A Stencil’S Potential in Various Crafts
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About this ebook
It also explores the various techniqueslike painting with various medium, piercing/pricking, embroidery with or without beads, application of glitter, embossing/debossing, digital cuttingusing the stencil to achieve the desired result.
Nevertheless, it detailed the uses of stencilwhich ranges from border, background, aperture with or without design, embellishment, frame, corners, and much more.
This book is detailed with step-by-step instructions including pictures and also gallery for inspiration.
Anino Ogunjobi
Anino Ogunjobi lives in London, United Kingdom. She is married with children. She has been crafting since childhood but became professional when she encountered a craft TV. She is a craft, surface pattern, and knitwear designer in Innovation Crafts UK, where her fashion label “A HUDY BERY®” is being designed. She also designs printed fabric in Spoonflower.
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A Stencil’S Potential in Various Crafts - Anino Ogunjobi
A STENCIL’S POTENTIAL IN VARIOUS CRAFTS
ANINO OGUNJOBI
AuthorHouse™ UK
1663 Liberty Drive
Bloomington, IN 47403 USA
www.authorhouse.co.uk
Phone: 0800.197.4150
©
2015 Anino Ogunjobi. All rights reserved.
No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.
Published by AuthorHouse 06/29/2015
ISBN: 978-1-5049-4018-4 (sc)
ISBN: 978-1-5049-4019-1 (e)
Any people depicted in stock imagery provided by Thinkstock are models, and such images are being used for illustrative purposes only.
Certain stock imagery © Thinkstock.
Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.
20918.pngTo my friend and saviour, my Lord Jesus Christ.
ACKNOWLEDGEMENTS
With appreciation for the love and care of the following people and companies:
My husband and children
Create and Craft TV and club
Family and friends
Plaid Enterprises, Inc.
AuthorHouse
Marion Davis
Margaret Swaby
Margaret O’Connor
Innovation Crafts UK
A Hudy Bery
Contents
Acknowledgements
Introduction:
How this Book Came About
Stencil defined
Types of stencils
Tools in Stencilling
Techniques with stencils
Stencilling with Chalk, Paint and Paste
Stencilling with Embossing Pens (Wet Embossing)
Stencilling with Powder or Glitter
Stencilling by Tracing
Stencilling by Filling or Colouring
Stencilling with a Piercing Tool
Stencilling with Embroidery Thread or Beads
Stencilling with a Craft Knife
Stencilling with a Grid
Stencilling with an Embossing Machine (Dry Embossing)
Stencilling Digitally
Combination of Techniques
Uses of Stencil
Stencil a Background
Stencil a Border
Stencil a Corner
Stencil a Frame
Stencil an Embellishment
Stencil a Silhouette
Stencil a Shape
Stencil an Aperture with a design
Using Stencils for Pop Outs
Stencil a Mirror Image
Using Stencils for Digital or surface pattern design
Use Stencils to Create a Pyramid
Stencil for Single Motif or Topper
Stencilling in Various Crafts
Hat-Making (Millinery)
Painted Sinamay Hat
Hand-Knitting
Shape Rug
Crochet
Filet Blanket
Petal/Bauble
Home Décor
Painted Frame
Parchment Craft
Grid Background
Stippled Gate Border
Sugarcraft
Doily Cake
Computer Craft
Creating a Selection in Corel Paintshop
Lace Cutout
Flood Fill
Bevelled Design
Card-Making
Basket Weave Card
Machine Knitting
Converting a Stencil into a Stitch Pattern
Fair Isle Skirt
Beanie
Raglan
Cross Stitch
Framed Cross Stitch
Confectionery Project
Garnished Ice Cream
Fabric Painting
Painted Shirt
Beading (Jewellery)
Petal Bracelet and Earrings
Favour-Making
Embroidered Gift Box
Embossed Gift Box
Gift Box with Floral Embellishment
Stencil Sewing: Petal Shape Soft Toy
Sewing
Embroidered Trousers
GALLERY
FREE TEMPLATES
ABOUT THE AUTHOR
ABOUT THE BOOK
INTRODUCTION:
HOW THIS BOOK CAME ABOUT
I was watching a craft demonstration on Create and Craft TV, and I saw an expert using a butterfly rubberstamp. The design was so beautiful, but I didn’t have the money to buy the rubberstamp. I felt sad, but just then, from within me, I heard these words: You have a stencil like that – you can use it. All you need to do is trace it with a pen and watercolour it.
This didn’t make me instantly happy because I wanted the rubberstamp, not to trace some stencil’s design. Nevertheless, I tried the tracing technique, and more and more techniques just started pouring in. I got a pen and started jotting them down. I separated the uses of a stencil from techniques involved in stencilling.
Since I do different types of crafts, I decided to implement these techniques and uses in as many of them as I could. That singular idea birthed this book.
The stencil used in this book is the copyright of Plaid Enterprises, Inc. Their permission was sought to use their stencil in demonstrating the project, techniques, and uses of a stencil in various crafts. You too can make your own stencil or ask permission from the stencil’s manufacturer before digitizing or using their stencil for commercial purposes.
Happy crafting!
Stencil Defined
1.tifTypes of Stencils
2.tifTOOLS IN STENCILLING
The tools needed