Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Alif the Unseen: A Novel
Alif the Unseen: A Novel
Alif the Unseen: A Novel
Ebook467 pages8 hours

Alif the Unseen: A Novel

Rating: 4 out of 5 stars

4/5

()

Read preview

About this ebook

“[A] Harry Potter-ish action-adventure romance” set during the Arab Spring, from the New York Times–bestselling author of the Ms. Marvel comic book series (The New York Times).
 
In an unnamed Middle Eastern security state, a young Arab-Indian hacker, who goes by Alif, shields his clients—dissidents, outlaws, revolutionaries, and other watched groups—from surveillance, and tries to stay out of trouble.
 
The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the state’s electronic security force, putting his clients and himself on the line. Then it turns out his lover’s new fiancé is the “Hand of God,” as they call the head of state security, and his henchmen come after Alif, driving him underground.
 
When Alif discovers The Thousand and One Days, the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen.
 
This “tale of literary enchantment, political change, and religious mystery” was a New York Times Notable Book and winner of the World Fantasy Award for Best Novel (Gregory Maguire).
 
“Wilson has a deft hand with myth and with magic.” —Neil Gaiman, author of American Gods
 

Editor's Note

Ramadan…

Set during the Arab Spring, this fantastic debut novel weaves ancient Arabian lore with current events. A love story with a religious mystery at the plot's center, Alif the Unseen is a philosophical tour de force perfect to read during Ramadan.

LanguageEnglish
Release dateJun 19, 2012
ISBN9780802194626
Alif the Unseen: A Novel
Author

G. Willow Wilson

G. Willow Wilson is the author of the critically acclaimed novel, Alif the Unseen, which won the World Fantasy Award for Best Novel in 2013; the memoir, The Butterfly Mosque; the graphic novels Cairo, Air, and Vixen; and the celebrated comic book series Ms. Marvel.

Read more from G. Willow Wilson

Related to Alif the Unseen

Related ebooks

Literary Fiction For You

View More

Related articles

Reviews for Alif the Unseen

Rating: 3.821292733079848 out of 5 stars
4/5

526 ratings51 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 5 out of 5 stars
    5/5
    Interesting and well written urban fantasy about computers, jinn, and political unrest.
  • Rating: 4 out of 5 stars
    4/5
    Excellent! Political, spiritual, metaphysical, technological worlds collide
  • Rating: 5 out of 5 stars
    5/5
    I would give this book six or seven stars if I could. It's an excellent story set in the Middle East, dealing with hackers, State security goons, men and women, and maybe even a few jinns. The story line is believable and engrossing, and resolves itself well.
  • Rating: 2 out of 5 stars
    2/5
    There is decent potential here, but the book really falls flat.The plot is uninteresting. Young hacker draws the attention of the government, tries to hide, gets involved with some jinni, eventually saves the world and gets the girl. The plot relies way too much on coincidences: for instance, it just so happens that when Alif realizes he is in trouble, someone makes the plot-moving suggestion of getting help from a guy who turns out to be a jinni. There are also some major plot holes that are never explained: for instance, Alif writes a program that turns out to do some very sophisticated things, and he doesn't understand how the program works. I kept expecting for a jinni to reveal that they had written the program for him or something, but this is never explained, despite the fact that this is the event that gets the whole plot started.The book also suffers from uninteresting characters. Even worse, it has the Trinity problem: just like Trinity from the Matrix, there is a female character who is way more mature, level-headed, and bad-ass than the hero, but in the end she is just a prize for the dumb doofus of a hero. A book about Dina would have been far more interesting than a book about Alif. The characters never really develop: even after being tortured with three months of sensory deprivation, Alif is basically the same person that he was before (okay, sure, he realizes that Dina is important to him, but that just exacerbates the Trinity problem).This is a hacking story, but the hacking aspects were totally ridiculous and unbelievable. Even in a book about jinni, the programming stretched my suspension of disbelief beyond the breaking point. Finally, I couldn't help but think that Wilson has an agenda in this book: to expose Westerners to Islamic culture. That's a good agenda, and frankly that's part of the reason I wanted to read the book. Unfortunately, she doesn't pull it off very well. In her defense, this is something that is hard to do well - very few authors succeed at this sort of thing. The characters end up talking about their culture and their faith in ways that come across as very contrived and even pedantic, because the conversations are pitched for a Western audience that knows little about Islam.I listened to the audiobook, and I wasn't impressed with the narrator, which probably didn't help my perception of the book overall.
  • Rating: 4 out of 5 stars
    4/5
    I read this going to sleep so many nights in a row that I'm not sure what was in the book and what I dreamed. Lots of interesting ideas and images here. Think I need to re-read to get a better handle on it. I felt my lack of knowledge about Islam pretty keenly; I think I missed much of the resonances and references. But I enjoyed the hacker/revolutionary bits and especially enjoyed the peek into the jinn world. Hmm. Wonder what others think?
  • Rating: 3 out of 5 stars
    3/5
    Cyber-punk meets the Arabian Nights. Triumphant nerds and a solid dose of techno-optimism. A bit too anime trite with the characters and the politics. Computing as magic merger is nicely done but at its core the sentiment is a bit of a naive yawn. We have a lovelorn, super programmer who seems able with a good nights hard coding to come up with something almost AI-like by using metaphoric coding and some genie genius.

    Alif's world unravels around him, and in doing so, provides the setting for a coming-of-age story. With a standard Arab despot with all the usual state security apparatus and an Arab Spring with genies, you have politics that look concocted by the editorial desk of the New York Times. Minus the chopping off of heads or any of the real violence that accompanies these affairs. The love story/stories feel one dimensional. I just don't get what any of the female characters see in the naive and hapless Alif. Oh well, love is blind.

    Alif the Unseen was a fun read, albeit thin on ideas and shallow in its politics. Reminded me of Cory Doctorow's books.




  • Rating: 4 out of 5 stars
    4/5
    Really a lovely book. The mythological/fantastical elements are grounded, but not to the extent to which I prefer. The author is opinionated and admirably straddles the digital and traditional religious worlds.
  • Rating: 4 out of 5 stars
    4/5
    Think power, like the Hobbit ring or Lord Voldemort. Think young kissy love-like those vampires and non-muggles in England do. Think Arabian Nights-with jinns and a catwoman. Think Neil Stephenson channeled doing second-hand hacking. Then think the Koran and Arab Spring uprising.

