Habitation of Wonder
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Abigail Carroll
Abigail Carroll is author of Habitation of Wonder (2018),A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (2017) and Three Squares: The Invention of the American Meal (2013). She lives and writes in Vermont.
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A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim Rating: 4 out of 5 stars4/5A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim Rating: 0 out of 5 stars0 ratings
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Habitation of Wonder - Abigail Carroll
Genesis (I)
We read the Word
spoke forth creation, but
I’m not so sure it wasn’t
sung into being,
not exactly hummed,
though insects might
have appeared with hardly
an opening of the mouth.
No doubt, the sun
was spun from delicate,
yet forceful arias—thus
the operatic nature of light.
Out of a bass-line, deep
blue tones—the kind you
rarely hear until they’ve
faded into air—whales.
Ostriches sprang from
strange improvisations.
Elephants are echoes
of ancient, sacred chants.
I imagine larkspur, phlox,
and clover are the progeny
of nursery rhymes repeated
quaintly, readily, musingly,
as if sheer gratuity
were their purpose, as if
they were made for nothing
more than loveliness. Stars,
in their totality, emerged
not from a tune, but rather
a soft and knowing sound:
a buzz, a kind of celestial
purr, a note so perfectly
content with itself that
it sparked, became what
it dreamed: a universe.
WATER
Canticle (I)
To agree with the lake.
To sing and let sing
bristle grass, a white sail,
beach stones
mottling the shore
in music older
than the human ear.
To be tutored
by a bent reed,
the smooth back
of driftwood
listing, concurring.
To let nouns be nouns
the way the mountains
inhabit the grammar
of their waiting,
the way hawks
refuse to apologize
for flight.
To let in the light
like earth lets in
the shining prophecies
of rain,
like monarchs
let summer dance
gold on the open invitation
of their wings.
To brother the wind.
Not to choose between
tomorrow and today.
Not to refuse the liturgies
of the waves,
the rhetoric
of the glittering sun
spilt.
To be undone.
To note the descant
of a cloud, a cormorant,
tree crickets’ hum,
the signature
of glaciers scrawled
on lichen rock.
To defer to the willow.
Not to prefer ignorance
to the theories of swallows,
the languages of the air.
To enter the concert,
the stirring,
the singing,
the way the bulrush enters
its blooming,
the way sky enters
the glow of evening,
the green-turning-flame
of its song.
The Calling
And so it is, the lake is calling you,
dropping in your ear the small consonants
of its lapping. There is no resisting.
It insists on shivering water into light.
You have beheld this silver before.
In dreams, it’s the radiance you wear.
The jangle of shroud against mast:
a language you have come to understand.
It has let you in on its secret. So too
has the dark slipping by of the cormorant.
Soft, the verbiage of a passing
kayak, the lisp of the paddle’s dip and rise,
the narrow body’s thin blue glide.
A word has perched on your tongue, but
refuses to be formed, tastes like
storm-rinsed sky, the wind-downed
rhetoric of pines imitating the slow dance
of waves. Acquainted with all manner of
waiting, the dock grows patient
with your sitting, your staring, your curious
forward-leaning. Listen: water
tapping, pulling at the hull, the metal siding
on the plank-wood pier. It circles out
from your dangling ankles, a