In Defence of the Olive in a Martini
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In Defence of the Olive in a Martini - Vito G. Cassano
Vito G. Cassano
In Defence of the Olive in a Martini
Translated from Italian by Marialuisa Perini
Original title
In difesa dell’oliva nel martini
Copyright ©2003-2017 Vito G. Cassano
English translation by Marialuisa Perini
Copyright ©2017 Marialuisa Perini
hsl.edizioni@gmail.com
All rights reserved
First published: December 2017
The cover shows a digitally processed detail of Hombre en un cafè by Juan Gris (Philadelphia, Museum of Art, Arensberg Collection)
Graphic design by Lucia Diana
The publisher is available to anyone who wants to claim rights on the pictures present in the book
Distributed by StreetLib Ltd - Milan
TABLE OF CONTENTS
Introduction
Schools and lines of thought
Chapter I
Origins of the olive as a garnish for Martinis
Chapter II
Varieties and preservation treatments of Martini olives
Chapter III
Toothpicks: a custom to be avoided
Chapter IV
How many olives in a Martini?
Chapter V
With or without the stone?
Chapter VI
Leave it or eat it?
Chapter VII
On the importance (for young women) to have their debut Martini with an olive
Chapter VIII
Geometric considerations on the use of an olive in Martinis
Chapter IX
Phenomenology of Martini olives
Appendixes
Appendix A
Botin: how to get there
Appendix B
Botin: philological details. What Jake Barnes and Brett Ashley ate upstairs at Botin’s
that day
Appendix C
A study on the antioxidant properties of Martinis
Appendix D
Numerological interpretation of dreams about the olive
Notes
Bibliographical references
IN DEFENCE OF THE OLIVE IN A MARTINI
We touched the two glasses as they stood side by side on the bar. They were coldly beaded. Outside the curtained window was the summer heat of Madrid.
«I like an olive in a Martini,» I said to the barman.
«Right you are, sir. There you are.»
«Thanks.»
«I should have asked, you know.»
Ernest Hemingway
The Sun Also Rises
Scribner’s Sons, New York, 1926
INTRODUCTION
Schools and lines of thought
The problem of how to garnish a Martini has always divided generations of devotees. From the very start we wish to state clearly which side we are going to align ourselves with: we are absolutely and unconditionally on the side of those who consider the olive as the true, unique, indispensable element apt to change a blend of gin and vermouth into a Martini.
After the complete, and lucky, disappearance of a small group of inept fellows who were following the dream of the perfect Martini by using all sorts of solid, though, we admit, edible material (such as "mint, garlic, shrimps, anchovies, various nuts, small pickled artichoke hearts, red caviar, grapes, tiny eggplants, tiny green tomatoes, button mushrooms, and crystallized violets [1]"), two hostile schools still resist and dangerously attract disciples among the ones with the least delicate palates. The members of the former and historically more well-established school, the