    This book was written to bring bouncy young readers, the type who need a story racing breathlessly, into the post-US century. I give four stars, not because it was my type of book, but because it tries to break stereotypes. I have no idea what was true in the Arab Spring, probably no jinns were involved, but I see the events differently after this book.
  • Rating: 4 out of 5 stars
    4/5
    A novel with its heart (and soul) in the right place... the story is imaginative and not too tidy with a willingness to not always make sense. A fun read.
  • Rating: 3 out of 5 stars
    3/5
    This is not a badly written book, but it held no appeal to me personally. I was never really invested in the characters and I found the fantasy elements to be rather underwhelming. Overall this book leaves me with a feeling of "meh", meaning it was not an unpleasant read by any means (and as stated the writing itself is good) but it did not leave any lasting impression on me and likely I'll soon forget all about it.
  • Rating: 5 out of 5 stars
    5/5
    What an amazing tale! Within there is an early reference to Philip Pullman's The Golden Compass and this falls within that sacred realm. Alif is a computer genius, half Indian and half Arab, living in an oppressive Middle Eastern country where he helps those who try to operate outside the censors. He's in love with a girl of the upper classes who is being forced into an arranged marriage. Alif's mother is his father's second wife and lives in a lower middle class neighborhood where he does only what pleases himself, UNTIL...the book takes off, traveling into a land of jinns, Radio Sheikh, and an ancient sacred book which provides the key to the Arab Spring. All environments, from the streets of the jinn, to the mosque where Alif takes refuge, to the starkly torrid sands of The Empty Lands, are filled with treasures, of people and of perfectly visualized and described exotic settings. I raced through and now regret that Alif the Unseen must return to the library. I will buy it and reread it, or if it's available, listen to it. A good narrator would make this a most special delight. The blend of reality (computers) and fantasy (Vikram the Vampire) within a contemporary setting make this much more than magical realism - all the way to real magic!
  • Rating: 5 out of 5 stars
    5/5
    This is a book about dualities. Man and Woman. Tradition and Modernity. Belief and Secularism. Rich and Poor. Educated and Uneducated. Magic and Reality. Government and Citizens. Seen and Unseen. Right and Wrong. Truth and Lies. All of these come into play in this tale of a young computer hacker who lives in an unnamed Middle Eastern security state and some of his loves and friends, before and after he accidentally creates a societal changing computer program that makes him a wanted man. His modern problems become entangled with those of the ancient world of the Jinn, a sort of genie and demon race of magical and powerful beings that most cannot see, but surround everyone all the time. This book is as much a techno-adventure as it is a love story, a political commentary and a glimpse of ancient histories and legends, as secular as it is religious. It is beautifully written with a keen sense of tempo, with the story moving along at such a pace the reader's heart will pound, yet with a keen way of creating the physical places of that adventure that it is very nearly like watching a movie. This is an amazing debut novel, and one I will be happily recommending to anyone and everyone.
  • Rating: 4 out of 5 stars
    4/5
    Alif is a hacker who protects clients of various political and religious persuasion from the State, who has censors and would shut down their websites or blogs. When the State's computing arm, known to Alif and his friends as The Hand, hacks into his system, Alif finds himself and his childhood friend, Dina, in a boatload of trouble and suddenly on the run.I read Willow Wilson's memoir, The Butterfly Mosque, earlier this year, and enjoyed her writing enough to look up what else she's written. This is her debut, and it's an interesting blend of science fiction and fantasy, modern technology and legends of jinn. I had a hard time getting into it at first, probably because I was reading in bits and pieces instead of sitting down for a chunk of time to really let the story unfold for me. Once I did that, I turned pages fast. Alif is a conflicted sort of guy, and I didn't like him at first. The swearing made me cringe at times. Deep thoughts are inserted somewhat clunkily into a generally fast-paced story, but the characters' philosophizing give compelling food for thought about story and literature, fiction and life.
  • Rating: 5 out of 5 stars
    5/5
    Absolutely brilliant!
  • Rating: 4 out of 5 stars
    4/5
    Thank goodness there are books like this! I really enjoyed Alif. Wilson daringly takes on techie-fiction (is that a real thing? I think it is now...), fantasy, religion (muslim), and love all at once. And does she pull it off? I sure think so.So, Alif is a young (~18) but brilliant computer programmer in "The City" (in the middle east and typical of the middle east, where Arabs believe they are superior to the Indians, where light skin is better than dark, where muslim is always known if not always practiced). He "protects" (i.e., hides identities and locations of people online) anyone who is willing to and able to afford his fees. Lurking in the background is the state program and/or person known as the Hand, which is working its way through the back channels of the internet and making Alif and his friends nervous about being caught and punished as criminals.Alif is also engaged in an illicit relationship with someone above his class, and he believes himself in love with the beautiful Intisar. But then, Intisar suddenly ends their relationship, claiming that her father is forcing her to marry some royal person worthy of her lineage. And Alif flies into a first class funk. Alif creates this crazy program that, without going into detail and boring you, basically allows a computer to think, and with it, he shuts Intisar out of his life completely. Then the Hand finds Alif right around the time that he is graced with the secret book of the jinn (genies), and Alif is forced to both go on the run and discover the secrets of the book and its origin/power. So the book races through technology, fantasy based in religion, religion itself, and love, all while being interesting and novel and accessible and pleasurable.It was just such a smart and engaging read with likable and unique characters and a plot that flowed with a foreign subject matter that was made readable and accessible by an author who understood the distance. I really enjoyed this and I very much look forward to more fiction from Wilson.Recommend to those open to fantasy, who are looking for something more.FOUR of five stars.
  • Rating: 4 out of 5 stars
    4/5
    Read March 21 - July 2, 2012I have no idea how to write a review or describe this book. It took me a little to get into it. I started it in March and sat it aside, but I never moved it from my nightstand because the description definitely captured my attention. So I picked it back up over the weekend. I'm glad I did. After refreshing my memory of the first 30 or so pages, I dived right in and there the adventure started. It's like a mix of Aladdin (Arabian Days instead of Nights here), Wizard of Oz (the film -- I've never read the book), and Ready Player One (geekery fun). I even learned a little! I mean, let's be real, I only know what I see on TV about the Middle East, Islam, Muslim & Arab cultures. (I really should do more research.) Very interesting read.
  • Rating: 4 out of 5 stars
    4/5
    I had no real idea what to expect from Alif the Unseen but I was quickly drawn in by the novels clever blend of technology, religion, magic and politics. Alif is a young computer hacker, part Indian, part Arab, waging a bloodless war against the digital censors of the Arab Emirates. Without much thought for the consequences, he offers digital protection to whomever can afford his services and takes pride in eluding government control, sharing his knowledge and accomplishments in the Cloud. When his relationship with a highborn Arab woman goes sour, Alif creates a program to keep himself from her sight, unwittingly giving the unidentified government censor, called 'The Hand', a weapon that is turned against him. Branded a terrorist and forced to run, Alif, with a book gifted to him from his lost love along with his pious neighbour Dina, seek help from Vikram the Vampire, a Jinn, who joins them on their desperate journey through the worlds of magic, man and technology to evade capture, and start a revolution.Original,intriguing and clever, Alif The Unseen is a surprising and entertaining adventure. Set in a small Arab country under tight government control it also has real life parallels with the protests against digital censorship, amongst other things, leading to the 'Arab Spring' in 2010. Into a tale of modern day oppression, censorship and revolution, Wilson weaves the myths and legends of the Persian Gulf, jinn, genies, devils, shadows and the centuries old fables within the Book of One Thousand and One Days (as opposed to Nights). That such disparate elements mesh so seamlessly is to the author's credit and though the plot is complex at times, its depth keeps the readers interest even when the storytelling lags briefly.I enjoyed the 'supernatural' element to this novel, Jinns of questionable intent, monsters that lurk in the dark of the Unseen, even Aladin's genie makes an unexpected appearance. I admit some of the computer jargon went entirely over my head and I have no idea if any of what Alif achieved is, or ever will, be possible but it's an intriguing idea. Alif gives technology - code - it's own magic, it's own life in fact.I grew to like Alif, who initially seems little more than a spoilt, disaffected youth but fumbles his way through adversity with surprising determination and demonstrates loyalty, wit and genius. Dina, Alif's veiled childhood friend is smart, brave and has some great lines. Vikram is both a saviour and the devil's advocate, the Sheikh lends the story his wisdom and dignity.Equally likely to be enjoyed by a mature teen and adult audience, Alif the Unseen is well crafted, with a unique voice and a fresh story to tell. I'm surprised to be considering it as one of my favourite reads for 2012.
  • Rating: 3 out of 5 stars
    3/5
    In an unnamed Middle Eastern state, Alif is a grey-hat hacker who provides online privacy and security. But then his aristocratic lover sends him an ancient book of fairy tales, and shortly thereafter he's on the run for his life. His only allies are his childhood friend Dina, an old sheikh, and oh yes, Vikram the Vampire.

