Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

The Ninth Hour: A Novel
The Ninth Hour: A Novel
The Ninth Hour: A Novel
Ebook267 pages4 hours

The Ninth Hour: A Novel

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

A magnificent new novel from one of America’s finest writersa powerfully affecting story spanning the twentieth century of a widow and her daughter and the nuns who serve their Irish-American community in Brooklyn.

On a dim winter afternoon, a young Irish immigrant opens a gas tap in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his pregnant wife—that “the hours of his life . . . belonged to himself alone.” In the aftermath of the fire that follows, Sister St. Saviour, an aging nun, a Little Nursing Sister of the Sick Poor, appears, unbidden, to direct the way forward for his widow and his unborn child.

In Catholic Brooklyn in the early part of the twentieth century, decorum, superstition, and shame collude to erase the man’s brief existence, and yet his suicide, though never spoken of, reverberates through many lives—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations. Rendered with remarkable delicacy, heart, and intelligence, Alice McDermott’s The Ninth Hour is a crowning achievement of one of the finest American writers at work today.

LanguageEnglish
Release dateSep 19, 2017
ISBN9780374712174
Author

Alice McDermott

Alice McDermott is the author of nine novels, all published by FSG, including Charming Billy, winner of the National Book Award, and That Night, At Weddings and Wakes, and After This, which were finalists for the Pulitzer Prize. She is also the author of the essay collection What About the Baby?: Some Thoughts on the Art of Fiction. Her stories and essays have appeared in The New York Times, The Washington Post, The New Yorker, Harper’s Magazine, and other publications. She lives outside Washington, DC.

