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the bridge from day to night
the bridge from day to night
the bridge from day to night
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the bridge from day to night

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The title poem in David Zieroth’s the bridge from day to night follows the speaker across the Second Narrows Bridge to North Vancouver, a well-worn moment in a daily commute that opens a window into the sublime: “from the apex / of the bridge with traffic flying / I look directly into / their deepest clefts.” Such moments occur throughout the collection, as Zieroth explores the resonance built from layers of such ordinary moments as they accumulate throughout a lifetime—indistinct and imperceptible as they occur, but creating unseen undercurrents through memory and time.

In this temporal landscape, the natural world becomes a touchstone, both entangled in and standing apart from the speaker’s internal narrative: “I brought from that forming hour a / precise smell of foliage: funeral wreaths / bore an acid scent.” Shifting fluidly through time, the speaker grows from a child to understand, reflect and then outlive his parents. Finally, the collection lights on the incongruities and contradictions in death: “still later I kick his flattened corpse / to the gutter, and it skids on concrete / a broken valise, weightless / on this segment of the journey.”

With his characteristic humour, subtlety and ability to find transcendence in the everyday, Zieroth traces the delicate strands connecting the most minute and familiar details to the most profound mysteries, giving voice to the unknowable.

LanguageEnglish
Release dateMar 17, 2018
ISBN9781550178364
the bridge from day to night
Author

Paul F. Clark

David Zieroth’s The Fly in Autumn (Harbour, 2009) won the Governor General’s Literary Award and was nominated for the Dorothy Livesay Poetry Prize and the Acorn-Plantos Award for People’s Poetry in 2010. Zieroth also won The Dorothy Livesay Poetry Award for How I Joined Humanity at Last (Harbour, 1998). Other publications include the trick of staying and leaving (Harbour, 2023), watching for life (McGill-Queen’s, 2022), the bridge from day to night (Harbour, 2018), Zoo and Crowbar (Guernica Editions, 2015), Albrecht Dürer and me (Harbour, 2014), The November Optimist (Gaspereau, 2013), The Village of Sliding Time (Harbour, 2006), The Education of Mr. Whippoorwill: A Country Boyhood (Macfarlane Walter & Ross, 2002) and Crows Do Not Have Retirement (Harbour, 2001). His poems have been included in the Best Canadian Poetry series, shortlisted for National Magazine and Relit Awards and featured on Vancouver buses three times as part of Poetry in Transit. He watches urban life from his third-floor balcony in North Vancouver, BC, where he runs The Alfred Gustav Press and produces handmade poetry chapbooks twice per year.

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    Book preview

    the bridge from day to night - Paul F. Clark

    1

    North Van morning

    the ships glide

    slowly under a red

    apparatus lifting containers

    from rusty decks

    above the water, each crane

    a Trojan Horse

    the SeaBus – the Otter? –

    passes under its regard

    its power

    to raise the materials

    we desire passed on

    to the men and women

    who cross below, reading

    or gazing into thoughts

    on a routine morning

    a siren cleaves through

    to the edge

    of consciousness, a crow

    calling from the conifers

    the tallest branches of

    alders click in a code

    no one gets anymore

    although squirrels

    scrambling through the vines

    stop and listen

    zero energy after work

    I kick off my shoes, drop

    papers wanting my hand

    under direct light, throw my coat

    fix my path on evening’s couch: being

    gravely horizontal, looking up

    but glazed, watching

    not the spider in the front door corner

    but scenes repeating

    words sudden and said

    I drift and lift off and float down

    my street, peer into windows still open

    sun now beyond black mountains

    no one drawing the drapes

    still reliving the commute

    arriving to grip amber glass

    or finger white china, tap

    on the chintz edge

    when I roam too far, I cross above

    the man who curls on the sidewalk

    by the veggie restaurant, his head

    a red toque, under piles of plaid blankets

    yellow milk crate for his brown banana

    air turning to steam above his face

    a sunburnt whiteness, a witness

    arresting above damp concrete

    I dip down here

    nudge his shoulder, touch his bearded cheek

    tell him the angel of warmth

    comes to bear him to a new hearth

    to bathe him, feed him, but not

    bind him to regular hours

    not require of him to surrender his search

    for butts and bottles nor even demand

    he learn anew how to look

    at our passing faces

    maritime clouds

    their steel bellies have brought

    the warm air of the ocean

    from some island we can smell

    so that in the closed dark

    of the night we push open

    our windows and feel again

    the elements of air and water

    entering us, making us

    ourselves under maritime

    clouds, the rushing, pushing

    mass that says no sun today

    just that sweet moist air

    and the calling of the crows

    that have been greeting it

    since light began, not long

    ago, when we stood trembling

    like good dogs at the start

    of a hunt, we who are waiting

    for a change, that turn of the

    earth that is really a lurch

    into pungent spring

    coming on an offshore wind

    to find us overdressed

    in down, our throats white

    from winter, our eyes

    cold and inward

    man at bus stop

    …watches cars

    wrinkled lanky folds

    lean on advertising

    for the uncommon convertible

    his eyes narrow

    he scuffs dirt

    women rushed from

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