    The first 90% of this book is great. Fast paced, with believable characters and innovative and evocative descriptions. But. The last section of the book feels untrue and unearned, as the protagonists win everything they wanted, Alif's aristocratic lover proves herself false and easy to turn away from, mob violence only kills the baddies, etc. The ending feels too easy.
  • Rating: 4 out of 5 stars
    4/5
    This novel wrapped me up from Chapter Zero and kept me entralled most of the way through. Wilson does an impeccable job with her choice of setting, of tone, and the way she shows us layers of things. Most characters and themes are shown with complexity. In fact, the novel only breaks down when one looks closely at parts that seem to be fully one thing or another. (The love interest and the villain are among the least interesting bits, because they are too polarized. Everything else seems human and fascinating.)

    The views on spirituality and politics are especially refreshing. She doesn't give us simplified versions of these two things, but messy, bloody, complex and risky versions. It is clear to me that Wilson loves humanity and loves her characters because she allows them to be flawed without endorsing the flaws. (Again, this breaks down in the character Dina, who was almost a great character. I loved the risks the author took in making the heroine a conservative-by-choice Islamic woman, who veils herself by choice, but in the end Dina was too didactic and perfect and not human enough.) Wilson's spirituality and politics are realistic and not idealized and by themselves they would make the novel worth reading, but there are other things even more appealing in her work.

    Wilson deftly weaves together threads from the 1001 nights and information technology to put our world into both a new and a familiar context. Sure, some IT details are glossed over, but she knows her stuff and includes enough realism to engage nerds in the tale. The Jinn and the half-world are used to make a point, not just to add spice to the story. Many other authors who try to mix magic and technology should read Wilson and learn from her style.

    There are a lot of places this novel could have gone wrong. Wilson took some huge risks, but she clearly has the chops as a writer, a thinker, and a religious person to pull it all off. I look forward to reading more of her work.

    **After thinking about the book a few days after finishing it, I'm disappointed about how it referred to homosexuality. Male characters referred to each other insultingly as "ass coveter" but I can't recall any gay or bi characters portrayed in a sympathetic light. It is an excellent book, but this lack bears comment.**
  • Rating: 3 out of 5 stars
    3/5
    A cool, unusual mishmash of genres, ideas, and settings. There were some characters (Dina, Vikram) and some moments (when Vikram reveals that Alif gave his sister shelter during a sandstorm) that charmed me.

