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Patient Zero
Patient Zero
Patient Zero
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Patient Zero

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I will call the voice of this poet a common’ voice a voice a poet could take into an entire lifetime of memorable writing.” Philip Levine, Ploughshares

This second collection from APR-Honickman winner Tomás Q. Morín explores love gone sideways in the lives of lovers, parents and children, humans and the divine. Patient Zero is filled with voicesof all the people, places, and things that surround a life sick with heartbreak. Doors are the wooden tongues of a house, grocery-store cashiers are gatekeepers to the infinite, and food is the all-powerful life force behind every living thing.

From Patient Zero

Love is a worried, old heart
disease, as Son House once put it, the very stuff
blues are made of, real blues
that consist of a male and female, not monkey junk
like the Okra blues” or Pay Day blues,”
though I think House would agree
two hearts of any persuasion are enough for a real blues,
if one of them is sick, that sickly green of a frog
bitten in two by the neighbor’s dog, all of which
makes me wonder about the source of our disease
and whose teeth first tore the heart after Adam
and Eve left the garden?...

Tomás Q. Morín's debut poetry collection A Larger Country was the winner of the APR/Honickman Prize. He is co-editor with Mari L'Esperance of the anthology Coming Close, and translator of The Heights of Macchu Picchu by Pablo Neruda. He teaches at Texas State University and in the low residency MFA program of Vermont College of Fine Arts.


LanguageEnglish
Release dateMar 30, 2017
ISBN9781619321700
Patient Zero

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    Book preview

    Patient Zero - Tomás Q. Morín

    NATURE BOY

    If I had enough cages to keep all the birds

    I’ve collected over the years then I would have

    to open a shop because there’s only so much room

    in a two-bedroom walk-up for 48 birds,

    not to mention the dancing bears and the frogs,

    or the different varieties of fish, the one

    species of flea, and I almost forgot the proud

    dogs and the lone mule, the profane one

    who entered my life to curse at scribes and pharisees;

    and maybe he’d let the mouse I found

    forever dying at the end of a poem

    ride on his back like a whiskered Christ

    and if not, maybe my yeti could do it

    when he’s not downtown working

    security at the store or teaching the parrots

    how to say brotherhood in grunt

    and how to comb out the tangles and mud

    from his hair, whose sweat reminds me

    of that bearded collector of beasts

    with the ark who would have no doubt

    understood how I feel, that prophet

    of change under whose spell I want to confess

    that I’m a Christian of the Old Testament,

    that my grandfather hung all his goats

    upside down, their throats over a bucket,

    and slapped their chests like that other Nature Boy

    who strutted around the ring

    like a peacock with his feathered hair

    that stayed immaculate

    even on the nights he lost to our hero

    Wahoo McDaniel who never played the heel,

    he who hailed from the lost tribes

    of Oklahoma, who made us want to be chiefs

    so much we wore pigeon feathers

    and circled each other inside a green square

    of water hose until someone finally rang the bell

    that was never there and we sprang

    toward each other like animals in love or at war.

    SAUDADES

    When that word, one part swine,

    one part evasion, first wobbled into my life

    I was eating pastrami and hiding in my office

    from students and I know Andrade was in the air,

    as was the samba, and how it’s almost impossible

    to translate either one, nor should you

    unless you’ve been a disciple of the rough grief

    that lovingly wraps you in its wings, which is warmer

    than one would expect, so much so that it’s easy

    to forget for a moment something trivial like pigs

    aren’t supposed to fly or that if you say saudades

    with enough pain and heart the pigs of your past will come

    trotting out of the dark, doing their little sideways dance

    around you, shaking their hips to the drum

    in your chest until you forget what a frown is

    or why we need them and oh they will remind you

    how delicious Carnival is, and how glorious

    it is to make the past present, and how

    easily one can sleep dressed in feathers.

    NUDIST COLONY

    Wind-whipped, ear-clapped

    by the rocky thunder of the coast,

    they cross the wet grass

    in burnished loafers, sandals

    twined on the grounds

    to drink and merrymaking.

    Inland, they face the empty

    hour between lunch

    and dinner in a frail

    building with a barking

    door and incandescent

    lighting that wraps the matte

    surface of their trunks

    in an amber glow. Sheets

    of paper shuffle, chalk

    boxes are

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