Related to The Ninth Hour

Related ebooks

Historical Fiction For You

View More

Related articles

Reviews for The Ninth Hour

Rating: 3.7943549677419353 out of 5 stars
4/5

248 ratings26 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    Another slice of life in early 20th century Brooklyn by Alice McDermott. A young, Irish immigrant, father-to-be commits suicide, causing his pregnant wife, Annie, to be dependent on a local convent for her livelihood as their laundress. Her daughter, Sally, grows up by her side at the convent and the various nuns become her extended family. There is a lot of exploration of faith, values, and dramatic tension in relationships based on the mores of a time long gone from this current day.
  • Rating: 4 out of 5 stars
    4/5
    Oh my goodness! Where do I begin to tell the story of a fire initiated by a suicide and an extremely involved nun who shepherds the survivors through their journey of grief and loss? Sister St. Saviour seems to know instinctively when the members of her Brooklyn neighborhood need her. On one of her nightly walks the good sister becomes the contact person who immediately deals with a suicide. Through her intervention the grieving pregnant widow becomes the laundress at the convent exposing her infant daughter Sally to the religious life. Sally makes a half hearted attempt to enter the nunnery but quickly realizes she lacks the vocation for such a life. This is an amazing story of life, loss, heartbreak and the lengths a daughter will go to to ensure her mothers happiness.
  • Rating: 3 out of 5 stars
    3/5
    I can't say I enjoyed this book but it has more to due with my own prejudices; antagonism towards all religion, catholicism in particular, than with the merits of the book. I kept reading it for the great descriptions of people and places.
  • Rating: 4 out of 5 stars
    4/5
    I absolutely adore this author, and have been waiting for a few years for this her next offering. Her novels aren't suspense filled, no thrill a minute, no car chases or know wilding psychopaths, just slices of life in all it's messy permutations. Early twentieth century, Brooklyn, a neighborhood of Irish Catholics during a time period when most medical care was performed by nuns, in this case the Little Nursing Sisters of the sick poor, the only recourse for those who cannot afford a physician. A young man commits suicide, leaving a young pregnant wife, enter Sister St. Savior who will be this woman's guardian angel. Providing her with a job in the convention laundry as well as finding her needed baby things and even a new friend with children of her own. Sally is born and is raised with the help of the good sisters in the convent laundry. We come to know some of these sisters, travel with them as they visit the elderly, and the ill in their homes. The sisters very much present in the lives of these families. We watch as a young woman struggles with a decision regarding her vocation and her mother tries to find a new path to happiness, one in which the sisters very much disapprove. In a unique twist we also hear from voices from the future about forthcoming events, second and third generations. A wonderfully told story about a time long past, about love and morals and the many places and times these same crcumstances repeat. McDermott's novels are so realistic, her writing simple but heartfelt, her characters flawed but for the most part good intentioned. People just doing the best they can in the lives they find themselves and in the paths they have chosen whether this is married life or a life dedicated to the church. Struggling with many of the same things we struggle with today.ARC from Netgalley.
  • Rating: 3 out of 5 stars
    3/5
    or me this book was just okay. I would have, however, liked to have seen more of Sally and a lot less of the nuns. I think that had I'd known that most of it was taking place in a convent, I would not have requested this book.Thanks to Farrar, Straus and Giroux and Net Galley for providing me with a free e-galley in exchange for an honest, unbiased review.
  • Rating: 3 out of 5 stars
    3/5
     The Ninth Hour was a lovely book-delicate and lightly told but evocative and almost immersive. (Such skill) I didn't expect to enjoy time spent with nuns but this is a refreshing take on the somewhat traveled path of early 20th century Irish New York.
  • Rating: 4 out of 5 stars
    4/5
    Alice McDermott has taken the reader into a very specific, finite realm of of the Catholic Church. This is the story of a group of nursing nuns, their ministrations,and their humanity. This is also a story of a a young woman's effort to find her footing as an adult while living with the unspoken suicide of her father. Faith, heaven & hell, the harsh and often frightening minutiae of life and death, relationships, loneliness, and if course, love......it is all here and profoundly affecting!
  • Rating: 3 out of 5 stars
    3/5
    The Ninth Hour: A Novel: Alice McDermott, author; Euan Morton, narratorAnnie, a young Irish Catholic woman is widowed when her husband Jim commits suicide after calmly sending her out to do some shopping. His burial in the church plot that they own is in jeopardy. Sister St. Saviour, of the order Little Nursing Sisters of the Sick Poor, miraculously appears and takes charge. Although it is forbidden, she wants Jim to be buried by the church. Willing to bend the rules, she quietly arranges it by pretending his death was accidental. However, the true story gets out into the news, and her efforts fail. This is the first hint that the story will be about the “sins” of the clergy, as well as the sinful behavior that all “flesh is heir to”. Sister St. Saviour, in spite of obstacles, does manage to use her influence to help Annie, who is pregnant and all alone in Brooklyn. She gets her a job helping Sister Illuminata in the laundry at the convent. When her daughter is born, Annie names her after the Sister who had helped her. St. Saviour never saw the child because she had recently died. Everyday, the child who is nicknamed Sally, goes to work with her mother to the laundry in the basement of the convent. Sally is exposed to the world that Sister Illuminata occupies, a world of many petty and not so subtle complaints about her life, but also to her self sacrifice and service to those in need. As Sally is drawn more and more to the church, Sister Illuminata encourages her to enter that world. She does this against the wishes of Annie who does not want to lose Sally to the church. Sister Lucy and Sister Jeanne also become important in Sally’s life as she accompanies them on their visits to the sick and poor and witnesses the abuses that those in need suffer from, as well as the abuses that they are capable of doling out to others. When Sally decides to enter the church as a novitiate, she travels by train to Chicago. That trip exposes her to the real world and its dangers. She is taken advantage of in many ways on the train that is carrying her to what she thought was her destiny, her calling. She grows very disillusioned as she witnesses the betrayal and dishonesty of so many, the small sins and great sins of those who prey upon her, and she decides to abandon her dream of becoming a nun. She does not want to be associated with the church any longer. The behavior that disappoints her is ignored as those who want to do anything about it are apparently powerless. People