    I felt, though, that Alif's coding was too magical--not in a fantasy way, but in a handwave-y way.
  • Rating: 4 out of 5 stars
    4/5
    Alif the Unseen is what would happen if Snow Crash by Neal Stephenson were written by a Middle Eastern Neil Gaiman with a dash of Arabian Nights. Brilliant! Original! Thought provoking! If you've been lulled to sleep by the current market of contemporary urban scifi/fantasy, do yourself a favor and reach for Alif.
  • Rating: 4 out of 5 stars
    4/5
    A callow young hacker, jilted by his first love, stumbles into the bad graces of the chief of police -- and also, into the company of djinns straight out of the Thousand and One Nights. The publisher's jacket blurb claims the book has shades of Neal Stephenson and Philip Pullman. That's half right: like Snow Crash, Alif the Unseen includes a young computer whiz, brutal opponents, and a cool theory of information as a main driver of the plot. But the comparison to Pullman is misleading. Pullman's tale subverts religious faith in favor of a bleak, if clear sighted, atheism. In contrast, Alif the Unseen is religious, with dogmatic certainties embedded in the story in a way that reminded me of C.S. Lewis' Narnian Chronicles, albeit from an Islamic rather than a Christian perspective. The character Dina, a young woman who chose to take the veil at age twelve, is consistently depicted in a way that validates her modesty and strict observance of Islamic law; it's ultimately her faith, and the protagonist's gradual submission to it, that permits redemption (on an individual and social scale). It's no accident that the heroine, early in the book, describes the Golden Compass as 'dangerous' and 'full of pagan images'. Wilson is herself a convert to Islam, so it's interesting that she introduces a character -- an American usually referred to as 'the convert' -- into the story. The portrait is not particularly positive; the convert is, in some ways, the least mentally flexible character. Perhaps having her in the book insulates Wilson from the criticism that she's abused her new faith in writing this book. It's not hard to suspect that Wilson identifies much more with Dina than with the convert. At its core, the book is an extended wisdom teaching - a genre that's very much part (though only one part) of the original Thousand and One Nights. That agenda gives the book its better moments. Wilson's descriptive prose serves, without thrilling; but her dialogue is much stronger, especially when the characters are critiquing each others' values and choices. At their best, Wilson's characters, human or djinn, are believable both as individuals and as spokespeople for distinct moral views. On the other hand, if you find yourself resisting the underlying coercion of the Narnian Chronicles -- that Aslan knows best, and the only way to be happy is to accept the conventional and somewhat treacly moral lessons Lewis puts in his mouth - you may also find Dina/Wilson similarly frustrating.
  • Rating: 4 out of 5 stars
    4/5
    Really a lovely book. The mythological/fantastical elements are grounded, but not to the extent to which I prefer. The author is opinionated and admirably straddles the digital and traditional religious worlds.
  • Rating: 4 out of 5 stars
    4/5
    An enjoyable fast-paced novel about a hacker in a middle eastern country who gets compromised and in trying to escape falls with the world of the "unseen". I don't normally feel that drawn to books that deal with the contemporary, high-tech world, but in this case I felt it was fairly well done. I enjoyed the mix of fantasy/religion with the contemporary theme, and I thought there were several insightful quotes about religion and Islam in particular. However, as a programmer I have high standards for descriptions of programming in novels, and I didn't feel that this quite lived up to those standards. I think putting programming in a novel is a tough thing to do, and the author clearly knows a bit about it, but she got into some questionable territory. Overall I recommend Alif the Unseen, but don't expect the next greatest fantasy novel ever.
  • Rating: 5 out of 5 stars
    5/5
    What a book! Combining the Arabian Nights with digital wizardry, "Alif the Unseen" is a thrill ride. Never been to a Gulf Emirate--been there! Ever wandered the Empty Quarter of Arabia--done that! Ever deal with genie--read this book! Inspired by the Arab Spring and "The Thousand and One Nights", "Alif the Unseen" hurtles the hero into hacking, digital mischief, street fights, assassinations, and the world of the Jinn, the Unseen. At moments funny, the book builds from a quiet, humdrum beginning to a heart-stopping conclusion. After a slow start, the book builds momentum as the hacker hero has to go on the run from State Security. With him is the neighbor girl, who did him a small favor and then gets dragged into his mess. At his side is also a Jinn, Vikram, a shape shifter of dubious loyalty. I cannot recommend this book highly enough. Stick with it for a wonderful adventure in modern technology and Arabian folklore.
  • Rating: 3 out of 5 stars
    3/5
    A fun fantasy novel about the Arab Spring, this book races along like an old movie. A tad too pat, it has an improbably happy ending. Nevertheless, it held my interest and filled my need for escapism.
  • Rating: 5 out of 5 stars
    5/5
    This book opened a new world to me as a reader. I was not aware of much of the culture or folklore expressed in this story, so it was exciting as well as semi-educational. I found some of the characters' dialogue to be obvious vehicles for expressing perspectives on religion, culture, etc. but I think the story carried the reader through what otherwise might have seemed like heavy-handed editorializing. This is a compelling book, no matter how you look at it.
  • Rating: 5 out of 5 stars
    5/5
    Fantastic, best summer novel in years. Great cover design, was anticipating the release of this book and the circuit pattern was a perfect subtle identifier. Brilliant connection for the reader with the story, was very happy to see it. The writing is fantastic, it read in a few days hooked on very large doses the kind you stay in for like Sebastian lol
  • Rating: 5 out of 5 stars
    5/5
    After falling in love with Ms. Marvel and Cairo, I knew I had to read this novel. And now I'm in that uncomfortable situation of liking a book so much that it's nearly impossible to write about it reasonably, my brain focusing on nit-picky details to avoid sounding like on big fangirl squee.

    The wonderful thing about this book is that it was constantly surprising. Every single character turns out to be far more interesting than they seem at first glance, which is entirely appropriate in a book that is all about the things we have learned to unsee.

    A fantastical mix of modern grittiness, political upheaval, magical creatures, religious discourse, and computer geekery, it somehow manages to balance all these elements without losing momentum.
  • Rating: 3 out of 5 stars
    3/5
    I get that she's doing some very creative work, here-- essentially, this is a kind of Narnia but with Islamic metaphor, with a healthy dose of post- cyberpunk-y Doctorow thrown in for good measure. The problem for me was twofold: 1) fiction with based on explicit religious themes leaves me cold (I literally stopped reading the first Mortal Engines book the second it became clear they were half-angels), and 2) I tend to prefer my fiction less blended, not more. I recognize that's a bit backward, but I am not on the "speculative fiction" bandwagon--I want my sci fi on one side and my fantasy on the other. So, that said, to still get 3 stars from me means she's doing something very right. I just wish she'd brought her talent to a different plot.

Book preview

Alif the Unseen - G. Willow Wilson

Alifendpapersfinalmap.tif

Alif the Unseen

Also by G. Willow Wilson

nonfiction

The Butterfly Mosque

graphic novels

Cairo

Air, Volumes 1–4

Vixen: Return of the Lion

Alif the Unseen

G. Willow Wilson

V-1.tif

Grove Press

New York

Copyright © 2012 by G. Willow Wilson

Jinn illustrations copyright © 2012 by Lisa Brown

Hand of Fatima illustration on dedication page by Christopher Sergio

"Author G. Willow Wilson on the Writing of Alif the Unseen" copyright

© 2013 by G. Willow Wilson

"An Interview with G. Willow Wilson on Fantasy in Dictatorships,

Cross Cultural Understanding, and the Arab Spring" copyright © 2012

by ThinkProgress.org

All rights reserved. No part of this book may be reproduced in any

form or by any electronic or mechanical means, including information

storage and retrieval systems, without permission in writing from

the publisher, except by a reviewer, who may quote brief passages in a

review. Scanning, uploading, and electronic distribution of this book

or the facilitation of such without the permission of the publisher is

prohibited. Please purchase only authorized electronic editions, and

do not participate in or encourage electronic piracy of copyrighted

materials. Your support of the author’s rights is appreciated. Any

member of an educational institution wishing to photocopy part or all

of the work for classroom use, or anthology, should send inquiries to

Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003

or permissions@groveatlantic.com.

Printed in the United States of America

ISBN-13: 978-0-8021-9462-6

Grove Press

an imprint of Grove/Atlantic, Inc.

841 Broadway

New York, NY 10003

Distributed by Publishers Group West

www.groveatlantic.com

For my daughter Maryam, born in the Arab Spring

HandStamp.tif

The devotee recognizes in every divine Name the totality of Names.

Muhammad ibn Arabi, Fusus al-Hikam

If the imagination of the dervish produced the incidents of these stories, his judgment brought them to the resemblance of truth, and his images are taken from things that are real.

François Petis de la Croix, Les Mille et Un Jours

(The Thousand and One Days)

Contents

Alif the Unseen

Acknowledgments

The Five Types of Jinn

Glossary

Author G. Willow Wilson,

on Writing Alif the Unseen

An Interview with G. Willow Wilson

on Fantasy in Dictatorships,

Cross-Cultural Understanding,

and the Arab Spring

Alif the Unseen

Chapter Zero

Persia

Long Ago

The thing always appeared in the hour between sunset and full dark.

