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In Defence of the Olive in a Martini
In Defence of the Olive in a Martini
In Defence of the Olive in a Martini
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In Defence of the Olive in a Martini

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The problem of how to garnish a Martini has always divided generations of devotees. From the very start we wish to state clearly which side we are going to align ourselves with: we are absolutely and unconditionally on the side of those who consider the olive as the true, unique, indispensable element apt to change a blend of gin and vermouth into a Martini. “In Defence of the Olive in a Martini” is a little pamphlet which lightheartedly deals with olives, quite obviously, and Martinis. But it is also about paintings, women, American literature, journeys, old inns, solid and plane geometry, botany, chemistry, ancient crafts, and dreams.
LanguageEnglish
PublisherHSL Edizioni
Release dateDec 4, 2017
ISBN9788827527436
In Defence of the Olive in a Martini

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    In Defence of the Olive in a Martini - Vito G. Cassano

    Vito G. Cassano

    In Defence of the Olive in a Martini

    Translated from Italian by Marialuisa Perini

    Original title

    In difesa dell’oliva nel martini

    Copyright ©2003-2017 Vito G. Cassano

    English translation by Marialuisa Perini

    Copyright ©2017 Marialuisa Perini

    hsl.edizioni@gmail.com

    All rights reserved

    First published: December 2017

    The cover shows a digitally processed detail of Hombre en un cafè by Juan Gris (Philadelphia, Museum of Art, Arensberg Collection)

    Graphic design by Lucia Diana

    The publisher is available to anyone who wants to claim rights on the pictures present in the book


    Distributed by StreetLib Ltd - Milan

    TABLE OF CONTENTS

    Introduction

    Schools and lines of thought

    Chapter I

    Origins of the olive as a garnish for Martinis

    Chapter II

    Varieties and preservation treatments of Martini olives

    Chapter III

    Toothpicks: a custom to be avoided

    Chapter IV

    How many olives in a Martini?

    Chapter V

    With or without the stone?

    Chapter VI

    Leave it or eat it?

    Chapter VII

    On the importance (for young women) to have their debut Martini with an olive

    Chapter VIII

    Geometric considerations on the use of an olive in Martinis

    Chapter IX

    Phenomenology of Martini olives

    Appendixes

    Appendix A

    Botin: how to get there

    Appendix B

    Botin: philological details. What Jake Barnes and Brett Ashley ate upstairs at Botin’s that day

    Appendix C

    A study on the antioxidant properties of Martinis

    Appendix D

    Numerological interpretation of dreams about the olive

    Notes

    Bibliographical references

    IN DEFENCE OF THE OLIVE IN A MARTINI

    We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid.

    «I like an olive in a Martini,» I said to the barman.

    «Right you are, sir. There you are.»

    «Thanks.»

    «I should have asked, you know.»

    Ernest Hemingway

    The Sun Also Rises

    Scribner’s Sons, New York, 1926

    INTRODUCTION

    Schools and lines of thought

    The problem of how to garnish a Martini has always divided generations of devotees. From the very start we wish to state clearly which side we are going to align ourselves with: we are absolutely and unconditionally on the side of those who consider the olive as the true, unique, indispensable element apt to change a blend of gin and vermouth into a Martini.

    After the complete, and lucky, disappearance of a small group of inept fellows who were following the dream of the perfect Martini by using all sorts of solid, though, we admit, edible material (such as "mint, garlic, shrimps, anchovies, various nuts, small pickled artichoke hearts, red caviar, grapes, tiny eggplants, tiny green tomatoes, button mushrooms, and crystallized violets [1]"), two hostile schools still resist and dangerously attract disciples among the ones with the least delicate palates. The members of the former and historically more well-established school, the

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