and the church are often blinded by need and greed.When she returns home, quite unexpectedly, she is greeted by another very disappointing scene that forces her to leave home and move in with friends, the Tierney’s. Once, she and Patrick Tierney were in baby carriages side by side and he immediately fell in love with her, Sally discovers that she has her own mean streak. She realizes, too, that she has the capability to hurt others, to lie and deceive, as well. There is one constant in her life, however. She is utterly devoted to her mother, regardless of how her mother’s behavior disappoints her. Just how far would she go to save her mother’s soul? Was she worth saving and was the idea of being saved still viable?Her mother is having an affair with Mr. Costello, a milkman, the husband of a mentally and physically disabled woman whom the nuns nurse with kindness, but, on the other hand, have no patience for when she complains. Sally has helped Sister Jeanne and Sister Lucy care for Mrs. Costello. She is recovering from pneumonia and Sally, with an ulterior motive, decides to offer to help the exhausted nuns. When Mrs. Costello dies after a violent coughing fit as she is being fed, the reader will wonder how her death came about so suddenly. Did someone offer a helping hand? Whose hand was it?All of the characters are flawed. When presented with the possibility of breaking rules or sinning, they simply do. Their consciences rarely guide them. Even though they could be extremely kind, they also had the capacity for evil. They all seemed to harbor some hidden guilt, shame or anger from events hidden in their past that caused them pain. They often gave in to carnal desires and selfish needs. They were willing to deceive, behave promiscuously, turn a blind eye to the rules, and in general, yield to weakness. Were they suffering for “the original sin”?As Sally’s children narrate this story, the decline of the stature of the church is gradually revealed as the duplicitous behavior of the clergy is exposed along with the poor behavior of believers and non believers alike. It is sometimes confusing. The message appears to be that humans will sink, rather than rise to the occasion, if given the opportunity to sin. Even members of the church harbor hateful and often selfish thoughts. It seems that when temptation rears its ugly head, there are men and women alike, from all walks of life that are willing to succumb to it in the same way today as it was in the time of Eve.The story begins with a death and ends with one. Both are certainly self-serving acts on the part of someone. One, however, is a suicide and one is a murder. Both of the victims had suffered and were very unhappy in their perceived view of life. Both blamed others for their plights. Both could not adjust to their lives, but one chose to die and the other is chosen to die by others. One is trapped mentally and the other physically. In this book, it is mostly the women who step in to help, heal and uplift, but it is also mostly the women who are willing to break the rules, manipulate others and engage in deception and disloyalty when they believe in their cause. Are all humans capable of acts of evil, great or small? Are all of us capable of breaking our vows and of being disloyal? What is the position of the church today? Is the church corrupt or is it simply that some of those attached to it are, and is the church a powerful force any longer? Should it be? Are humans capable of redemption? These are some of the questions the book will give rise to at the end.
  • Rating: 4 out of 5 stars
    4/5
    5520. The Ninth Hour, by Alice McDermott (read 16 Dec 2017) The author of this book won the Pulitzer Prize for a previous book, Charming Billy, which I read 26 Feb 1999. The Ninth Hour is laid in New York City in the early years of the 20th century, opening with the suicide of a pregnant woman's husband. A convent of hard-working nuns come to the widow's assistance and the book relates the lives of the widow and her daughter Sally. Sally grows up in the sisters' world and almost enters the convent. Her mother carries on an adulterous affair which her daughter, Sallie, seeks to end in a shocking way. The book is suffused by Catholicity but one wishes there were concern for right living by the people the nuns serve. I certainly approved of the consciousness of sin which the characters displayed but would have preferred the characters eventually doing the right thing more often. So I cannot say I enjoyed the reading of his book as much as I hoped I would.
  • Rating: 5 out of 5 stars
    5/5
    I loved this book. I wanted more about this Brooklyn Irish immigrant family. Living in a tenement, the Catholic community was held together by a nun, Sister St. Savior. The story is told by a collective group, children and grandchildren. The characters are rich and full of life. The story line is interesting and the book demonstrates what I love about a good book.
  • Rating: 4 out of 5 stars
    4/5
    When a young husband takes his life by turning on the gas in his Brooklyn apartment, his pregnant wife is comforted by a small group of nuns from a local convent who dedicate their service to the sick and poor. Annie is given a job in the convent laundry, where her daughter Sally grows up. The nuns--Sister Immaculata, Sister Jeanne, Sister Saint Savior, Sister Lucy and the rest--adore young Sally and are thrilled when it seems she has received "the calling." But is she truly suited for this life?Hoffman's novel explores the inner motivations of her characters, secular and religious. Some are motivated by sheer love, some by faith, some by desire or ambition, still others by the need to sacrifice or to be admired. The relationship between Sally and her mother is a particularly complicated one, especially when Sally learns that her mother is not quite the suffering widow she had always thought. The nuns, a little family onto themselves and almost substitute mothers to Sally, engage in quiet conflicts over what would be the best road for her future. I especially liked the realism with which these women are portrayed: the nuns are neither saints-on-earth nor the typical caricatures of cruel nuns found in so many historical novels, they are real women who, like everyone else, have multiple emotions, needs, and regrets, who sometimes make mistakes but can also be nurturing and forgiving. Hoffman creates a clear picture of life in early 20th-century Brooklyn, the importance of family and community, and the influence of religious devotion.
  • Rating: 5 out of 5 stars
    5/5
    A young husband's suicide sets the scene for the rest of this novel of love and devotion. Jim's wife, Anne, is pregnant when he kills himself by breathing gas from the stove; a fire is caused when people come to the rescue. Sister Savior of the Nursing Sisters of the Sick Poor is one of the first on the scene and takes Anne under wing which brings her to the convent where she is a helper in the convent's laundry run by Sister Illuminata. Here he learns to know and love the others sisters as well: Sister Lucy and Sister Jeanne particularly.Anne's child, Sally, is taken to work and almost grows up in the laundry with Sister Illuminata who loves her as her own. Sister Lucy, meanwhile, brisk yet lovingly goes about her nursing in the neighborhood especially taking care of the milkman's invalid wife, Mrs. Costello. As Sally grows, she feels the urge to join the sisters and helps often with Mrs. Costello. When Anne and Mr. Costello begin a relationship, secrecy is required but Sally unexpectedly finds them together. This is a story that would be impossible to tell today; Nuns devoting their lives to the poor and sick, the cultural shame of a relationship, the controlling strength of an invalid woman, the naive young woman whose love for her mother complicates her life and causes her to make a huge decision.This is a book about a time and about the devotion of people that is so different than today. I read this is one sitting as I felt on each page as I was walking with young Sally.
