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Habitation of Wonder
Habitation of Wonder
Habitation of Wonder
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Habitation of Wonder

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Habitation of Wonder is an offering of poems that travels the intersection of the natural landscape and the landscape of spirit. Here, the moon is a "white comma / in the breath of space." Crocuses are "ephemeral prophets, first of the sun's spring projects." The ocean is "a vast / perpetual sacrifice on the altar / of the shell-glittering shore." The collection opens with "Genesis," a reimagining of the creation story with song as the divine instrument of creation. Five themed sections flow from "Genesis" like a musical thread, investigating the material elements from which we originate and in which we take shelter, as well as the gifts of language and faith, which make us more than merely "a constellation of salts." In its own way, each poem invites the reader to "tenant beauty"--as well as to tenant uncertainty. When beauty and uncertainty collide, they spark wonder. As these poems suggest, wonder is simply another name for the world in which we live--and the world that lives in us.
LanguageEnglish
PublisherCascade Books
Release dateJan 18, 2018
ISBN9781532630262
Habitation of Wonder
Author

Abigail Carroll

Abigail Carroll is author of Habitation of Wonder (2018),A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (2017) and Three Squares: The Invention of the American Meal (2013). She lives and writes in Vermont.

Read more from Abigail Carroll

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    Habitation of Wonder - Abigail Carroll

    Genesis (I)

    We read the Word

    spoke forth creation, but

    I’m not so sure it wasn’t

    sung into being,

    not exactly hummed,

    though insects might

    have appeared with hardly

    an opening of the mouth.

    No doubt, the sun

    was spun from delicate,

    yet forceful arias—thus

    the operatic nature of light.

    Out of a bass-line, deep

    blue tones—the kind you

    rarely hear until they’ve

    faded into air—whales.

    Ostriches sprang from

    strange improvisations.

    Elephants are echoes

    of ancient, sacred chants.

    I imagine larkspur, phlox,

    and clover are the progeny

    of nursery rhymes repeated

    quaintly, readily, musingly,

    as if sheer gratuity

    were their purpose, as if

    they were made for nothing

    more than loveliness. Stars,

    in their totality, emerged

    not from a tune, but rather

    a soft and knowing sound:

    a buzz, a kind of celestial

    purr, a note so perfectly

    content with itself that

    it sparked, became what

    it dreamed: a universe.

    WATER

    Canticle (I)

    To agree with the lake.

    To sing and let sing

    bristle grass, a white sail,

    beach stones

    mottling the shore

    in music older

    than the human ear.

    To be tutored

    by a bent reed,

    the smooth back

    of driftwood

    listing, concurring.

    To let nouns be nouns

    the way the mountains

    inhabit the grammar

    of their waiting,

    the way hawks

    refuse to apologize

    for flight.

    To let in the light

    like earth lets in

    the shining prophecies

    of rain,

    like monarchs

    let summer dance

    gold on the open invitation

    of their wings.

    To brother the wind.

    Not to choose between

    tomorrow and today.

    Not to refuse the liturgies

    of the waves,

    the rhetoric

    of the glittering sun

    spilt.

    To be undone.

    To note the descant

    of a cloud, a cormorant,

    tree crickets’ hum,

    the signature

    of glaciers scrawled

    on lichen rock.

    To defer to the willow.

    Not to prefer ignorance

    to the theories of swallows,

    the languages of the air.

    To enter the concert,

    the stirring,

    the singing,

    the way the bulrush enters

    its blooming,

    the way sky enters

    the glow of evening,

    the green-turning-flame

    of its song.

    The Calling

    And so it is, the lake is calling you,

    dropping in your ear the small consonants

    of its lapping. There is no resisting.

    It insists on shivering water into light.

    You have beheld this silver before.

    In dreams, it’s the radiance you wear.

    The jangle of shroud against mast:

    a language you have come to understand.

    It has let you in on its secret. So too

    has the dark slipping by of the cormorant.

    Soft, the verbiage of a passing

    kayak, the lisp of the paddle’s dip and rise,

    the narrow body’s thin blue glide.

    A word has perched on your tongue, but

    refuses to be formed, tastes like

    storm-rinsed sky, the wind-downed

    rhetoric of pines imitating the slow dance

    of waves. Acquainted with all manner of

    waiting, the dock grows patient

    with your sitting, your staring, your curious

    forward-leaning. Listen: water

    tapping, pulling at the hull, the metal siding

    on the plank-wood pier. It circles out

    from your dangling ankles, a

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