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    THE OPEN BOAT
    THE OPEN BOAT
    THE OPEN BOAT
    Ebook41 pages32 minutes

    THE OPEN BOAT

    By Stephen Crane

    3.5/5

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    About this ebook

    Stephen Crane's 'The Open Boat' is a compelling short story that narrates the harrowing journey of four men stranded at sea in a small boat. The story captures the raw emotions, struggles, and interactions of the crew members as they battle the forces of nature and confront their own mortality. Crane's writing style is characterized by its vivid imagery, naturalistic tone, and attention to detail, which immerses the reader in the bleak and unforgiving seascape. Set against the backdrop of Crane's own experience of shipwreck, 'The Open Boat' delves into themes of existentialism, determinism, and man's place in the universe. With its stark realism and lyrical prose, this story stands as a classic example of American naturalism. Recommended for readers interested in exploring the complexities of human nature and the unforgiving power of the natural world.
    LanguageEnglish
    PublisherMusaicum Books
    Release dateDec 6, 2017
    ISBN9788027233670
    Author

    Stephen Crane

    Stephen Crane was born in Newark, New Jersey, in 1871. He died in Germany on June 5, 1900.

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    Reviews for THE OPEN BOAT

    3.5/5

    39 ratings3 reviews

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    • 4/5
      A great example of the genre Naturalism
    • 4/5
      An excellent short story. Crane writes in a clear and concise style that holds up remarkably well even by modern standards. The Open Boat is a captivating true life account of his and 3 others struggles to survive in the open sea in a tiny dingy. On a deeper level, Crane writes of the impersonal and arbitrary forces of nature. Highly recommended.
    • 4/5
      I read Crane's "Red Badge of Courage" while in high school and without ever giving it a second thought over the years I've always recommended it highly to anyone who's ever asked. But after reading "The Open Boat," it seems I'd forgotten exactly how powerful a writer Crane really was.

      I've never quite shared in the ultimate philosophy of writers like London, Conrad, and Crane yet they perpetually rank among my favorites, mainly I think, because the masculine vocabulary and narrative of "naturalist" deism (and sometimes atheism) speaks so well to those like myself who are or have been in constant contact with the dangers of outdoor life and work; those who know that their fate rests primarily in their own hands; those who know that one slip-up could cost them not simply their daily meal but their very lives. The "naturalist" relies upon the observation that although there may be a "grand architect" behind all that we see in this world, he/she/it is indifferent to our cares. It is not an agnosticism, but really that the idea that revelation, miracles, or any type of divine relationship between man and his creator is nonexistant. It is the belief that in nature, we are at the mercy only of our own abilities. How Crane came to hold such views, especially at such a young age, I can't comprehend, yet they are very evident in "The Open Boat" and it makes for extraordinarily beautiful though lonely sentiment:

      "...During this dismal night, it may be remarked that a man would conclude that it was really the intention of the seven mad gods to drown him, despite the abominable injustice of it. For it was certainly an abominable injustice to drown a man who had worked so hard, so hard. The man felt it would be a crime most unnatural. Other people had drowned at sea since galleys swarmed with painted sails, but still --

      When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he at first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples. Any visible expression of nature would surely be pelleted with his jeers.

      Then, if there be no tangible thing to hoot he feels, perhaps, the desire to confront a personification and indulge in pleas, bowed to one knee, and with hands supplicant, saying: "Yes, but I love myself."

      A high cold star on a winter's night is the word he feels that she says to him. Thereafter he knows the pathos of his situation..."

      Crane does not entirely discount that miracles happen, just that they are rather rare natural turns of luck that few men are fortunate to witness or partake in. Near the end of the story, when rescue is at hand, a wave carries the "correspondent" over the capsized boat, he makes it a point to call this "a miracle of the sea."

      However, Crane does give some hope in the story that even if we are at the mercy of nature, we are still worthy of survival because in the end we are capable of saving each other. For there are men, like the captain in the dinghy, that can still exhibit a duty toward other men as regards their cold station in life, and he paints a near messianic picture of his selflessness as he stood in the water with "a halo on his head" and shining "like a saint."

      I never did nor will I agree with the basis of deism/naturalism but it makes for incredible literature. 4.5 stars and another look at Stephen Crane.

    Book preview

    THE OPEN BOAT - Stephen Crane

    A TALE INTENDED TO BE AFTER THE FACT.

    BEING THE EXPERIENCE OF FOUR MEN SUNK FROM THE STEAMER COMMODORE.

    I

    Table of Contents

    None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks.

    Many a man ought to have a bath-tub larger than the boat which here rode upon the sea. These waves were most wrongfully and barbarously abrupt and tall, and each froth-top was a problem in small boat navigation.

    The cook squatted in the bottom and looked with both eyes at the six inches of gunwale which separated him from the ocean. His sleeves were rolled over his fat forearms, and the two flaps of his unbuttoned vest dangled as he bent to bail out the boat. Often he said: Gawd! That was a narrow clip. As he remarked it he invariably gazed eastward over the broken sea.

    The oiler, steering with one of the two oars in the boat, sometimes raised himself suddenly to keep clear of water that swirled in over the stern. It was a thin little oar and it seemed often ready to snap.

    The correspondent, pulling at the other oar, watched the waves and wondered why he was there.

    The injured captain, lying in the bow, was at this time buried in that profound dejection and indifference which comes, temporarily at least, to even the bravest and most enduring when, willy nilly, the firm fails, the army loses, the ship goes down. The mind of the master of a vessel is rooted deep in the timbers of her, though he command for a day or a decade, and this captain had on him the stern impression of a scene in the grays of dawn of seven turned faces, and later a stump of a top-mast with a white ball on it that slashed to and fro at the waves, went low and lower, and down. Thereafter there was something strange in his voice. Although steady, it was deep with mourning, and of a quality beyond oration or tears.

    Keep'er a little more south, Billie, said he.

    'A little more south,' sir, said the oiler in the stern.

    A seat in this boat was not unlike a seat upon a bucking broncho, and, by the same token, a broncho is not much smaller. The craft pranced and reared, and plunged like an animal. As each wave came, and she rose for it, she seemed like a horse making at

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