  • Rating: 2 out of 5 stars
    2/5
    I was very disappointed in this book. I usually like McDermott's work but this one was a confusing muddle of family relationships. I did like the credit given to the nuns for their work among the poor but I thought laying the blame for the ending on a poor sister was unfair.
  • Rating: 4 out of 5 stars
    4/5
    The Ninth HourAlice McDermottA dark, thought-provoking and moving story about an Irish immigrant family and a community of nuns who thanklessly care for the sick and the poor. ⭐️⭐️⭐️⭐️SUMMARYLate one winter afternoon, Jim ushered his wife out the door to do some shopping. After she leaves, this Irish immigrant subway worker blocked the door, covered the windows and opened up the gas taps in their Brooklyn tenement. His suicide would forever alter the lives of his wife, Annie, and his unborn daughter, Sally. Despite being aided and shepherded by a community of nursing nuns, Annie and Sally struggle with life decisions and their moral compass in years following Jim’s death. The story is narrated by one of Sally’s children, with the focus on Sally’s life, as well as the lives and works of the nuns who administer to the need of the Brooklyn Irish immigrant community. “Fairness demanded that grief should find succor, that wounds should heal, insults and confusion find recompense and certainty, that every living person God has made should not, willy-nilly, be forever unmade.”REVIEWThe Ninth Hour is the time for afternoon prayers for the nursing nuns. It’s a time to ask for God’s mercy for the ills and sins of their community. Annie and Sallie needed the nuns prayers, as did so many others in their Brooklyn neighborhood. Set in the first half of the twentieth century, THE NINTH HOUR is dark and affecting. The prose was masterfully descriptive, evocative and emotional. The detailed descriptions of the grim aspects of illnesses and death that the nuns experienced, among the poor were gritty. One of the most poignant chapters in the book was innocent Sally’s dramatic train trip to Chicago. She was going to Chicago to join a convent, but the shocking experiences with the coarse people she encountered on the train caused her to change her mind. She immediately returned to Brooklyn, only to find that things had changed there in her brief absence. The characters were complex and plentiful. Issues of death, depression, sin, reparations, secrets and guilt are explored. Lovers of dark and affecting literary fiction will appreciate THE NINTH HOUR. This is McDermott’s eight novel. She has received The National Book (2017), the Andrew Carnegie Medal for Fiction (2018), and the Kirkus Prize for Fiction ( 2017), for this book. Publisher Farrah Straus and GirouxPublication DateSeptember 19, 2017 NarratedEuan Morton“She saw how the skim of filth, which was despair, which was hopelessness, fell like soot on the lives of the poor.”
  • Rating: 4 out of 5 stars
    4/5
    This is a modest, unassuming little novel - just like the order of Little Nursing Sisters of the Sick Poor who are the primary protagonists. If you're not a fan of nun/convent books, skip this one. It's told by an unnamed child of Patrick and Sally, grandchild of Annie and Mr. Costello, Brooklyn residents who come together as a result of a suicide and a fire. I actually found the cover - a half-blackened tenement in a gentle snowfall - to be more compelling than the actual story. Quotes: "The madness with which suffering was dispersed in the world defied logic. There was nothing like it for unevenness. Bad luck, bad health, bad timing. Innocent children were afflicted as often as bad men. Young mothers were struck down even as old ones fretfully lingered. Good lives ended in confusion or despair or howling devastation."
  • Rating: 3 out of 5 stars
    3/5
    Slice-of-life of early 20th century Brooklyn--a family and its interaction with nuns from an order acting as nurses and helpers to poor Catholic families. I enjoyed seeing how the nuns helped poverty-stricken people, but I had no connection to any of the characters. After the husband's suicide after losing his job, the pregnant wife is taken in by these nuns. The story is mostly that of the daughter, Sally, through the years.
  • Rating: 5 out of 5 stars
    5/5
    Another shift from the usual books I review, this is a lovely story of lives intertwined and the history of a family across generations. I thoroughly enjoyed this book. Alice McDermott weaves a tale that captured me from the first page.Told from the view point of aged children of long dead parents, the reader is taken back several generations in time to hear the lives and deaths grandparents and great grandparents along with the ever present nuns that nurse and carry them through their lives. A time long past now, but beautifully painted for modern day readers.I was particularly moved by the role the nuns played in the characters lives. Real women who literally and figuratively nurse and care for their flock, they reveal a depth of understanding and empathy that the other characters can only try to strive for. These women understand far more about sin and love than the reader may first believe.Touching on the themes of redemption, loss, and forgiveness overshadowed with the unmentionable "sin" of mental illness, this is an amazing book.
  • Rating: 5 out of 5 stars
    5/5
    I enjoyed getting to know the characters in this book, and I was sad to see the book end. I got a glimpse of Irish immigrant life in Brooklyn over several years, starting in the early part of the 1900s. The nuns were very interesting also. The glimpse into how the church managed to control its members, for lack of better words, was portrayed in a personal, well-written manner. From the beginning, the reader can see how the views of the Catholic church affected several generations. I especially like the ending, although I found it sad on several levels.
  • Rating: 3 out of 5 stars
    3/5
    The writing is wonderful. The characters and the environment are real and engaging. However, I found the story dreary, in spite the fact that many of the events described were positive. I do wonder if it is my frame of mind rather than the story that caused me reaction. If you are a reader that appreciates really good writing I would encourage you to give this book a try.
  • Rating: 4 out of 5 stars
    4/5
    Alice McDermott’s precise prose and storytelling ability immerse you in this world: multigenerational, Catholic, Brooklyn, turn of the 20th century, nuns, a single mother, a suicide kept hidden, and more. Life is simple and complicated; McDermott reminds us with her characters, their relationships, and the history they are living, daily.
  • Rating: 2 out of 5 stars
    2/5
