology, in this case modelling itself on a medieval feudalism which was structured with a ruling King or Queen overseeing two social classes: 1. A noble class of aristocrats, priests, princes and princesses, and 2. a peasant class of serfs and slaves overseen by indentured vassals.
Stripped of its medieval context we see the purveyors of political feminism working to institute a sex stratified version of feudalism which serves to consolidate and increase the power of women. As with the peasant class in medieval times, the assets and wealth generated by the labour class – predominately men – are to be systematically taxed and redistributed to aristocratic
women via a plethora of social, medical and occupational spending programs of governments, and in the form of asset transfers like alimony, child support, divorce settlements and other court mandated conventions. Children themselves form part of that asset portfolio which men are often forced to relinquish to women in the event of divorce.
The attempt to establish a quasi-aristocratic class comprised only of women has long been recognized, as mentioned by the following individual who in the year 1896 observed the granting to women of unequal social privileges; It gives cause to some reflection
the author states, as to the rate at which a sex aristocracy is being established in our midst.
²
Adam Kostakis gives an eloquent summary of feminism’s preference for a neo-feudal society in his seminal Gynocentrism Theory Lectures³:
It would not be inappropriate to call such a system sexual feudalism, and every time I read a feminist article, this is the impression that I get: that they aim to construct a new aristocracy, comprised only of women, while men stand at the gate, till in the fields, fight in their armies, and grovel at their feet for starvation wages. All feminist innovation and legislation creates new rights for women and new duties for men; thus it tends towards the creation of a male underclass.
⁴
By all accounts what we have today under feminist modelling is a successful attempt to establish a neo-feudal society with women representing an aristocratic class and men the labour class of serfs, slaves and peasants who too often spend their lives looking up from the proverbial glass cellar. This enterprise is 800 years in the making, enjoying consolidations with each and every passing year of feminist governance.
With this sombre overview of the state of play, we can now dive in and look at the internal mechanics of feminism as displayed in the contemporary movement. The following articles were previously published at Gynocentrism.com and have been updated for this volume. There are some minor repetition of quotes for which I ask the reader’s grace – they are integral to the structure of the articles and for that purpose have been retained.
Chapters 1 – 3, by Adam Kostakis, Peter Wright and Ernest B. Bax respectively, provide pithy summaries of the feminist project, followed by a fourth chapter surveying the longer historical roots of the movement. Chapters 5 – 6 take up the politics of beauty, followed by chapters 7 – 9 which deconstruct the internal rationale of feminist rhetoric.⁵
With much of this volume highlighting feminism’s reliance on male chivalry, chapter 10 throws down the gauntlet and asks why chivalry needs to be a sexist convention at all. Finally chapter 11 reviews the 1971 pulp fiction book The Feminists, which concludes with the suggestion that a defeat of feminism can only come about when sufficient numbers of women join to oppose and fight it.
[1]. Ernest Belfort Bax coined the phrase ‘political feminism’ in his book The Fraud of Feminism. London: Grant Richards Ltd, 1913
[2]. A Privileged and Pampered Sex, Letter to the Editor, Reynolds Newspaper, 1896
[3]. Adam Kostakis, Gynocentrism Theory Lectures, 2011 (https://gynocentrism.com/2014/05/25/gynocentrism-theory-2/)
[4]. Lecture 11: The Eventual Outcome of Feminism –II, Gynocentrism Theory Lectures, 2011
[5] Chapter 8 Feminism's love-affair with gender differences was co-authored by Bryan Scandrett, Robert Brockway and Peter Wright