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    Emile Zola
    Emile Zola
    Emile Zola
    Ebook38 pages24 minutes

    Emile Zola

    By William Dean Howells

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    In these times of electrical movement, the sort of construction in the moral world for which ages were once needed, takes place almost simultaneously with the event to be adjusted in history, and as true a perspective forms itself as any in the past. A few weeks after the death of a poet of such great epical imagination, such great ethical force, as Emile Zola, we may see him as clearly and judge him as fairly as posterity alone was formerly supposed able to see and to judge the heroes that antedated it.
     
    LanguageEnglish
    PublisheriOnlineShopping.com
    Release dateFeb 17, 2019
    ISBN9788832519372
    Emile Zola
    Author

    William Dean Howells

    William Dean Howells was a realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters". He was particularly known for his tenure as editor of The Atlantic Monthly, as well as for his own prolific writings.

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      Book preview

      Emile Zola - William Dean Howells

      The Project Gutenberg EBook of Emile Zola, by William Dean Howells

      This eBook is for the use of anyone anywhere at no cost and with

      almost no restrictions whatsoever.  You may copy it, give it away or

      re-use it under the terms of the Project Gutenberg License included

      with this eBook or online at www.gutenberg.net

      Title: Emile Zola

      Author: William Dean Howells

      Posting Date: July 23, 2008 [EBook #728]

      Release Date: November, 1996

      Language: English

      *** START OF THIS PROJECT GUTENBERG EBOOK EMILE ZOLA ***

      Produced by Anthony J. Adam.

      EMILE ZOLA

      by

      William Dean Howells

      In these times of electrical movement, the sort of construction in the moral world for which ages were once needed, takes place almost simultaneously with the event to be adjusted in history, and as true a perspective forms itself as any in the past. A few weeks after the death of a poet of such great epical imagination, such great ethical force, as Emile Zola, we may see him as clearly and judge him as fairly as posterity alone was formerly supposed able to see and to judge the heroes that antedated it. The present is always holding in solution the elements of the future and the past, in fact; and whilst Zola still lived, in the moments of his highest activity, the love and hate, the intelligence and ignorance, of his motives and his work were as evident, and were as accurately the measure of progressive and retrogressive criticism, as they will be hereafter in any of the literary periods to come. There will never be criticism to appreciate him more justly, to depreciate him more unjustly, than that of his immediate contemporaries. There will never be a day when criticism will be of one mind about him, when he will no longer be a question, and will have become a conclusion. A conclusion is an accomplished fact, something finally ended, something dead; and the extraordinary vitality of Zola, when he was doing the things most characteristic of him, forbids the notion of this in his case. Like every man who embodies an ideal, his individuality partook of what

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