    This review is based upon the audible recording:Okay, I guess I am too dense (or too protestant?), but I never figured out the title. I thought it alluded to the hours the nuns in the convent prayed.And it was not until near the end (like at about 1 hour to go) that I realized I was hearing the voices of grandchildren. For heaven's sake (and that may be an unconscious pun), why didn't they use a variety of voices for the variety of narrators?With saying all of that, it still was a very good book....one I would probably have given 4.5 stars to had I actually READ it.
  • Rating: 3 out of 5 stars
    3/5
    The book does a good job describing the life of Catholic nuns in Brooklyn at the early 20th century. Though the object of male authority, they nuns had their own successful service culture- in this case an order providing care to the poor. Several of the novel's characters live a life with their own private morality- sometimes directly in opposition to Catholic teaching.. For example, the book opens with a suicide and a nun's attempt to hide the cause of death so that burial in a Catholic cemetery was possible. The book ends with a murder from which much good devolves. Morality is complicated! The book is ok, but definitely not a page-turner. The narration sometimes in one voice, sometimes another.
  • Rating: 5 out of 5 stars
    5/5
    The Ninth Hour, the title of Alice McDermott's novel, refers to 3:00 PM. During biblical times 6:00 AM was considered the beginning of the day, therefore 3:00 PM was nine hours into the day. This is the time when Jesus died as stated in Matthew 27. In the novel it is a time of prayer for the nuns and a time of indiscretion for one of the main characters. The depth behind the choice of this title is a good example of McDermott's careful writing style. This is what I like the most about her books, her attention to detail.The novel is a portrait of Irish Catholic immigrant lives during the early twentieth century, especially the lives of the nuns. In this case, the order of nuns we see (The Little Nursing Sisters of the Sick Poor) are running a home for people in need, as well as going into other homes to care for the sick. The picture we get of these nuns shows both their heroic nature and their human flaws. They lead lives filled with changing diapers, replacing wound dressings, and dealing with depressed people who have been cheated by life. I can't say it is a pleasant read, but it is an excellent chance to get into the hearts and minds of people worth remembering.Here is a quote that captures the feel of this well written novel:“Sister St. Saviour did, of course. But the woman, childless, stubborn, coming to the close of her life, had a mad heart. Mad for mercy, perhaps, mad for her own authority in all things—a trait Annie had come to love and admire—but mad nonetheless. Riding home from the cemetery, Sister St. Saviour had said, “It would be a different Church if I were running it.”Steve Lindahl author of Motherless Soul, White Horse Regressions, Hopatcong Vision Quest, and Under a Warped Cross.
  • Rating: 3 out of 5 stars
    3/5
    This was a well-written, although kind of disjointed, novel about an Irish Catholic Brooklyn in the early 1920's. Jim McDermott commits suicide, leaving behind his pregnant wife, Anne. The nuns take care of Anne during her pregnancy and after the birth of Sally.Sally, growing up with the Sisters, has an inkling to become a Sister. Things change at this point.This novel was excellently prosed, although there were times when I couldn't really figure out who the author was referring to. Intelligent writing.
  • Rating: 5 out of 5 stars
    5/5
    Alice McDermott has won the National Book Award, as well as a finalist for numerous other prizes. She teaches at Johns Hopkins University. The Ninth Hour is her eighth novel. To quote the dust jacket, “On a dim winter afternoon, a young Irish immigrant opens the gas tap in his Brooklyn tenement. He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—that “the hours of his life belonged to himself alone.” His suicide has repercussions among the neighbors, but the repercussions to his widow, Annie, and his unborn child have far greater impacts.A nun appears ready to help the unfortunate widow. These nuns take over to a good bit of the work to overcome the result of the suicide. McDermott writes, “In her thirty-seven years of living in this city, Sister had collected any number of acquaintances who could surmount the many rules and regulations—Church rules and city rules and what Sister Miriam called the rules of polite society—that complicated the lives of women: Catholic women in particular and poor women in general. Her own little Tammany, Sister Miriam called it. // She could get this woman’s husband buried in Calvary. If it was all done quickly enough, she could manage it” (15).The nuns clean, scrub, and even paint the apartment to rid it of the memories of Jim, the widow’s husband. The nuns hire her to do the laundry for the convent, and even allow her to bring her newborn to the laundry while she works. The nuns avoid talking about the incident, but outside the convent, there is enough chatter to alert the church about the suicide. Alice writes, “She could tell herself that the illusion was purposeful: God showing her an image of the young man, the suicide, trapped in his bitter purgatory, but she refused the notion. It was superstitious. It was without mercy. It was the devil himself who drew her eyes into that tangle, who tempted her toward despair. That was the truth of it” (19). The sisters cut corners, wheedled and cajoled to keep their charitable endeavors flowing so important to many of the parishioners. Sister Jeanne prays. “She wanted him buried in Calvary to give comfort to his poor wife, true. To get the girl what she’d paid for. But she also wanted to prove herself something more than a beggar, to test the connections she’d forged in this neighborhood, forged over a life time. She wanted him buried in Calvary because the power of the Church wanted him kept and she, who had spent her life in the Church’s service, wanted him in. // Hold it against the good I’ve done, she prayed. We’ll sort it out when I see You” (30.The child was born and grew up among the sisters. The nuns believed the child, Sallie, was destined for a life in the convent. McDermott writes, “It was Sister Jeanne who suggested Annie give her baby the nun’s name in baptism. A formidable patroness for the child” (130). They spoke to Annie about the miraculous occurrences when the old nun died. Alice continues, “Annie didn’t doubt the report. Sister Jeanne couldn’t tell a lie. But Annie was inclined to reconcile such miracles with the sensible world. Sister St. Savior died in July. The windows were surely open—or, if they weren’t, Sister Jeanne, who held onto the old superstitions, would have opened one the moment the old nun passed. Surely roses bloomed somewhere in the neighborhood” (130).Alice McDermott’s latest novel, The Ninth Hour, is a sweet and loving story of a band of nuns who try and make life a little bit better for the poor of Brooklyn. 5 stars.--Chiron, 8/7/18
  • Rating: 4 out of 5 stars
    4/5
    Gentle novel which follows a young family and their relationship with a local order of nuns in the first half of the 20th century in New York.The nuns' belief is taken as seriously as other characters scepticism, and there is some criticism of priests and their policies. Netgalley copy.

