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White Birds: Dreams for Dancers: The Widening Gyre, #0
White Birds: Dreams for Dancers: The Widening Gyre, #0
White Birds: Dreams for Dancers: The Widening Gyre, #0
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White Birds: Dreams for Dancers: The Widening Gyre, #0

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"In times of great trouble, great dreams come."

Jane has spent years trying to forget such dreams. Her dreams are not pleasant; yet beautiful in their way. When such dreams keep coming, she decides it is time to pay attention to the dance she in which she finds herself.

Each dream is heralded by the image of a white bird, symbolic of the dissociative state resorted to by many victims of abuse.

These brief stories are poetic interpretations of some of life's worst moments, tracing a heroic journey while revealing the arts of the warrior.

Note: this book contains MATURE CONTENT incluidng realistic depictions of abuse. It is intended for adults only.

LanguageEnglish
Release dateMay 16, 2018
ISBN9781386325505
White Birds: Dreams for Dancers: The Widening Gyre, #0
Author

Kaimana Wolff

Kaimana Wolff, novelist, poet and playwright, survives in a small community on the coast of British Columbia with her friend, a beautiful soul housed in a wolfish body. Often Lord Tyee and Wolff can be heard devising new howls, songs and dances on the lawns, in the parks, and in glens of the great forests still permitted to stand.

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    Book preview

    White Birds - Kaimana Wolff

    Acknowledgments

    D ream, Betrayal appeared in the June, 1996 issue of Canadian Lawyer , the first-prize national fiction winner.

    Dream, Tropical won the Otherwords ’97 competition to the British Columbia Festival of the Arts in Powell River, BC, May, 1997 and appeared in the Spring, 2006 edition of the Litchfield Review, CN.

    Dream, Magical appeared in the Summer, 2004 edition of the Litchfield Review, CN.

    Author’s Note

    I n times of great trouble , great dreams come, decides logical, lawyerly Jane, a woman who has spent much of forty-something years trying to forget such dreams. These are not pleasant; yet they are beautiful in their way. When the dreams keep coming, it is time to pay attention to the dance you are in.

    Each dream is heralded by the image of a white bird, symbolic of the dissociative state, the defense resorted to by so many victims of abuse.

    First, the snowy owl wings into Jane’s childhood, rescuing her in Dream, Magical into a heaven of imagined warmth amid the emotional blizzard of a prairie childhood.

    Next, in Dream, Historical, the egret comes to lift her from her pre-history, the overshadowing fascism of the Second World War, carried on by its very victims.

    In her marriage, depicted by the paradisical Dream, Tropical, Jane sees that her children and her aspirations have also adopted the skill of dissociation, fluttering out of reach like doves. Ultimately, this means living a death in life, in constant mourning for what can never be.

    Dream, Feral terrifies Jane. She must face the fact that abuse kills. Transforming herself repeatedly into what she hopes makes her unrecognizable, each time she finds herself facing the same death. She must become a warrior, fierce as a falcon; must end her familiar self.

    In Dream, Betrayal, with her battle skills polished to a high gloss, she must choose between truth-telling and the best defense of an abusive client. Her skilful confrontation transforms her into a garuda, the compassionate fighting bird of Buddhist mythology. 

    Thus Jane learns how to avoid sliding into sickness, poverty and powerlessness—the all too common state of the abused. Her dreams have taught her what fate awaits her if she cannot summon the courage to be a warrior bent on triumph over terror.

    These stark visitations step-danced through my nights, stylized, as dreams often are, with a sense of beauty and meaning in combat with the ugly subject of domestic violence. Dear birds, pale harbingers of

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