When the light began to wane in the afternoon, casting shadows of gray and violet across the stable yard below the tower where he worked, Reza would give himself over to shuddering waves of anxiety and anticipation. Each day, as evening approached, memory inevitably carried him back sixty years, to the arms of his wet nurse. The twilight hour is when the jinn grow restless, she had told him. She was Turkish, and never threw his bathwater out the window without asking the pardon of the hidden folk who lived in the ground below. If she failed to warn them, the indignant creatures might curse her young charge, afflicting him with blindness or the spotted disease.

When Reza was a young student, and had not yet learned wisdom, he dismissed her fears as superstition.

Now he was an old man with failing teeth. As the sun flushed up, touching the dome of the shah’s palace across the square, a familiar terror began to provoke his bowels. His apprentice loitered at the back of the workroom, picking over the remains of his master’s lunch. Reza could feel the contemptuous look the pimpled youth leveled at his back as he stood in the window, watching the progress of the dying sun.

Bring me the manuscript, said Reza, without turning. Set out my inkwell and my reed pens. Make everything ready.

Yes, master. The youth’s tone was surly. He was the third son of a minor noble, and had neither scholarly nor spiritual inclinations to speak of. Once—only once—Reza had allowed the boy to remain when the thing visited him, hoping his apprentice would see, and understand, and tell Reza he was not mad. He did not. When the creature arrived, congealing inside the chalk-and-ash summoning circle Reza had drawn at the center of the workroom, the boy did not appear to notice. He stared at his master in blank irritation as the shadow in the circle unfolded itself and grew limbs, caricaturing the form of a man. When Reza addressed the apparition, the boy had laughed, scorn and disbelief mingling in his ringing voice.

Why? Reza had asked the creature desperately. Why won’t you let him see you?

In response, the thing had grown teeth: row after row of them, crowded together in a sickening grin.

He chooses not to see, it said.

Reza worried that the boy would report his master’s clandestine activities to his father, who would then alert the orthodox functionaries at the palace, who in turn would have him imprisoned for sorcery. But his apprentice had said nothing, and continued to return day after day for his lessons. It was only the lethargy of his service and the contempt in his voice that told Reza he had lost the boy’s respect.

The ink has dried on the pages I wrote yesterday, Reza said when his apprentice returned with his pens and ink. They’re ready for preservation. Have you mixed more varnish?

The boy looked up at him, color draining from his face.

I can’t, he said, surliness evaporating. Please. It’s too awful. I don’t want to—

Very well, said Reza with a sigh. I’ll do it myself. You can go.

The boy bolted for the door.

Reza sat down at his table, pulling a large stone bowl toward himself. The work would distract him until evening arrived. Into the bowl, he poured a portion of the precious mastic resin that had been simmering over a charcoal brazier since early morning. He added several drops of black oil from the seed of the nigella and stirred to keep the liquid from hardening. When he was satisfied with the consistency of the mixture, he gingerly lifted the linen veil from an unassuming metal pot sitting at one end of the work table.

A scent filled the room: sharp, alarming, viscerally female. Reza thought of his wife, alive and blooming and big with the child that had died with her. This scent had permeated the linens of their bed before Reza ordered his servants to carry it away and burn it. For a moment, he felt lost. Forcing himself to be impassive, he separated what he needed from the viscous mess and, lifting it with metal tongs, dropped it unceremoniously into the cooling bowl of varnish. He counted out several minutes on his knuckles before looking in the bowl again. The varnish had turned as clear and glistening as honey.

Reza carefully laid out the pages he had transcribed during the creature’s last visit. He wrote in Arabic, not Persian, hoping that this precaution would prevent his work from being misused should it fall into the hands of the uneducated and uninitiated. The manuscript was thus a double translation: first into Persian from the voiceless language in which the creature spoke, which fell on Reza’s ears like the night echoes of childhood, when sleep was preceded by that solitary, fearful journey between waking and dreaming. Then from Persian into Arabic, the language of Reza’s education, as mathematical and efficient as the creature’s speech was diffuse.

The result was perplexing. The stories were there, rendered as well as Reza could manage, but something had been lost. When the creature spoke, Reza would drift into a kind of trance, watching strange shapes amplify themselves again and again, until they resembled mountains, coastlines, the pattern of frost on glass. In these moments he felt sure he had accomplished his desire, and the sum of knowledge was within his reach. But as soon as the stories were fixed on paper, they shifted. It was as if the characters themselves—the princess, the nurse, the bird king, and all the rest—had grown sly and slipped past Reza as he attempted to render them in human proportions.

Reza dipped a horsehair brush into the stone bowl and began to coat the new pages in a thin layer of varnish. The nigella oil prevented the heavy paper from buckling. The other ingredient, the one his apprentice had obtained with so much misgiving, would keep the manuscript alive long after Reza himself had gone, protecting it from decay. If he could not unlock the true meaning behind the thing’s words, someone would, someday.

Reza was so intent on his work that he did not notice when the sun slid past the dome of the palace, disappearing behind the dry peaks of the Zagros Mountains on the far horizon. A chill in the room alerted him to the coming of twilight. Reza’s heart began to tap at his breastbone. Carefully, before the fear took hold in earnest, he placed the varnished pages on a screen to dry. On a shelf nearby were their companions, a thick sheaf of them, awaiting the completion of the final story. Once he was finished, Reza would sew the pages together with silk thread and bind them between linen-covered pasteboards.

And then what?

The voice came, as always, from within his own mind. Reza straightened, his stiff joints cracking as he moved. He steadied his breathing.

Then I will study, he said in a calm voice. I will read each story again and again until I have committed them all to memory and their power becomes clear to me.

The thing seemed amused. It had appeared without a sound, and sat quietly within the confines of its chalk-and-ash prison at the center of the room, regarding Reza with yellow eyes. Reza suppressed a shudder. The sight of the creature still filled him with warring sensations of horror and triumph. When Reza had first summoned it, he had half-disbelieved that such a powerful entity could be held at bay by a few well-chosen words written on the floor, words his illiterate housekeeper could sweep away without incurring any harm whatsoever. But it was so—a testament, he hoped, to the depth of his learning. Reza had bound the thing successfully, and now it was compelled to return day after day until it completed the narration of its stories.

I will study, it says. The thing’s voice was spiteful. But what can it hope to gain? The Alf Yeom is beyond its understanding.

Reza drew his robes about him and squared his shoulders, attempting to look dignified.

So you claim, but your race was never known for honesty.

At least we’re honest with ourselves, and do not covet what is not ours. Man was exiled from the Garden for eating a single fruit, and now you propose to uproot the whole tree without the angels noticing. You’re an old fool, and the Deceiver whispers in your ear.