Book preview

The Ninth Hour - Alice McDermott

These Short Dark Days

FEBRUARY 3 WAS A DARK AND DANK DAY altogether: cold spitting rain in the morning and a low, steel-gray sky the rest of the afternoon.

At four, Jim convinced his wife to go out to do her shopping before full darkness fell. He closed the door on her with a gentle wave. His hair was thinning and he was missing a canine on the right side, but he was nevertheless a handsome man who, at thirty-two, might still have passed for twenty. Heavy brows and deep-set, dark-lashed eyes that had been making women catch their breath since he was sixteen. Even if he had grown bald and toothless, as he seemed fated to do, the eyes would have served him long into old age.

His overcoat was on the hall tree beside the door. He lifted it and rolled it lengthwise against his thighs. Then he fitted it over the threshold, tucking the cloth of the sleeves and the hem as well as he could into the space beneath the door. Theirs was a railroad flat: kitchen in the back, dining room, living room, bedroom in the front. He needed only to push the heavy couch a few feet farther along the wall to block his wife’s return. He stood on the seat to check that the glass transom above the door was tightly closed. Then he stepped down. He straightened the lace on the back of the couch and brushed away the shallow impression his foot had made on the horsehair cushion.

In the kitchen, he pressed his cheek to the cold enamel of the stove and slid his hand into the tight space between it and the yellow wall. He groped a bit. They kept a baited mousetrap back there, or had in the past, and it made him careful. He found the rubber hose that connected the oven to the gas tap and pulled at it as vigorously as he could, given the confined space. There was a satisfying pop, and a hiss that quickly faded. He straightened up with the hose in his hand. The kitchen window looked into the gray courtyard where, on better days, there would be lines of clothes baking in the sun, although the floor of the deep courtyard, even in the prettiest weather, was a junkyard and a jungle. There were rats and bedsprings and broken crates. A tangle of city-bred vegetation: a sickly tree, black vines, a long-abandoned attempt at a garden. From rag-and-bone man to wayward drunk, any voice that ever rose out of its depths was the voice of someone up to no good. Once, Annie, sitting on the windowsill with a clothespin in her mouth and a basket of wet linen at her feet, saw a man drag a small child through the muck and tie him to the rough pole that held the line. She watched the man take off his belt, and, with the first crack of it against the child’s bare calves, she began to yell. She threw the clothespins at him, a potted ivy plant, and then the metal washbasin still filled with soapy water. Leaning halfway out the window herself, she threatened to call the police, the fire department, the Gerrity Society. The man, as if pursued only by a change in the weather, a sudden rain, glanced up briefly, shrugged, and then untied the sobbing child and dragged him away. I know who you are, Annie cried. Although she didn’t. She was an easy liar. She paced the street for an hour that afternoon, waiting for the man and the boy to reappear.

When Jim ran into the kitchen at the sound of her shouting, she was from head to waist out the window, with only one toe on the kitchen floor. He’d had to put his hands on her hips to ease her out of danger. Just one more of what had turned out to be too many days he hadn’t gone in to work or had arrived too late for his shift.

His trouble was with time. Bad luck for a trainman, even on the BRT. His trouble was, he liked to refuse time. He delighted in refusing it. He would come to the end of a long night, to the inevitability of 5 a.m.—that boundary, that abrupt wall toward which all the night’s pleasures ran (drink, talk, sleep, or Annie’s warm flesh)—and while other men, poor sheep, gave in every morning, turned like lambs in the chute from the pleasures of sleep or drink or talk or love to the duties of the day, he had been aware since his childhood that with the easiest refusal, eyes shut, he could continue as he willed. I’m not going, he’d only have to murmur. I won’t be constrained. Of course, it didn’t always require refusing the whole day. Sometimes just the pleasure of being an hour or two late was enough to remind him that he, at least, was his own man, that the hours of his life—and what more precious commodity did he own?—belonged to himself alone.

Two weeks ago they had discharged him for unreliability and insubordination. Inside the shell of his flesh, the man he was—not the blushing, humiliated boy who stood ham-handed before them—simply shook off the blow and turned away, indifferent, free. But Annie wept when he told her, and then said angrily, through her tears, that there was a baby coming, knowing even as she said it that to break the news to him in this way was to condemn the child to a life of trouble.

He took the tea towels she had left to dry on the sink, wound them into ropes, and placed them along the sill of the kitchen window.

He carried the length of rubber tubing through the living room and into the bedroom. He slipped off his shoes, put the tube to his mouth, as if to pull smoke. He had seen this in a picture book back home: a fat sultan on a red pillow doing much the same. He sat on the edge of the bed. He bowed his head and prayed: Now and at the hour of our death. He lay back on the bed. The room had gotten dimmer still. Hour of our. Our hour. At home, his mother, the picture book spread out on her wide lap, would reach behind him to turn the clock face to the wall.

Within this very hour he would put his head on her shoulder once again. Or would he? There were moments when his faith fell out from under him like a trapdoor. He stood up. Found his nightshirt underneath his pillow and twisted it, too. Then placed it along the edge of the one window, again pushing the material into the narrow crevice where the frame met the sill, knowing all the while that the gesture was both ineffectual and unnecessary.

Down in the street, there was a good deal of movement—women mostly, because the shops were open late and the office workers had not yet begun to file home. Dark coats and hats. A baby buggy or two, the wheels turning up a pale spray. He watched two nuns in black cloaks and white wimples, their heads bent together, skim over the gray sidewalk. He watched until they were gone, his cheek now pressed to the cool window glass. When he turned back into the room, the light had failed in every corner and he had to put out his hand as he walked around the pale bed, back to his own side.