I am an old fool. Reza sat down heavily on his workbench. But now it’s too late to be otherwise. The only way forward is through. Let me complete my work, and I will release you.

The thing howled piteously and slammed itself against the edge of the circle. It was immediately knocked backward, rebuffed by a barrier Reza had created but could not see.

What do you want? the creature whimpered. Why do you force me to tell you what I should not? These are not your stories. They are ours.

They are yours, but you don’t understand them, snapped Reza. "Only Adam was given true intellect, and only the banu adam have the power to call things by their right names. What you call the bird king and the hind and the stag—these are only symbols to disguise a hidden message, just as a poet may write a ghazal about a toothless lion to criticize a weak king. Hidden in your stories is the secret power of the unseen."

The stories are their own message, said the thing, with something like a sigh. That’s the secret.

I will assign each element of each story a number, said Reza, ignoring this alarming pronouncement. And in doing so create a code that determines their quantitative relationship to one another. I will gain power over them— He broke off. A breeze had stirred through the open window and the scent of drying varnish wafted toward him. Reza thought again of his wife.

You’ve lost something, said the creature shrewdly.

It’s not your problem.

No story or code or secret on earth can raise the dead.

I don’t want raise the dead. I just want to know—I want—

The thing listened. Its yellow eyes were fixed and unblinking. Reza remembered the herbal remedies and the cupping and the incense to clear the air and the low terse words of the midwives as they moved about the bloody bed, pulling their veils over their mouths to speak to him as he stood by, useless and despairing.

Control, he said finally.

The creature sat back, draping its not-arms over its not-knees, and regarded him.

Get your pen and paper, it said. I will tell you the final story. It comes with a warning.

What’s that?

When you hear it, you will become someone else.

What nonsense.

The creature smiled.

Get your pen, it repeated.

Chapter One

The Persian Gulf

Now

Alif sat on the cement ledge of his bedroom window, basking in the sun of a hot September. The light was refracted by his lashes. When he looked through them, the world became a pixilated frieze of blue and white. Staring too long in this unfocused way caused a sharp pain in his forehead, and he would look down again, watching shadows bloom behind his eyelids. Near his foot lay a thin chrome-screened smartphone—pirated, though whether it came west from China or east from America he did not know. He didn’t mess with phones. Another hack had set this one up for him, bypassing the encryption installed by whatever telecom giant monopolized its patent. It displayed the fourteen text messages he had sent to Intisar over the past two weeks, at a self-disciplined rate of one per day. All went unanswered.

He gazed at the smartphone through half-closed eyes. If he fell asleep, she would call. He would wake up with a jerk as the phone rang, sending it inadvertently over the ledge into the little courtyard below, forcing him to rush downstairs and search for it among the jasmine bushes. These small misfortunes might prevent a larger one: the possibility that she might not call at all.

The law of entropy, he said to the phone. It glinted in the sun. Below him, the black-and-orange cat that had been hunting beetles in their courtyard for as long as he could remember came nipping across the baked ground, lifting her pink-soled paws high to cool them. When he called to her she gave an irritated warble and slunk beneath a jasmine bush.

Too hot for cat or man, said Alif. He yawned and tasted metal. The air was thick and oily, like the exhalation of some great machine. It invaded rather than relieved the lungs and, in combination with the heat, produced an instinctive panic. Intisar once told him that the City hates her inhabitants and tries to suffocate them. She—for Intisar insisted the City was female—remembers a time when purer thoughts bred purer air: the reign of Sheikh Abdel Sabbour, who tried so valiantly to stave off the encroaching Europeans; the dawn of Jamat Al Basheera, the great university; and earlier, the summer courts of Pari-Nef, Onieri, Bes. She has had kinder names than the one she bears now. Islamized by a jinn-saint, or so the story goes, she sits at a crossroads between the earthly world and the Empty Quarter, the domain of ghouls and effrit who can take the shapes of beasts. If not for the blessings of the jinn-saint entombed beneath the mosque at Al Basheera, who heard the message of the Prophet and wept, the City might be as overrun with hidden folk as it is with tourists and oil men.

I almost think you believe that, Alif had said to Intisar.

Of course I believe it, said Intisar. The tomb is real enough. You can visit it on Fridays. The jinn-saint’s turban is sitting right on top.

Sunlight began to fail in the west, across the ribbon of desert beyond the New Quarter. Alif pocketed his phone and slid off the window ledge, back into his room. Once it was dark, perhaps, he would try again to reach her. Intisar had always preferred to meet at night. Society didn’t mind if you broke the rules; it only required you to acknowledge them. Meeting after dark showed a presence of mind. It suggested that you knew what you were doing went against the prevailing custom and had taken pains to avoid being caught. Intisar, noble and troubling, with her black hair and her dove-low voice, was worthy of this much discretion.

Alif understood her desire for secrecy. He had spent so much time cloaked behind his screen name, a mere letter of the alphabet, that he no longer thought of himself as anything but an alif—a straight line, a wall. His given name fell flat in his ears now. The act of concealment had become more powerful than what it concealed. Knowing this, he had entertained Intisar’s need to keep their relationship a secret long after he himself had tired of the effort. If clandestine meetings fanned her love, so be it. He could wait another hour or two.

The tart smell of rasam and rice drifted up through the open window. He would go down to the kitchen and eat—he had eaten nothing since breakfast. A knock on the other side of the wall, just behind his Robert Smith poster, stopped him on his way out the door. He bit his lip in frustration. Perhaps he could slip by undetected. But the knock was followed by a precise little series of taps: p‘~ She had heard him get down from the window. Sighing, Alif rapped twice on Robert Smith’s grainy black-and-white knee.

Dina was already on the roof when he got there. She faced the sea, or what would be the sea if it were visible through the tangle of apartment buildings to the east.

What do you want? Alif asked.

She turned and tilted her head, brows contracting in the slim vent of her face-veil.

To return your book, she said. What’s wrong with you?

Nothing. He made an irritated gesture. Give me the book then.

Dina reached into her robe and drew out a battered copy of The Golden Compass. Aren’t you going to ask me what I thought? she demanded.

I don’t care. The English was probably too difficult for you.

It was no such thing. I understood every word. This book— she waved it in the air—is full of pagan images. It’s dangerous.

Don’t be ignorant. They’re metaphors. I told you you wouldn’t understand.

Metaphors are dangerous. Calling something by a false name changes it, and metaphor is just a fancy way of calling something by a false name.

Alif snatched the book from her hand. There was a hiss of fabric as Dina tucked her chin, eyes disappearing beneath her lashes. Though he had not seen her face in nearly ten years, Alif knew she was pouting.