He stretched out once again. Playfully lifted the hose to one eye, as if he would see along its length the black corridor of a subway tunnel, lit gold at the farthest end by the station ahead. Then he placed the hose in his mouth and breathed deeply once more. He felt the nausea, the sudden vertigo, he had been expecting all along but had forgotten he was expecting. He closed his eyes and swallowed. Outside, a mother called to a child. There was the slow clopping of a horse-drawn cart. The feathered sound of wheels turning in street water. Something dropped to the floor in the apartment just above him—a sewing basket, perhaps—there was a thud and then a scratchy chorus of wooden spools spinning. Or maybe it was coins, spilled from a fallen purse.

*   *   *

AT SIX, the streetlamps against the wet dark gave a polish to the air. There was the polish of lamplight, too, on streetcar tracks and windowpanes and across the gleaming surface of the scattered black puddles in the street. Reflection of lamplight as well on the rump of the remaining fire truck and on the pale faces of the gathered crowd, with an extra gold sparkle and glint on anyone among them who wore glasses. Sister St. Saviour, for instance, a Little Nursing Sister of the Sick Poor, who had spent the afternoon in the vestibule of the Woolworth’s at Borough Hall, her alms basket in her lap. She was now on her way back to the convent, her bladder full, her ankles swollen, her round glasses turned toward the lamplight and the terrible scent of doused fire on the winter air.

The pouch with the money she had collected today was tied to her belt; the small basket she used was tucked under her cloak and under her arm. The house where the fire had been looked startled: the windows of all four floors were wide open, shade cords and thin curtains flailing in the cold air. Although the rest of the building was dark, the vestibule at the top of the stone stoop was weirdly lit, crowded with policemen and firemen carrying lamps. The front door was open, as, it appeared, was the door to the apartment on the parlor floor. Sister St. Saviour wanted only to walk on, to get to her own convent, her own room, her own toilet—her fingers were cold and her ankles swollen and her thin basket was crushed awkwardly under her arm—but still she brushed through the crowd and climbed the steps. There was a limp fire hose running along the shadowy base of the stone banister. Two of the officers in the hallway, turning to see her, tipped their hats and then put out their hands as if she had been summoned. Sister, one of them said. He was flushed and perspiring, and even in the dull light, she could see that the cuffs of his jacket were singed. Right in here.

The apartment was crowded with people, perhaps every tenant in the place. The smell of smoke and wet ash, burned wool, burned hair, was part and parcel of the thick pools of candlelight in the room, and of the heavy drone of whispered conversation. There were two groups: one was gathered around a middle-aged man in shirtsleeves and carpet slippers who was sitting in a chair by the window, his face in his hands. The other, across the room, hovered beside a woman stretched out on a dark couch, under a fringed lamp that was not lit. She had a cloth applied to her head, but she seemed to be speaking sensibly to the thin young man who leaned over her. When she saw the nun, the woman raised a limp hand and said, She’s in the bedroom, Sister. Her arm from wrist to elbow was glistening with a shiny salve—butter, perhaps.

You might leave off with that grease, Sister said. Unless you’re determined to be basted. The young man turned at this, laughing. He wore a gray fedora and had a milk tooth in his grin. Have the courtesy to doff your hat, she told him.

It was Sister St. Saviour’s vocation to enter the homes of strangers, mostly the sick and the elderly, to breeze into their apartments and to sail comfortably through their rooms, to open their linen closets or china cabinets or bureau drawers—to peer into their toilets or the soiled handkerchiefs clutched in their hands—but the frequency with which she inserted herself into the homes of strangers had not diminished over the years, her initial impulse to stand back, to shade her eyes. She dipped her head as she passed through the parlor, into a narrow corridor, but she saw enough to conclude that a Jewish woman lived here—the woman on the couch, she was certain, a Jewish woman, she only guessed, because of the fringed lampshade, the upright piano against the far wall, the dark oil paintings in the narrow hallway that seemed to depict two ordinary peasants, not saints. A place unprepared for visitors, arrested, as things so often were by crisis and tragedy, in the midst of what should have been a private hour. She saw as she passed by that there was a plate on the small table in the tiny kitchen, that it contained a half piece of bread, well bitten and stained with a dark gravy. A glass of tea on the edge of a folded newspaper.

In the candlelit bedroom, where two more policemen were conferring in the far corner, there were black stockings hung over the back of a chair, a mess of hairbrushes and handkerchiefs on the low dresser, a gray corset on the threadbare carpet at the foot of the bed. There was a girl on the bed, sideways, her dark skirt spread around her, as if she had fallen there from some height. Her back was to the room and her face to the wall. Another woman leaned over her, a hand on the girl’s shoulder.

The policemen nodded to see the nun, and the shorter one took off his cap as he moved toward her. He, too, was singed about the cuffs. He had a heavy face, stale breath, and bad dentures, but there was compassion in the way he gestured with his short arms toward the girl on the bed, toward the ceiling and the upstairs apartment where the fire had been, a compassion that seemed to weigh down his limbs. Softhearted, Sister thought, one of us. The girl, he said, had come in from her shopping and found the door to her place blocked from the inside. She went to her neighbors, the man next door and the woman who lived here. They helped her push the door open, and then the man lit a match to hold against the darkness. There was an explosion. Luckily, the policeman said, he himself was just at the corner and was able to put the fire out while neighbors carried the three of them down here. Inside, in the bedroom, he found a young man on the bed. Asphyxiated. The girl’s husband.