I’m sorry, he said, pressing the book to his chest. I’m not feeling well today.

Dina was silent. Alif looked impatiently over her shoulder: he could see a section of the Old Quarter glimmering on a rise beyond the shoddy collection of residential neighborhoods around them. Intisar was somewhere within it, like a pearl embedded in one of the ancient mollusks the ghataseen sought along the beaches that kissed its walls. Perhaps she was working on her senior thesis, poring over books of early Islamic literature; perhaps she was taking a swim in the sandstone pool in the courtyard of her father’s villa. Perhaps she was thinking of him.

I wasn’t going to say anything, said Dina.

Alif blinked. Say anything about what? he asked.

"Our maid overheard the neighbors talking in the souk yesterday. They said your mother is still secretly a Hindu. They claim they saw her buying puja candles from that shop in Nasser Street."

Alif stared at her, muscles working in his jaw. Abruptly he turned and walked across the dusty rooftop, past their satellite dishes and potted plants, and did not stop when Dina called him by his given name.

* * *

In the kitchen, his mother stood side by side with their maid, chopping green onions. Sweat stood out where the salwar kameez she wore exposed the first few vertebrae of her back.

Mama. Alif touched her shoulder.

"What is it, makan?" Her knife did not pause as she spoke.

Do you need anything?

What a question. Have you eaten?

Alif sat at their small kitchen table and watched as the maid wordlessly set a plate of food in front of him.

Was that Dina you were talking to on the roof? his mother asked, scraping the mound of onions into a bowl.

So?

You shouldn’t. Her parents will be wanting to marry her off soon. Good families won’t like to hear she’s been hanging around with a strange boy.

Alif made a face. Who’s strange? We’ve been living in the same stupid duplex since we were kids. She used to play in my room.

When you were five years old! She’s a woman now.

She probably still has the same big nose.

"Don’t be cruel, makan-jan. It’s unattractive."

Alif pushed the food around on his place. I could look like Amr Diab and it wouldn’t matter, he muttered.

His mother turned to look at him, a frown distorting her round face. Really, such a childish attitude. If you would only settle down into a real career and save some money, there are thousands of lovely Indian girls who would be honored to—

But not Arab girls.

The maid sucked her teeth derisively.

What’s so special about Arab girls? his mother asked. They give themselves airs and walk around with their eyes painted up like cabaret dancers, but they’re nothing without their money. Not beautiful, not clever, and not one of them can cook—

I don’t want a cook! Alif pushed his chair back. I’m going upstairs.

Good! Take your plate with you.

Alif jerked his plate off the table, sending the fork skittering to the floor. He stepped over the maid as she bent to pick it up.

Back in his room, he examined himself in the mirror. Indian and Arab blood had merged pleasantly on his face, at least. His skin was an even bronze color. His eyes took after the Bedouin side of his family, his mouth the Dravidian; all in all he was at peace with his chin. Yes, pleasant enough, but he would never pass for a full-blooded Arab. Nothing less than full-blood, inherited from a millennium of sheikhs and emirs, was enough for Intisar.

A real career, Alif said to his reflection, echoing his mother. In the mirror he saw his computer monitor flicker to life. He frowned, watching as a readout began to scroll up the screen, tracking the IP address and usage statistics of whoever was attempting to break through his encryption software. Who’s come poking around my house? Naughty naughty. He sat at his desk and studied the flat screen—almost new, flawless aside from a tiny crack he had repaired himself; bought for cheap from Abdullah at Radio Sheikh. The intruder’s IP address came from a server in Winnipeg and this was his first attempt to break into Alif’s operating system. Curiosity, then. In all likelihood the prowler was a gray hat like himself. After testing Alif’s defenses for two minutes he gave up, but not before executing Pony Express, a trojan Alif had hidden in what looked like an encryption glitch. If he was half good, the intruder likely ran specialized anti-malware programs several times a day, but with any luck Alif would have a few hours to track his Internet browsing habits.

Alif turned on a small electric fan near his foot and aimed it at the computer tower. The CPU had been running hot; last week he’d come close to melting the motherboard. He could not afford to be lax. Even a day offline might endanger his more notorious clients. The Saudis had been after Jahil69 for years, furious that his amateur erotica site was impossible to block and had more daily visitors than any other Web service in the Kingdom. In Turkey, TrueMartyr and Umar_Online fomented Islamic revolution from a location the authorities in Ankara found difficult to pinpoint. Alif was not an ideologue; as far as he was concerned, anyone who could pay for his protection was entitled to it.

It was the censors who made him grind his teeth as he slept, the censors who smothered all enterprise, whether saintly or cynical. Half the world lived under their digital cloud of ones and zeroes, denied free access to the economy of information. Alif and his friends read the complaints of their coddled American and British counterparts—activists, all talk, irritated by some new piece of digital monitoring legislation or another—and laughed. Ignorant monoglots, Abdullah called them when he was in the mood to speak English. They had no idea what it was like to operate in the City, or any city that did not come prewrapped in sanitary postal codes and tidy laws. They had no idea what it was like to live in a place that boasted one of the most sophisticated digital policing systems in the world, but no proper mail service. Emirates with princes in silver-plated cars and districts with no running water. An Internet where every blog, every chat room, every forum is monitored for illegal expressions of distress and discontent.

Their day will come, Abdullah had told him once. They had been smoking a well-packed hookah on the back stoop of Radio Sheikh, watching a couple of feral cats breed on a garbage heap. They will wake up one morning and realize their civilization has been pulled out from under them, inch by inch, dollar by dollar, just as ours was. They will know what it is to have been asleep for the most important century of their history.

That doesn’t help us, Alif had said.

No, said Abdullah, but it certainly makes me feel better.

Meanwhile they had their local nightmares to occupy them. In university, frustrated by the gaps in a computer science curriculum taught by the very State servants who policed the digital landscape, Alif had weaned himself on spite. He would teach himself what they wouldn’t. He would help inundate their servers with sex videos or bring the soldiers of God down on their heads—it did not matter which came first. Better chaos than slow suffocation.

Only five years ago—less—the censors had been sluggish, relying on social media sites and old-fashioned detective work to track their marks. Gradually they had been endowed with some unholy knowledge. Chatter began on countless mainframes: who had tutored them? The CIA? Mossad was more likely; the CIA was not bright enough to choose such a subtle means of demoralizing the digital peasantry. They were united by no creed, these censors; they were Ba’ath in Syria, secular in Tunisia, Salafi in Saudi Arabia. Yet their methods were as identical as their goals were disparate. Discover, dismantle, subdue.

In the City, the increase in Internet policing appeared as a bizarre singularity. It moved over the weblogs and forums of the disaffected like a fog, appearing sometimes as code glitch or a server malfunction, sometimes as a sudden drop in connection speeds. It took months for Alif and the other City gray hats to connect these ordinary-seeming events. Meanwhile, the Web hosting accounts of some of the City’s finest malcontents were discovered and hacked—presumably by the government—leaving them unable to access their own Web sites. Before he left the digital ecosystem for good, NewQuarter01, the City’s first blogger, named the singularity the Hand of God. Debate still raged about its identity: was it a program, a person, many people? Some postulated that the Hand was the emir himself—hadn’t it always been said that His Highness was schooled in national security by the Chinese, authors of the Golden Shield? Whatever its origin, Alif foresaw disaster in this new wave of regional monitoring. Hacked accounts were only the first step. Inevitably, the censors would move on to hack lives.

Like all things, like civilization itself, the arrests began in Egypt. In the weeks leading up to the Revolution, the digital stratosphere became a war zone. The bloggers who used free software platforms were most vulnerable; Alif was neither surprised nor impressed when they were found and imprisoned. Then the more enterprising geeks, the ones who coded their own sites, began to disappear. When the violence spilled off the Internet and into the streets, making the broad avenues of Tahrir Square a killing field, Alif dumped his Egyptian clientele without ceremony. It was clear the regime in Cairo had outstripped his ability to digitally conceal its dissidents. Cut off the arm to save the body, he told himself. If the name Alif was leaked to an ambitious State security official, a coterie of bloggers, pornographers, Islamists, and activists from Palestine to Pakistan would be put at risk. It was not his own skin he was worried about, of course, though he didn’t take a solid shit for a week afterward. Of course it was not his own skin.

Then on Al Jazeera he watched as friends known to him only by alias were taken to jail, victims of the regime’s last death throes. They had faces, always different than the ones he imagined, older or younger or startlingly pale, bearded, laugh-lined. One was even a girl. She would probably be raped in her prison cell. She was probably a virgin, and she would probably be raped.

Cut off the arm.

Alif’s fingers glided over the keyboard. Metaphors, he said. He typed it in English. Dina was right as usual.

It was for this reason that Alif had taken no pleasure in the success of the Egyptian revolution, or in the wave of uprisings that followed. The triumphs of his faceless colleagues, who had crashed system after system in government after government, served only to remind him of his own cowardice. The City, once one tyrannical emirate among many, began to feel as though it were outside time: a memory of an old order, or a dream from which its inhabitants had failed to wake. Alif and his friends fought on, chipping away at the digital fortress the Hand had erected to protect the emir’s rotting government. But an aura of failure clung to their efforts. History had left them behind.

A flicker of green out of the corner of his eye: Intisar was online. Alif let out a breath and felt his guts working.

A1if: Why haven’t you answered my e-mails?

Bab_elDunya: Please leave me alone

His palms began to sweat.

A1if: Have I offended you?

Bab_elDunya: No

A1if: What is it then?

Bab_elDunya: Alif, Alif

A1if: I’m going crazy, tell me what’s wrong

A1if: Let me see you

A1if: Please

For a leaden minute she wrote nothing. Alif leaned his forehead against the edge of his desk, waiting for the ping that would tell him she had responded.

Bab_elDunya: At the place in twenty minutes

Alif stumbled out the door.

* * *

He took a taxi to the farthest edge of the Old Quarter wall and then got out to walk. The wall was thronged with tourists. Sunset turned its translucent stones brilliant pink, a phenomenon they would try imperfectly to capture with their mobile phones and digital cameras. Souvenir hawkers and tea shops crowded the street that ran alongside. Alif pushed his way past a group of Japanese women in identical

T-shirts. Someone nearby stank of beer. He bit back a cry of frustration as his path was blocked by a tall desi guide carrying a flag.

Please to look left! Hundred year ago, this wall surrounded entire city. Tourist then came not by plane but by camel! Imagine to come across the desert, then suddenly—the sea! And on the sea, city surrounded by wall of quartz, like mirage. They thought was mirage!

Pardon me, brother, Alif said in Urdu, but I am not a mirage. Let me through.

The guide stared at him. We all come here to make a living, brother, he said, curling his lip. Don’t frighten the money.

I didn’t come here. I was born here.

"Masha’Allah! Pardon me." He splayed his legs. The tour group gathered behind him instinctively, like chicks behind a hen. Alif stared past them down the street. He could almost see the corrugated roof of the tea shop where Intisar would be waiting.

No one cares if a few fat Victorians came across the desert to look at a wall, he blurted. They’re dead now. We’ve got plenty of live Europeans out in the oil fields at the TransAtlas facility. Give them a tour of that.

The guide grimaced. "You’re crazy, bhai," he muttered. He stood aside, holding his brood back with one arm. Alif had invoked a class bond more subtle than commerce. Pressing a hand to his heart in thanks, Alif hurried past.

The tea shop was neither attractive nor memorable. It was decorated with a smudged acrylic mural of the New Quarter’s famous skyline, and the owner—a Malay who spoke no Arabic—served authentic hibiscus drinks that had gone out of fashion several decades earlier. No native of the City would step foot in such a simulacrum. It was for this reason Alif and Intisar had chosen the place. When Alif arrived, Intisar was standing in the corner with her back to the room, examining a rack of dusty postcards. Alif felt the blood rush to his head.

"As-salaamu alaykum," he said. She turned, jet beads clinking softly in the hem of her veil. Large black eyes regarded him.

I’m sorry, she whispered.

He crossed the room in three steps and took her gloved hand. The Malay busied himself at a wash basin in the far corner, head down; Alif wondered if Intisar had given him money.

For God’s sake, he said, breath unsteady. What’s happened?

She dropped her eyes. Alif ran his thumb across her satin palm and felt her shiver. He wanted to tear the veil away and read her face, inscrutable behind its wall of black crepe. He could still remember the scent of her neck—it had not been so long ago. To be separated by so much cloth was unbearable.

I couldn’t stop it, she said. It was all settled without me. I tried, Alif, I swear to you I tried everything—I told my father I wanted to finish university first, or travel, but he just looked at me as if I’d gone crazy. It’s a friend of his. Putting him off would be an insult—

Alif stopped breathing. Taking her wrist, he began to strip off the glove, ignoring her halfhearted struggle. He revealed her pale fingers: an engagement ring glittered between them like a stone dropped on uneven ground. He began breathing again.

No, he said. No. You can’t. He can’t. We’ll leave—we’ll go to Turkey. We don’t need your father’s consent to get married there. Intisar—

She was shaking her head. My father would find a way to ruin you.

To Alif’s horror he felt tears spring up in his eyes. "You can’t marry this chode, he said hoarsely. You’re my wife in the eyes of God if

Enjoying the preview?
Page 1 of 1