Sister St. Saviour drew in her breath, blessed herself. He fell asleep, poor man, she said softly. The pilot light must have gone out.

The officer glanced over his shoulder, toward the bed, and then took the Sister’s elbow. He walked her out to the narrow hall. Now they stood in the kitchen doorway; the arrested tableau: the bitten bread, the dark gravy, the glass of reddish tea on a small wooden table, the chair pushed back (there had been an urgent knock on the door), the newspaper with its crooked lines of black ink.

He killed himself, the officer whispered, his breath sour, as if in reaction to the situation he was obliged to report. Turned on the gas. Lucky he didn’t take everyone else with him.

Accustomed as she was to breezing into the lives of strangers, Sister accepted the information with only a discreet nod, but in the space of it, in the time it took her merely to turn her cheek and bow her head, her eyes disappeared behind the stiff edge of her bonnet. When she looked up again—her eyes behind the glasses were small and brown and caught the little bit of light the way only a hard surface could, marble or black tin, nothing watery—the truth of the suicide was both acknowledged and put away. She had pried handkerchiefs from the tight fists of young women, opened them to see the blood mixed with phlegm, and then balled them up again, nodding in just such a way. She had breezed into the homes of strangers and seen the bottles in the bin, the poor contents of a cupboard, the bruise in a hidden place, seen as well, once, a pale, thumb-sized infant in a basin filled with blood and, saying nothing at all, had bowed her head and nodded in just such a way.

What’s the girl’s name? she asked.

The officer frowned. Mc-something. Annie, they called her. Irish extraction, he added. That’s why I thought to call for you.

Sister smiled. Those button eyes had dark depths. Is that so? she said. They both knew no one had called for her. She had been on her way home, merely passing by. She dipped her head again, forgiving him his vanity—didn’t he say, too, that he’d put out the fire himself? I’ll go to her, then, she said.

As she stepped away she saw the milk-toothed young man, still in his hat, approach the officer. Hey, O’Neil, the man shouted. No courtesy in him.

Inside the shadowed bedroom, the neighbor woman who stood at the bedside had her eyes elsewhere, on the gloaming at the far side of the cluttered room. She was a stout woman, about forty. No doubt there were children waiting to be put to bed, a husband to be placated. A woman with a family of her own, with troubles of her own, could not be expected to attend to the sorrows of another indefinitely.

The nun only nodded as the two exchanged places. At the door of the room, the woman looked over her shoulder and whispered, Can I do anything for you, Sister?

Sister St. Saviour recalled a joke she had once made, when a young nun asked her the same, in the midst of a busy morning. Yes. Can you go tinkle for me?

But she said, We’ll be fine. It was what she wanted this Annie Mc-something to hear.

When the woman was gone, Sister reached inside her cloak and took the small basket from under her arm. It was a flimsy thing, woven of unblessed palms, and much worse the wear for being crushed against her body so long. She straightened and reshaped it a bit, catching as she did the green scent that the warmth of her own flesh and the work of her hands could sometimes coax from the dried reeds. She placed the basket on the table beside the bed and untied the money pouch from her belt. It was all coins today, mostly pennies. She placed the pouch in the basket and then sat carefully on the side of the bed, her kidneys aching, her feet throbbing inside her shoes. She looked at the girl’s form, the length of her back and the curve of her young hip, her thin legs beneath the wide skirt. Suddenly the girl turned in the bed and threw herself into Sister’s lap, weeping.

Sister St. Saviour put her hand to the girl’s dark hair. It was thick, and soft as silk. A thing of luxurious beauty. Sister lifted the heavy knot of it that was coming undone at the nape of her neck and brushed a strand from her cheek.

This much the nun was certain of: the husband had cherished this girl with the beautiful hair. Love was not the trouble. Money, more likely. Alcohol. Madness. The day and time itself: late afternoon in early February, was there a moment of the year better suited for despair? Sister herself had had the very same thought earlier today, during her long hours of begging in the drafty vestibule. We’re all feeling it, she’d thought—we being all who passed along the street and in and out of the store, wet-shouldered, stooped, all who saw her and pretended not to, all who scowled and all (though not very many on this dank day) who reached into a pocket or a purse as they approached—we’re all feeling it, she’d thought, in this vale of tears: the weight of the low sky and the listless rain and the damp depths of this endless winter, the sour smell of the vestibule, the brimstone breath of the subway, of the copper coins, the cold that slips in behind your spine and hollows you out at the core. Six and a half hours she’d sat begging today, so weighted by the weather and the time of year that she’d been unable to stir herself from her perch to face the daily humiliation of making use of the store’s public stalls. And so she had left her chair an hour earlier than usual.

What we must do, she said at last, is to put one foot in front of the other. It was her regular introductory phrase. Have you had your dinner? she said. The girl shook her head against the nun’s thigh. Are there relations we can call for you? Again she shook her head. No one, she whispered. Just Jim and me. Sister had the impulse to lift the girl’s shoulder a bit, take the pressure of it off her own aching bladder, but resisted. She could endure it a little longer. You’ll need a place to stay, she said. "For tonight,

Enjoying the preview?
Page 1 of 1